Different ethnicity, different religion, different species, body swapping, homosexuality, transgender, not actually being organically alive… with these, and other factors, many writers have tried- and failed- to make the romance genre anything besides a series of cringefests (at least for me). Could different gravity fields actually make it interesting? Let’s watch Patema Inverted and find out.
In Patema Inverted, the titular character dreams of visiting another world. So, she heads on the highway to the Danger Zone and ends up in the world of Aiga, some kind of Brave New World-type society. There, she meets an adolescent boy named Age, and they literally turn each other’s worlds upside down, because- well- their gravitational fields go in opposite directions.
Well, astonishingly enough, the opposite gravity means almost nothing. The only thing that the opposite gravity does is establish the forbidden romance factor that governs the film. It does build a sense of anxiety, just by them walking around, because both directions lead to a bottomless pit of death. Unfortunately, Patema Inverted plays out so cardboard-cutout-y that it doesn’t even matter. Maybe I shouldn’t be so harsh, since Kanopy considers it a kids movie, but I’m writing this post, so I’m gonna be harsh!
The romance comes from out of left field, as it almost always does. The sh*t hits the fan no more than five minutes after they meet, and while I appreciate the not-beating-around-the-bush, it doesn’t help build their relationship at all. At least Ride Your Wave did something to actually get you to grow attached to the two lovebirds (as much of an obvious red flag it was).
I shouldn’t even mention the characters… yet I am anyway. If you’ve seen E.T., then you’ve watched Patema Inverted already, as it’s all about the powers-that-be being scared of something that they can’t understand. Age is a typical “I’m-sad-because-my-dad-is-dead” boy, who literally has no personality other than the fact that he’s sad because his dad is dead. Patema is just… a girl. There’s nothing to even say about her. The bad guy is a typical SAO villain, complete with one-dimensional evilness and wanting to sexually assault a teenage girl.
I’ll admit that some of the movie caught me off guard. Towards the end, there are a couple of interesting twists, but they end up being left with next to no explanation. A fan would say that it’s a nuance that requires some interpretation, and a critic would say it’s a plothole. Guess what I think it is.
Visually, this is perhaps the weakest anime movie I’ve seen. I don’t know if it was a stylistic choice, but the character textures are flat, and the background art- while somewhat beautiful- doesn’t get much better than a AAA-produced TV anime. There is also a remarkable lack of actual animation throughout the movie. This is the first anime I’ve watched since Tokyo Godfathers, which looked way more impressive despite having come out a whole decade sooner.
Final Verdict: 5/10
I didn’t think I was going to like Patema Inverted that much going into it, but it couldn’t even meet my low expectations. This movie was about as empty-feeling as it could get. As much as I didn’t like Ride Your Wave, it at least has a sense of whimsy with its art style, and much more personality to boot. I’d recommend Patema Inverted if you like the very inorganic romance that’s plagued the genre since the dawn of entertainment. I’m sorry for writing such a harsh review, but them’s the breaks sometimes. I admit that I only watched it as a test to make sure Kanopy was reliable. I’ll be covering a review of a different anime movie that will very likely be much better in the very near future.