Now THIS is Yuri – ROLL OVER AND DIE Volume 1 Review

If you’ve read some of my previous posts, then you’ll be aware that I have not had the best track record with Seven Seas’ light novels; they just so happen to license some of the worst material I have ever read. The only one I’ve liked is The Invincible Shovel, and that’s in danger of becoming seriously repetitive. Other notable releases tend to be incredibly controversial, which would be good guilty pleasure, but some of them (such as Buck Naked in Another World) are so bare-bones and boring that I can’t enjoy them even for that! As a result, I had low expectations for one of their newest licences, a little series called *takes deep breath* ROLL OVER AND DIE: I Will Fight for an Ordinary Life with my Love and Cursed Sword. This was the needle in a haystack that I needed.

In ROLL OVER AND DIE (sorry, the official title is in all caps), a girl named Flum Apricot is chosen, among others, to defeat the Demon Lord. She has an ability called Reversal, which has all her stats locked in at 0. As a result, her party members treat her like crap until one of them sells her off as a slave. Just when she’s at the depths of despair, she stumbles upon a cursed sword, which- thanks to her ability- reverses its adverse effects and grants her massive stat buffs. With this power, she escapes captivity with a slave girl named Milkit, and sets off to live a normal life.

Critics have a word for scenarios in which an author tries so hard to make an underdog that it comes off as over-the-top and gratuitous: “torture porn”. That term is incredibly apt for ROLL OVER AND DIE.  Flum is constantly called weak, is unacknowledged by society, and is- multiple times- seen as a sex toy by random jerks. Everyone is out to get her, and when someone tries to be nice, it’s actually a Shield Hero-style ruse. It’s shock value, sure, but similar to stuff like Eighty-Six, it’s executed really well!

But a light novel is still a light novel. Instead of actually earning her keep through hard work like a real underdog, Flum has power thrown into her lap, free of charge. And it’s not only the sword; she frequently stumbles upon more cursed equipment by sheer coincidence. The story also does a good job at giving her plot armor. In one early fight, she’s literally cut to ribbons, but the reversed curse effect can heal her even from that. Typical OP protagonist stuff.

Despite this, there is one thing that saves ROLL OVER AND DIE from being your usual power fantasy romp, and it’s the fact that Flum is a girl. Let’s go over the basic premise again: Flum Apricot is given phenomenal cosmic power by pure happenstance. She befriends a slave girl named Milkit, who calls her “Master”, as if Flum owned her as a slave. Imagine Flum being a boy, and the whole tone of the LN completely changes. Because of how society is, we are more willing to sympathize with a woman who’s overcoming torment, but as a boy, she’d be a cringe-inducing overpowered protagonist. We’re more willing to look at a girl owning a younger female slave as two sisters, but as a boy, she’d be a misogynist taking advantage of an emotionally distraught young woman. Now you see just how important it is for Flum to be a girl!

Unfortunately, Flum being a girl doesn’t make her particularly interesting. For some reason, I have a track record of coming down hard on characters, and ROLL OVER AND DIE is no exception. Everyone involved is your typical fantasy trope, with not much personality, especially Flum’s ex-party members. Milkit is probably my least favorite character because she seems to only exist to be the dime-a-dozen “tortured waifu” that makes everyone cry when she says things like “Nobody’s given me positive feedback before” (so her name is Milkit because she milks the audience!). Her inability to contribute to battle seems to further cement this. The saving grace is a loli named Sara, who speaks in a Southern accent, and wields a mace even though she’s ten. She’s both cute and capable!

To offset the fairly lackluster cast, the plot has some serious momentum. It’s fast-paced, and neatly divided into “Episodes”. Developments that would normally be reserved for several volumes down the road are thrown at you right out of the gate. The tone of the whole series changes just as you’re getting acquainted with it, that’s for sure! There are a lot of genuinely great action and suspense sequences. And to top it off, excessive gore really brings the fun ridiculousness of the story together.

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Verdict: 8.75/10

I’ve finally found a light novel series that I think Seven Seas made a great call with licensing! ROLL OVER AND DIE is starting out to be a deceptively great franchise, and one that seriously needs an anime just to annoy people. Between this, Otherside Picnic, and Murcielago, I’m starting to consider the possibility that yuri is this secretly amazing genre… Anyway, I recommend ROLL OVER AND DIE if you fancy yourself some girl power!

Torture Princess Volume 4 and Konosuba Volume 11 Reviews

Last time on Torture Princess, Kaito and Elisabeth are dispatched to the capital to kill a giant mound of flesh, which happens to be the three remaining Demons fused together. There, they meet a powerful paladin named Izabella Vicker, who naturally does not like Elisabeth very much, as well as the not-exactly-dead Godd Deos, who’s using a mechanic similar to that of Vlad to project his soul throughout the world. In order to not have to rely on her, Izabella resolves herself to kill the mutants of the townsfolk that are spawned by the flesh blob (and is the only soldier who doesn’t get scarred for life). They manage to hold it back on the first day, at least. Later that night, Kaito overhears a conversation with Izabella and some other soldiers and realizes that the Knight was actually her brother, who was one of the many people that Elisabeth slaughtered in her backstory. The next day, the Church’s trump card appears: La Mules, a young girl who can vomit big birds. They manage to cut a big gash in the blob, causing the Monarch’s body to split off from it, which Kaito captures alive. Unfortunately, the blob forms the face of the King, and zaps La Mules with a mental attack that makes her kill herself. Elisabeth must finish it off tomorrow while it’s wounded. Since she’ll die no matter what tomorrow- either from the blob or being executed- Kaito goes on a wholesome date with her. Later that night, he uses pain-sharing magic to inflict massive pain on both the Monarch and himself, so that his magic is supercharged for the final battle. When the fated day dawns, they launch a full-on offensive (with the help of Hina, who just fully recovered), and infiltrate the flesh blob. Inside its core, they manage to destroy the King and Grand Monarch’s fused hearts, as well as the grotesque demon baby that they give birth to. With this, Elisabeth’s mission is complete. On the day of execution, she complies without resistance. However, Kaito shows up and attacks, threatening to destroy mankind. Yup, Kaito is now the fifteenth contractor, and he saved Elisabeth’s life by having her ordered to vanquish him.

Sure, this sounds like a cheap excuse to pad out a series that was CLEARLY over, and… well… it is. But hey, that doesn’t mean that the series is BAD. At least not for the time being, because this volume is the start of a rootin’ tootin’ new arc of Torture Princess

One final warning before getting into the actual review: DO NOT READ THE CHARACTER BIOS at the beginning! It mentions a new character introduced in this volume, and spoils a very standout trait of theirs. It kinda-sorta ruined a good half of the book for me, so seriously, do what I said.

Kaito is on the run as usual, because he- you know- declared war on the world. Sadly, the series once again shows that it is indeed a generic wish fulfillment isekai in the fact that he doesn’t choose to kill anyone who goes after him (which is not bad, but it’s still worth pointing out). But on the way, he meets the designated beastfolk, who seek his aid. There’s been a series of massacres in their community, and Kaito needs to find the culprit. 

This volume has a ton of new (and maybe kinda predictable) revelations about the overarching narrative as a whole. And most of it is provided courtesy of Jeanne de Rais, the new character whose trait I got spoiled of. Fortunately, I can tell you about her personality without spoiling anything. She’s an absolute lunatic, in the best way possible. She randomly swings from talking super politely to something a bit more… bold (literally; her text turns boldfaced in this state), and begins cursing people off.

But not a single character has yet to surpass Best Girl Hina (who has recently become my favorite character in the series). I get that her relationship with Kaito is a one-dimensional yandere-servant and self-insert-protag, but it’s an incredibly well-written one. Their chemistry is bubbling more excitedly than ever, and I’m loving every minute of it. And you know what… I’m officially going to declare that Kaito and Hina are a better Subaru and Rem than Subaru and Rem. THERE. I SAID IT. NO TAKESIES BACKSIES.

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Verdict: 9.35/10

With the amazing character interactions, Jeanne’s entertaining personality, and the new plot developments, this may be my favorite volume of Torture Princess thus far. And the irony behind that is that this volume has the least amount of gore. As much as I was saying that the gore is what will carry this series, I was proven wrong. This volume shows that Torture Princess is a legitimately well-crafted masterpiece that stands out among other isekai rabble, and I’m hoping it continues to stay this way (and for the love of God never get an anime adaptation).


Normally, I’d give an overly detailed recap of a previous LN volume at the start of these posts. But I goofed this time… again, just like with No Game No Life Volume 10. I’m really sorry. But hey, maybe not having a recap is better? Well, the basic gist is that Iris is the Best Girl. That’s what’s important.

This volume is titled The Archwizard’s Little Sister. That means it’s all about Megumin’s sister, Komekko (who I had completely forgotten was introduced in volume 5 and thought that she was a brand new character), right? Heh-heh-heh, WROOONG. The book pulls a Monogatari and spends a third of itself with Kazuma lazing around at Iris’, which becomes its own mini-arc where they try to convince him to come home.

Unlike Monogatari, this part’s entertaining in its own right. He literally fights tooth and nail to stay with his little sister, Iris, and this causes the usual Konosuba Khaos (had to change the letter for alliteration) to ensue. It’s your usual Kazuma being a buttmonkey stuff that’s karried Konosuba (alliteration again) all this time… and it’s kind of getting old. I love these characters, but their comedy hasn’t really evolved. For example, the third volume of Cautious Hero introduces a lot of new abilities for Seiya that creates even more ridiculous scenarios than before. But here… Kazuma’s still being lazy, Aqua’s still being a whiny brat, Megumin’s still the Best Girl, and Darkness is still a punching bag.

Fortunately, this volume of Konosuba is a return to the series’ roots. For the first time in what feels like a long time, we have the cast doing just normal quests. We also have a reference to Combatants Will Be Dispatched!, with a brief mention of the goddess who is supposed to be the sister of Zenarith, the goddess of undeath that Grimm worships. Overall, the volume was pretty nostalgic in a way.

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Verdict: 8.75/10

With six volumes left for us Westerners, Konosuba is still coming in strong. This volume is a nice little romp, and the twist ending definitely has me curious. Let’s hope it can stay good all the way through!

Eighty-Six Volume 4 Review

Last time on Eighty-Six, Shin’s team sets out to fight the Morpho, the giant Legion that fired the railgun at the Federacy, and is controlled by the mind of one of Shin’s relatives, Kiriya Nouzen. Well, he beats it, to say the least (and by himself, of course). And just like it was foreshadowed in volume 1, Lena shows up and they meet IRL! Now we can FINALLY know what happens next!

So, I haven’t been enjoying the past two volumes of Eighty-Six. A lot of it felt like torture porn as Shin and the others get exploited, and have to fight to save people who treat them like crap, even in the Federacy. There were also a lot of boring military people who got all introduced at once and had really boring personalities. 

But now… hoo boy, Lena is back, making the power couple that carried Eighty-Six’s first volume so good! I know I normally don’t like romance, but these two established themselves as one of the most organic and interesting relationships out there, and it once again shows. They even had some great interactions together (even if it resulted in some misplaced comedy scenes).

Since this is the first volume with Lena in a while, this it’s going to be about her. As established, she transferred to the multicultural Federacy from the whi- I mean- Alba Supremacist Republic. The racist practices of the Republic are well known to the Federacy by now, and because of this, Lena gets crapped on from the powers that be. Fortunately, Shin exists as a cushion for her guilt complex. It’s actually something that I felt when I was a kid, when I first learned about Martin Luther King. I wanted the African-American kids in my class to bully me, so I could be punished for something that I didn’t even do, just because people from a generation ago did it.

But Lena doesn’t have much time to get used to her situation, for today’s mission actually starts pretty darn early (much sooner than taking a whole volume and a half in the previous arc). This mission involves going into what’s left of the Republic that got overtaken by the Legion and, well, taking it back. This means going back to Nazi-Germany-Meets-Overly-Patriotic-White-Supremacist-America once more.

And as you can expect, the only thing waiting for Shin, besides some angry Legion, is racism. While the racism came off as torture porn last time, this time we get some interesting and differing perspectives from Lena and Shin. The irony here is that Lena, a whi- I mean- Alba person is much more offended than the actual victims. It’s almost implying that certain people shouldn’t respond to certain other people who are just being jerks, or trolls.

Overall, the only problem I had was kind of telling where people were in 3D space. A lot of times, during the actual operation, the story would flip perspectives rapidly, and it confused me a lot. It also was pretty inconsistent with whether or not it wanted to mark transitional points with a simple page break, or an actual symbol. Maybe if they- say- used the symbol to transition between P.O.V.s in particular, I would’ve understood what was going on a lot better. 

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Verdict: 8.9/10

Finally, Eighty-Six is back with a vengeance! My interest in the story is reinvigorated, especially with the new development at the end, and now I can’t wait for the next volume. Here’s hoping that it stays strong all the way through!

Re:ZERO -Starting Life in Another World- Volume 12 Review

Last time on Re:ZERO, we learned that Subaru has WAY too much to do to get through this arc. First off, Emilia has to pass this trial at the sanctuary so that they can get through the forest, and even though Subaru got through the first part with no problem, Emilia is the one who needs to pass it because reasons. However, at the same time, Elsa- back from volume 1- attacks Roswaal mansion, where the comatose Rem is. Oh, and if they take too long with either, their camp will be ravaged by a hive-mind of demon bunnies created by the Witch of Gluttony. I should also mention that Beatrice is potentially a Witch cultist, since she has a Gospel-looking book in her room. But when Subaru presses Roswaal, he’s real adamant that she isn’t. And after he returns to New Best Girl Echidna’s place for advice, the camp gets attacked by-!

Holy crap, finally! It’s mother-effing Satella! As I mentioned in my overview of the series, my curiosity of what Satella is like has been my driving force to commit to Re:ZERO. Unfortunately, you don’t really get to see much of her personality, other than that yandere crap that she’s been displaying in all of Subaru’s previous encounters with her. But hey, it’s freaking Satella. Beggars can’t be choosers.

Minor spoilers; Subaru dies again, which further compounds the layercake of conflicts in this arc. Now, he has to: help Emilia get through the trial, deal with Garfiel, save Rem from the attack of Elsa and her cohort at Roswaal Mansion, the attack from that rabbit demon, AND the subsequent attack from Satella! Have fun, Subaru.

I never got to talk about this arc properly in the original overview, so I’ll sum up my thoughts on it up to this point. I wasn’t too into this arc at first. Garfiel felt like a very arbitrary antagonist, just stuck there to be annoying, and Echidna came off as merely a replacement for Rem; someone for Subaru to confide in.  It was also agonizing that they’re just stuck in this stupid Sanctuary in the first place.

Also, as far as the story as a whole is concerned, Re:ZERO is as padding-happy as ever. The reason why the previous arc, with Petelgeuse (or whatever his name is), was my least favorite thus far was because it just took forever. 

But right at the start of volume 12, I finally got to enjoy this arc for the first time. The story went from nothing happening to everything happening all at once. There are so many huge moments, from Echidna’s backstory, to a powerful scene between Subaru and Beatrice of all people, to Roswaal finally coming clean, and the proper introduction of Satella, volume 12 cranks it up a notch and then some. And that scene at the end… holy crap. We are likely on the cusp of a big turning point here.

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Verdict: 9.5/10

This volume was lit. Scratch that, this is my favorite volume in Re:ZERO to this point. It was completely worth getting to read this far ahead before the second anime season! Let’s hope that it continues to get better from here.

Outer Ragna Volume 1 Review

What if you had complete control over someone’s body and mind? Their movements, their thoughts, their own souls… are yours. Would you do something like that to a living, breathing human? Although that’s part of the premise of Outer Ragna, the latest Overlord wannabe published in English by J-Novel Club, that train of thought isn’t even remotely explored in the plot. I just wanted to make an interesting intro paragraph *smirks*.

In Outer Ragna, a (presumably) Twitch streamer by the username of PotatoStarch plays the new deluxe edition of Dragon Demon RPG on stream. This game is supposed to be Dark Souls of JRPGs (if Xenoblade Chronicles X wasn’t already that), and your race and abilities are all randomized. He ends up with the worst possible role: a human slave girl. But for some reason, the whole game world is an actual fantasy world (of course), and he’s controlling this girl, named Kuroi. Thanks to his veteran gamer skills, the humans actually have a shot at survival in the ongoing war of the elves and vampires that normally wipe humanity clean in a normal playthrough.

Confused? Despite the simple premise, I found Outer Ragna to be kind of hard to follow at first. The structure felt very disorienting to me for some reason… I actually took my darn time to read through this volume, yet I was still confused at times. A lot of scene transitions felt very abrupt.

The author definitely put a lot of effort into the game mechanics, which is good. But it’s only introduced in chunks of exposition dump from Starch, and scattered throughout the book. What you need to understand is that elves get magic from the Dragon God, Vampires get magic from the Demon God, and humans- who can only learn lousy fire magic- have no god. Or so they thought. In the deluxe edition, the humans have the Devil God on their side, who is presumed to be Starch himself. 

“Hang on!” you exclaim, “This guy can’t play this game 24/7, right?” Don’t worry; strange circumstances occur in the world that force him to play it, such as being given an indefinite paid vacation from his job. Obviously, this doesn’t make a lick of sense, but them’s the brakes with the genre.

The biggest problem so far is that I’m not a fan of the writing style. The descriptions are lacking in detail, and the many “torture porn” segments feel underwhelming (keep in mind that yours truly’s standards of torture porn have spiked recently, thanks to Torture Princess). I also had no sense of where anyone or anything was in 3D space. The writing is at its best when it strictly comes to action sequences, but those occur in rather low abundance.

Among the characters, Kuroi is the  one most worth mentioning. It’s hilarious to see NPCs react to her doing repetitive tasks from their perspective, while we as an audience know that it’s merely Starch grinding stats a la Quest 64. But otherwise, she’s just your typical deadpan loli. The other interesting character is the sorcerer, Odysson, who has cool fire magic, but is implied to have Ted Bundy’d a bunch of people in the past. But seriously… they introduce way too many characters to keep track of right off the bat. In addition to the characters I mentioned, there’s… *deep breath* The priest Felipo, the knight Agias, his brother Origis, some merchant lady, a loli named Sira, and more! What they all have in common is being boring dullards.

Outer Ragna is yet another LN with only cover art. While it is a step down from Isekai Rebuilding Project, it still has a nice, edgy style to it that makes it visually appealing all the same. Let’s just hope the series will get as intense as it looks on the cover moving forward.

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Verdict: 6.75/10

From the first impressions, Outer Ranga doesn’t seem to be anything spectacular. It sets up some good groundwork, but to what end? The structure felt very wonky, and the characters are bland. I’d recommend it to fans of Overlord and Sword Art Online. But otherwise, I might end up quitting while I’m ahead.

Torture Princess: Fremd Torturchen Volume 3 Review

Last time on Torture Princess, Elisabeth and Co. went to Vlad’s castle to find information on the remaining demons. Kaito pockets a strange orb, but otherwise they have as much luck as two Spaceballs combing the desert. Later, they get invited to the castle of a new demon, the governor. Upon arrival, they see a gruesome scene where innocent people are gorging endlessly on poison foodstuffs. Elisabeth puts them out of their misery, and they go to the Governor’s bedroom where they find him already dead. Suddenly, the guy’s heart ruptures and Elisabeth is afflicted with some spell. Then, another new demon, the Grand King Fiore (female), shows up. Apparently, she has the ability to control other demons, and set this all up for Elisabeth. They manage to escape, but Elisabeth’s magic is heavily drained. However, the church immediately makes her fight two more demons that are attacking the same area. But before that, Kaito discovers that Vlad’s orb contains his spirit, and he teaches Kaito how to use some magic. With this, they’re able to fight the demons, but one of them is used in the same spell again, and Elisabeth is in even deeper doo-doo. What’s worse is that the Grand King, in control of two MORE demons, is attacking Elisabeth’s HQ directly. Desperate to help, Kaito forms a contract with Vlad’s Kaiser. Hina finds out, and he involves her in a plan. Hina uses a weapon that makes Kaito feel the pain of all the minions that are killed in order to power up his Kaiser. By the time he shows up, she’s got her arms and legs burnt off.  Unfortunately, Kaito’s magic isn’t enough to fight off the Grand King in her final form. But he has a backup plan. He stabs himself and uses the blood- fused with the Kaiser’s- to cure Elisabeth, and she whoops the Grand King’s booty. YEAH! YEAH! BEST GIRL ELISABETH IN THE HIZ-OUSE! However, they barely manage to restore Hina’s limbs before they get an emergency summons to the capital city, which is seriously getting wrecked.

Unfortunately, Hina’s “gears have to realign” or whatever, so she’s not actually IN this volume. But hey, given that volume 2 was all about the S.S. KaitoHina, this volume is all about the S.S. KaitoElisabeth. It’s about freakin’ time, am I right? 

Anyway, the situation in the capital is about what you’d expect. The three remaining Demons have fused together into a giant flesh blob, and it sucks in people, turning them into mutants that throw other people into it and repeat the cycle. The description of it, as well how Elisabeth dispatches the mutants, is about as excessively violent as you’d expect.

This volume gives us a new girl named Izabella Vicker, a commanding officer of the paladins who are sided with the church. She’s your typical hyper-morally-correct Mary Sue who wouldn’t be caught dead doing something dishonorable. But she’s an extreme case; in order for them to not have to rely on Elisabeth, she chooses to bathe in sin by killing the innocent people who’ve been turned into mutants. She’s my least favorite character so far, but there’s a good chance she’ll have a bigger role to play later.

Despite this volume centering around an entire battle, this is actually the least action-packed volume so far. Normally, I would be like, “Ugh… more boring crap where nothing happens,” but Torture Princess once again shows its surprising strength in character interactions. There’s an entire chapter of Kaito and Elisabeth just hanging out together, and it’s a really good chapter. Their relationship is probably one of the best that I have ever seen; much better than the BS from the actual romance genre.

But of course, what we all want to know is what happens at the end of the volume. After all, as established in volume 1, Elisabeth’s only reward for defeating all these demons is public execution. I personally saw it coming, but that doesn’t mean it’s not something entirely predictable. You’ll have to read this volume and see.

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Verdict: 9/10

This brings us to the end of the first arc of Torture Princess. I have no clue of how things are going to play out moving forward. But as long as it’s edgy beyond all reason, I’ll see it through to the bitter end.

Torture Princess: Fremd Torturchen Volume 2 Review

Cover of volume 2

Last time on Torture Princess: Fremd Torturchen, Kaito Sena is strangled to death by his father and summoned to another world in the body of a golem. He is forced to serve Elisabeth Le Fanu, a young girl who has killed a LOT of people, and must hunt thirteen powerful demons as punishment. After a fun frolic through a creepy guy’s slaughterhouse for kids, Kaito finds Hina, an autonomous doll that ends up joining the crew. Later, they fight a demon disguised as a corrupt clergyman, and encounter Elisabeth’s father, Vlad. When they go to Elisabeth’s old hometown to find him, they fight Elisabeth’s estranged nanny, Marianne. During the fight, Vlad captures Kaito, and says that he’ll summon Kaito’s dad to this world and allow him to torture the man if he abandons Elisabeth. Edgelord that he is, Kaito agrees. But when his dad is summoned, he sees a drunken old fart, and calls the deal off. Thanks to a teleportation sigil drawn on his torso, she appears in Vlad’s room and destroys him. Well, so much for the main antagonist!

Waiting for this volume was really hard for me. After all, so many other “edgy” series, like Elfen Lied and Goblin Slayer, had traumatizing openers that made it look as if they were going to be incredibly dark, only to wind up being light-hearted and boring. Torture Princess started out so elegantly angsty, but-

OH WHO AM I KIDDING?! THIS VOLUME WAS FREAKIN’ LIT!

The first question that would be raised is, “Well, we basically killed the final boss, Vlad and the Kaiser. So, what now?” Just because that guy was the strongest doesn’t mean he’s the final boss! In fact, a new Demon, the Grand King, lures Elisabeth and Co. into a trap that causes a mana-sapping affliction to be, well, afflicted on Elisabeth. However, the church waits for no one as she is still dispatched to, well, dispatch other Demons. KAITO, it’s your turn to protecc her!

And that’s exactly what happens. When investigating Vlad’s HQ for information on other Demons, Kaito pockets a strange orb that contains Vlad’s spirit. He colludes with Vlad and starts to learn magic, so that he can fight people on his own for a change. I can see him developing into an overpowered main protagonist…

When it comes to character development, Hina and Kaito are the ones in the spotlight this time. Their one-sided relationship gets tested thanks to Kaito’s new secret, plus we get some of 2nd Best Girl Hina’s presumably week-long backstory.

Other than that, the utter angst is still in full swing. As soon as I started this volume, with that flesh-coffin that had mangled up human arms for wings, I knew that this volume of Torture Princess would live up to its predecessor. However, it concerns me that the author could inevitably run out of ideas for terrifying situations… but we’ll cross that bridge (probably made out of the corpses of women and children) when we come to it!

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Verdict: 9/10

If you’re looking for an intellectual, subversive isekai that questions moral values and explores the inner recesses of people’s emotional insecurities, then Torture Princess isn’t for you. However, as long as it follows through with its exquisitely well-written angst and disturbing imagery to the bitter end, then it will remain one of my favorite light novel series of all time, just for the sheer entertainment value. With Kaito as a to-be-overpowered protagonist, his yandere girlfriend in Hina, and a waifu he must protecc in Elisabeth, this series may seem to be generic, but it’s incredibly enjoyable. As someone who’s been disappointed time and time again by “edgy” YA novels and stuff that just end up copping out for whatever reason, Torture Princess is a repugnant breath of fresh air! I still recommend this series to anyone who loves wanton violence and gore!

Torture Princess: Fremd Torturchen Volume 1 Review

The cover of volume 1

Welcome to the first Thursday blog! I’m hoping to include Thursday evenings in the regular schedule from here on out. Today is my review of Torture Princess: Fremd Torturchen, published in English by Yen Press.

The issue of gore and inhumane crimes’ presence in entertainment has always been a subject of much controversy. In the anime community, shows such as Elfen Lied and Goblin Slayer have ignited wildfires on message boards. Torture Princess has the potential to cause a volcanic eruption. And what a beautiful eruption it would be!

Torture Princess shows it’s edginess in its premise. Sena Kaito is summoned to another world in the body of a golem- after he is strangled to death by his father- to serve Elisabeth la Fanu, a lowly sow who has committed a ton of crimes and whose punishment is to hunt thirteen demons. As Kaito helps her on her quest, he learns about her and the cruel world she lives in and is slowly changed during his new life there. The events taking place in this volume are consistently violent and unsettling, but that’s not a surprise given the title of the series.

The characters, however, end up being a big surprise. I expected Best Girl Elisabeth to be a one-dimensional sadist and for Kaito to be a one-dimensional masochist. However, this volume quickly proved me wrong. In the case of the titular torture princess, Elisabeth is a strange combination of several dere types that somehow manage to work. She’s a two-sided coin where one side is the sadistic badass you’d expect, but on the other side is an emotionally insecure waifu that you just want to offer your shoulder for her to cry on.

Speaking of emotionally insecure, Kaito is one dark and disturbed kid. Who wouldn’t be, with a father like that? Although the numerous illegal practices of his father are a bit over-the-top, the mere presence of an abusive parents makes Kaito much more relatable to audiences than his Goody Two-Shoes cousins in other isekai. He’s also got a snarky personality, which leads to some great interactions with Elisabeth.

The third major player is Hina, an autonomous doll girl who ends up taking the role of yandere. I admit that she’s the weakest link out of the trio so far, but in terms of sheer personality she is one of the better yandere I have seen.

All of this wouldn’t be possible without the author’s prose. Torture Princess doesn’t try to pull off its angst with a straight face and end up falling apart; it embraces its angst and doesn’t care what you think. The prose portrays violence with elegance and grace, which is suitable to how Elisabeth looks when she takes down her foes. One of the few concerns I have is that the dark pasts of both Elisabeth and Kaito seem to be tackled in their entirety in this volume. I have no idea where it’ll go from here, but I’m going to put faith in the author.

I really like the art in this one. Elisabeth looks awesome on the cover, plus I commend anyone able to draw chain links and still have a hand attached to their body.

~~~~~

Verdict: 9/10

Torture Princess is– surprisingly- one of my new favorite isekai of all time. I found it very immersive, and difficult to put down. It’s no Berserk, but you can probably count on actually being able to READ the conclusion to this one.

If you cannot stand things like blood and murder (of children, among other things), then STAY AWAY from this. If Goblin Slayer went over the line, then that line is a dot to Torture Princess!

But if you DO read it, I recommend reading it on Barnes & Noble’s nook app, just for the ability to change the style to white font on black paper. I decided to try that out halfway into the volume and it legitimately helped with the immersion!