My Dearest Self With Malice Aforethought: A Short and Sweet Identity Crisis

A lot of writers create slice-of-life dramas about identity, where a young’un has to fight the labels provided by society. But in my opinion, the theme of “identity” would be more urgently called into question if someone’s brain just decided to assume an entirely different personality within the same body. That’s what happens in My Dearest Self with Malice Aforethought, a royally messed up suspense manga.

In My Dearest Self with Malice Aforethought, the main protagonist, Eiji Urashima, is haunted by a dark past that’s about to bite him in the butt: he’s the son of LL, a serial killer. Eiji has been able to live a normal life, but he suddenly starts experiencing time-skips. The reason for this is B1, a split personality that seems to be more-or-less following in his father’s footsteps. Eiji now must find the truth behind, well, himself.

One thing to say about this manga is that it’s really suspenseful. Normally, a lot of these—such as Monster—revolve around finding the established main antagonist. That’s pretty difficult when the protagonist and antagonist share the same body. Eiji finds himself in various situations thanks to B1, and it’s engaging to see how he could possibly get out of them. 

The characters are, sadly, not too spectacular. Eiji is your typical thriller protagonist, where he starts off as super timid, but ends up becoming more and more like B1 as he’s forced to do uncouth things in order to find the truth. A more interesting case is his girlfriend, Kyoka. She seems like the super-perfect waifu, but that quickly stops being the case. The most likeable (read as: “marketable”) character is this one loli named Rei Shimyoji. She’s that weird girl who’s super big-brain and knows how to do a lot of unconventional stuff that just so happens to be helpful in plot progression.

After the halfway point, Dearest Self takes the cynical route, where B1 is on center stage for the remainder of the series. At this point, it becomes a pretty typical cat-and-mouse chase as he tries to find the true culprit of the LL murders. It feels very Western because of the whole thing where he’s “just as evil as the murderer he’s trying to catch” and it’s supposed to be an allegory to how all humans are awful. The mystery element is still good, but for those suffering from cynicism like I am, it’s not the best route for a manga to take.

At the very least, it all wraps up nice and smoothly. Sadly, the true villain’s motive ends up being the typical thing where killing is the only thing that makes them happy; the perfect “I couldn’t come up with a motive by the publication deadline” motive. I mean, how much more can you ask for?

The art, for the most part, is what you’d expect from a modern thriller manga. The eyes are very detailed, and there are a lot of instances of crosshatching and distortion effects. The faces are very exaggerated, and lips are given a lot of emphasis.

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Final Verdict: 8.85/10

My Dearest Self With Malice Aforethought ended up being a much better experience than I initially thought. It was short and engaging, without getting too convoluted (relatively speaking). I recommend it to suspense fans.

Talentless Nana Will Teach You to Not Trust Your Resident Moe Blob (First Impressions, Chapters 1-41)

Crunchyroll has never had the most… comprehensive catalogue of manga included with the premium subscription. Sure… I’ll be able to at least finish Attack on Titan on the same day as Japan without getting into legal trouble, but that’ll be beside the point when Adobe Flash Player dies this December without them updating the actual reader (assuming that I can’t alternatively use the mobile app, but I heard it was as buggy as heck). So, why not read one of the bizarre exclusives, that has all of the chapters up, while I can? Ladies and gentlemen… let’s check out Talentless Nana.

In Talentless Nana, a bunch of kids who have talents (i.e. superpowers) are sent to an academy on a deserted island to train, in order to fight the enemies of humanity. Our main protagonist, Nanao Nakajima, becomes quick friends with a new student named Nana Hiiragi, who has the ability to read minds. With the power of their inevitably blooming love for each other, they’ll learn and grow until they fight the enemies of humanity once and for all!

“Hey, wait a second!” you point out. “If the manga’s called Talentless Nana, then how come the titular character can read-?” Yeah… you noticed that too, didn’t you? *sigh* Look, I’m not gonna BS you. In order to properly review this manga, I must spoil the ending of chapter 1, because it’s a crucial tone setter that could make or break the whole manga to you. I could write the review without spoiling it, but I’d be glossing over something crucial to helping you properly decide if you want to read it, and that goes against what I want to be as a blogger. So, starting the next paragraph, I will be spoiling the end of chapter 1. Skip to the end of the review if you want a basic gist of the manga’s quality.

In the ACTUAL premise of Talentless Nana, the titular Nana Hiiragi is sent to the island where the enemies of humanity, those with talents are kept under the guise of training to fight an ersatz enemy, without them knowing they are their own enemies. Her mission is to use her wits to kill all the talented students without them finding out, and Nanao Nakajima is her first victim.

See how divisive this makes Talentless Nana? In a brilliant troll move, the manga begins in Nanao’s perspective, and aims to get you attached to the super adorable and compassionate Nana in record time. And just when you’re writing your fanfic about the two, Nanao is murdered, destroying your brain as a result (since you, hypothetically, imagined yourself as Nanao so you can pretend that you’ll find a significant other in life). It’s a perfect crotch-kick that takes advantage of a waifu-driven market.

So, besides breaking your heart and force-feeding you the shards, what does Talentless Nana have in terms of entertainment value? Basically, the main focus of the manga is that Nana befriends each student one at a time, pretending to be a ditzy moe blob. With each new victim, the rest of the group becomes more and more suspicious, and it’s pretty engaging to see her try to avoid having that suspicion turned on her.

Unfortunately (at least for some), the manga lacks the one thing that psychological thrillers “absolutely must have”, and that’s realism. Due to the superpowers, a lot of things that happen don’t make any sense, more so when Nana somehow manages to talk her way out of incriminating scenarios, like when people catch wind of a psychic’s photograph of her killing people in the future. Between this and the polarizing plot twist, I can totally see this getting widespread criticism when the anime airs: the lack of realism will perturb analytical viewers, and the twist will do the same to casual viewers.

Additionally, the manga has a pretty bland cast of characters. The only ones even worth discussing are Nana, who is actually pretty entertaining for the most part (at least until she starts sympathizing for her classmates which becomes kind of annoying), and Kyoya Onodera. Kyoya is a transfer student who arrives alongside her, but he’s not a spy like her; he’s one of her enemies. However, he’s actually smart, and he actually tries to, you know, investigate his classmates’ deaths. If this was a YA novel, Kyoya and Nana would end up making out by the end (hopefully they don’t).

The art is kind of average. While it captures motion pretty well, the character designs are incredibly bland, with Nana being the only standout character thanks to her hair. While it’s decent at making some scary closeups, it’s not really much in comparison to other manga art.

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Current Verdict: 7.5/10

While it has a number of issues, Talentless Nana is a decent guilty pleasure. I don’t normally “command” viewers to consume certain media, but due to the inevitable controversy the anime will cause, along with the death of Flash Player, I highly recommend at least reading a bit of the manga in order to be hip. Oh, and also, the fact that it will not be possible to read for much longer.

Otherside Picnic Volume 2 Review

Last time on Otherside Picnic, Kamikoshi Sorawo finds a doorway to another world, where she is henceforth attacked by a strange creature called the Kunekune. She is saved by Nishina Toriko, a cool girl who came here in search of a missing friend, Uruma Satsuki. They return to the real world, where she meets Kozakura, another friend of Toriko’s and a researcher of the mysterious world, called Otherside. They go back to fight another Kunekune, but get afflicted by it; Sorawo in her eye, and Toriko in her hand. However, they still manage to fend it off and obtain its core. They have other adventures (one of which involves the American military and a haunted train station), and learn that they have been given some strange powers: Sorawo can change realities with her eye (which, in Layman’s terms, means that she can see through illusions), and Toriko can touch strange things in the Otherside with her hands. After the incident with the military, the two girls have an argument, and Toriko goes to the Otherside on her own to find Satsuki. Sorawo and Kozakura end up searching for her, despite the warnings from some strange, middle-aged men who seem to act as guardians of the Otherside. While postulating the existence of the Otherside and about the science of fear, they find Toriko in a weird, abandoned village full of plants. Using the power of her reality-shifting eye, Sorawo manages to save Toriko from an illusion of Satsuki, and they make it back home safe and sound.

It felt like I’ve been waiting a year for this volume to come out. In the time leading up to it, I was more scared of it sucking than of the disturbing imagery in the actual story. And perhaps… I could’ve scared myself into not enjoying it as much as the previous one. But at the same time, the first volume was likely to have been exceptionally good for the same reason that caused Made in Abyss to become popular; the element of surprise. I don’t know about you, but this series definitely did not LOOK scary on the cover. So, when we read volume 1, it was like, “Holy sh** this is so freaking scary!” Now that we know what to expect, it loses the chutzpah from before.

Anyways, let’s actually talk about the content, shall we? One review I read of volume 1 (don’t worry, it has to do with the matter at hand) called Otherside Picnic a yuri series, and I was like, “Whatchoo talkin’ ‘bout, dude?” However, this volume definitely seems to be where the yuri stuff comes in. I kinda realized it when they pulled the classic “here-let-me-caress-you-with-my-entire-body-while-I-instruct-you-on-the-proper-posture-for-using-this-thing” schtick that they do with romantic couples. I know that yuri can get pretty contentious in this community, so proceed with caution if you’re sensitive to fanservice and stuff.

Similar to the previous volume, the chapters are all self-contained episodes that slowly build up a semblance of an overarching story. The first chapter is a rescue operation of the US soldiers from the first volume, and the chapter after that is the “beach-vacation-so-we-can-see-the-girls-in-bathing-suits” trope. The third chapter introduces a new character Akari Seto, whose main personality quirk is being good at karate. I don’t know if she’s going to become plot relevant or what…

But if there is anything relevant, it’s the continuing escalation of intrigue in this volume! More signs of Satsuki start popping up, but only we and Sorawo catch wind of them. She elects not to tell Toriko about any of this, presumably under the assumption that she’ll go after Satsuki alone and almost get wrecked again. But if this really is a yuri series, it could also be because Sorawo doesn’t want Toriko to be in another woman’s bed. My biggest concern is that this could get escalated to sitcom-like proportions, but we won’t really know that until the future.

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Verdict: 8.5/10

While it might lack the fire of the first volume, Otherside Picnic’s second volume proves that this series is still one of the best new isekai on the market. With so many new plot threads established, I need to have the third volume yesterday. Hopefully, the wait won’t feel as long this time around.

Otherside Picnic Volume 1 Review

Cover of volume 1

At first glance, Otherside Picnic– published in English by J-Novel Club- looks like a boring, CGDCT isekai that uses the cover art of cute girls holding guns to lure you into what looks like an edgier version of Laid-Back Camp. In actuality, it’s a surreal sci-fi thriller that doesn’t have time for sissie things like picnics (sorry, Yogi Bear).

This story jumps in so fast, that you’d think that you were reading the start of volume 2 at first. Our main character, Sorawo, is saved from a threatening encounter in the titular Otherside by a cool, tomboyish girl named Toriko (no, she’s not a gourmet hunter). Turns out that Toriko’s looking for a friend who’s been lost in the Otherside, so Sorawo joins her because she’s got nothing better to do. After this abrupt intro, you get context to how Sorawo found her way into the Otherside, and it’s not long before you find that there are multiple entrances into it.

What makes this novel most interesting is how it subverts a lot of modern isekai’s tropes, perhaps moreso than Ascendance of a Bookworm. The characters aren’t overpowered; in fact, they are very vulnerable at all times. Also, the characters freely move between this world and Otherside, a rarity among isekai in general.

Most importantly, the Otherside itself is interesting, and is by far the biggest appeal of the series right out of the gate. It is very bizarre and strange. It seems almost post apocalyptic, as it has ruins scattered throughout. The place is also- as Stan Laurel would say it- infatuated with terrifying creatures. A lot of the weird stuff that happens in Otherside Picnic are based on real Internet ghost stories and urban legends, which gives a sort of Steins;Gate vibe, as that series incorporated real-life conspiracy theories into its story.

The characters, so far, seem to be the weakest aspect. Sorawo is kind of a generic, ditzy girl, while Toriko is a generic badass. They’re brain and brawn, respectively. They obtain interesting powers early on in the story that force them into some interesting scenarios, but their personalities- aside from a couple of weird things that Sorawo says in her monologues- are a bit lacking. However, I at least see room for improvement moving forward.

The art is appealing. As much as I joked about the cover art earlier, the coloring is great, and the illustrations have a lot of cool tones and shades to them. Its much darker than most light novel art is.

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Verdict: 8.85/10

Otherside Picnic is shaping up to be one of the best new isekai. While I don’t like it as much as The Hero is Overpowered But Overly Cautious or Torture Princess, it has merits in that it subverts modern tropes enough to appeal to the critics, while having enough thrills and action to appeal to fans of isekai. I recommend this to anyone who enjoys weird sci-fi thrillers like Steins;Gate.