Weeb Reads Monthly January and February 2021

I didn’t think I’d have to lump multiple months together AGAIN. Geez! Only two volumes (excluding debuts) piqued my interest in January; nowhere near enough to put it in a Weeb Reads Monthly. So, here we are. Hooray for being relevant.


WATARU!! Volume 2

Holy crap!!! Another volume of the masterpiece, WATARU!!! …said no one except for me. MyAnimeList doesn’t exactly have a page for this series, and I haven’t read any reviews on WordPress, if there are any. But honestly, I can say with full confidence that I’m in the minority in loving WATARU!!! I mean, it’s so simple and superficial with no story; all violations of the arbitrary rules of good literature!!!

But if you are one of my fellow uncultured swine and love the first volume of WATARU!!!, then the second volume is just as good. There’s more insane hijinks and meta-humor than ever. They also introduce a new character named Elphabell. It seems like she could become a yandere in the future, but she’s not even remotely as insane as Best Girl Aria. According to the afterword, WATARU!!! isn’t too successful, which kinda sucks. Light novels can get axed just as easily as manga, so there’s a chance that this could be the end.

Verdict: 9.65.10


The Bloodline Volume 2

“Wait, why’d you use the first volume’s cover as the thumbnail?” you ask. Well, for whatever reason—be it the licensing or the artist being lazy—the cover of the second volume is just a zoom-in of the first cover!

In any case, my feelings for the volume are mixed. The first half is slow and boring, with a lot of uninteresting dialogue. There’s a really contrived development, thanks to Nagi being smooth-brained, and a ridiculously predictable Top Ten Anime Betrayal. The ending of the volume has a clever twist, but… there’s a chance that this is the end of the whole series. BookWalker doesn’t say “Completed” or anything, but that doesn’t necessarily mean the series is ongoing. I admit I’m curious about what could happen moving forward, but it’s just as likely that it’s over. If it is, then I’ll just say that The Bloodline had some good ideas marred by boring writing.

Verdict: 7.25/10


Konosuba Volume 13

I was concerned about Konosuba slowly falling apart, and honestly, I might be correct. The first half of this volume is almost the same as the first half of volume twelve: more shipping war stuff. As much as I love these characters, their interactions are getting incredibly redundant, and this is coming from someone who loves One Piece. The second half of the volume concerns Wiz, and this guy stalking her. The way it turns out is as silly as you can expect. But at this point, it’s obvious that the endgame plot is looming and it’s just a matter how long the author can beat around the bush leading up to it.

Verdict: 8.25.10


Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?! Volume 8

The first thing you see when you open up this volume is a group of idol moms. Despite how silly that first impression is, this is actually the most emotional volume yet! If you recall from last time, we learned that Porta is the Fourth Heavenly King of the Libere Rebellion. To be honest, it should’ve been obvious, since we’ve strangely never seen her mother.

Fortunately, that gets rectified in this volume! The mastermind behind the whole thing is actually Porta’s mom, who is also one of the key devs behind the game world. Porta feels obligated to join the Libere Rebellion, despite the fact that her mom seems to be a real b****. Ahhhhh, familial bonds!

The theme explored today is independence. In fact, that’s the whole reason behind the Libere Rebellion itself. Porta’s mom hardcore believes in the philosophy of letting the child grow entirely on their own. And as such, we learn of the point that every mom has to deal with: when to let their kids go. Overall, it’s a perfect storm of emotion and humor, making this my favorite volume up to this point. One concern I have, however, is that this is pretty much the end of the Libere Rebellion plot thread, yet the series is confirmed to have three remaining volumes. After the cliffhanger ending, I can’t imagine how it would go beyond a ninth volume.

Verdict: 9.25/10


ROLL OVER AND DIE Volume 2

This volume immediately begins with a discussion between several high-ranking demons, where we get more context for the series’ lore and the purpose of those crazy Uzumaki things. After that, Flum stumbles upon some strange child named Ink, who raises even more intrigue. 

The main conflict of this volume revolves around Dein Phineas being an ass, as well as the church’s latest monstrosity attacking the town. I’m not even going to describe this calamity, but it follows in the last volume’s footsteps by being incredibly effed up and gruesome. The ridiculous part of the scenario is that the church’s evilness is so well known that even the nuns acknowledge it. This series is really ham-fisted on dissing Catholicism, which I’m okay with as an agnostic, but some subtlety would be nice.

Verdict: 9.75/10

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Conclusion

When it comes to light novels, this is definitely a great start to 2021 (*insert pretentious and not-at-all overstated comment about how it’s better than last year even though nothing’s changed here*). Since I’m going to take a month’s hiatus in early March in order to avoid Attack on Titan finale spoilers, I’ll be lumping March and April’s posts into one. Hooray for that!

Wings of Ebony: I Can’t Come up With a Clickbaity Headline because it’s SO DARN GOOD

It takes a lot for me to pick up a YA novel. What compelled me to pick up J. Elle’s Wings of Ebony was not because of the main character being Black, but because the cover looked badass as f***, and the title wasn’t just “Noun of Other Noun and Other Other Noun”. The irony in my saying that is because I JUST SO HAPPENED to have read it during Black History Month, which I swear is a coincidence!

In Wings of Ebony, a girl named Rue is forcibly removed from her family through two methods. 1) Her mother is brutally shot to death, and 2) her dead-beat dad whisks her away to some magic continent, and away from her little sister, Tasha. Rue is—you guessed it—a special snowflake, who has magic genes and is the only Black girl on campus. You can probably imagine how things will play out…

…But you wouldn’t be entirely correct. I don’t normally go over character first, but Rue is what makes Wings of Ebony stand out amongst its massive ilk. She’s more-or-less unbreakable. Now, normally, when you have these YA girls who make like Melissa Bonny and be all “I Am the Storm”, they tend to break out into tears the minute something goes awry; just in time for the love interest to get them back into shape! That’s not the case for Rue, however. Ain’t no mountain high enough, and no valley low enough, ain’t no river wide enough! She’s fierce, angry, driven, angry, steadfast, ANGRY… Oh, and she loves Tasha. More on Rue later.

Another plus is that Elle knows full-well that we’ve seen this song and dance hundreds of times. As a result, she cuts out all the middlemen. The book opens after Rue’s first year in magic-land, with her having broken out to contact Tasha. Normally, this sequence would just be the first chapter; get us all confused, and then spend the bulk of the first book showing us how she got to her current situation via flashback. But nope, that doesn’t happen either. We get a few flashbacks, they’re all short and exist to introduce specific story beats when necessary. By cutting out all the stupid “high school drama” crap, we get right to the good stuff.

Unfortunately, nothing’s perfect, especially not in a YA novel. There are a fair number of grammatical errors and typos. I know that happens to be best of us, but it felt like there were more than usual. I also noticed at least one instance of an inconsistent character description. The n-word ends up presenting itself a lot, but Rue ends up being the one who uses it the most often.

Minor flaws aside, the writing in Wings of Ebony is some of the best I’ve seen in a YA novel. It’s fast, it’s impactful, and it hurts. It has a lot of the same clichés that most YA novels have, but the prose greatly offsets it. Even the death of some random red shirt has genuine emotional impact.

The characters are also some of the better I’ve seen in YA… at least for the most part. Rue, as discussed earlier, is a legitimately headstrong YA protagonist. At first, I thought she’d be so empowered that it would be pushed to the Nth degree. But don’t worry; she has a couple of breakdowns to show that she’s just a teenage girl. And these are real, necessary breakdowns, not the stupid “Oh my God, this palace is so luxurious! Trash like me doesn’t deserve this crap! Look at me I’m definitely not a self-absorbed brat!” which permeates most YA novels. Rue’s dad, Aasim, is also more than just the “lousy dad who abandons his kid so that kids with divorced parents can relate to the main protagonist”; he ends up being a pretty chill guy once you get to know him.

Unfortunately, that’s about it for the good characters. Most of the others are plot devices. Tasha exists to motivate Rue, some old lady from Rue’s neighborhood exists to hide Tasha, Rue’s wizard friend Bri exists to supply helpful gadgets, etc. The main antagonists are more-or-less your textbook racist White guys, and they don’t get any real characterization nor substance because we all know we’ll automatically hate them because racism.

And speaking of racism, the worldbuilding is perhaps the biggest disappointment. The secret magical continent of the week is called Ghizon, and it’s… there. They’re super racist against regular humans, the reason of which I don’t even recall being addressed. Furthermore, the big “secret history” of the place is extremely predictable through various context clues. I get that a lot of this stuff is meant to be this way for the sake of social commentary, but that doesn’t change the fact that it’s been done about eight hundred times before.

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Final Verdict: 9/10

Wings of Ebony was a pleasant surprise. Luckily for me, there’s at least one sequel coming up. While I would normally post single reviews of the whole kit and kaboodle for these kinds of series, I think I’m going to take a risk and post a review of Wings of Ebony by itself. I have a feeling that the sequel will be very different, for better or for worse (hopefully, it’s different enough for at least six paragraphs). I recommend this book if you’re a young person who needs empowerment, or to anyone who actually wants to experience a legitimately great YA novel.

P.S. which has spoilers of the ending

Okay, I love this book, but screw Jehmal. Rue knows him for about ten minutes, and yet, she’s practically having sex with him at the end of the book. I hate it when they introduce a character who isn’t a love interest just to make them into a love interest at the last minute because “sex sells”. This is probably going to color my impressions of the sequel by quite a lot.

Weeb Reads Monthly December 2020

Well, this post’s a bit late. The reason is because the latest volume of Otherside Picnic came out too close to  the end of the year. But hey, at least I got this out on the same week as New Year’s Eve, right? Anyway, let’s do this.


Sorcerer King of Destruction and Golem of the Barbarian Queen Volume 2

I had a sliver of hope for this one. After all, it started out as a pretty lonely, post-apocalyptic isekai. However, it doesn’t take long for Nemaki to reach a town. At this point, Sorcerer King pretty much turns into your run-of-the-mill slice-of-life isekai.

If I was a more generous reviewer, I’d say it’s fascinating to see the fact that Nemaki doesn’t exactly understand Gol. She’s very trigger happy, and her clothes are more than just cosmetic. Nemaki genuinely does not know what she’s capable of, nor what makes her tick, giving a genuine sense of mystery and concern. Unfortunately, I’m not a more generous reviewer. From rubbing cheeks to looking at her underwear, Nemaki’s interactions with Gol are no different than that of a typical isekai waifu. It seems like she was made as a golem just to pretend that Sorcerer King is subversive. And with the usual stiff writing, I have little to no interest remaining in this series.

Verdict: 6.5/10


May These Leaden Battlegrounds Leave No Trace Volume 2

Before getting into this volume, I must clarify that I did not cover The Eminence in Shadow Volume 2 like I planned. First off, I ran out of money because, well, Christmas. Second off, I had too many doubts about that series. The fact that Cid’s made-up enemy turns out to be real, along with them actually skipping how his own organization comes about… It’s just plain stupid. Combine that with the subpar characters and you have another series that, in my opinion, does not at all deserve to place on the Kono Sugoi Light Novel rankings. 

I also had doubts about May These Leaden Battlegrounds Leave No Trace. Like most time travel narratives, Leaden Battlegrounds is kind of… iffy. But for some reason, I enjoyed it because I was curious as to how stupid it could get. So here we are!

The main premise of the volume is Rain and Air getting into a scuffle with some Western soldiers, one of whom is a cute girl named Deadrim, and the other person is… there. Once again, most of the volume proves to be boring, but there’s just enough intrigue at the end to make you wanna buy the next one. The only other noteworthy thing is that fact that Air should be using the Devil Bullet on Rain, but that whole aspect of their relationship goes in the direction you’d expect.

Verdict: 7.2/10


DanMachi Volume 15

It feels like it’s been forever and a day since we had a new DanMachi volume. Unfortunately, this one’s a filler volume. Sure, DanMachi has had some of the better filler in light novels, but not this time. We do get more backstory to some of our main protagonists, in addition to the backstory we already got, but it kind of feels excessive. For example, the first chapter is literally about the inn that Bell stayed at until he found out about Hestia. Do we really need that? In any case, most of the stories are pretty good, though not the best that DanMachi has to offer. 

Verdict: 7.9/10


Infinite Dendrogram Volume 13

After the relative nothing that happened last time, we finally have an event that’s been building up for a long time: a conference between Altar and Dryfe. In order to participate, Ray forms a clan with his friends and gets a new job. This new job, as always, is something wild that nobody likes which ends up being really useful for his build. In any case, it’s not even a spoiler to say that the conference goes south, and a big fight breaks out.

The one gripe I have is something that’s happened twice now in Dendro: withholding information from the reader that the main character, who’s narrating, happens to know. It’s a cheap way to build anticipation and I don’t know why any writer would ever think this is a good idea. Nemesis, once again, evolves into a new form after a small time-skip leading up to the conference. We also don’t get to see it, since this volume ends in the middle of the action. Other than that, Dendro still meets (and exceeds) expectations.

Verdict: 8.75/10


Otherside Picnic Volume 4

It feels like it’s been forever since we got some Otherside Picnic! With the anime in development, I cannot wait for yuri fans to get super toxic and scare off potential viewers. But in the meantime, we have this. As usual, it starts off [relatively] chill, with the girls going to the cult HQ from the previous volume to clear it of supernatural gook.

Other than that, it’s pretty typical stuff. Sorawo and Toriko’s relationship gets more intense, and we learn a bit of the former’s past, but that’s about it. There’s no new goal established. However, I’m fine with that, because Otherside Picnic is a CGDCT at heart, and core narrative doesn’t really matter in those. As long as the suspense is still off the rails (which it is in this volume HOLY CRAP), then I’m good.

Verdict: 9.3/10


Conclusion

Overall, we had a pretty good lineup of light novels to close off the year. Unfortunately, it looks like I’m going to be skipping this January’s Weeb Reads Monthly because there are only two volumes that I actually have interest in, excluding the upcoming debuts. February might be skipped too, because I only see ONE volume of interest on BookWalker’s Pre-Order page at the time of writing this post. Regardless, whatever I skip will all be lumped in with another month eventually!

Talentless Nana Will Teach You to Not Trust Your Resident Moe Blob (First Impressions, Chapters 1-41)

Crunchyroll has never had the most… comprehensive catalogue of manga included with the premium subscription. Sure… I’ll be able to at least finish Attack on Titan on the same day as Japan without getting into legal trouble, but that’ll be beside the point when Adobe Flash Player dies this December without them updating the actual reader (assuming that I can’t alternatively use the mobile app, but I heard it was as buggy as heck). So, why not read one of the bizarre exclusives, that has all of the chapters up, while I can? Ladies and gentlemen… let’s check out Talentless Nana.

In Talentless Nana, a bunch of kids who have talents (i.e. superpowers) are sent to an academy on a deserted island to train, in order to fight the enemies of humanity. Our main protagonist, Nanao Nakajima, becomes quick friends with a new student named Nana Hiiragi, who has the ability to read minds. With the power of their inevitably blooming love for each other, they’ll learn and grow until they fight the enemies of humanity once and for all!

“Hey, wait a second!” you point out. “If the manga’s called Talentless Nana, then how come the titular character can read-?” Yeah… you noticed that too, didn’t you? *sigh* Look, I’m not gonna BS you. In order to properly review this manga, I must spoil the ending of chapter 1, because it’s a crucial tone setter that could make or break the whole manga to you. I could write the review without spoiling it, but I’d be glossing over something crucial to helping you properly decide if you want to read it, and that goes against what I want to be as a blogger. So, starting the next paragraph, I will be spoiling the end of chapter 1. Skip to the end of the review if you want a basic gist of the manga’s quality.

In the ACTUAL premise of Talentless Nana, the titular Nana Hiiragi is sent to the island where the enemies of humanity, those with talents are kept under the guise of training to fight an ersatz enemy, without them knowing they are their own enemies. Her mission is to use her wits to kill all the talented students without them finding out, and Nanao Nakajima is her first victim.

See how divisive this makes Talentless Nana? In a brilliant troll move, the manga begins in Nanao’s perspective, and aims to get you attached to the super adorable and compassionate Nana in record time. And just when you’re writing your fanfic about the two, Nanao is murdered, destroying your brain as a result (since you, hypothetically, imagined yourself as Nanao so you can pretend that you’ll find a significant other in life). It’s a perfect crotch-kick that takes advantage of a waifu-driven market.

So, besides breaking your heart and force-feeding you the shards, what does Talentless Nana have in terms of entertainment value? Basically, the main focus of the manga is that Nana befriends each student one at a time, pretending to be a ditzy moe blob. With each new victim, the rest of the group becomes more and more suspicious, and it’s pretty engaging to see her try to avoid having that suspicion turned on her.

Unfortunately (at least for some), the manga lacks the one thing that psychological thrillers “absolutely must have”, and that’s realism. Due to the superpowers, a lot of things that happen don’t make any sense, more so when Nana somehow manages to talk her way out of incriminating scenarios, like when people catch wind of a psychic’s photograph of her killing people in the future. Between this and the polarizing plot twist, I can totally see this getting widespread criticism when the anime airs: the lack of realism will perturb analytical viewers, and the twist will do the same to casual viewers.

Additionally, the manga has a pretty bland cast of characters. The only ones even worth discussing are Nana, who is actually pretty entertaining for the most part (at least until she starts sympathizing for her classmates which becomes kind of annoying), and Kyoya Onodera. Kyoya is a transfer student who arrives alongside her, but he’s not a spy like her; he’s one of her enemies. However, he’s actually smart, and he actually tries to, you know, investigate his classmates’ deaths. If this was a YA novel, Kyoya and Nana would end up making out by the end (hopefully they don’t).

The art is kind of average. While it captures motion pretty well, the character designs are incredibly bland, with Nana being the only standout character thanks to her hair. While it’s decent at making some scary closeups, it’s not really much in comparison to other manga art.

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Current Verdict: 7.5/10

While it has a number of issues, Talentless Nana is a decent guilty pleasure. I don’t normally “command” viewers to consume certain media, but due to the inevitable controversy the anime will cause, along with the death of Flash Player, I highly recommend at least reading a bit of the manga in order to be hip. Oh, and also, the fact that it will not be possible to read for much longer.

Re:ZERO -Starting Life in Another World- Volume 13 Review

Last time on Re:ZERO, everyone gets attacked by Satella the Witch of Jealousy. Subaru and Garfiel (of all people) have to stop her. Fortunately, she can’t pass through the barrier due to her being a half-elf, and the trial being incomplete. But that doesn’t stop Garfiel from getting unceremoniously slaughtered by her. As she advances toward Subaru, he rejects her, and in response, her shadow swallows him to get him to love her. Fortunately, Echidna had a contingency plan: making Petra’s handkerchief a magic handkerchief that ends up saving him from the Witch. Also, the handkerchief turns into a dagger, which he promptly uses to kill himself and restart the loop. Back at the sanctuary, he’s comforted by Emilia. While Ram distracts Garfiel, Subaru recalls the memories he absorbed while in the shadow, and uncovers a secret room containing the real Ryuzu’s body. Apparently, the true purpose of the Sanctuary was to make Ryuzu clones that Echidna was able to possess, and effectively achieve immortality as a result. He also finds out that both Garfiel and himself have become Apostles of Echidna. His next task is the sitch at the mansion. He’s able to get Frederica and Petra to evacuate without a hassle, but Beatrice- as always- isn’t so easy to convince. He steals her “not-a-Witch-Cult” book and sees that it’s entirely blank inside. Apparently, Beatrice is a spirit contracted by Echidna to watch over the forbidden books in the mansion until “That Person” shows up. The moving scene that follows is, unfortunately, interrupted by Elsa’s arrival. Not even Beatrice can stand up to her, but Subaru manages to survive. Back at the Sanctuary, it’s already snowing, and Emilia shut herself in the tomb when he left. He goes in and finds her, and she starts getting unnaturally waifu-y with him. He leaves and confronts Roswaal- again- but this time Roswaal murders Ram and Garfiel before implying that he knows about Return by Death, and showing Subaru that he has the other version of the gospel that Beatrice had! He is also the culprit behind the snowfall, and it was all to break and isolate Emilia (a plan that had been in effect since the beginning, of course). Their conversation is interrupted when the Great Rabbit attacks again, killing Roswaal, and making the others burn themselves to death. Subaru flees to the tomb, where Emilia gives him a kiss… right as he dies again. After respawning, he seeks Echidna, but ends up taking the second trial instead, which involves seeing the outcomes of previous routes after he died. After all that, he encounters a spirit of Rem. But he knows better, and immediately recognizes her as an imposter, who turns out to be another Witch: Carmilla, the Witch of Lust. After almost suffocating for some reason, he ends up with Echidna, just like he wanted to! She offers to form a pact with Subaru, and all the other witches except Satellla show up! In all the confusion, Echidna has a grandiose speech detailing how Subaru’s ability to experience an infinite amount of outcomes turns her on. After her schpiel, Subaru asks her who Beatrice’s Person is… and, of course, Echidna has no clue… because Beatrice had to decide for herself the whole time. Subaru refuses the pact with Echidna, and the Witch’s tea party is joined by one more guest: Satella.

If you couldn’t tell from that paragraph, volume 12 was full of revelations and turning points. Based on my past experience with Re:ZERO, the next several volumes will be pretty boring before it picks up again. Does this volume follow the same trend?

Well… yes and no. It’s not a constant pelvic thrust of pain and torture like the previous volume, but there are definitely some highlights. One important thing is that Subaru gets some much-needed growth. He gets another helping of waifu-speech, but this time, he gains some self-worth. This is a big improvement for him, because his whole “Hey look at me I’m a martyr herp-a-derp” has been annoying for a while.

Speaking of annoying, we finally get to resolve Garfiel’s character arc in this volume! And thank goodness too; I never liked the guy. He was a whiny brat who felt like he made the arc 1.5x longer than it already was. Unfortunately, it doesn’t offset the fact that his personality is 100% abrasive and nothing else. But hey, backstory is backstory, and that’s what counts.

And speaking of backstory, we finally get some more background on Emilia. Unfortunately, that “some” is really “a bit”, since this volume loves Garfiel so much. Plus, the things we learn about Emilia only scratch the surface, and we are cliffhung right when we’re about to get the full serving.

Another issue is that Re:ZERO once again shows its bipolar identity. It tries its damndest to subvert the isekai formula, and ends up clashing with that mindset like it tends to. There’s an emotional scene between Subaru and Emilia in this volume, and similar to his scene with Rem, it’s ripped right out of the Book of Waifus. It doesn’t help that the climax of the volume is a one-v-one of Subaru against Garfiel that reeks of the “white knight” trope. Gotta love it when a series has a great idea that contradicts itself in its execution!

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Verdict: 8.65/10

While not as turbulent as the last volume, Re:ZERO shows that it’s finally gaining momentum. This was a great volume, and it promises that the next one will be even better. If you’re reading ahead of the anime, what are your thoughts on this current arc and this volume? Re:ZERO is very complicated to evaluate, and I’d love to hear different perspectives.

Millennium Actress Movie Review

I stated in my Tokyo Godfathers review that it was the “best anime movie I’ve seen since Ghost in the Shell“. As such, it was a no-brainer that would watch another Satoshi Kon flick, Millennium Actress, on Kanopy, from a completely different license holder than GKids. Going into it, I was aware that Tokyo Godfathers was a black sheep in Kon’s career, and that this movie was going to be much darker and stranger than I could possibly expect.

In Millennium Actress, two documentarians, Genya Tachibana and Kyouji Ida, are given the opportunity to interview retired actress Chiyoko Fujiwara. The old bird gladly divulges her life story to them, and those two end up along for quite a ride.

And I mean that literally. The movie seems straightforward at first glance, and that’s because it is. Minor spoilers: it doesn’t take long before the men interviewing her are literally IN Chiyoko’s flashbacks along with her past self.

Just when you thought things couldn’t get more meta, here’s a real hum-dinger. The bulk of Chiyoko’s story isn’t just told through flashbacks, but additionally through assorted scenes in her movies. These are seamlessly integrated into the actual plot, which is quite impressive (also, it’s convenient that all of her movies had similar premises). In these sequences, Tachibana ends up inexplicably planted into each given movie as an extra, further adding to the meta aspect.

Unfortunately, the biggest issue with Millennium Actress is Chiyoko’s story itself. The main conflict of the movie involves Chiyoko trying her butt off to find a tall, dark, and handsome guy she met for five minutes when she was, like, twelve. It’s so annoying when a female character gets her heart set aflutter by these idealized bozos. Sure, she was young and dumb, but the guy looks like he’s at least fifteen years older than her, which is kinda weird. Look, I don’t hem and haw over these intentionally controversial old-on-young people romances, like the Monica and Richard thing from Friends, but at least they GOT TO KNOW EACH OTHER FIRST.

This doesn’t help her as a character either. While it’s always fun [for Westerners] to watch someone descend into madness, her issues seem cringey and annoying. At least characters like Citizen Kane had REAL issues, his case being his own mother selling him to the freaking BANK, or Mildred Pierce, whose case I won’t mention because it’s a spoiler. Overall, Chiyoko comes off as a whiny brat throughout the film.

Fortunately, the two reporters are better. They have great chemistry with each other, and add a lot of humor to the movie that very much reminds me of Tokyo Godfathers. Also, they sort of represent the audience in some way. Tachibana comes off as the self-proclaimed intellectual who is totally into whatever the movie throws at him, and Ida acts like the trend-savvy, filthy casual who wouldn’t know REAL art even if it placed his head into its bosom. The fact that I’m not waxing poetic about Kon’s “Schrodinger’s Cat, quantum-reality-warping transcendentalist genius” or whatever means that I’m CLEARLY more like Ida in this case.

When it comes to visuals, despite being only a year or two before Tokyo Godfathers, Millennium Actress looks much more aged. But even then, it still looks better than pretty much every TV anime these days. It also seems that Kon’s movies have a signature face style, similar to that of Ghibli. I hope that I don’t get sick of it if I choose to watch any more Kon movies.

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Final Verdict: 8.85/10

While I didn’t enjoy it as much as Tokyo Godfathers, Millennium Actress was still a great movie, and proof that this Kon guy knew what he was doing. However, when you take away the whole “warping between past, present, and movie scenes” thing, it amounts to little more than a bog-standard tragic love story. This brings up the question of what’s more important in storytelling: The story or the telling? I’m a bit of a weird combination of both, but you’ll need to lean a lot toward the latter in order to enjoy Millennium Actress.

Destiny Lovers and The Elder Sister-Like One First Impressions (Volumes 1-3 of Both)

Destiny Lovers

I don’t know what it is, but I’ve been on a kick with very… scandalous manga lately. It’s either the adrenaline of consuming media that society considers taboo, or imagining what morally uptight people who can’t separate reality from fantasy would think if they saw something like this (or what they would do, in the case of Interspecies Reviewers (link to my manga review of it here)). So, let’s dive right into ANOTHER hentai manga, Destiny Lovers, published under Seven Seas’ good old Ghost Ship imprint!

In Destiny Lovers, a boy named Kosuke Fujishiro promises his childhood friend, Sayaka Ibu, that they’ll meet again someday and become lovers. He’s held onto that promise for years while waiting for their reunion. But one day, he’s thrown into a prison full of sexually aggressive women… and Sayaka is the warden?!

The manga comes off as a knock-off of Prison School, but that would be only half correct. It’s actually a combination of Prison School and World’s End Harem (link to my manga review of the latter here (don’t you just LOVE shameless plugs?)). The female jailers in this prison want to get Kosuke, and the other male prisoners, to have sex with them “for the sake of humanity”. And sure enough, the ending of volume one shows that the world seems to have indeed ended in some fashion.

Of course, it’s not going to be easy. If girls have learned anything, it’s the quickest way to a man’s heart… or rather, his little general. They pull out all the stops, from turning up the AC so that they’d be forced to cuddle up, or act as maids to let their guards down. For some reason, there’s some sort of appeal to watching men have to struggle against powerful women… maybe because it’s more often that the shoe is on the other foot? As appealing as it is, Destiny Lovers doesn’t have the same level of suspense as Prison School, but it works.

However, similar to World’s End Harem, the characters don’t have much more than what their… physical bodies have to offer. The only interesting characters are Sayaka, who tries to help Kosuke behind the other girls’ backs, and this one really smart and calculated dude whose name you don’t even get to know. Other than that, we have some basic character tropes and not much in terms of interesting personality quirks.

Overall, my biggest complaint is that it doesn’t show everyone’s age. The men go from their teens to early thirties, but they don’t tell you much about the women. In a hentai, it’s important for me to know if the girls are legal adults, otherwise I would feel less-than-good about myself if I enjoyed it.

The art is as spicy as expected. The sex isn’t as theatrical as World’s End Harem, but it still… works. Unfortunately, it seems to prefer nudity and underwear over sexy clothes, which kinda disappoints me. The character designs aren’t too remarkable either.

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Current Verdict: 7.45/10

Destiny Lovers is a good hentai but I can’t fully enjoy it since I don’t know which women are legal adults or not. But hey, it does what it sets out to do well enough. I recommend Destiny Lovers to any fans of Prison School and others like it.


The Elder Sister-Like One

Sometimes, I wanna read a naughty manga just because. However, The Elder Sister-Like One (published in English by Yen Press) is a rewritten version of a doujinshi. While both versions are by the same mangaka, my immediate concern was that some of the… finer details would be watered down in the not-doujin edition. Let’s see what happens, since this version is the only one legally available to us ‘Mericans!

In The Elder Sister-Like One, a boy named Yuu is basically at the bottom of the barrel. He has no friends, and all of his relatives resent him, except for his uncle… who’s in a coma. When he unwittingly summons a powerful demon woman, his wish is for her to become his older sister. The demoness, who names herself Chiyo, accepts his offer, and the two of them live together.

We all know that Japanese media has not been afraid to tackle some “questionable” sexual themes, and in the case of this manga, there is a lot of… er… chemistry between Yuu and Chiyo. During the first volume alone, Yuu’s head is in Chiyo’s bosom, her feelers rub every inch of his body, they French kiss, Yuu lays on her lap, and he gets a good look at her underwear. Typical hentai stuff.

But of course, one decisive thing must be considered when it comes to The Elder Sister-Like One. It is a question that will make or break the entire manga for you: Is Yuu and Chiyo’s relationship incestuous? She was summoned with the express purpose of being his older sister. Furthermore, they developmentally consider each other siblings. But biologically, they aren’t (it is the Elder Sister-LIKE One, after all). But what also must be considered is whether or not Chiyo is considered a legal adult. This is probably something that’s up to interpretation. Personally, I want to consider them siblings (with her as an adult) because that would make more people profusely offended and cause heated debates.

Incest aside, how’s the actual content? The Elder Sister-Like One is basically a slice-of-life romance. The bulk of the story is just Yuu hanging out with Chiyo and the pair having cute interactions with each other. While it seems like a typical wish fulfillment fantasy, Yuu showing her the ways of the human world and stuff gives Chiyo a form of happiness that she didn’t even know she wanted. 

The sort-of-siblings are basically the only characters in the whole manga. Yuu is as generic and self-insert-y of a male protagonist as you can expect. But nobody reads a hentai manga for the guys (unless it’s yaoi)! The person we actually care about is Chiyo, and she’s about as waifu-able as you can expect. She’s very fun for a demoness, and she loves Yuu to pieces. It’s also cute to see her overreact to little things like mosquitoes and other things that cause minor abrasions. 

But there’s a curveball that gets thrown in around volume 3. Said curveball is named Haru, and she has some strange connection with Yuu’s uncle. I have no idea what her role is, but it seems like it’s going to add a core narrative to the story.

Like any hentai manga, the most important thing is art. I knew of the mangaka’s talents thanks to Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, and I was not disappointed in The Elder Sister-Like One. Chiyo is gooooooooooorgeous, and the sexual content is exquisitely well-done. It’s even more *insert sexy cat growling noise here* if you interpret their relationship in the most controversial way possible.

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Current Verdict: 8/10

While curious as to what changed from the doujin, the manga version of The Elder Sister-Like One is a simple and relaxing romance that doesn’t think it’s something bigger than what it actually is (unlike SOME YA novels). It’s a wish fulfillment fantasy, and that’s that. I recommend it if you’ve always wanted a hot older sister in your life.

Otherside Picnic Volume 3 and Cautious Hero Volume 3 Reviews

Last time on Otherside Picnic, Sorawo and Toriko decide to rescue the U.S. soldiers trapped at Kisaragi Station. They lead the entire battalion of men through a forest and fight a giant snake lady, and the men are able to return to base in Okinawa. The girls take the opportunity to chillax at the beach, but end up on a beach in the Otherisde. After barely avoiding an assault from green babies and grey lumpy crabs, they escape by using the Hasshaku-sama hat from the previous volume to form a portal, whereas Sorawo sees the silhouette of Satsuki on the beach just as the portal closes up. Sorawo then encounters a weird girl named Akari Seto, who’s had ninja cats pursuing her. The two of them, and Toriko, end up fighting said ninja cats in the space between our world and the Otherside (similar to when the Time-space Man showed up), and escape when Sorawo uses her power to spot a strange doll inside Akari, which Toriko pulls out of her. After returning to the real world, they ask where she got it from. It turns out that she was another student of Satsuki’s, and this breaks Toriko’s heart. Later on, they get invited to the organization that Kozakura works for, the DS research lab, where Satsuki used to work. When they investigate her old room, Sorawo uses her right eye to decipher the strange glyphs in Satsuki’s journal, which causes Satsuki herself to appear and drop a cursed box on the floor, which erupts into red birds that attack Toriko. Sorawo barely manages to save her, but we still have no idea what the deal is with Satsuki, assuming that we’ve been seeing the real thing. Also, Sorawo not telling Toriko about any of these sightings is sure going to put a dent in their relationship later.

This volume starts with the title drop: an Otherside picnic! In this part, we learn more stuff about the girls than before, such as the fact that Toriko apparently had lesbians for parents. But yeah, this light novel is getting more yuri every volume. I just hope it doesn’t get so wrapped up in yuri stuff that it dangles the whole Satsuki thing like a carrot for a cringe-tastically long time. That would be very sitcom-like.

Fortunately, that has yet to occur. Otherside Picnic still maintains a sense of overall intrigue when it comes to story progression. This volume brings up a mysterious figure named Lunaurumi, who may or may not be Satsuki. But she is one thing, and that’s some Internet troll who’s been spreading the Otherside’s influence to innocent people. 

Unfortunately, I don’t care about Akari any more than I did last time, even with the character development she gets in this volume. We see her relationship with her friend, Natsumi Ichikawa, but it’s kind of just there for the sake of the genre. I might have said this before, but Sorawo and Toriko’s chemistry is the only thing making the yuri aspect of this series anything above baseless girl-on-girl sex.

Based on what I’ve read up to this point, the first halves of each Otherside Picnic volume are very slow and very inconsequential. The first chapter in each book can be pretty boring, and seems to serve no purpose but to reacquaint us with the characters. But  the ball always gets rolling real fast in the second half, and the fact that one chapter takes up the entire latter half of this volume shows that sh** goes DOWN. The climax is a massive turning point that I’m glad happened now instead of later, that’s for sure.

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Verdict: 9.25/10

While I have some concerns, Otherside Picnic is still one of the best isekai- and perhaps one of the best yuri- on the market. I need volume four yesterday, because after what happens here, I honestly have no clue what direction it could go in.


Last time on Cautious Hero… hoo boy! Seiya defeats a big fly-like Demon with the new attacks he learns from the pervy archery goddess, Mitis, and the yandere war goddess, Adenela, and saves Rosalie Roseguard, the whiny and reckless daughter of the emperor. He is then instructed to go to a village to obtain some sacred armor, but that village has been destroyed by another Demon General, who summons an indestructible monster named Death Thanatos to kill Seiya and his friends. They run back to the spirit world and lure it to the goddess of destruction, Valkyrie, who uses an awesome absolute-surefire-kill move called Gate of Valhalla to destroy it, but at the cost of almost all of her HP. Seiya asks her to train him on all of her moves except for that one, but it’s cut short when Rista walks in on them… doing it?! After that… incident… they’re called to the capital city of Orphee, where the last Demon General is attacking. However, the emperor, Wohlks Roseguard, defeats it himself (despite being senile and reverting to the personality of a baby every so often). Double-however, the emperor, who was seduced by the Demon Lord’s words and his own envy of Seiya, tries to kill Seiya using the God Eater Sword, forged with the power of the Demon Lord’s Chain of Destruction that permanently kills a soul with no chance of reincarnation. Seiya barely manages to defeat the guy, so his team rests up for the final battle. Or DO they? Seiya breaks out of character and goes off to fight the Demon Lord himself with the Gate of Valhalla technique (which, incidentally, him and Valkyrie’s doing it was her giving him the ability in the first place). When Rista rushes over to Ishtar to ask what the hell’s wrong with him, she tells her that Seiya was previously summoned to save a different world. Triple-however, he was the exact opposite of cautious, and thus he failed (also, Rista is the reincarnation of his lover during that time. Now Seiya is officially a waifu guy. Great). Rista breaks the rules and teleports straight into the Demon Lord’s castle right in the midst of the final battle and restores Seiya’s life with her divine healing powers to offset the Gate of Valhalla’s punishment. QUADRUPLE-however, the Demon Lord is able to attempt a last-minute screen-nuke, forcing Seiya to summon a second Gate to consume him and the first gate, finishing him off for good. This breaks him (literally) beyond repair, and Rista returns to her world awaiting punishment. Her punishment… is to save the world that Seiya could not save, now an SS-ranked Dark Souls-ian world. And who better to accompany her… than the reincarnated (through some Deus Ex Machina BS) Seiya himself? 

“Well that’s all well and good,” you say. “But this is just an excuse for the author to pad the series out long after it should’ve ended. Things in this arc are going to be EXACTLY the same as the previous one!” I shared your concern. But things change VERY radically right at the start of this volume.

Seiya trains for the new challenge when a werewolf appears and attacks him. It only gets one hit in, but it’s enough to give him amnesia and make him VERY reckless. Doing this effectively turns him into the same Gary Sue protagonist that tends to make isekai absolute cringe, but this version of Seiya is good cringe. By robbing us of what defines him as a character, the story expects you to yearn for him to be cautious again. Conversely, if you hated him up to this point, this version of him will probably irritate you even more.

This also puts the shoe on the other foot. With Seiya making rash moves, Rista now starts acting cautious around him. This causes a new set of reactions between them that wasn’t at all possible in the past, and is by far the best aspect of this new predicament.

Unfortunately, the amnesia ends up being resolved very early and very unceremoniously, which also increases the rift between him and Rista. This makes the whole situation seem like shock value. But there’s a silver lining! In order to face his new enemies, Seiya goes for a class change. This allows him to continue to bamboozle us (and his enemies) with even more utility than before. 

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Verdict: 9.3/10

This new arc shows that the author of Cautious Hero has yet to run out of steam. With Seiya’s ever-expanding arsenal, only the final boss could have a ghost of a chance of stopping him. Oh, and speaking of the final boss, I’m hoping that it ends up being just as cautious as Seiya. A battle between cautious hero and cautious demon would be a perfect way to end this series (or this arc?). But Seiya will have to GET to the final boss in order for us to know for sure.

For the Kid I Saw in My Dreams First Impressions (Volumes 1-3)

It’s been a couple of years since I read the manga, Erased. But from what I can remember, it was a pleasantly surprising suspense manga with a supernatural twist (although I don’t quite get why people love it like SO much). “Why are you talking about Erased?” you ask. Well, the mangaka of Erased is publishing a new series, For the Kid I Saw in My Dreams, which has recently been released in North America by Yen Press. So, I’m gonna talk about it for a bit.

In this manga, Senri Nakajou is the sole survivor of an attack on his family that results in his parents’ and twin brother’s deaths. His only memory of the killer is a series of scars on his arm that read “fire”, earning the killer the name Fire Man. Years later, he catches a glimpse of said man again, and begins a slow descent into madness trying to track the killer down.

Right off the bat, I can’t really tell what the author is trying to do with this manga. Similar to Erased, the main character’s goal is to track down a murderer… again! Also, there are abusive parents… AGAIN! I can’t fault someone for sticking with what they do best, but For the Kid I Saw in My Dreams is a bit TOO much like Erased for those reasons.

Like the author’s previous work, For the Kid I Saw in My Dreams is best when it’s strictly being an old-school suspense manga. It doesn’t take long at all for the search for Fire Man to get really complicated, as Senri isn’t the only one who’s after his head, and Senri’s family aren’t his only victims. A development at the end of volume 2 adds a cherry even more to the top of the existing mystery cake.

Unfortunately, For the Kid I Saw in My Dreams isn’t too great in the character department. Senri is just a generic angsty boy who slowly loses direction on his moral compass, and it’s not a particularly interesting instance of this character type. The female lead, Enan, seems to be someone who exists just to tell him that what he’s doing is morally incorrect (as if it weren’t obvious enough). Both kids have abusive parents in their lives, and between this and Erased, it seems that the author uses this trope to give us easily sympathizable characters. I hate assuming intentions, but that’s what my critic-brain tells me.

The art is no different from Erased, which is good or bad depending on how you feel about it. The girls still have those nice, full lips; your mileage may vary on that. Admittedly, this artstyle really isn’t the best for a suspense manga, but it at least has a distinct look.

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Current Verdict: 7.3/10

I don’t know what it is, but For the Kid I Saw in My Dreams just doesn’t quite seem to cut it for me. Maybe my standards for suspense have grown too high after reading some of Naoki Urasawa’s stuff? Well, if you love Erased as much as the next guy, then this manga should be just about as good. 

Otherside Picnic Volume 2 Review

Last time on Otherside Picnic, Kamikoshi Sorawo finds a doorway to another world, where she is henceforth attacked by a strange creature called the Kunekune. She is saved by Nishina Toriko, a cool girl who came here in search of a missing friend, Uruma Satsuki. They return to the real world, where she meets Kozakura, another friend of Toriko’s and a researcher of the mysterious world, called Otherside. They go back to fight another Kunekune, but get afflicted by it; Sorawo in her eye, and Toriko in her hand. However, they still manage to fend it off and obtain its core. They have other adventures (one of which involves the American military and a haunted train station), and learn that they have been given some strange powers: Sorawo can change realities with her eye (which, in Layman’s terms, means that she can see through illusions), and Toriko can touch strange things in the Otherside with her hands. After the incident with the military, the two girls have an argument, and Toriko goes to the Otherside on her own to find Satsuki. Sorawo and Kozakura end up searching for her, despite the warnings from some strange, middle-aged men who seem to act as guardians of the Otherside. While postulating the existence of the Otherside and about the science of fear, they find Toriko in a weird, abandoned village full of plants. Using the power of her reality-shifting eye, Sorawo manages to save Toriko from an illusion of Satsuki, and they make it back home safe and sound.

It felt like I’ve been waiting a year for this volume to come out. In the time leading up to it, I was more scared of it sucking than of the disturbing imagery in the actual story. And perhaps… I could’ve scared myself into not enjoying it as much as the previous one. But at the same time, the first volume was likely to have been exceptionally good for the same reason that caused Made in Abyss to become popular; the element of surprise. I don’t know about you, but this series definitely did not LOOK scary on the cover. So, when we read volume 1, it was like, “Holy sh** this is so freaking scary!” Now that we know what to expect, it loses the chutzpah from before.

Anyways, let’s actually talk about the content, shall we? One review I read of volume 1 (don’t worry, it has to do with the matter at hand) called Otherside Picnic a yuri series, and I was like, “Whatchoo talkin’ ‘bout, dude?” However, this volume definitely seems to be where the yuri stuff comes in. I kinda realized it when they pulled the classic “here-let-me-caress-you-with-my-entire-body-while-I-instruct-you-on-the-proper-posture-for-using-this-thing” schtick that they do with romantic couples. I know that yuri can get pretty contentious in this community, so proceed with caution if you’re sensitive to fanservice and stuff.

Similar to the previous volume, the chapters are all self-contained episodes that slowly build up a semblance of an overarching story. The first chapter is a rescue operation of the US soldiers from the first volume, and the chapter after that is the “beach-vacation-so-we-can-see-the-girls-in-bathing-suits” trope. The third chapter introduces a new character Akari Seto, whose main personality quirk is being good at karate. I don’t know if she’s going to become plot relevant or what…

But if there is anything relevant, it’s the continuing escalation of intrigue in this volume! More signs of Satsuki start popping up, but only we and Sorawo catch wind of them. She elects not to tell Toriko about any of this, presumably under the assumption that she’ll go after Satsuki alone and almost get wrecked again. But if this really is a yuri series, it could also be because Sorawo doesn’t want Toriko to be in another woman’s bed. My biggest concern is that this could get escalated to sitcom-like proportions, but we won’t really know that until the future.

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Verdict: 8.5/10

While it might lack the fire of the first volume, Otherside Picnic’s second volume proves that this series is still one of the best new isekai on the market. With so many new plot threads established, I need to have the third volume yesterday. Hopefully, the wait won’t feel as long this time around.