A Witch’s Printing Office First Impressions (with an Important Announcement)

As I come upon my first whole year of managing this blog (by myself, by the way), I have been battling against a lot of stress. I don’t just have this to manage, but a full-time job as well. Plus, there’s way too much media that comes out. Even when I pick and choose what I absolutely want to cover, there’s too much. I can also imagine that you get an aneurysm trying to keep up with my three posts a week.

Fortunately, there’s going to be some changes, effective today, August 4th, 2020. Posts will be back to how they were in the very beginning: every Tuesday and Saturday. As a result, there won’t be as many First Impressions of manga, not unless I’m certain my opinion will sway wildly once they’re complete. For example, I have a Jujutsu Kaisen First Impressions written already (I’m just waiting for the anime to air so I can mooch off of it). It’s a battle shounen; those are chaotic by nature and wildly inconsistent in quality at times. While I enjoyed what I read so far, that can change over the course of a single chapter.

Light novels are going to be handled differently. If you’ve read some of my light novel reviews, you’ll have seen my struggles to write something of substance in some of them. Even if I love them, a lot of them are pretty formulaic, such as Cautious Hero and Konosuba. I even did the stupid recap thing solely to extend the reviews. As such, I will now save most light novel posts for one long post at the end of a given month, where I’ll just put a small blurb for each. Exceptions will be for the first and final volumes of a given series (assuming I get far enough for the latter). For example, I plan to post a review of The Eminence in Shadow Volume 1 when that comes out. Since it’s brand new, that’ll be its own post, but all subsequent volumes will be in the monthly post, which I’ll name “Weeb Reads Monthly” or something similar. Another exception will be any series I’ve been doing arc-by-arc, which just applies to Monogatari and Sword Art Online.

So yeah, hopefully this’ll help both our sanity. Do you like the new schedule that I’m implementing? Hopefully you do, because I really didn’t like the old way at all. Anyway, I don’t want this post to just be a dumb announcement, so below is the post I was planning to have done normally…


A lot of critics complain about isekai for being the same thing over and over again. Even the new, slice-of-life variants that are the exact opposite of typical, action-driven-harem isekai are becoming common to the point of redundancy. Now it’s at the point where the subversive isekai need to subvert themselves, and a manga (not a light novel) by the name of A Witch’s Printing Office (published in English by Yen Press) is one such subversion.

In A Witch’s Printing Office, a girl named Mika Kamiya has been reincarnated into a fantasy world (as you do). The manga kindly skips all the formalities and goes well into her career at a book printing firm called Protagonist Press. But in addition to working at a printing press, she also runs Magiket: a popular magic-themed convention!

Immediately, this manga shows off its social commentaries, not on politics, but on real world conventions (and I mean event-conventions, not social protocol). The fact that the setting is called “Akivalhalla”, based on Akihabara in Japan, shows just how creative this manga is. It even opens when these Akivalhalla Knights defeat the Overnight Fiends: literal monsters that parody those who camp outside a venue before it opens. 

But a slice-of-life isekai is still a slice-of-life isekai. While Mika implies that she wants to go back to the real world, she seems perfectly at home in the fantasy world. Most of the story are self-contained narratives, which are based around managing the convention and printing books. There is continuity, like when they introduce another person from our world into the story, but it usually hard cuts to something completely different after the fact.

Fortunately, all the chapters have their own unique charm to them. When they are not running the printing press or the convention, Mika has all sorts of funny adventures. From taking a holy sword just to use as a paper cutter, to getting unwittingly possessed by an evil mage, this manga has a lot of variety to it; it’s not just “Praise me for how chill and low-stakes I am” like most other slice-of-life isekai. Plus, the humor is really on point.

I tend to dislike most slice-of-life isekais’ casts, and while this manga isn’t quite an exception, I at least enjoyed A Witch’s Printing Office’s cast marginally better than most others of the genre. Mika comes off as a ditzy moe blob, but she shows a bit of a greedy side that makes her more interesting than most ditzy moe blobs. Sadly, her two friends, Clair and Kiriko, seem to just serve as two pairs of large breasts (and I really hope they’re legal adults for no particular reason related to my perverse imagination). A lot of the minor characters end up being pretty likeable, but they’re called minor characters for a reason.

The art for A Witch’s Printing Office is so good, that I’m willing to believe it was done with Clip Studio assets. There is so much life, detail, and texture to every panel, yet it’s still easy to tell what’s going on. The landscapes are absolutely beautiful, and I’d hate to see a hypothetical anime adaptation undermine the whole thing. There is a lot of charm and personality poured into it that I could spend minutes gawking at any given page.

~~~~~

Current Verdict: 8.95/10

Like many, many truly great franchises, A Witch’s Printing Office does not get the hype it deserves. It’s a fun and unique take on the isekai genre (that critics will probably find some way to pick apart but I digress). I recommend it to anyone who truly appreciates otaku culture at its finest.

Kakushigoto First Impressions (Volumes 1-4)

When reading ecchi or hentai manga, sometimes it makes you wonder, “What would the mangaka’s relatives think? Do they even have kids?” Well, that topic is explored quite thoroughly in the manga about a mangaka, Kakushigoto: My Dad’s Secret Ambition, published in English by Kodansha Comics.

In Kakushigoto, a dad by the name of Kakushi Goto (wow, title drop), is a famous mangaka… of hardcore ecchi. The problem is his little daughter, Hime. Will he be able to protect his secret? Or will his princess (literally, because that’s what the word “Hime” means) be scarred for life?

Surprisingly enough, Kakushigoto proved to be a much more confusing read than I thought. For starters, the opening pages of each volume show Hime already having discovered her father’s secret. It took me a while to realize that these are flashforwards, which shows that he’s going to be fighting an uphill battle throughout the manga. Another issue, which is moreso a nitpick, is that the chapters are really short. I’m not someone who understands manga serialization… but according to MyAnimeList, Kakushigoto runs in a monthly magazine, which sounds really counterproductive for something with such short chapters. The third and final quirk with it is that the chapters… weren’t compiled correctly (at least not in the North American release)? At certain points, the chapter count will randomly reset midvolume. The first time this happens is towards the end of volume two, where it says “Volume 2 Issue 1”. The entirety of volume three is still considered volume two which seriously bugged me.

But as far as content is concerned, Kakushigoto certainly has a wild sense of humor. Unlike father-daughter manga such as Yotsuba&!, this one goes a bit more out of left field. In the first volume alone, Kakushi goes bananas over one of his editors wearing a lewd shirt in front of Hime, and he also ends up getting hunted down by Hime and her friends because he saved some cat with a life preserver. 

However, Kakushi’s secret isn’t the only sitcom situation going on in the manga. Kakushi builds a harem of sorts without even realizing it. Because he has a terrible way with words, a number of women think he’s hitting on them. He has no idea that this is happening, and it’s funny to see how they interact with him and each other. 

The manga can also be strangely depressing. The content of this narrative is supposedly based on the author’s real life experiences. It portrays a number of things, like the feeling of not being popular, or the state of the industry itself. Kakushigoto makes fun of this stuff just as often as it’s brutally honest about it. The mangaka also has a lot of rants throughout the volumes as well that go deeper into their psyche.

The characters prove to be surprisingly enjoyable. Kakushi is just a single dad who wants all the best for his little (*cough* marketable *cough*) daughter, and he goes to crazy lengths to be the best dad he can. His co-workers also have lovable personalities. They’re all quirky enough to have substance, but not to the point where they’re not “unrealistic like those battle shounen trash protags”. 

The art may be off-putting to some. Kakishigoto is drawn in a minimalistic, vector-like style. The shading appears to be entirely through a preset tool in Clip Studio, and the proportions are definitely odd. However, the girls are uniquely cute looking (even if they have same-face syndrome), and the characters are surprisingly expressive.

~~~~~

Current Verdict: 8.25/10

Kakishigoto: My Dad’s Secret Ambition is definitely a different slice-of-life. It’s a weird combination of wholesome and cynical that’s definitely not seen too often. I recommend it if you want a father-daughter slice-of-life that isn’t just “Hey look at my moe blob and buy my stuff!”

Haikyuu!! Full Series Review

I was apprehensive about sports manga at first. Whenever I saw my father watch football, I was like, “Why are so many Americans’ entire lives defined by a game made for entertainment purposes?” (he says despite how videogames and stuff define his life). As a result, I never chose to read sports manga… until I read Haikyuu!!, published in English by Viz. With its rather lengthy run in Weekly Shounen Jump, simple story, and massive fanbase, Haikyuu!! has definitely become mainstream. But despite my aversion towards said mainstream, I think it deserves the praise.

In Haikyuu!!, a short boy named Shoyo Hinata dreams of becoming a volleyball champion. Despite his height, he has great reflexes and jumping skills. Unfortunately, in junior high, he is utterly schooled in a match against setting prodigy, Tobio Kageyama. In the aftermath of this humiliating defeat, Hinata attends Kararsuno Highschool, the same as his idol, the Little Giant. However… Kageyama ends up attending the school as well! With their abilities, they just might bring the school back from its long volleyball slump.

Like I said, Haikyuu!! is simple; straight as an arrow. Since it’s a sports manga, it’s an underdog story about a couple of young upstarts and their volleyball team. Compared to Eyeshield 21 and Kuroko’s Basketball, it’s really nothing special. But I always believe the execution is more important than the idea, and the execution is where Haikyuu!! delivers.

The best thing the series does is buildup. Haikyuu!! is really good at creating anticipation for upcoming matches. From Karasuno’s rival school, Nekoma, to the powerful Shiratorizawa, there’s a reason behind every fight. Unfortunately, there’s only so much that can happen in a volleyball match. It’s an inherent problem with sports narratives, but volleyball is literally just hitting and blocking a ball. Basketball and football at least have different directions and formations, while in volleyball, players are stuck on set sides of the court, and in a set position that rotates throughout the match. 

Furthermore, Karasuno’s team kinda sorta has plot armor in a sense, more so than in usual shounen manga. For the uninitiated to volleyball (myself included), the sport is played in sets. This basically means that all volleyball matches are a best two out of three (or three out of five in rare cases). From a writing standpoint, it’s a no-brainer for the really, really important matches in a volleyball narrative to last the full amount of sets. As such, I concede that the matches in Haikyuu!! aren’t too exciting during most of the early sets.

But once they hit that third set, it becomes a pure adrenaline rush. At that point, it’s easy to get fully immersed in Haikyuu!!, despite the pretty obvious plot armor. The climaxes of fights are when the manga is at its peak, and putting up with the other shounen tropes is well worth the payoff.

Even with the adrenaline rushes, Haikyuu!! wouldn’t have been the same if I couldn’t be invested in Karasuno’s volleyball team, which I’d consider to be one of the best teams in all of sports manga. Almost every one of its members has a definable personality trait, as well as some major hurdle to get over. This might be cliche, but the chemistry between Hinata and Kageyama is the best in the whole manga. Their clashing attitudes, and desire to one-up each other make them always entertaining to see.

I also must acknowledge some of Karasuno’s opponents. While the mangaka doesn’t flesh out every SINGLE member of those teams, they each have at least one or two memorable characters. They also go through the backstories of these teams during the matches with them, to hammer in the fact that Karasuno isn’t trying to beat an “evil volleyball team”, but a team of normal, likeable people who have the same aspirations that our protagonists do. It’s effective, but it gets kind of redundant over time.

Of course, no sports manga can be good without amazing art, and Haikyuu!! has some amazing art. While the artstyle looks disjointed and sketchy at first, the mangaka ramps it up to eleven when the emotional tensity warrants it. They’re also a master at gesture drawing, which really sells the power and speed of each shot. The panel flow is amazing, and always kept me on my toes; I never knew if a spike was actually going to count until the little scoreboard popped up in the panel.

However, there’s one last thing about Haikyuu!! that sets it apart from its contemporaries. But I can’t mention it without spoiling endgame content big time. On the flipside, it’s something that could make or break the entire series for you. As such, I made the following paragraphs the same color as the background. If you want to read the spoiler, then highlight the section of your own free will. Otherwise, skip to the end of the post.

A lot of sports manga- and Jump manga in general- are meant to be inspirational and lighthearted. They give hope to the underdogs out there, and have themes oriented around never giving up and achieving your dreams. However… Haikyuu!! is not a manga about success, but a manga about failure. Karasuno fails. Sure, they lose some early tournaments, but that always happens in sports manga. If the team loses, there’s usually some loophole in the tournament rules, or a magical secret tournament that they can use to reach some sort of glory. But that doesn’t happen with Haikyuu!! Karasuno FAIL-fails. Even after the third-years graduate, the first-years are not able to avenge them. Despite my aversion towards cynicism, I actually love that this happened. I have mad respect for the mangaka for taking such a big risk with a mainstream I.P. like this. I have no idea if any sports manga has ever done this before (except Hikaru no Go, but that manga doesn’t count because it’s not very good and it doesn’t go into any sort of aftermath either), but Haikyuu!! does it really well.

I know, I sound like a hypocrite, saying that this tonal shift is a good thing. It makes me sound like the people (*cough* Western critics *cough*) who say that cynical narratives are more “realistic” because “people don’t achieve their dreams by force of will alone” and that “life is meant to be miserable”. Normally, when we see a cynical narrative, it’s a long process of seeing the main character fall into pieces and wax poetic about how “suffering is the only truth in the world”. But Haikyuu!! takes cynicism and twists it into something truly unique. Instead of wallowing in misery, the cast of Haikyuu!! just… lives. Haikyuu!! is about being able to make like a cat poster and “hang in there” even if you never achieve your dreams. Sad to say, I do truly believe that a lot of people can never achieve their dreams, just because of how our society works. But that doesn’t mean you kill yourself. That’s the lesson. The final arc of Haikyuu!! is just adult Hinata having fun playing volleyball with new and old friends. Narratively, it’s not very exciting, but it ends in the best way possible: a rematch between Hinata and Kageyama, using all the skills they’ve learned throughout the course of the story.

~~~~~

Final Verdict: 9.25/10

Haikyuu!! is an amazing manga, and is definitely among one of my favorite Jump manga of all time. It’s more grounded than most shounen, so I can more easily recommend it to critics. For once, Haikyuu!! actually deserves swimming in the mainstream, and I’m glad that a lot of people love it.

Uzaki-chan Wants to Hang Out! First Impressions (Volumes 1 and 2)

The siren song of money is a powerful one. Additionally, said song can be applied to a specific site’s built-in currency that can help you SAVE money. I didn’t really want to read Uzaki-chan Wants to Hang Out! (published in English by Seven Seas), but I couldn’t resist the 70% Coin Back on BookWalker! So, let’s see what the cost of my stupid decision was.

In Uzaki-chan Wants to Hang Out!, Shichirin Sakurai is a typical, introverted college student. However, he is constantly approached by his kouhai, Hana Uzaki. She launches an all-out verbal assault on him until he, well, hangs out with her. And thus, various shenanigans ensue.

This manga is dumb, that’s pretty much intentional. There is no intention to have a complex plot or drama. While the premise is reminiscent of Bottom-Tier Character Tomozaki, which- of all things- offended me on a personal level, the one distinction with Uzaki is that she’s forcing her way into Shichirin’s life because she’s stupid, instead of forcing him to date strange women just so that her preconceived image of him matches his actual image (seriously, why do people love Tomozaki so much?). 

Unfortunately, the humor comes off as pretty dry. The basic formula is to take everyday activities, and add boobs and a lot of yelling. Most of the time, Uzaki acts like an idiot, and Shichirin ends up in an ecchi-like situation. Other than a few clever blips (such as an epic speech about mint chocolate), there’s not much finesse in the execution whatsoever. The manga also tries to have something called “Poop Cat” appear, but it’s not funny nor clever. But hey, I’m a tough nut to crack.

The characters are perhaps the weakest aspect of all. I tend to have a soft spot for some one-dimensional characters, but the cast of Uzaki-chan is- I don’t know- zero-dimensional?! Uzaki is incredibly marketable, what with her immense assets, and that weird canine-tooth-shaped protrusion on her upper lip that makes her stand out from the 99,999 other girls that look exactly like her. She seems like the type of character who comes off as funny as an extension of her being an idiot. This works on a case-by-case basis, and this is NOT one of those cases. 

Meanwhile, Shichirin is a pretty typical dude. He definitely doesn’t hate Uzaki, but that doesn’t stop him from being the usual witty-comebacks-guy. Other than that, we have the audience surrogates; some friends who want Shichirin and Uzaki to be in bed together. HOW META AND RELATABLE. But in terms of personality, they were lacking by a large margin.

Speaking of lacking by a large margin… the art! The manga is very average and typical looking; that kind of super-simplistic style that’s so basic that the anime doesn’t look that much different by comparison. The panel flow is not taken advantage of for comedic effect. And furthermore, Uzaki-chan is somehow on par with Hunter X Hunter for the most amount of words on a single page.

~~~~~

Current Verdict: 5.5/10

Uzaki-chan Wants to Hang Out! is a cute, mindless manga, but there are way better of its kind out there! It feels like it follows the bare-bones basics of comedy and thinks it can use boobs to get away with it (which it seems to be succeeding at wildly, according to the anime episode discussion). Don’t bother reading this manga; if you want something better, read D-Frag or Grand Blue Dreaming instead.

Spy X Family First Impressions (Chapters 1-17)

It’s pretty typical for some niche manga to make MyAnimeList’s Top 100. But it’s wild that Spy x Family (published in English by Viz), placed around the halfway point of the manga list in less than a year after its launch. Time for me to board this hype train and see if it’s worth it!

In Spy x Family, a spy named Twilight is among the best in the business. But when his latest mission requires him to marry and have a child, he’s positively flummoxed. His solution is to establish a pretend family, with an orphaned telepathic girl named Anya, and an assassin named Yor Briar.

The thing about Spy x Family is that it’s not a rom-com with spies, but a sitcom with spies. Twilight and Yor don’t know of each other’s professions, nor do they know about Anya’s telepathy. However, Anya does know both of her “parents’” professions due to her mind-reading ability. Normally, I’d cringe at such a dynamic, but the fact that it’s done in a comedic way instead of a romantic way (like in Marissa Meyer’s Renegades) makes it more enjoyable.

And seriously, this manga is enjoyable. Spy x Family’s formula is simple, but it somehow works wonderfully. The comedy is done seriously well, with almost every page making me laugh out loud. But it’s not just a gag manga; there’s an actual overarching story as well.

The main goal of the series is for Twilight to get close to this really important politician named Donovan Desmond, whose son, Damian, is attending a prestigious school called Eden Academy. Twilight’s solution is to have his “daughter” enroll in the school and get close to Damian. But Anya’s kind of a ditz… and getting by in such an elite school is considerably easier said than done.

What makes Spy x Family so great is its cast. Twilight comes off as rugged, but slowly warms up to the fake family that he makes. Yor is, besides being gorgeous, someone who genuinely wants to be a good mom for Anya. She does NOT hesitate to use her skills in public to help her daughter. But the piece de resistance is Best Girl Anya. She looks like one of those typical moe blobs who exist just to be cute, but she’s got a real personality. Since she’s aware of her father’s mission, she actually tries to do a good job for his sake… but ends up getting carried away very often. When this happens, hilarity and genuine adorableness ensue.

There’s a curveball in Yor’s brother, Yuri Briar. He’s a secret service officer, whose mission is to find Twilight. He doesn’t know that his target is pretending to be married to his sister, nor does he know that she’s an assassin. Just more layers onto the cake of secrets.

The art in Spy x Family is very cute and appealing. The characters are very expressive, and their designs are quite memorable. The action scenes also look great for a slice-of-life manga. But most importantly, the panel flow is spot-on, which allows the comedy to fire on all cylinders.

~~~~~

Current Verdict: 9.75/10

Spy x Family is already one of my favorite comedy manga of all time. In fact, it’s probably the funniest manga I’ve read, more than my previous favorite comedy, Grand Blue Dreaming. Grand Blue’s comedy relies entirely on super visceral, over-the-top facial expressions, but Spy x Family is much more clever than that. I’d recommend Spy x Family to pretty much anyone!

Monster Girl Doctor Overview (Volumes 1-3)

The monster girl genre of manga has a lot of inherent appeal. They have the same ecchi content that people… er… enjoy, while also giving the girls extra appendages to… do stuff with. Interspecies Reviewers is one of the best in this category. But there’s also stuff like Monster Musume, Yokai Girls, or today’s topic, Monster Girl Doctor, published in English by Seven Seas.

In Monster Girl Doctor, a young lad named Glenn Litbeit is a doctor for monsters. He, along with his assistant and childhood friend, a lamia named Saphentite Neikes, will stop at nothing to cure their patients. Yeah, that’s pretty much it.

Being a doctor means having to touch certain… areas of other people. And legal or not, the novel wastes no time getting into that ecchi territory. The series opens with him groping a female patient. Plus, Saphentite (who will be henceforth referred to as Sapphee) does not hesitate to wrap her entire snake body around both Glenn and patients alike (and the same goes for their octopus mom of a teacher). Additionally, a lot of Glenn’s patients make… certain noises when he examines them.

Moral values aside, Monster Girl Doctor has some issues. While the writing is just FINE AND DANDY at describing women’s curves, skin colors, and beauty, I couldn’t get a visual on anything else. The city that the story is set in, Lindworm, is apparently a bustling metropolis with a load of districts for different monster races. But for some reason, I never had a good sense of scale.

If you couldn’t tell, this is another no-stakes slice-of-life fantasy. I’ll admit that it does try its darndest to have stakes, but it’s just too hunky-dorey. Even when the story ramps up a lot in volume three, it’s still the same basic formula of “save the waifus”. 

Also, here’s a surprise: I wasn’t a big fan of the characters (well, I suppose it would be a surprise if you aren’t too familiar with my blog)! Glenn is- like any ecchi male protagonist- very generic and unremarkable. Being a doctor makes him a perfect Prince Charming who helps all sorts of waifus. His various patients are… eeeeh. Just like he’s the perfect Prince Charming, they’re the perfect damsels in distress. They’re typical, cute but tortured girls who exist to have people grow emotionally attached to them after hearing their tragic backstories and cry buckets of joy when Glenn saves them. Even if they aren’t written out of the series after he helps them, I still didn’t enjoy them as characters. But if there’s a silver lining, it’s Sapphee. She gets jealous very easily, making her a sort of yandere character. Since she’s Glenn’s assistant, she’s an actual character instead of a waifu to save. 

The art of Monster Girl Doctor is pretty darn good. There isn’t much in terms of backgrounds, but that’s okay, because it makes all the cute monster girls stand out. There’s also plenty of ecchi goodness on each of the illustrations, like when Sapphee sticks her snake tail into a patient’s mouth.

~~~~~

Verdict: 7/10

Monster Girl Doctor is a good series, but time and money are vital these days, and “good” doesn’t cut it. When it comes to light novels, anything less than an 8/10 is a risk of wasting money, and anything less than a 7/10 IS a waste of money. But regardless of how I feel, the cuteness of the monster girls, as well as how savable they are, will likely make the anime a big hit during its broadcast. Read it if it strikes your fancy.

Grimgar of Fantasy and Ash Overview (Volumes 1-8)

This is a review of a light novel that I had abandoned around two years ago: Grimgar of Fantasy and Ash, one of J-Novel Club’s first publications. It looked great, then I read about two volumes and… just couldn’t get into it. I know that slow burns are a thing, but due to the sheer length of the series, plus me not yet having my IRL job at the time, I literally couldn’t afford to continue with it. But over the course of the last couple of months, I tried giving it a fair shot from where I left off.

In Grimgar of Fantasy and Ash, twelve people end up in this world- all Breath of the Wild style (including the amnesia). But unlike Link, they just go to the nearest town and GET A JOB. That’s basically about it; a perfect opening for a sandbox JRPG. That analogy is pretty apt, because this world is- of course- run on videogame physics.

Since it IS a JRPG world, Grimgar operates like one, specifically by having a slow and boring start. Most of the first volume is them just getting acquainted with the world. It is generic and boring, and shouldn’t have taken so much time to get acquainted with in the first place. Grimgar reminds me a LOT of Goblin Slayer, one of my least favorite LNs of all time (the group even gets called Goblin Slayers), and it could’ve even inspired that cesspool of D&D tropes. 

“Well, that’s only an issue for the first few volumes, right?” you ask. I thought that would be the case at first. But Grimgar is a “realistic” isekai. That means no lofty goals, no big bads to take out, no nothing. The whole point of the story is just… to survive. For some people (*cough* critics *cough*), this sounds like the greatest thing ever. And for some, the idea alone is enough, based on the positive reviews I’ve read. But the idea alone is never enough for me. The execution is more important, and Grimgar’s execution isn’t exactly on point.

At first glance, it seems the author really shows how ruthless the world of Grimgar is. Plot relevant characters do actually die, and it’s not always obvious who’s wearing the red shirt at any given time. Furthermore, it does a great job at showcasing the team’s struggles and shortcomings. Unfortunately, there are a ton of tone shifts. You know, have a story that takes itself SO DAMN SERIOUSLY and then suddenly throws in an ecchi scene. NO, you’re doing it wrong! Golden Kamuy and One Piece are rare gems that can mesh opposing attitudes all too organically, but Grimgar is no such gem.

The cast is ultimately what made me abandon Grimgar two years ago. Having twelve main characters immediately can be overwhelming in a book. In something like Danganronpa, sure, you’re introduced to sixteen main characters, but you didn’t have to worry about picturing them. I remember taking half an hour at the prologue just because I had to establish an image of all twelve people simultaneously. Fortunately, the author had the courtesy to split them up. The main MAIN group consists of Haruhiro (the leading protagonist), Ranta, Yume, Shihoru, Moguzo, and Manato, with the addition of Merry later on. 

Sadly, they aren’t that interesting. Haruhiro genuinely cares about his comrades, almost to a fault. But other than that, he’s a typical, bland self-insert. They try to justify this by having characters say something like, “He should be the leader because he’s the most ordinary” or something… but I still didn’t give a rat’s ass about him.

Ranta is the best and worst character in the whole series. He’s the best character because he has the most personality, memorable scenes, and feels the most fleshed out. Conversely, he’s the worst character because he’s a perv and is responsible for pretty much every tonal clash in the whole series (oh, and this person named Anna, who comes up later, is the female version of Ranta). Besides him, most of the others fulfill typical tropes like “deadpan loli” and “gentle giant”. There is some semblance of character development, which is enough for some (i.e. most) people, but for me, it falls flat in the face of their already boring personalities.

Visually, Grimgar has a true JRPG look. Watercolor paint style with desaturated but appealing colors give it an Octopath Traveler vibe. It also makes me wish that the quality of the art matched the actual story (oooooooh snap). 

~~~~~

Verdict (Average of All Eight Volumes): 6.85/10

Although I can appreciate what Grimgar of Fantasy and Ash sets out to do, I’m not one of those people who gives A’s for effort. From its boring characters, to dialogue that’s so far out of left field that it circumnavigates the earth and ends up back in right field, it’s just too many negatives and not enough positives. Grimgar feels like something meant to be inherently appealing to critics above all else. Maybe I’ll revisit it, but for now, I just can’t. If all you care about is that it’s “realistic”, “human”, and “poignant”, then you’ll probably enjoy Grimgar more than me.

Deathbound Duke’s Daughter: Erika Aurelia and the Seafarer’s Ruins Review

I have a confession to make: a couple of years ago, I read the first volume of My Next Life as a Villainess: All Routes Lead to Doom, and wholly disliked it. Maybe it improves, but all I saw was a typical, slow-paced, “grounded and realistic” slice-of-life fantasy that tried to hide that fact with an interesting premise. “Now what does that have to do with the topic at hand?” you ask. Well, you’ll see when I describe the premise of Deathbound Duke’s Daughter, published in English by J-Novel Club.

Deathbound Duke’s Daughter is a blatant clone of My Next Life as a Villainess. An unnamed character, who was apparently murdered at her workplace, is reincarnated as Erika Aurelia, the antagonist of her favorite otome game, Liber Monstrorum. Erika has a red shirt on, and is destined to die at the very beginning of the game. With her wits, the new Erika might be able to reverse her fate.

The immediate difference with Deathbound and Villainess is the world that the “games” are set in. In Villainess, Katarina is harassed by the student body, or accosted by bandits or something (I actually forgot because, to reiterate, I didn’t exactly like that series). On the flipside, Liber Monstrum proves to be the Dark Souls of visual novels; there’s vampyres, werewolves, and all kinds of Lovecraftian horrors that await. 

This gives Deathbound a much more adventurous vibe than Villainess, which automatically makes it a great light novel for me (even though “objectively” it’s bad because it doesn’t involve solving personal, human issues *sarcasm*). It wastes no time diving into the titular Seafarer’s Ruins, where Erika must save some kids from being King Midas’d to death, and more importantly, saving herself by having their hypothetical dead spirits not curse her.

However, the characters- like many-an isekai- leave much to be desired. Erika, despite supposedly being evil, is just about as un-evil and plain ordinary as Katarina from Villainess. The other major characters include Claus and Anne Hafan. The former is a typical overpowered self-insert protagonist (but he’s not the MAIN protagonist, which makes him subversive! *sarcasm*), and Anne is just a boring moe blob.

The art for this novel series is great, especially the cover art. It has a very whimsical look. However, the interior illustrations look kind of weird to me. It’s probably because it’s shoujo-looking, and I find that artstyle to be weird in general.

~~~~~

Verdict: 7.5/10

Deathbound Duke’s Daughter is definitely a better version of My Next Life as a Villainess. However, it’s not perfect. If it doesn’t grow some personality soon, then I’ll end up dropping it just as hard as I did its clone. For now, I recommend it to fans of Villainess, as well as Ascendance of a Bookworm and Mushoku Tensei.

Steven Universe Full Franchise Review (Main Series, Movie, and Future)

I have a confession to make. Steven Universe, which I only finished just recently, is the first Cartoon Network show I have ever watched. I never watched Dexter’s Lab, Powerpuff Girls, Pickle Rick… nothing! I didn’t even watch anime on Adult Swim. So, with that out of the way, let’s check out Steven Universe!

It seems that Steven Universe just throws you in, right from season one, episode one. Basically, the titular Steven is a half-human, half-gem-boy; a product of his late mother, Rose Quartz, and this fat old guy named Greg. He lives with three gem ladies- Garnet, Amethyst, and Pearl (AND STEVEN! Sorry… had to reference the opening)- and they protect the world from monsters and stuff.

If you couldn’t tell, Steven Universe is confusing. In my process of watching the show, I realized that the episodes seem famously difficult to watch in chronological order. The episodes weren’t just aired slightly out of order, but streaming services additionally have a number of massive continuity errors with the way they’re listed. Fortunately, the wiki has an episode list (in addition to a very comprehensive Reddit post) that you can use. Hulu is by far the best place to watch it, because it has the episodes listed individually, and not in two-episode sets, which avoids a bulk of the ordering issues.

But even if you watch it in the proper order (which I presume I did?), it really does throw you right into everything with no context, like I said before. Speaking of context, it’s almost as if the show expects you to figure out what’s going on THROUGH the context of what happens. I feel like that’s too much of an expectation for a cartoon, especially since 2010s cartoons have more involved narratives. But hey, the first few episodes do a good job at establishing a basic aspect of the premise, and how the series works in general.

Disregarding the confusion with the watching order, how good is Steven Universe anyway? Well, for starters, it is perhaps the slowest burn that I’ve seen in a cartoon. The first season more or less has all my problems with season one of Avatar: The Last Airbender; a lot of self-contained narratives, and not a lot of core narrative. The first episode set with a real sense of plot progression is episodes 25 and 26, but after that, it’s business as usual for a while.

One thing I noticed in Steven Universe was that I didn’t exactly find it funny. A lot of the humor, other than stuff from the gem ladies, is kind of flat. Apart from a couple of blips of cleverness, I didn’t exactly laugh all that much. But maybe… the show was not meant to be funny.

The big surprise is that Steven Universe has a bizarrely engaging core narrative. When the show actually tries to ramp it up, it’s a darn good time. There’s a lot of interesting stuff that they build up to when it comes to Rose Quartz’s backstory, as well as the lore of the gems themselves. The show also builds a more and more involved narrative over time. My biggest problem with it is that the gem world ends up being this super-dystopian society where there’s no free will, and they end up being all like “Wow, Earth and humans are so special and wonderful, my world sucks!” It bothered me as someone who doesn’t want to believe that humanity is unique in the cosmos, but in the end, it’s not that big of a deal.

Steven Universe also tackles one of the most relatable themes in human existence: identity. The most interesting mechanic of the gems is their ability to fuse with each other, creating new and powerful gems with their own fused personalities. In addition to that, Steven is technically his own mother, whose past ends up getting… rather tumultuous. Plus, there are multiple of the same gems that exist at one time. The show begs asking questions about “what is the self” and all that pretentious junk, but Steven Universe kind of just shows the fusion for what it is instead of waxing its own poetic. 

More than in any cartoon I’ve watched, I was seriously caught off guard by the characters. Steven starts off as your typical, overly-optimistic kid. But after a while, he ends up involved in some of the best and most emotional scenes in the series. However, he is kind of a Gary Sue. One running theme with the show is that he resolves a lot of conflicts verbally. While it does fit with the core themes of the story, as someone who had finished Kimetsu no Yaiba– with its overly righteous main protagonist that everyone, even his enemies, loves- I was a bit bothered by Steven when he’d wax sentimental mumbo jumbo.

Steven’s father, Greg, is also a great character who’s constantly had to live with the loss of Rose Quartz. The lead female human is a girl named Connie. She initially comes off as that “outcast girl who has the main character walk into her life and BOOM! all girls want to be her”, but her relationship with Steven is a lot cuter than that contrived romance. She ended up growing on me more than I thought she would. There are also a wide variety of other townsfolk, from Ronaldo the conspiracy theorist, to the enigmatic Onion, who all have memorable personalities.

But the real gems of the show are, well, the gems. Pearl seems cool and collected, but she has some serious O.C.D. Amethyst is the fun, rambunctious one who also happens to be an outlier of the trio. And Best Girl Garnet is very deadpan, but sometimes has some of the best one-liners. However, underneath their hard outer shells (pun intended) are some surprisingly well-fleshed out characters. They go through some serious issues, and unlike other cartoons, it actually felt engaging to, well, engage in their character arcs.

But they’re not the only gems. After season one, we see some new faces, such as Lapis Lazuli and Peridot. Lapis is kind of the tortured waifu who needs to be taught happiness by the main character, and is probably my least favorite gem. Peridot is a typical tsundere, but it’s funny to see her misinterpret aspects of human culture. There are many other gems, but. I won’t mention them because they don’t show up until over halfway through the story.

When it comes to visuals, Steven Universe is very appealing. The fights are well-animated, and everyone has memorable character design. The one complaint I have with this aspect is that people’s nostrils look kind of like slits instead of nostrils. But hey, a nitpick is a nitpick.

And speaking of nitpicks, I’m about to destroy my reputation in one fell swoop. Steven Universe has a good amount of musical numbers. And to be honest… I’m not a big fan of most of them. I know I just said something awful, but hey, I said “most”. There were a couple of songs that I liked, but I won’t name them, specifically because I don’t know what any of their names actually are (for the record, at least one of the songs I do like is the fan-favorite in the series).

But if you noticed the title of this post, you’d know that Steven Universe is not over, even if you finish the final episode of the main series. Set two years after the finale (and thanks goodness it is; Steven’s voice doesn’t sound whiny anymore), Steven Universe: The Movie initially comes off as cash-savvy filler, but has just as much plot relevance as the main story. Overall, it’s a fun movie that also has some of the better (and more abundant) musical numbers in the series. It can theoretically be skipped, but one of its characters appears late in Steven Universe Future, the concluding mini-series of the franchise.

Following the movie, Future attempts to bring final closure to Steven’s character arc, and teaches a number of additional life lessons. It tackles a lot of his emotional insecurities as his powers start becoming as unstable as his mental state. It starts off kind of hit-or-miss, but it ramps up to the highest emotional state in the entirety of the series. It’s kind of stupid that (at this time) the only way to watch Future all the way through is to buy it on Amazon Prime Video, but it’s well worth spending, provided that you sufficiently enjoyed the main series.

~~~~~

Final Verdict (Average of all Media): 8.5/10

Normally, I cannot stand narratives that deal with timeless, “relatable” themes like growing up and identity. But Steven Universe tackles them in a thoughtful and honest way that isn’t merely just mooching off of people who want to see themselves in a fictional setting. I’ve grown to be able to respect Cartoon Network because of their willingness to air a show like Steven Universe. And if it weren’t for the end of COVID-19, I probably would’ve tried watching stuff like Rick and Morty. But alas, it was not meant to be; TV isn’t my primary calling after all. Anyways, I recommend Steven Universe to those who want a different cartoon, one that isn’t there just to numb your children with fart jokes.

Destiny Lovers and The Elder Sister-Like One First Impressions (Volumes 1-3 of Both)

Destiny Lovers

I don’t know what it is, but I’ve been on a kick with very… scandalous manga lately. It’s either the adrenaline of consuming media that society considers taboo, or imagining what morally uptight people who can’t separate reality from fantasy would think if they saw something like this (or what they would do, in the case of Interspecies Reviewers (link to my manga review of it here)). So, let’s dive right into ANOTHER hentai manga, Destiny Lovers, published under Seven Seas’ good old Ghost Ship imprint!

In Destiny Lovers, a boy named Kosuke Fujishiro promises his childhood friend, Sayaka Ibu, that they’ll meet again someday and become lovers. He’s held onto that promise for years while waiting for their reunion. But one day, he’s thrown into a prison full of sexually aggressive women… and Sayaka is the warden?!

The manga comes off as a knock-off of Prison School, but that would be only half correct. It’s actually a combination of Prison School and World’s End Harem (link to my manga review of the latter here (don’t you just LOVE shameless plugs?)). The female jailers in this prison want to get Kosuke, and the other male prisoners, to have sex with them “for the sake of humanity”. And sure enough, the ending of volume one shows that the world seems to have indeed ended in some fashion.

Of course, it’s not going to be easy. If girls have learned anything, it’s the quickest way to a man’s heart… or rather, his little general. They pull out all the stops, from turning up the AC so that they’d be forced to cuddle up, or act as maids to let their guards down. For some reason, there’s some sort of appeal to watching men have to struggle against powerful women… maybe because it’s more often that the shoe is on the other foot? As appealing as it is, Destiny Lovers doesn’t have the same level of suspense as Prison School, but it works.

However, similar to World’s End Harem, the characters don’t have much more than what their… physical bodies have to offer. The only interesting characters are Sayaka, who tries to help Kosuke behind the other girls’ backs, and this one really smart and calculated dude whose name you don’t even get to know. Other than that, we have some basic character tropes and not much in terms of interesting personality quirks.

Overall, my biggest complaint is that it doesn’t show everyone’s age. The men go from their teens to early thirties, but they don’t tell you much about the women. In a hentai, it’s important for me to know if the girls are legal adults, otherwise I would feel less-than-good about myself if I enjoyed it.

The art is as spicy as expected. The sex isn’t as theatrical as World’s End Harem, but it still… works. Unfortunately, it seems to prefer nudity and underwear over sexy clothes, which kinda disappoints me. The character designs aren’t too remarkable either.

~~~~~

Current Verdict: 7.45/10

Destiny Lovers is a good hentai but I can’t fully enjoy it since I don’t know which women are legal adults or not. But hey, it does what it sets out to do well enough. I recommend Destiny Lovers to any fans of Prison School and others like it.


The Elder Sister-Like One

Sometimes, I wanna read a naughty manga just because. However, The Elder Sister-Like One (published in English by Yen Press) is a rewritten version of a doujinshi. While both versions are by the same mangaka, my immediate concern was that some of the… finer details would be watered down in the not-doujin edition. Let’s see what happens, since this version is the only one legally available to us ‘Mericans!

In The Elder Sister-Like One, a boy named Yuu is basically at the bottom of the barrel. He has no friends, and all of his relatives resent him, except for his uncle… who’s in a coma. When he unwittingly summons a powerful demon woman, his wish is for her to become his older sister. The demoness, who names herself Chiyo, accepts his offer, and the two of them live together.

We all know that Japanese media has not been afraid to tackle some “questionable” sexual themes, and in the case of this manga, there is a lot of… er… chemistry between Yuu and Chiyo. During the first volume alone, Yuu’s head is in Chiyo’s bosom, her feelers rub every inch of his body, they French kiss, Yuu lays on her lap, and he gets a good look at her underwear. Typical hentai stuff.

But of course, one decisive thing must be considered when it comes to The Elder Sister-Like One. It is a question that will make or break the entire manga for you: Is Yuu and Chiyo’s relationship incestuous? She was summoned with the express purpose of being his older sister. Furthermore, they developmentally consider each other siblings. But biologically, they aren’t (it is the Elder Sister-LIKE One, after all). But what also must be considered is whether or not Chiyo is considered a legal adult. This is probably something that’s up to interpretation. Personally, I want to consider them siblings (with her as an adult) because that would make more people profusely offended and cause heated debates.

Incest aside, how’s the actual content? The Elder Sister-Like One is basically a slice-of-life romance. The bulk of the story is just Yuu hanging out with Chiyo and the pair having cute interactions with each other. While it seems like a typical wish fulfillment fantasy, Yuu showing her the ways of the human world and stuff gives Chiyo a form of happiness that she didn’t even know she wanted. 

The sort-of-siblings are basically the only characters in the whole manga. Yuu is as generic and self-insert-y of a male protagonist as you can expect. But nobody reads a hentai manga for the guys (unless it’s yaoi)! The person we actually care about is Chiyo, and she’s about as waifu-able as you can expect. She’s very fun for a demoness, and she loves Yuu to pieces. It’s also cute to see her overreact to little things like mosquitoes and other things that cause minor abrasions. 

But there’s a curveball that gets thrown in around volume 3. Said curveball is named Haru, and she has some strange connection with Yuu’s uncle. I have no idea what her role is, but it seems like it’s going to add a core narrative to the story.

Like any hentai manga, the most important thing is art. I knew of the mangaka’s talents thanks to Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?, and I was not disappointed in The Elder Sister-Like One. Chiyo is gooooooooooorgeous, and the sexual content is exquisitely well-done. It’s even more *insert sexy cat growling noise here* if you interpret their relationship in the most controversial way possible.

~~~~~

Current Verdict: 8/10

While curious as to what changed from the doujin, the manga version of The Elder Sister-Like One is a simple and relaxing romance that doesn’t think it’s something bigger than what it actually is (unlike SOME YA novels). It’s a wish fulfillment fantasy, and that’s that. I recommend it if you’ve always wanted a hot older sister in your life.