Peach Boy Riverside: Not Your Grandma’s Momotaro (First Impressions, Volumes 1-3)

This was a spur-of-the-moment decision for me. Normally, I tend to have a bulk of blog posts ready to go well in advance. But at the start of this year, I really dropped the ball. I started a lot of reviews but had no intention to post until the respective series were finished, like The Owl House for instance. I decided to pick up Peach Boy Riverside for three reasons: it’s by the creator of Miss Kobayashi’s Dragon Maid (even if the artist is different), it’s getting an anime that I can hope to ride the hype of, and it’s about the legendary Momotaro… to an extent. 

In Peach Boy Riverside, Princess Saltherine (henceforth known as Sally) wants to go on a journey, despite her overprotective dad. Fortunately, a pretty-boy named Mikoto shows up and sweeps her off her feet. The thing is that he’s someone who came from a peach, and killed a bunch of ogres (yes they localized the name “oni” for some reason). 

Despite how shoujo the manga looks, Peach Boy Riverside ends up being very shounen, and surprisingly edgy. It’s pretty normal stuff for the most part, but when Mikoto gets serious, he gets all “SAO-villain-y” and has upside-down hearts in his eyes. 

To be brutally honest, the manga up to what I’ve read has been a pretty typical shounen fantasy. It starts off with being completely aloof, then Sally is suddenly like “I’m going to end all racism!” The Momotaro aspect isn’t even evident, beyond the whole “boy who fights oni” thing. The world doesn’t feel defined enough to even tell if it’s an alternate Japan or a straight-up fantasy realm.

And, of course, I wasn’t particularly fond of the cast. Mikoto is the bread and butter of this thing, because pretty-boys are popular and he’s super strong. He is kind of an ass, which sets him apart from other men of his ilk, but that doesn’t make him any more remarkable. In addition to him is Sally, who is pretty much your typical power fantasy girl, and Frau, a bunny girl who’s basically one of those tragic waifus that you’re supposed to fry buckets for. Volume two introduces a female ogre who ends up being named Carrot after going through the whole shounen “from bad to good” thing, but so far, she’s merely been the peanut gallery.

The art, sadly, is not by Coolkyoushinja, but someone else who’s nowhere near as good. The manga has a very basic, standard look with very “stock”-looking character designs across the board. The action looks nice, but even that is outclassed by other series.

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Current Verdict: 7.35/10

Peach Boy Riverside isn’t awful, but it’s not that engaging right now. Mikoto being a creep, and the unsubtle social commentary, are more-or-less what this manga is running on, and it could peter out at any moment. I recommend it if you like TenSura, since Mikoto is the same type of character as Rimuru.

Phantom Tales of the Night First Impressions (Volumes 1-3)

Sometimes, there is a case where a knockoff of a popular series is better than said popular series. Phantom Tales of the Night, published in English by Yen Press, initially comes off as a knockoff of Clamp’s classic manga, xxxHolic. But upon further inspection, it’s something much better.

Phantom Tales of the Night stars the unnamed proprietor of the mysterious Murakumo Inn. He allows anyone to stay at his inn- from humans to monsters. The man asks only one thing from you in return: a secret. You don’t even need to be aware of your secret, such as the case of Tokihito Sasaki, a high school student who’s secretly been dead for quite some time.

This manga mostly contains episodic chapters that slowly contribute to a bigger story. One immediate advantage that Phantom Tales has over xxxHolic is that YOU DON’T NEED TO READ AN ENTIRELY SEPARATE MANGA IN ORDER TO UNDERSTAND WHAT’S GOING ON. As a result, this manga has a much simpler plot. But just because it’s simple, doesn’t mean it’s not intriguing. After all, there’s the question of who the proprietor of Murakumo actually is.

The characters consist of three main protagonists: the proprietor of the inn, who’s merely referred to as Owner, and his two servants, Butterfly and Spider. Owner is, obviously, the Best Boy. He’s a cold, heartless man who doesn’t give a crap about anybody unless they have secrets for him to eat. Yet despite this, he’s a freaking badass, with plenty of epic shots all to himself. His secret is obviously going to be juicier than the Krabby Patty Formula, and I can’t wait to find out what it is!

His buddies are interesting. Butterfly is incredibly handsome, but ditzy, while Spider is the brute force guy. Their personalities clash regularly, and some great comedic scenes result, as out of place as they may be. Each chapter gives you bits and pieces of all three protagonists’ backstories.

There’s also a number of minor characters in Phantom Tales. Some, such as the aforementioned Tokihito, appear multiple times. But most of the time, these minor characters are just one-time visitors to the inn, ranging from regular humans, to assorted yokai, such as yuki-onna. If you’re no stranger to xxxHolic, you’d know that things generally don’t work out too well on their end.

Phantom Tales is one of those manga that relies on its visual presentation the most. It has a vividly detailed style that can go from beautiful to horrific at the turn of a page, and naturally, I love it. This is where the manga is the most similar to xxxHolic, but thankfully, the characters’ limbs aren’t spaghetti.

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Current Verdict: 9.45/10

Phantom Tales of the Night is amazing and underrated. Hopefully it’ll never get an anime adaptation, so it’ll stay perfect and pure forever. If you’re in the mood for a mind trip, then pack up your darkest secrets and stay a night at Murakumo Inn.