Some Old-School Prog for a New Year: Silver Lake by Esa Holopainen — Self-Titled Album Review

Part of being neck-deep in the metal hole is an obligation to look into new artists as they appear. Well, in this particular case, I wouldn’t call Esa Holopainen a new artist, but this solo project of his, Silver Lake by Esa Holopainen, is new. Plus, it’s my first time ever hearing of Holopainen himself, so he’s new from my perspective. Anyway, I think I’ve said a number of times that most dedicated metal bloggers only cover the extreme, underground stuff (and the rare time I’ve delved into those subgenres, it’s with bands that they DON’T cover). So yeah, I wouldn’t be surprised if the amount of reviews of Silver Lake’s self-titled debut album can be counted on one hand.

According to the Internets, Esa Holopainen is the guitarist of Finnish prog-metal band Amorphis… which have been around about as long as Dream Theater. Cool. Well, I only JUST caught up with Dream Theater, so… Sorry, I’m sure Amorphis is great, but my hands are tied by the march of time. Anyway, I don’t know much about this Silver Lake project other than that Holopainen, well, decided to do it. An interview with him I read on Nuclear Blast Records’ website said that this side project of his might be a one-and-done deal, although he has also considered following it up. Well, if it is a standalone album, then that saves me time in the long run!

The artwork doesn’t look too impressive at first; after all, it’s just a posterized photo of—surprise, surprise—a silver lake, with the project’s name smack dab in the middle like a perfect Pokémon Snap picture. But for some reason, I dunno… something spoke to me about it. It’s very much in the spirit of old-school prog, and that choice of font style for the name is beautiful. Props to whoever designed that.

Silver Lake starts with a three-minute acoustic intro track. Yep, that’s prog alright! It’s melancholy, and weirdly beautiful, a perfect lead-in to an equally melancholy song called ‘Sentiment’. Well… that’s more-or-less how the whole album goes. Overall, it’s a very strange record.

I know it sounds like hyperbole to say that “every song on an album is different”; even I’m willing to admit that a lot of my favorite bands merely expand on an established formula as opposed to breaking it completely. Silver Lake, however, really makes every song stand out. There’s the aforementioned acoustic track, along with whimsical yet epic ballads (such as the MV embedded below), a track that’s just powerful riffs playing over some guy narrating, and even a track with death growling. 

What helps is the wealth of vocalists who perform in this album. I have no idea who any of them are, but they all end up being more than talented enough for Silver Lake. The lyrics, however, I cannot decipher to save my life. In fact, I don’t even know if this is actually a concept album or not. 

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Final Verdict: 8.85/10

The only real flaw with Silver Lake by Esa Holopainen is the possibility that this really is a one-off project. While not album of the year to me, this is a hidden gem that gives classic prog that modern pizzaz. I recommend it if you’re someone with super eclectic taste.