Where Has This Band been All My Life?!: IOTUNN — Access All Worlds Album Review

One thing I’ve learned about extreme metal is that it’s become about as varied a subgenre of metal as non-extreme metal (the problem is that they tend to be overshadowed by classic death metal bands, who happen to have X-rated imagery and lyrics, but that’s a topic for another day). IOTUNN is one such extreme metal band that has a bit more novelty than, say, Cannibal Corpse. There are two reasons why I was drawn to their full-length debut, and the first is its cosmically awesome name: Access All Worlds.

The second reason is the album’s incredible artwork. I never thought I’d want to stare at a giant man bathing in a planet for so many minutes, and to be honest, I could stare at it all day. The artstyle itself is very appealing as well, since it reminds me of old-school science fiction book covers.

I’ve literally had to keep the band’s Facebook page open as I typed this paragraph in which I introduce the band members. That’s because they’re from Denmark, and have names where I need to insert a lot of special characters in order to spell them out properly. Rambling aside, IOTUNN consists of vocalist Jón Aldará, guitarists Jesper Gräs and Jens Nicolai Gräs, drummer Bjørn Wind Andersen, and bassist Eskil Rask.

Access All Worlds incorporates familiar elements of prog and extreme metal. Most of the tracks are incredibly long, as you can expect from the former. This might just be because the band is new, but I don’t find that to be a problem this time. When it comes to IOTUNN, it feels like they know how to intersperse singing and different instrumental sections in the right way to keep you on your toes (unlike some of the newer Iron Maiden tracks). The riffs are also very atmospheric, similar to bands like Sojourner, which makes the longer songs engaging in that same manner.

But despite me describing the music as “atmospheric”, IOTUNN is actually VERY loud. The guitars have a commanding presence, with crunchy roars that feel as heavy as vanilla death metal bands like Behemoth. The fact that such forceful music can also be described as atmospheric—scratch that, I’d call it spiritual—is really impressive, and show’s extreme music’s versatility. Of course, there’s no shortage of songs that go all-in, such as ‘Laihem’s Golden Pits.’

Also, is Aldará the one and only vocalist? Because it feels like there’s three different ones on this record. Throughout Access All Worlds, you’ll hear raw, throaty growls, gravelly shouts, and very operatic clean singing. With an echo effect to make them sound more cosmic, I was enthralled by all three of these performances. If it really is all one person, then I’ll be triply-impressed.

And of course, prog isn’t worth salt without strange and interesting lyrics, and IOTUNN delivers. If you watched the embedded MV, you’ll see that the theme of this album is sci-fi, but describing it as just that would be a disservice. They each tell a story, most of which involve space travellers or some such finding a strange planet and being like “WTH is this, bro?” And according to their bio on Metal Blade Records’ website, it’s up to you to interpret the chronological order of the tracks, as well as what they’re about in the first place. 

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Final Verdict: 9.5/10

I would give Access All Worlds a perfect ten, but I didn’t want to set up an impossible standard for the band to follow-up with (also, I’d prefer to give their next album a higher rating than this one just for my own sake). While it’s not Wizardthrone’s nonsensical space opera death metal, IOTUNN has made something very special in its own right (and probably something I’ll grow to like more than Wizardthrone) that I feel deserves to be heralded as the best metal debut of the year. Anyway, I recommend Access All Worlds if you really wished there was a more extreme version of old-school prog bands like Yes.

PS: I’m going to Disney AGAIN! Will be back in early November!

Some Old-School Prog for a New Year: Silver Lake by Esa Holopainen — Self-Titled Album Review

Part of being neck-deep in the metal hole is an obligation to look into new artists as they appear. Well, in this particular case, I wouldn’t call Esa Holopainen a new artist, but this solo project of his, Silver Lake by Esa Holopainen, is new. Plus, it’s my first time ever hearing of Holopainen himself, so he’s new from my perspective. Anyway, I think I’ve said a number of times that most dedicated metal bloggers only cover the extreme, underground stuff (and the rare time I’ve delved into those subgenres, it’s with bands that they DON’T cover). So yeah, I wouldn’t be surprised if the amount of reviews of Silver Lake’s self-titled debut album can be counted on one hand.

According to the Internets, Esa Holopainen is the guitarist of Finnish prog-metal band Amorphis… which have been around about as long as Dream Theater. Cool. Well, I only JUST caught up with Dream Theater, so… Sorry, I’m sure Amorphis is great, but my hands are tied by the march of time. Anyway, I don’t know much about this Silver Lake project other than that Holopainen, well, decided to do it. An interview with him I read on Nuclear Blast Records’ website said that this side project of his might be a one-and-done deal, although he has also considered following it up. Well, if it is a standalone album, then that saves me time in the long run!

The artwork doesn’t look too impressive at first; after all, it’s just a posterized photo of—surprise, surprise—a silver lake, with the project’s name smack dab in the middle like a perfect Pokémon Snap picture. But for some reason, I dunno… something spoke to me about it. It’s very much in the spirit of old-school prog, and that choice of font style for the name is beautiful. Props to whoever designed that.

Silver Lake starts with a three-minute acoustic intro track. Yep, that’s prog alright! It’s melancholy, and weirdly beautiful, a perfect lead-in to an equally melancholy song called ‘Sentiment’. Well… that’s more-or-less how the whole album goes. Overall, it’s a very strange record.

I know it sounds like hyperbole to say that “every song on an album is different”; even I’m willing to admit that a lot of my favorite bands merely expand on an established formula as opposed to breaking it completely. Silver Lake, however, really makes every song stand out. There’s the aforementioned acoustic track, along with whimsical yet epic ballads (such as the MV embedded below), a track that’s just powerful riffs playing over some guy narrating, and even a track with death growling. 

What helps is the wealth of vocalists who perform in this album. I have no idea who any of them are, but they all end up being more than talented enough for Silver Lake. The lyrics, however, I cannot decipher to save my life. In fact, I don’t even know if this is actually a concept album or not. 

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Final Verdict: 8.85/10

The only real flaw with Silver Lake by Esa Holopainen is the possibility that this really is a one-off project. While not album of the year to me, this is a hidden gem that gives classic prog that modern pizzaz. I recommend it if you’re someone with super eclectic taste.