I had every intention of reading Mashle: Magic and Muscles since its debut in Weekly Shounen Jump. But then, Seven Seas came out of nowhere and licensed a light novel with an extremely similar title: Muscles Are Better Than Magic! Since they seemed so identical, I decided to review them both in this post. Although Mashle came out in the U.S. before Muscles, the latter actually predates the former by three years. So naturally, I’ll go over it first!
Muscles Are Better Than Magic! Volume 1
In Muscles Are Better Than Magic!, a boy named Yuri lives in the forest alone. He has managed to train himself to the point where he’s super ripped, and can take on anything. When he finds an elven girl named Filia Windia, he decides to go on adventures with her, for no reason whatsoever.
If Muscles appears to be a run-of-the-mill, typical shounen fantasy light novel to you, that’s because it is! The whole darn thing is the two of them hanging out. A lot of the interactions are just him using his muscles and freaking people out. And like I said in the premise, there’s no purpose to anything that happens. They just go on adventures that are no different from your typical slice-of-life fantasy with no real spice beyond Yuri’s muscles.
The mostly boring cast doesn’t help either. While Yuri and Filia have some legitimately cute and funny interactions, they are surrounded by idiots. All the other characters are inconsequential NPCs who have no personality other than being shocked by Yuri’s muscles. That’s literally it! But even then, Yuri is also incredibly bland, with Filia being the only remotely likeable character.
The biggest issue is the writing. Muscles is one of those light novels that feels like a rough draft and not a publication. Although the action scenes are pretty good, descriptions of locations are as bare minimum as they typically are in these series. I get that writing is really hard but that doesn’t excuse when it’s bad in a published work!
Muscles Are Better Than Magic! is no better than your typical blazé fantasy. Similar to Buck Naked in Another World, Kuma Kuma Kuma Bear, and others, it uses some defining character design trait to pretend that it’s subversive. My chances of reading more are pretty low. But let’s see whether or not it’s the lesser of two evils when I review Mashle!
Mashle: Magic and Muscles First Impressions (Chapters 1-15)
In Mashle: Magic and Muscles, a boy named Mash Burnedead lives in the forest with an old wizard guy. He was born in a world of magic, but has no magic himself, making him an easy target of the police. When he bests the police with his bare hands, he is given a deal: enroll in Magic School and graduate at the top of his class or be pursued by the law forever. He accepts the deal, and attends the school with no magic power whatsoever.
I made a big deal about how Muscles and Mashle are the same, but… it turns out that Mashle resembles Black Clover more than anything else (oops). In any case, Mashle already shows greater personality than Muscles. Not only is the humor (and its delivery) much more substantial than in Muscles, but there’s also a purpose to the shenanigans that ensue.
So far, Mashle’s biggest issue is its simplicity. While I love a good, clear-cut Jump manga, a lot of [very vocal] people don’t. Because of this, there’s no rhyme or reason to the magic that gets used; they don’t even bother to explain the rules. And of course, let’s not forget the magic word, “unrealistic”, because of how impossibly strong Mash is for a teenager.
Mashle has a similar issue to Muscles: everyone other than the main character exists just to react to how swole said main character is. Furthermore, the lead girl is less remarkable than Filia, to the point where I already forgot her name. But unlike Yuri, Mash is a significantly more likeable character. In fact, he’s the bread and butter of this whole manga. While he’s completely devoid of personality, the author somehow makes that lack of personality into its own personality quirk. Also, his inane obsession with cream puffs makes him even more hilarious.
The art doesn’t look like much, but it’s more than enough. The panel composition expertly sells the humor, while also delivering the appropriate amount of punch to Mash’s attacks. If there are any issues, it’s that the black wizard robes make a lot of the foreshortening shots look kind of weird.
Current Verdict: 9.35/10
Muscles might be better than magic, but Mashle is far better than Muscles. It’s a risk investing in a new series when you don’t know whether or not it’ll get axed, but here’s hoping that Mashle stays for a couple of years at least. I recommend it to people who like battle shounen and fun (i.e. not cynical).
If you’ve read some of my previous posts, then you’ll be aware that I have not had the best track record with Seven Seas’ light novels; they just so happen to license some of the worst material I have ever read. The only one I’ve liked is The Invincible Shovel, and that’s in danger of becoming seriously repetitive. Other notable releases tend to be incredibly controversial, which would be good guilty pleasure, but some of them (such as Buck Naked in Another World) are so bare-bones and boring that I can’t enjoy them even for that! As a result, I had low expectations for one of their newest licences, a little series called *takes deep breath* ROLL OVER AND DIE: I Will Fight for an Ordinary Life with my Love and Cursed Sword. This was the needle in a haystack that I needed.
In ROLL OVER AND DIE (sorry, the official title is in all caps), a girl named Flum Apricot is chosen, among others, to defeat the Demon Lord. She has an ability called Reversal, which has all her stats locked in at 0. As a result, her party members treat her like crap until one of them sells her off as a slave. Just when she’s at the depths of despair, she stumbles upon a cursed sword, which- thanks to her ability- reverses its adverse effects and grants her massive stat buffs. With this power, she escapes captivity with a slave girl named Milkit, and sets off to live a normal life.
Critics have a word for scenarios in which an author tries so hard to make an underdog that it comes off as over-the-top and gratuitous: “torture porn”. That term is incredibly apt for ROLL OVER AND DIE. Flum is constantly called weak, is unacknowledged by society, and is- multiple times- seen as a sex toy by random jerks. Everyone is out to get her, and when someone tries to be nice, it’s actually a Shield Hero-style ruse. It’s shock value, sure, but similar to stuff like Eighty-Six, it’s executed really well!
But a light novel is still a light novel. Instead of actually earning her keep through hard work like a real underdog, Flum has power thrown into her lap, free of charge. And it’s not only the sword; she frequently stumbles upon more cursed equipment by sheer coincidence. The story also does a good job at giving her plot armor. In one early fight, she’s literally cut to ribbons, but the reversed curse effect can heal her even from that. Typical OP protagonist stuff.
Despite this, there is one thing that saves ROLL OVER AND DIE from being your usual power fantasy romp, and it’s the fact that Flum is a girl. Let’s go over the basic premise again: Flum Apricot is given phenomenal cosmic power by pure happenstance. She befriends a slave girl named Milkit, who calls her “Master”, as if Flum owned her as a slave. Imagine Flum being a boy, and the whole tone of the LN completely changes. Because of how society is, we are more willing to sympathize with a woman who’s overcoming torment, but as a boy, she’d be a cringe-inducing overpowered protagonist. We’re more willing to look at a girl owning a younger female slave as two sisters, but as a boy, she’d be a misogynist taking advantage of an emotionally distraught young woman. Now you see just how important it is for Flum to be a girl!
Unfortunately, Flum being a girl doesn’t make her particularly interesting. For some reason, I have a track record of coming down hard on characters, and ROLL OVER AND DIE is no exception. Everyone involved is your typical fantasy trope, with not much personality, especially Flum’s ex-party members. Milkit is probably my least favorite character because she seems to only exist to be the dime-a-dozen “tortured waifu” that makes everyone cry when she says things like “Nobody’s given me positive feedback before” (so her name is Milkit because she milks the audience!). Her inability to contribute to battle seems to further cement this. The saving grace is a loli named Sara, who speaks in a Southern accent, and wields a mace even though she’s ten. She’s both cute and capable!
To offset the fairly lackluster cast, the plot has some serious momentum. It’s fast-paced, and neatly divided into “Episodes”. Developments that would normally be reserved for several volumes down the road are thrown at you right out of the gate. The tone of the whole series changes just as you’re getting acquainted with it, that’s for sure! There are a lot of genuinely great action and suspense sequences. And to top it off, excessive gore really brings the fun ridiculousness of the story together.
I’ve finally found a light novel series that I think Seven Seas made a great call with licensing! ROLL OVER AND DIE is starting out to be a deceptively great franchise, and one that seriously needs an anime just to annoy people. Between this, Otherside Picnic, and Murcielago, I’m starting to consider the possibility that yuri is this secretly amazing genre… Anyway, I recommend ROLL OVER AND DIE if you fancy yourself some girl power!
Last time on Last Round Arthurs, Rintaro transfers to Camelot International High School, where he joins forces with Luna Artur to help her win the King Arthur Succession Battle. He immediately sees Luna’s Jack, Sir Kay, being used as an idol at the school, and it’s thanks to Luna- the student council president- that it could happen. This aggros the head of the Ethics Committee, Tsugumi Mimori, and the campus turns into an all-out battleground. After school, he meets her on the roof, where she lets him join her in the succession battle! The first thing they do is… break into their own school’s fantasy office to steal the answers to their midterms. But then, they’re attacked by the Ethics Committee, and someone casts a spell that sends them to the Netherworld. Luna summons Sir Kay, who goes off with Rintaro to find the spellcaster. They find Luna’s rival, Felicia, and Felicia’s Jack, Sir Gawain, waiting for them outside the school. Gawain beats Kay easily, but Rintaro is really confident that he can take on the knight. And guess what, Rintaro beats Gawain like it’s nothing, since Gawain is only at peak performance in the daytime (and it happened to be nighttime then). However, Felicia uses her Excalibur to create a dazzling light that freezes Rintaro and Kay in place, while giving Gawain his special boost. But then, Rintaro transforms into a mythic creature, which is apparently called a Fomorian (look it up). Rintaro is crazy powerful in this state, and thus Felicia undoes the Netherworld spell and flees with Gawain. Luna had apparently been watching the whole time, but surprisingly, she thinks the Fomorian transformation was super cool. Later, Felicia is attacked by the strongest candidate, Gloria. After selling some bread with a skimpy prize inside, Luna and Rintaro go out… on a date… and we learn of the real goal of the succession battle: whoever wins must stand against the Catastrophe, an event where reality and fantasy collide sometime in the future. But then, they stumble upon Gawain, who was fleeing from Gloria… a.k.a. Luna’s homeroom teacher, Mr. Kujo (and his Jack, Sir Lancelot)! He demands that Luna meets at the Central Park Hotel at midnight, or else Felicia’s life will be forfeit. While Gawain divulges his tragic backstory, about how his jealousy for Lancelot caused the fall of King Arthur, we learn that Rintaro is actually Merlin! Unfortunately, drama unfolds between him and Luna, and he quits being her vassal. Luna infiltrates the hotel with Kay and Gawain by her side. At the top floor, they end up in an illusory replica of Camlann Hill, where Kujo confronts them. Meanwhile, Rintaro has a talk with Nayuki, one of the girls from school, and learns that Luna sold her Excalibur as a bribe to protect her school from some corporation. Back at the hotel, when Luna is about to lose, Rintaro appears and hands over her Excalibur, which he stole from that company. He fights with Kay, Gawain, and Felicia to hold Lancelot and Kujo back while Luna charges up her Excalibur, but it gets ugly when Kujo wields his own, exponentially powerful Excalibur. But once Luna activates her Royal Road, based on trust between her and her vassal, it’s G.G. for Kujo. In the aftermath, Kujo awakens in a room with a strange robed girl (the same one who compelled Rintaro to join the battle in the first place)… who turns out to be Tsugumi, a.k.a. Morgan le Fay, the evil sorceress from King Arthur’s era. Meanwhile, Rintaro and Felicia’s teams form a truce for the time being.
This volume shows us a little more of the Dame du Lac, the organization behind the entire King Arthur Succession Battle. Since they created the Curtain of Consciousness that protects everyone from the illusory world, they kinda have authority over the whole world. But before we can ponder how likely they are to be totally-not-evil, our Motley crew is ordered to take out some Rifts in the Curtain.
We’re introduced to some new characters: Emma Michelle, another King, and her Jack, Lamorak. Emma knew Rintaro way back when, and she’s all over him. Meanwhile, Lamorak is literally Eris from Mushoku Tensei: red hair, loli, brash.
Most of this volume ends up being about Emma. Emma, Emma, Emma. The main conflict is not a bunch of deadly Rifts, but a shipping war, because EVERYONE loves those. It’s annoying, but at the same time, the antics that ensue are pretty funny.
But things ramp up in the volume’s second half. We get a ton of character development for Emma. Unfortunately, she ends up being another marketable waifu, but her character arc doesn’t quite resolve in the way that it usually does with girls like her. I can appreciate that much, at least.
Last Round Arthurs is still a great light novel, and more proof that there is a lot of good in modern light novels; they just don’t get anime adaptations. I’m very hyped for what this franchise has in store moving forward.
Her Majsety’s Swarm Volume 3
Last time on Her Majesty’s Swarm, Grevillea decides to infiltrate the Dukedom of Schtraut. With a Masquerade Swarm by their side, they head into Marine, the first city in Schtraut, disguised as refugees from Maluk. Their investigations show that Schtraut and Nyrnal don’t see eye to eye, and that adventurers are being sent to spy on Maluk. They join a guild to form connections. Eventually, Grevillea is invited to a party by Count Basil de Buffon. At the party, they have a run-in with a whiny noble, after which the Duke of Schtraut, Caeser de Sharon, appears. Serignan lures him over to Grevillea, who straight-up tells him that she was the mastermind behind the Maluk incident. They talk, and she tries to persuade him to let her Swarm through Schtraut to invade Frantz, and that she’ll defend his country during the inevitable war with both Nyrnal and Frantz that’s about to unfold. He leans toward her proposal, and even has her attend the International Council as a noble of Maluk… or rather have Maluk’s princess attend while controlled by a Parasite Swarm. The politics go as planned, and while the different countries are bickering, she’ll destroy them both. In order to stand up to the new threats, Grevillea makes some new heavy artillery. Meanwhile, Caesar forms an alliance with the Arachnea… if he wasn’t impeached by Leopold de Lorianne, the same mud-slinging S.O.B. from the party. Now, they have to fight Schtraut straight-up. They arrive in Marine, which has been completely destroyed. Out of a bizarre sense of respect, they harvest their bodies as meat for the Swarm. They destroy some peeps, but Grevillea ends up drinking poisoned well water, and wakes up back in the real world. She plays the game for a while, but ends up wanting to go back. Some girl appears, saying that the other world is a Devil’s Game, and swears to save Grevillea from it someday. She returns, and takes a while to remember everything. After that, they continue to destroy, further reducing Leopold the whiny noble to tatters. An army led by his younger brother, Roland, attacks next, but they too are quickly destroyed. Roland hates what Leopold did, so Grevillea offers to make him a Swarm to exact revenge. Meanwhile, Leopold’s last ditch effort is to get the Swarm on the bridge to his base, and blow it up with them on it. Fortunately, Roland knows how to steer a ship, and by extension, the Swarm now knows as well. With this, they are easily able to invade the city. They make their way to Leopold, but a basilisk comes out of the wine cellar! They destroy it easily, and proceed into the cellar to find him cowering in a secret room. Grevillea uses a Parasite Swarm to make him destroy himself. But then, she ends up back in her “room” again. That girl is here, and her name is Sandalphon. Another girl, named Samael, appears as well. They argue, and imply that Grevillea did something in her human life that resulted in her having to be judged in the game world? Well, whatever, she goes back and everything’s fine.
This latest volume shows that Her Majesty’s Swarm may be starting to enter a rut. Similar to the previous volumes, we are introduced to a new character whom Grevillea hits it off with, but then bites the dust. And just like the previous two times, she becomes a sociopath almost instantly. It was cool at the beginning, but when you have three red shirts pop up three times in a row in similar circumstances, it gets harder and harder to take seriously, kind of like Goblin Slayer.
But hey, at least sociopath Grevillea is the best Grevillea. With her sights set on the Popedom of Frantz, she’s just as conniving as she always is. The volume really ham-fists how corrupt Frantz is, and some of the things they show are pretty brutal. The plot thickens even more as far as the reason why Grevillea is in this world is concerned.
Currently, this is the shortest individual review I have ever written. I’m sorry, but I can’t say anything else about this volume of Her Majesty’s Swarm without spoiling stuff, and even then, it would be difficult for me to make this post more verbose. This is one of those franchises where it’s kind of the same thing over and over again. This isn’t the only case, but others at least have some variety that warrants discussion. Her Majesty’s Swarm has next to no variety as far as content is concerned. It’s going to need to answer some of the questions it asks fast, or else there’ll be some trouble.
The Invincible Shovel Volume 2
Last time on The Invincible Shovel, the legendary miner, Alan, saves a princess named Lithisia using the power of his shovel. According to her, a demon named Zeleburg is threatening to take over her country. The only way to fight him back is to recover the seven Orbs, so the two of them set off to grab them. On the way, they run into Lithisia’s incapable bodyguard, Catria. But she attacks Alan, so he puts her in a hole. He convinces her about his shovel by beating her, and a team of thirty other knights, with it… and thus, she joins his party. They arrive in an elven forest that’s been ravaged by Dark Beasts, and Alan saves an elf girl named Fioriel. She’s a descendant of an old friend of his, so he helps her, which takes only thirty seconds. He also whips up a massive fortress to protect the forest. After that, Fioriel becomes Lithisia’s friend. But they leave her alone in her castle so they can go through their first dungeon: the Ancient Castle of Riften. Thanks to some extensive info gathering and remodeling, they have an easy time reaching the Blue Orb. After the boss, Alice Veknarl, flees, Alan swipes the orb and destroys the castle after they leave. She attacks again, but Alan captures her easily. After some torture, he saves her from the demon’s curse, and she tags along. Now their next destination is the desert! They head to Desertopia, where Alan saves a space girl named Julia, who has water powers. When discussing her backstory, Alan surmises that her ritual was sabotaged. When they get to her village, Alan attacks the village elder, who turns out to be a Doppelganger working for Zeleburg! But of course, Alan takes care of it, and gains new followers in the process. They infiltrate the pyramid easily, but have to contend with the dragon. Alan defeats while nearly destroying the universe. With the Red Orb in hand, the motley crew looks toward a neighboring country where they can spread Lithisia’s cult religion…
Today’s next victim is the Ice Nation of Shilasia. It doesn’t take long for the story to immediately bury itself in its shovel memes. And guess what, it gets even deeper. In this volume, Alan digs up an international embassy, a house made out of avalanche, rewrites the law, and more.
We are also introduced to a character who- finally- is about as good as Lithisia. The latest beholder of Shovelism is the Ice Sage/Witch, Riezfeld. She’s a riot. Riez has a massive ego, but it gets buried deeper and deeper every time Alan performs one of his massive feats. Like everyone else, she just has to accept that he’s too powerful. Another new face is Lucrezia, a young noblewoman. Unfortunately, she’s not as likeable as Riez, which stinks, because it looks as if Riez is a one-off character for just her specific arc.
Other than that, it’s the same shovel antics as usual. This is exactly what I was worried about after reading the previous volume; that the series would get extremely repetitive. Plus, it gets harder and harder to suspend disbelief over the ridiculous things that Alan is capable of. It’s not stale yet, but that entirely depends on how much longer it’s going to go.
The Invincible Shovel is still a fun, mindless screwball comedy. Lithisia makes the story pop, as always, and overall it’s very funny. Let’s see how long it would take for it to overstay its welcome.
I’ve stated my disdain toward slice-of-life isekai in my reviews of Ascendance of a Bookworm, Mushoku Tensei, Buck Naked in Another World and Kuma Kuma Kuma Bear. There are exceptions, like Konosuba, but that one’s more of a screwball comedy that’s only technically a slice-of-life because of its general lack of plot progression. I have yet to like any of those chill fantasies that have the word “wholesome” slapped onto them when they try to sell their one-dimensional, superficially cute lolis to savvy audiences, such as If It’s For my Daughter, I’d Even Defeat a Demon Lord (a.k.a. one of the worst light novels of all time (side note: I know it gets darker later, but I got to that point and I still hate it)). But maybe, just maybe, The Extraordinary, the Ordinary, and SOAP! (published in English by J-Novel Club), will be the exception.
In a kingdom whose name I already forgot, a girl named Lucia Arca is living her life as a royal maid who washes clothes for the soldiers. Thanks to her only magic, Soap, she gets the tough stains OUT (R.I.P. Oxi-Clean…). But when monsters attack, she ends up using Soap against them in panic, and… it works! Now her whole lifestyle changes for the better.
But before that, there are definitely a number of hurdles to jump. This volume takes about 25% of its content to get to what’s mentioned in the product description, which also includes two side chapters. It is a pain, but thankfully, it doesn’t take long to get through.
Unfortunately, it is- surprise, surprise- a bit boring. The writing isn’t that interesting, and I found myself zoning out a few times (mainly because I was looking forward to resuming Grimgar of Fantasy and Ash for the first time in two years but that’s beside the point). The biggest issue is that- I’m gonna have a heart attack I’m so surprised!- the soap gimmick does not shake things up. Sure, it’s all neat and cool that Lucia has this unusual power, which could’ve made Extraordinary Soap a power fantasy combined with slice-of-life fantasy. But due to the fact that Lucia is a woman, she’s forced to stand aside and let the men handle things, in complete disregard of her overpowered ability. There’s also not much in the way of stakes, even though the volume tries to have them with its cliffhanger ending.
Also… the cast is boring. “Slice-of-life characters are more human,” you point out, “therefore they don’t need the unrealistic, over-the-top personalities of your battle shounen and power fantasy isekai trash!” Being human MEANS having quirky personalities, not being a blank slate (something I’ll get into more detail once a certain manga is complete). As I was saying, most of these characters are boring, “good” people. Lucia is the typical “poor girl who’s special for literally no reason” and this guy named Celes is the “perfect ideal boy-person that the aforementioned poor girl gets for literally no reason”.
“Hang on,” you say, “you compared this LN to isekai in the first paragraph, but it’s NOT isekai. Just because an LN is a fantasy doesn’t mean it’s an isekai!” I know that. However, Extraordinary Soap throws you a curveball; it IS an isekai, but Lucia is not the person from our world. The person from our world is Maria, who is admittedly the most fleshed out character. She’s got an abrasive side, an emotionally insecure side, and a weird yuri side. Perfect waifu material if I do say so myself! Unfortunately, she and Lucia are part of a sitcom-like love triangle, and Celes happens to be the unlucky third vertice.
The artwork for Extraordinary Soap looks more manga-y than light novel-y. It has nice, vibrant cover art, but overall, the grayscale illustrations are bland. Also, it looks like a shoujo manga, so it loses additional points from me.
TheExtraordinary, the Ordinary, and SOAP! is more ordinary than extraordinary, and soap not even a factor. It’s a typical, “WHOLESOME” isekai, falling for the genre’s typical trappings thanks to Middle Age misogyny (in Layman’s Terms, it would be better if Lucia actually got to USE Soap). It’ll likely become a sleeper hit if it ever gets an anime (and people are gonna LOVE Maria, I can tell). If you like any of the books I mentioned in the first paragraph, then this one should scratch the same itch.
Last time on Outer Ragna, Twitch streamer PotatoStarch booted up his new deluxe edition of the Dark Souls-ian JRPG called Dragon Demon RPG, where humans are caught in an unending war between elves and vampires. But unbeknownst to him, it’s actually a real alternate world, and his character, Kuroi the slave girl, is a real person whom he’s controlling. With his skills, she manages to defend the human village from monsters, learns some magic from an item drop, and acquires the rare job of Apostle. She is inevitably joined by the knight, Agias, the fire sorcerer, Odysson, and a loli named Sira. Things heat up when an Elven army (complete with its own Apostle) moves in and occupies the human territory, in preparation for a battle against the vampires. When the vampires actually appear, the humans and elves team up and manage to drive them away. Kuroi was MVP, of course, and she is turned into an object of worship: the Hare of Flame. Now humans are- for once- sitting pretty, and even joining Kuroi in her stat farming regimen. But it doesn’t stay that way for long when the vampires commence another attack, this time with one of their own Apostles. As you’d expect, Kuroi steamrolls the vampires with her flame sword and wrecks their Apostle, the Golden. In the aftermath, Starch gets a strange message…
…that is completely ignored, apparently. But there are more pressing developments to discuss, such as the world-changing exposition dump given to us during various chapters set in the real world. Apparently, Dragon Demon RPG was a computer virus disguised as a videogame that’s being used in cyber warfare? What’s happening in the game world is the Parallel World War, and if I’m understanding it correctly (which I have been consistently failing to do based off of the previous volume), the different races are all being run by various world powers. If this is correct, then I’ll admit that my interest is piqued for Outer Ragna.
However, despite how cool all of this stuff is, it doesn’t change much of the content within Dragon Demon RPG itself. The POVs are still all over the place. The descriptions of locations, characters and where they are in 3D space, etc. are still pretty lacking.
Furthermore, the characters are no better than last time. The existing characters still feel like cardboard cut-outs, and I completely forgot about a lot of them from the previous volume. The only new character who seems even remotely interesting is Shadow Tamika, a vampire person who seems to want to do away with all the gods in the world. However, she’s about as boring as everyone else.
And I still can’t seem to tell where anyone is at any given time. I’m really bad when it comes to large-scale military narratives, and I lose myself in all the different cardinal directions. “Oh this person’s this way, that person’s that way…” I can’t make any sense of it. That’s not a problem I can fault Outer Ragna for, but it’s definitely having an inverse effect on my enjoyment of it.
Outer Ragna has a lot of great ideas, but it’s all falling flat on its face. I don’t know what it is, but I just can’t get into this one at all. I might give it one more volume, but it’s likely that I’m not going to read Outer Ragna anymore.
Normally, light novels get manga adaptations at some point after publication. However, the inverse is true for Buck Naked in Another World, adapted from a web manga (at least according to MyAnimeList). Seven Seas has had a great track record of publishing… divisive content (to the point where they have their own imprint for it), and this might (key word) be their most controversial release yet.
The premise is as simple as it gets. A thirty-two year-old part-timer named Shuta Yoshida is mysteriously reincarnated in another world. He’s in his full adult form, with all of his memories. However… he’s naked! As such, he has to do hard labor for scraps… while having his wee-wee barely blocked from view by a loincloth.
So… I got something to say. I always talk about how certain gimmicks don’t really bring any sort of interest to the table, such as the upside-down mechanic in Patema Inverted. And astonishingly, the naked gimmick is next to meaningless here in Buck Naked. Despite this, there still is a bit of controversy, laid bare for us to see. For example, Shuta is quickly forced to marry a girl who’s only in her teens that he’s just met minutes before. Other than a few unfunny jokes regarding “Shuta Jr.”, his nakedness doesn’t play into the plot whatsoever.
Buck Naked is yet another slow-paced, tensionless, slice-of-life isekai with not much of interest. There is a whole thing where the villagers have some arbitrary prejudice towards hunters (which Shuta ultimately becomes), but I see it becoming a non-issue in the future. The first half of this volume is basically hunting stuff. Seriously, if I wanted that, I would’ve read Cooking With Wild Game instead! (P.S. is Cooking With Wild Game any good? I’d love to hear some comments.)
Admittedly, it picks up a bit in the second half, but not by much. They end up going to the big city, where a number of more controversial things, such as slavery, and Shuta bathing with a girl that isn’t his wife, happen. However, that stuff’s also synonymous with almost every isekai on the market, which once again renders the naked aspect inconsequential.
Also synonymous with almost every isekai on the market, the characters aren’t so great. Shuta is basically Rudeus from Mushoku Tensei; sometimes has funny, snide remarks, but is overall a cardboard box. Most of the other characters are basically just there, especially the women. The only remotely entertaining character is this girl named Nishka, but that’s just because she’s the busty, drunk type.
The art is as painfully average as the story. While the cover art looks nice, the illustrations inside have a lot of simple gradients and not much linework. But hey, it’s still better looking than anything I could whip up.
I expected Buck Naked in Another World to be one of the most controversial new isekai, but it’s not even that; it’s just a typical, boring isekai with next-to-no substance. At least Mushoku Tensei managed to be consistently offensive in each volume! Well, my chances of continuing this thing are next to nil, so let’s hope Kuma Kuma Kuma Bear is better!
So, Buck Naked in Another World failed to capitalize on its gimmick so hard that I couldn’t even be minutely offended by it. Let’s see if slapping bear motifs onto everything is enough to change the isekai formula in Kuma Kuma Kuma Bear, also published in English by Seven Seas.
In Kuma Kuma Kuma Bear (protip to fellow bloggers: DO NOT abbreviate the title of this series if you want your American audience to like you), a young lass named Yuna has mastered the stock market, earning her enough money to live as a NEET and to bribe her parents to eff off. This enables her to play her favorite VRMMO, World Fantasy Online. In a new update, she receives some overpowered bear-themed equipment, and is sent to another world in said equipment.
The million dollar question is, once again, does this gimmick make it any different from your typical isekai? The answer is still a surprising “NO!”. Although Yuna starts at level 1, her bear suit is insanely OP, and gives her basically everything she could need and then some. She has no problem beating overleveled enemies in seconds, and as a result, she grows rather quickly. It bothers me because, as someone who looks at things from a marketing standpoint, having a cute loli in an animal onesie is somewhere in the book How to Make Tons of Money with no Effort.
But what Kuma Kuma Kuma Bear has that Buck Naked lacks is much more competent writing. The pacing is much tighter, and there is some decent humor, which makes it enjoyable for sheer entertainment value. It’s a lot more fun, and doesn’t beat around the bush, except in certain chapters that just retell what just happened from another person’s POV.
This is about the umpteenth time I’m saying this: the cast is lackluster! While Yuna is kind of funny at times, everyone else might as well be made of cardboard. Fortunately, the fast pacing makes it so that you don’t have to BEAR with them for too long.
The art is kind of average, but it suits the theme. Yuna looks very “cute” in her bear suit. But otherwise, it’s pretty typical stuff tbh.
While substantially better than Buck Naked, Kuma Kuma Kuma Bear is merely a decent-at-best isekai. Geez, laweez, I can’t seem to catch a break with the Seven Seas light novels AT ALL… why is that? Anyways, I’d recommend Kuma Kuma Kuma Bear if you’re willing to sell your soul to the nearest onesie-wearing loli on your block. Otherwise, there’s plenty of other, better isekai out there.
Last time on Torture Princess, Kaito and Elisabeth are dispatched to the capital to kill a giant mound of flesh, which happens to be the three remaining Demons fused together. There, they meet a powerful paladin named Izabella Vicker, who naturally does not like Elisabeth very much, as well as the not-exactly-dead Godd Deos, who’s using a mechanic similar to that of Vlad to project his soul throughout the world. In order to not have to rely on her, Izabella resolves herself to kill the mutants of the townsfolk that are spawned by the flesh blob (and is the only soldier who doesn’t get scarred for life). They manage to hold it back on the first day, at least. Later that night, Kaito overhears a conversation with Izabella and some other soldiers and realizes that the Knight was actually her brother, who was one of the many people that Elisabeth slaughtered in her backstory. The next day, the Church’s trump card appears: La Mules, a young girl who can vomit big birds. They manage to cut a big gash in the blob, causing the Monarch’s body to split off from it, which Kaito captures alive. Unfortunately, the blob forms the face of the King, and zaps La Mules with a mental attack that makes her kill herself. Elisabeth must finish it off tomorrow while it’s wounded. Since she’ll die no matter what tomorrow- either from the blob or being executed- Kaito goes on a wholesome date with her. Later that night, he uses pain-sharing magic to inflict massive pain on both the Monarch and himself, so that his magic is supercharged for the final battle. When the fated day dawns, they launch a full-on offensive (with the help of Hina, who just fully recovered), and infiltrate the flesh blob. Inside its core, they manage to destroy the King and Grand Monarch’s fused hearts, as well as the grotesque demon baby that they give birth to. With this, Elisabeth’s mission is complete. On the day of execution, she complies without resistance. However, Kaito shows up and attacks, threatening to destroy mankind. Yup, Kaito is now the fifteenth contractor, and he saved Elisabeth’s life by having her ordered to vanquish him.
Sure, this sounds like a cheap excuse to pad out a series that was CLEARLY over, and… well… it is. But hey, that doesn’t mean that the series is BAD. At least not for the time being, because this volume is the start of a rootin’ tootin’ new arc of Torture Princess!
One final warning before getting into the actual review: DO NOT READ THE CHARACTER BIOS at the beginning! It mentions a new character introduced in this volume, and spoils a very standout trait of theirs. It kinda-sorta ruined a good half of the book for me, so seriously, do what I said.
Kaito is on the run as usual, because he- you know- declared war on the world. Sadly, the series once again shows that it is indeed a generic wish fulfillment isekai in the fact that he doesn’t choose to kill anyone who goes after him (which is not bad, but it’s still worth pointing out). But on the way, he meets the designated beastfolk, who seek his aid. There’s been a series of massacres in their community, and Kaito needs to find the culprit.
This volume has a ton of new (and maybe kinda predictable) revelations about the overarching narrative as a whole. And most of it is provided courtesy of Jeanne de Rais, the new character whose trait I got spoiled of. Fortunately, I can tell you about her personality without spoiling anything. She’s an absolute lunatic, in the best way possible. She randomly swings from talking super politely to something a bit more… bold (literally; her text turns boldfaced in this state), and begins cursing people off.
But not a single character has yet to surpass Best Girl Hina (who has recently become my favorite character in the series). I get that her relationship with Kaito is a one-dimensional yandere-servant and self-insert-protag, but it’s an incredibly well-written one. Their chemistry is bubbling more excitedly than ever, and I’m loving every minute of it. And you know what… I’m officially going to declare that Kaito and Hina are a better Subaru and Rem than Subaru and Rem. THERE. I SAID IT. NO TAKESIES BACKSIES.
With the amazing character interactions, Jeanne’s entertaining personality, and the new plot developments, this may be my favorite volume of Torture Princess thus far. And the irony behind that is that this volume has the least amount of gore. As much as I was saying that the gore is what will carry this series, I was proven wrong. This volume shows that Torture Princess is a legitimately well-crafted masterpiece that stands out among other isekai rabble, and I’m hoping it continues to stay this way (and for the love of God never get an anime adaptation).
Normally, I’d give an overly detailed recap of a previous LN volume at the start of these posts. But I goofed this time… again, just like with No Game No Life Volume 10. I’m really sorry. But hey, maybe not having a recap is better? Well, the basic gist is that Iris is the Best Girl. That’s what’s important.
This volume is titled The Archwizard’s Little Sister. That means it’s all about Megumin’s sister, Komekko (who I had completely forgotten was introduced in volume 5 and thought that she was a brand new character), right? Heh-heh-heh, WROOONG. The book pulls a Monogatari and spends a third of itself with Kazuma lazing around at Iris’, which becomes its own mini-arc where they try to convince him to come home.
Unlike Monogatari, this part’s entertaining in its own right. He literally fights tooth and nail to stay with his little sister, Iris, and this causes the usual Konosuba Khaos (had to change the letter for alliteration) to ensue. It’s your usual Kazuma being a buttmonkey stuff that’s karried Konosuba (alliteration again) all this time… and it’s kind of getting old. I love these characters, but their comedy hasn’t really evolved. For example, the third volume of Cautious Hero introduces a lot of new abilities for Seiya that creates even more ridiculous scenarios than before. But here… Kazuma’s still being lazy, Aqua’s still being a whiny brat, Megumin’s still the Best Girl, and Darkness is still a punching bag.
Fortunately, this volume of Konosuba is a return to the series’ roots. For the first time in what feels like a long time, we have the cast doing just normal quests. We also have a reference to Combatants Will Be Dispatched!, with a brief mention of the goddess who is supposed to be the sister of Zenarith, the goddess of undeath that Grimm worships. Overall, the volume was pretty nostalgic in a way.
With six volumes left for us Westerners, Konosuba is still coming in strong. This volume is a nice little romp, and the twist ending definitely has me curious. Let’s hope it can stay good all the way through!
Boxing narratives are all well and good, but they kind of tend to be the same. The main character loses, trains, gets told by several peers that he’s killing himself, trains anyway, manages to beat the bad guy with sheer force of will, then lather, rinse, and repeat until the fanbase is tired. But can some cyberpunk overtones make it a bit more interesting? Let’s find out in the short manga, Levius, published in English by Viz.
In 19th Century… somewhere (lol I don’t actually know), the titular Levius Cromwell is constantly haunted by the scars of a cyber war, which resulted in his mother ending up in a coma. For reasons that are a combination of him wanting money to fund her recovery, mysteriously seeing her as a child, and the organization that caused her coma being involved, he takes up mechanical boxing.
It’s a bit hard to follow at first because it takes a while to get acclimated to how the world is, but overall it is as straightforward as boxing gets. Fortunately, it doesn’t beat around the bush, and starts the story off with Levius at the second highest grade of boxing. He also gets a head start to enter the highest grade once a famous boxer from that bracket passes away. The fight to see which person enters that bracket is basically the entirety of Levius.
Of course, it’s not that simple. Remember that organization I mentioned? It’s called Amethyst, and its people are quite mean. They create some emotionless cyborgs that specialize in killing. As expected of a boxing narrative, Amethyst is a pretty one-dimensional evil organization for the time being.
And the characters, sadly, match that description as well (the one-dimensional part, to be exact). If you’ve seen Rocky, you’ve seen the cast of Levius already. Levius is a typical, brash boy who’s AAAAANGRY at Amethyst and SO AAAAAANGSTY all the time. His uncle, Zack Cromwell, is the coach who constantly tells Levius to not kill himself. The female lead is an Amethyst machine: A.J. Langdom. She’s a cute girl who’s been heavily modded, and basically serves as a damsel in distress. The main villain, Dr. Clown Jack Pudding, is literally Battle Angel Alita’s Desty Nova cosplaying as Final Fantasy VI’s Kefka, and he’s pretty great.
The art for Levius is rather unusual. First off, the manga is published backwards (forwards in a Western sense). “CENSORING JAPANESE CULTURE, IN 2020?! TRIGGERED!” you exclaim. Look, I have no idea what the factual reasoning is, but according to a comment on Viz’s page for Levius, it was actually published backwards in Japan as well because it’s supposed to be set in the U.S.? I don’t know… But regardless of the direction, Levius is a manga through and through. The panel composition is still what you’d expect for a battle manga, so you don’t have to worry about it being too Westernized.
But it’s not just the format that’s unusual, it’s the actual drawings, too. Levius has a very sketchy and gritty style for a sci-fi manga, even more so than Attack on Titan. For what it is, it looks fantastic, with great action, and phenomenal close-ups. The color pages are also amazing as well (PS: nudity warning, by the way).
It might not be wholly original, but Levius is a pretty solid read. But notice that I don’t have “Full Manga Review” in the title or “Final Verdict” in this section? In case you haven’t noticed, Levius was not axxed; no, it’s only just beginning. There is an ongoing sequel, Levius/est, and I am hyped to read it. For now, I recommend Levius to fans of boxing, battle shounens, cyberpunk, and steampunk.
Last time on Otherside Picnic, Sorawo and Toriko decide to rescue the U.S. soldiers trapped at Kisaragi Station. They lead the entire battalion of men through a forest and fight a giant snake lady, and the men are able to return to base in Okinawa. The girls take the opportunity to chillax at the beach, but end up on a beach in the Otherisde. After barely avoiding an assault from green babies and grey lumpy crabs, they escape by using the Hasshaku-sama hat from the previous volume to form a portal, whereas Sorawo sees the silhouette of Satsuki on the beach just as the portal closes up. Sorawo then encounters a weird girl named Akari Seto, who’s had ninja cats pursuing her. The two of them, and Toriko, end up fighting said ninja cats in the space between our world and the Otherside (similar to when the Time-space Man showed up), and escape when Sorawo uses her power to spot a strange doll inside Akari, which Toriko pulls out of her. After returning to the real world, they ask where she got it from. It turns out that she was another student of Satsuki’s, and this breaks Toriko’s heart. Later on, they get invited to the organization that Kozakura works for, the DS research lab, where Satsuki used to work. When they investigate her old room, Sorawo uses her right eye to decipher the strange glyphs in Satsuki’s journal, which causes Satsuki herself to appear and drop a cursed box on the floor, which erupts into red birds that attack Toriko. Sorawo barely manages to save her, but we still have no idea what the deal is with Satsuki, assuming that we’ve been seeing the real thing. Also, Sorawo not telling Toriko about any of these sightings is sure going to put a dent in their relationship later.
This volume starts with the title drop: an Otherside picnic! In this part, we learn more stuff about the girls than before, such as the fact that Toriko apparently had lesbians for parents. But yeah, this light novel is getting more yuri every volume. I just hope it doesn’t get so wrapped up in yuri stuff that it dangles the whole Satsuki thing like a carrot for a cringe-tastically long time. That would be very sitcom-like.
Fortunately, that has yet to occur. Otherside Picnic still maintains a sense of overall intrigue when it comes to story progression. This volume brings up a mysterious figure named Lunaurumi, who may or may not be Satsuki. But she is one thing, and that’s some Internet troll who’s been spreading the Otherside’s influence to innocent people.
Unfortunately, I don’t care about Akari any more than I did last time, even with the character development she gets in this volume. We see her relationship with her friend, Natsumi Ichikawa, but it’s kind of just there for the sake of the genre. I might have said this before, but Sorawo and Toriko’s chemistry is the only thing making the yuri aspect of this series anything above baseless girl-on-girl sex.
Based on what I’ve read up to this point, the first halves of each Otherside Picnic volume are very slow and very inconsequential. The first chapter in each book can be pretty boring, and seems to serve no purpose but to reacquaint us with the characters. But the ball always gets rolling real fast in the second half, and the fact that one chapter takes up the entire latter half of this volume shows that sh** goes DOWN. The climax is a massive turning point that I’m glad happened now instead of later, that’s for sure.
While I have some concerns, Otherside Picnic is still one of the best isekai- and perhaps one of the best yuri- on the market. I need volume four yesterday, because after what happens here, I honestly have no clue what direction it could go in.
Last time on Cautious Hero… hoo boy! Seiya defeats a big fly-like Demon with the new attacks he learns from the pervy archery goddess, Mitis, and the yandere war goddess, Adenela, and saves Rosalie Roseguard, the whiny and reckless daughter of the emperor. He is then instructed to go to a village to obtain some sacred armor, but that village has been destroyed by another Demon General, who summons an indestructible monster named Death Thanatos to kill Seiya and his friends. They run back to the spirit world and lure it to the goddess of destruction, Valkyrie, who uses an awesome absolute-surefire-kill move called Gate of Valhalla to destroy it, but at the cost of almost all of her HP. Seiya asks her to train him on all of her moves except for that one, but it’s cut short when Rista walks in on them… doing it?! After that… incident… they’re called to the capital city of Orphee, where the last Demon General is attacking. However, the emperor, Wohlks Roseguard, defeats it himself (despite being senile and reverting to the personality of a baby every so often). Double-however, the emperor, who was seduced by the Demon Lord’s words and his own envy of Seiya, tries to kill Seiya using the God Eater Sword, forged with the power of the Demon Lord’s Chain of Destruction that permanently kills a soul with no chance of reincarnation. Seiya barely manages to defeat the guy, so his team rests up for the final battle. Or DO they? Seiya breaks out of character and goes off to fight the Demon Lord himself with the Gate of Valhalla technique (which, incidentally, him and Valkyrie’s doing it was her giving him the ability in the first place). When Rista rushes over to Ishtar to ask what the hell’s wrong with him, she tells her that Seiya was previously summoned to save a different world. Triple-however, he was the exact opposite of cautious, and thus he failed (also, Rista is the reincarnation of his lover during that time. Now Seiya is officially a waifu guy. Great). Rista breaks the rules and teleports straight into the Demon Lord’s castle right in the midst of the final battle and restores Seiya’s life with her divine healing powers to offset the Gate of Valhalla’s punishment. QUADRUPLE-however, the Demon Lord is able to attempt a last-minute screen-nuke, forcing Seiya to summon a second Gate to consume him and the first gate, finishing him off for good. This breaks him (literally) beyond repair, and Rista returns to her world awaiting punishment. Her punishment… is to save the world that Seiya could not save, now an SS-ranked Dark Souls-ian world. And who better to accompany her… than the reincarnated (through some Deus Ex Machina BS) Seiya himself?
“Well that’s all well and good,” you say. “But this is just an excuse for the author to pad the series out long after it should’ve ended. Things in this arc are going to be EXACTLY the same as the previous one!” I shared your concern. But things change VERY radically right at the start of this volume.
Seiya trains for the new challenge when a werewolf appears and attacks him. It only gets one hit in, but it’s enough to give him amnesia and make him VERY reckless. Doing this effectively turns him into the same Gary Sue protagonist that tends to make isekai absolute cringe, but this version of Seiya is good cringe. By robbing us of what defines him as a character, the story expects you to yearn for him to be cautious again. Conversely, if you hated him up to this point, this version of him will probably irritate you even more.
This also puts the shoe on the other foot. With Seiya making rash moves, Rista now starts acting cautious around him. This causes a new set of reactions between them that wasn’t at all possible in the past, and is by far the best aspect of this new predicament.
Unfortunately, the amnesia ends up being resolved very early and very unceremoniously, which also increases the rift between him and Rista. This makes the whole situation seem like shock value. But there’s a silver lining! In order to face his new enemies, Seiya goes for a class change. This allows him to continue to bamboozle us (and his enemies) with even more utility than before.
This new arc shows that the author of Cautious Hero has yet to run out of steam. With Seiya’s ever-expanding arsenal, only the final boss could have a ghost of a chance of stopping him. Oh, and speaking of the final boss, I’m hoping that it ends up being just as cautious as Seiya. A battle between cautious hero and cautious demon would be a perfect way to end this series (or this arc?). But Seiya will have to GET to the final boss in order for us to know for sure.
Last time on Torture Princess, Elisabeth and Co. went to Vlad’s castle to find information on the remaining demons. Kaito pockets a strange orb, but otherwise they have as much luck as two Spaceballs combing the desert. Later, they get invited to the castle of a new demon, the governor. Upon arrival, they see a gruesome scene where innocent people are gorging endlessly on poison foodstuffs. Elisabeth puts them out of their misery, and they go to the Governor’s bedroom where they find him already dead. Suddenly, the guy’s heart ruptures and Elisabeth is afflicted with some spell. Then, another new demon, the Grand King Fiore (female), shows up. Apparently, she has the ability to control other demons, and set this all up for Elisabeth. They manage to escape, but Elisabeth’s magic is heavily drained. However, the church immediately makes her fight two more demons that are attacking the same area. But before that, Kaito discovers that Vlad’s orb contains his spirit, and he teaches Kaito how to use some magic. With this, they’re able to fight the demons, but one of them is used in the same spell again, and Elisabeth is in even deeper doo-doo. What’s worse is that the Grand King, in control of two MORE demons, is attacking Elisabeth’s HQ directly. Desperate to help, Kaito forms a contract with Vlad’s Kaiser. Hina finds out, and he involves her in a plan. Hina uses a weapon that makes Kaito feel the pain of all the minions that are killed in order to power up his Kaiser. By the time he shows up, she’s got her arms and legs burnt off. Unfortunately, Kaito’s magic isn’t enough to fight off the Grand King in her final form. But he has a backup plan. He stabs himself and uses the blood- fused with the Kaiser’s- to cure Elisabeth, and she whoops the Grand King’s booty. YEAH! YEAH! BEST GIRL ELISABETH IN THE HIZ-OUSE! However, they barely manage to restore Hina’s limbs before they get an emergency summons to the capital city, which is seriously getting wrecked.
Unfortunately, Hina’s “gears have to realign” or whatever, so she’s not actually IN this volume. But hey, given that volume 2 was all about the S.S. KaitoHina, this volume is all about the S.S. KaitoElisabeth. It’s about freakin’ time, am I right?
Anyway, the situation in the capital is about what you’d expect. The three remaining Demons have fused together into a giant flesh blob, and it sucks in people, turning them into mutants that throw other people into it and repeat the cycle. The description of it, as well how Elisabeth dispatches the mutants, is about as excessively violent as you’d expect.
This volume gives us a new girl named Izabella Vicker, a commanding officer of the paladins who are sided with the church. She’s your typical hyper-morally-correct Mary Sue who wouldn’t be caught dead doing something dishonorable. But she’s an extreme case; in order for them to not have to rely on Elisabeth, she chooses to bathe in sin by killing the innocent people who’ve been turned into mutants. She’s my least favorite character so far, but there’s a good chance she’ll have a bigger role to play later.
Despite this volume centering around an entire battle, this is actually the least action-packed volume so far. Normally, I would be like, “Ugh… more boring crap where nothing happens,” but Torture Princess once again shows its surprising strength in character interactions. There’s an entire chapter of Kaito and Elisabeth just hanging out together, and it’s a really good chapter. Their relationship is probably one of the best that I have ever seen; much better than the BS from the actual romance genre.
But of course, what we all want to know is what happens at the end of the volume. After all, as established in volume 1, Elisabeth’s only reward for defeating all these demons is public execution. I personally saw it coming, but that doesn’t mean it’s not something entirely predictable. You’ll have to read this volume and see.
This brings us to the end of the first arc of Torture Princess. I have no clue of how things are going to play out moving forward. But as long as it’s edgy beyond all reason, I’ll see it through to the bitter end.
Many isekai lately have been trying- and failing- to have genuinely dark undertones. The most successful attempt thus far is probably Torture Princess. But as much of a masterpiece as it is in its own right, it is essentially a typical wish fulfillment fantasy with a slathering of blood on it. J-Novel Club has just published a new Overlord wannabe called Her Majesty’s Swarm. Will it be able to handle dark themes well? Let’s find out.
Her Majesty’s Swarm stars an unnamed girl who gets summoned to an alternate world. This world, similar to Overlord, behaves like her favorite MMO, which has players build armies and conquer their enemies. This girl is the queen of the evil Arachnea, a race of spiders that serve her.
So far, Her Majesty’s Swarm seems to be how I described it in the beginning: an Overlord wannabe. Instead of immediately launching a merciless world conquest, she decides to build her army “properly”. She negotiates with locals and only kills criminals. Fortunately, the spiders all share their thoughts with her, so she has no need to be Ainz, who must pretend to be evil in case his loyal minions stop being loyal even though their programmed to be that way.
But all that changes around the one-third mark. Certain individuals attack other certain individuals that she cares about, and as a result, she declares an all out war. Suddenly, she’s building an army with the express purpose of killing, murdering, and slaughtering. While the writing in the fight scenes aren’t as good as Overlord, it looks like it will at least be more consistent.
But like Overlord, the characters have a lot of room for improvement in the everything department. The Queen is definitely meant to be the fan favorite. While she is a very smart and cunning leader when it comes to RTS, her shift from a sympathetic queen who buries and mourns one dead spider to a heartless queen who doesn’t hesitate to sacrifice thousands of them is VERY out of left field. She also has an existential crisis somewhat similar to Ainz, in that she doesn’t know if her ambitions are her own or that of the Swarm’s eroding her conscience, but it becomes a non-issue pretty quickly.
The only other character worth mentioning is Serignan, a special type of spider with a human torso (and a female one of course). She’s about as loyal and bland as any of Ainz’s minions, and comes off as a knockoff of Hina from Torture Princess.
The art in Her Majesty’s Swarm is lacking. And by that, I mean literally lacking; there are no illustrations in this thing! The only artwork we get is the cover and a bare-bones basic map. The cover art has a nice desaturated color palette, and the honeycomb pattern in the background looks cool (even though she’s with spiders and not bees).
So far, Her Majesty’s Swarm is a decent enough slaughterfest. The story can go either way moving forward, so I’ll have to give it another volume before I really know what to think. You can read it if you like edgy fantasies, but something like Torture Princess beats this by a long shot.