The Mystery Blogger Award!

So I learned that there’s not just a blogger recognition award, but also a mystery blogger award! It was created by this blogger named Okoto Enigma. And guess what, RisefromAshes nominated me. Thanks for the love, buddy! Anyways, the rules for this one are much more complicated than the other one… which is why it took me a whole week to come up with this post.

Rules:

  • Display the award logo on your blog
  • Thank the blogger who nominated you and provide a link to their blog
  • Mention Okoto Enigma, the creator of the award
  • Tell your readers three things about yourself
  • Answer five questions from whoever nominated you
  • Nominate… ten to twenty bloggers?! I don’t even follow that many people!
  • You’re also supposed to comment on your nominees’ blogs, but Rise just tagged them instead, which I think is a lot easier to do tbh
  • Ask your nominee five questions, with one of the five being weird or funny
  • Share a link to your best post

About Me:

  1. I love Japanese culture a whole bunch, but ironically, I’m not a big fan of anime. Movies are fine, but I can’t stand how low budget the TV ones are (also, the most popular ones are available in another medium anyway).
  2. I have a good track record of not liking anything mainstream.
  3. Well, I didn’t want to divulge the following information this early in my career, but for the sake of the award, I’ll say it: I have high-functioning autism.

Rise’s Questions:

  1. What type of driver are you? If you don’t drive, what type of driver do you think you would be? I do not drive. But if I did, I would be one of those old people who moves at two miles per century. 
  1. If you could give any series of your choice (anime, manga, books, etc.) a reboot, which would you pick?Soul Eater herpaderp!” J.K. that’s the easy answer that everyone gives. I sifted through about ten thousand options, and decided to answer with “The Legend of Korra” because my reasoning is the most simplistic out of the rest.
  1. As a follow-up to #2, what would you change about the series in your reboot/re-write? All I’d do to fix Korra is to expand upon the Equalists storyline from season one and have it be, you know, the whole story. I’d also flesh out the PTSD aspect of Korra’s character arc and not shoehorn it in right at the end.
  1. What’s your opinion on apples, the fruit? I think apples are hit-or-miss. If you have a really good, crunchy apple, then you’re set. However, they will not excuse you from going to the doctor. Damn the lying turd who told us that.
  1. Do you like blogger tags? I’m pretty new at this and uh… I don’t actually know what blogger tags are? If you just mean the literal tags you put on your post, then yeah, I like them just fine.

Oh boy, my nominees. Well, if Rise didn’t nominate ten, then I sure don’t have to! I nominate I drink and watch anime and Takuto’s Anime Cafe (wow, repeating two of my nominations from last time). 

Questions for my Nominees:

  1. Do you listen to Japanese music outside the sphere of anime? (What I mean by “the sphere of anime”: people like LiSA, Konomi Suzuki, ReoNa, etc.)
  1. What is your track record of agreeing with mainstream trends?
  1. Seriously, how do you put up with the low-budget aspects of anime?
  1. What is the most underappreciated media (anime, manga, book, music artist, etc.) that you have ever come across in your life?
  1. Is mayonnaise an instrument?

My Best Post?

I’ve been working on a two-part Top Twenty Favorite Music Artists of All Time (which could end up becoming a three-part Top Thirty because I LOVE MUSIC DAMMIT) that I anticipate to be my best post, but that’s not going to be ready for quite some time. So instead, here’s a link to a very recent post: Mack’s Top Ten Favorite Japanese Music Artists (updated from my Top Five from last year). Most of what I cover are manga and light novels, making this very much not the norm. But man, I’m sick of crap like BABYMETAL and Kyary Pamyu Pamyu getting all the love! Sorry, but I’m using this award to spread awareness of some very underrated Japanese bands.

With that, I’ve (hopefully) met all of the mystery blogger award’s conditions. Hallelujah, holy sh**!

Back to Usual Shenanigans – SAO: Moon Cradle Arc Review (Volumes 19 and 20)

Volume 18 of Sword Art Online marked the end of the massive Alicization Arc. Now, we can finally go to a new arc, in a new wor- wait, why is there a map of the Underworld inside volume 19? Oh my God. Of course… This is Kawahara. We can’t go to a new proper arc without some filler in between! This review covers the two-part filler arc: Moon Cradle.

Moon Cradle is set during the two hundred year time period that Kirito and Asuna are trapped in the Underworld, after they beat up Vecta and Poopoo (Laughing Coffin guy), and turn Alice into an android (or something). Everything’s all well and good, until a goblin is accused of murdering a civilian. It’s up to detective Kirito once again! After all, he’s solved a whopping one other mystery in his life; he’s perfect!

The first volume is basically figuring out who the murderer is, and the second volume is catching the booger. Like other SAO filler arcs (besides the Asuna one), Moon Cradle is incredibly boring. Furthermore, Kirito and Asuna get free plot armor, since we’ve SEEN them return from the Underworld in the previous volume. He also showcases more of his OP-ness from scenes like being able to force open a Vecta-only door with no problem. 

The characters don’t get much better either. Sure, Kirito and Ronie (who’s role in the Alicization Arc I completely forgot) get to spend some time together, but it’s more so a kick in her crotch, since Kirito and Asuna will always be THE couple. But hey, at least Kirito is as “good” and “inspirational” as he always is (*proceeds to wretch*).

And similar to most of SAO, despite the urgency of the situation (which ends up escalating to both a murder and a kidnapping), the characters find some time to goof off. “Should we solve this mystery?” “We should, but I think we should have a picnic lunch first!” This is almost Log Horizon level of characters actively choosing to not advance the plot. 

But the term “advance the plot” is applied loosely here. Most of the investigation is them discussing the nuances of the Taboo Index over and over and over again. And the one time they do something investigative, they just whip out some magic that allows them to witness the crime as it occurred! At this point, I’ve lost all knowledge (and care) of how the magic system in the Underworld works, so if you can prove whether or not the spell they did was possible within the world’s logic, then have at it and explain it to me in the comments section.

To end off the arc is a less-than-stellar climax. It builds up to the possibility of a team of two women fighting the bad guy, which would have been a nice change of pace. I say “would have been” because Kirito shows up right at the end and takes all the credit like the scientists who stole that one lady’s discovery of DNA. The actual conflict isn’t even resolved, and Kawahara even points that out himself in the afterword. But despite this, he’s chosen to start a completely new arc because… reasons?

Verdict: 5/10

Alicization was the first remotely descent arc in SAO, and now we have this. I’m sorry for being so rude, but I was seriously, lividly tired of that blasted Underworld! Well, it’s over now. So let’s hope beyond hope that Unital Ring is even worth half the pain of putting up with everything that leads up to it!

Re:ZERO -Starting Life in Another World- Volume 13 Review

Last time on Re:ZERO, everyone gets attacked by Satella the Witch of Jealousy. Subaru and Garfiel (of all people) have to stop her. Fortunately, she can’t pass through the barrier due to her being a half-elf, and the trial being incomplete. But that doesn’t stop Garfiel from getting unceremoniously slaughtered by her. As she advances toward Subaru, he rejects her, and in response, her shadow swallows him to get him to love her. Fortunately, Echidna had a contingency plan: making Petra’s handkerchief a magic handkerchief that ends up saving him from the Witch. Also, the handkerchief turns into a dagger, which he promptly uses to kill himself and restart the loop. Back at the sanctuary, he’s comforted by Emilia. While Ram distracts Garfiel, Subaru recalls the memories he absorbed while in the shadow, and uncovers a secret room containing the real Ryuzu’s body. Apparently, the true purpose of the Sanctuary was to make Ryuzu clones that Echidna was able to possess, and effectively achieve immortality as a result. He also finds out that both Garfiel and himself have become Apostles of Echidna. His next task is the sitch at the mansion. He’s able to get Frederica and Petra to evacuate without a hassle, but Beatrice- as always- isn’t so easy to convince. He steals her “not-a-Witch-Cult” book and sees that it’s entirely blank inside. Apparently, Beatrice is a spirit contracted by Echidna to watch over the forbidden books in the mansion until “That Person” shows up. The moving scene that follows is, unfortunately, interrupted by Elsa’s arrival. Not even Beatrice can stand up to her, but Subaru manages to survive. Back at the Sanctuary, it’s already snowing, and Emilia shut herself in the tomb when he left. He goes in and finds her, and she starts getting unnaturally waifu-y with him. He leaves and confronts Roswaal- again- but this time Roswaal murders Ram and Garfiel before implying that he knows about Return by Death, and showing Subaru that he has the other version of the gospel that Beatrice had! He is also the culprit behind the snowfall, and it was all to break and isolate Emilia (a plan that had been in effect since the beginning, of course). Their conversation is interrupted when the Great Rabbit attacks again, killing Roswaal, and making the others burn themselves to death. Subaru flees to the tomb, where Emilia gives him a kiss… right as he dies again. After respawning, he seeks Echidna, but ends up taking the second trial instead, which involves seeing the outcomes of previous routes after he died. After all that, he encounters a spirit of Rem. But he knows better, and immediately recognizes her as an imposter, who turns out to be another Witch: Carmilla, the Witch of Lust. After almost suffocating for some reason, he ends up with Echidna, just like he wanted to! She offers to form a pact with Subaru, and all the other witches except Satellla show up! In all the confusion, Echidna has a grandiose speech detailing how Subaru’s ability to experience an infinite amount of outcomes turns her on. After her schpiel, Subaru asks her who Beatrice’s Person is… and, of course, Echidna has no clue… because Beatrice had to decide for herself the whole time. Subaru refuses the pact with Echidna, and the Witch’s tea party is joined by one more guest: Satella.

If you couldn’t tell from that paragraph, volume 12 was full of revelations and turning points. Based on my past experience with Re:ZERO, the next several volumes will be pretty boring before it picks up again. Does this volume follow the same trend?

Well… yes and no. It’s not a constant pelvic thrust of pain and torture like the previous volume, but there are definitely some highlights. One important thing is that Subaru gets some much-needed growth. He gets another helping of waifu-speech, but this time, he gains some self-worth. This is a big improvement for him, because his whole “Hey look at me I’m a martyr herp-a-derp” has been annoying for a while.

Speaking of annoying, we finally get to resolve Garfiel’s character arc in this volume! And thank goodness too; I never liked the guy. He was a whiny brat who felt like he made the arc 1.5x longer than it already was. Unfortunately, it doesn’t offset the fact that his personality is 100% abrasive and nothing else. But hey, backstory is backstory, and that’s what counts.

And speaking of backstory, we finally get some more background on Emilia. Unfortunately, that “some” is really “a bit”, since this volume loves Garfiel so much. Plus, the things we learn about Emilia only scratch the surface, and we are cliffhung right when we’re about to get the full serving.

Another issue is that Re:ZERO once again shows its bipolar identity. It tries its damndest to subvert the isekai formula, and ends up clashing with that mindset like it tends to. There’s an emotional scene between Subaru and Emilia in this volume, and similar to his scene with Rem, it’s ripped right out of the Book of Waifus. It doesn’t help that the climax of the volume is a one-v-one of Subaru against Garfiel that reeks of the “white knight” trope. Gotta love it when a series has a great idea that contradicts itself in its execution!

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Verdict: 8.65/10

While not as turbulent as the last volume, Re:ZERO shows that it’s finally gaining momentum. This was a great volume, and it promises that the next one will be even better. If you’re reading ahead of the anime, what are your thoughts on this current arc and this volume? Re:ZERO is very complicated to evaluate, and I’d love to hear different perspectives.

For the Kid I Saw in My Dreams First Impressions (Volumes 1-3)

It’s been a couple of years since I read the manga, Erased. But from what I can remember, it was a pleasantly surprising suspense manga with a supernatural twist (although I don’t quite get why people love it like SO much). “Why are you talking about Erased?” you ask. Well, the mangaka of Erased is publishing a new series, For the Kid I Saw in My Dreams, which has recently been released in North America by Yen Press. So, I’m gonna talk about it for a bit.

In this manga, Senri Nakajou is the sole survivor of an attack on his family that results in his parents’ and twin brother’s deaths. His only memory of the killer is a series of scars on his arm that read “fire”, earning the killer the name Fire Man. Years later, he catches a glimpse of said man again, and begins a slow descent into madness trying to track the killer down.

Right off the bat, I can’t really tell what the author is trying to do with this manga. Similar to Erased, the main character’s goal is to track down a murderer… again! Also, there are abusive parents… AGAIN! I can’t fault someone for sticking with what they do best, but For the Kid I Saw in My Dreams is a bit TOO much like Erased for those reasons.

Like the author’s previous work, For the Kid I Saw in My Dreams is best when it’s strictly being an old-school suspense manga. It doesn’t take long at all for the search for Fire Man to get really complicated, as Senri isn’t the only one who’s after his head, and Senri’s family aren’t his only victims. A development at the end of volume 2 adds a cherry even more to the top of the existing mystery cake.

Unfortunately, For the Kid I Saw in My Dreams isn’t too great in the character department. Senri is just a generic angsty boy who slowly loses direction on his moral compass, and it’s not a particularly interesting instance of this character type. The female lead, Enan, seems to be someone who exists just to tell him that what he’s doing is morally incorrect (as if it weren’t obvious enough). Both kids have abusive parents in their lives, and between this and Erased, it seems that the author uses this trope to give us easily sympathizable characters. I hate assuming intentions, but that’s what my critic-brain tells me.

The art is no different from Erased, which is good or bad depending on how you feel about it. The girls still have those nice, full lips; your mileage may vary on that. Admittedly, this artstyle really isn’t the best for a suspense manga, but it at least has a distinct look.

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Current Verdict: 7.3/10

I don’t know what it is, but For the Kid I Saw in My Dreams just doesn’t quite seem to cut it for me. Maybe my standards for suspense have grown too high after reading some of Naoki Urasawa’s stuff? Well, if you love Erased as much as the next guy, then this manga should be just about as good.