ASHIDAKA – The Iron Hero: More Like “The All-Caps Hero” (First Impressions, Volumes 1 and 2)

I’m not one to normally read a new series just over a year after serialization. My first impressions of ASHIDAKA – The Iron Hero consist of the first two volumes, but that could end up being half or two-thirds of the story. A lot of manga, especially battle shounen, tend to get axed as swiftly and mercilessly as a Danganronpa character. But sometimes you gotta live life on the edge, and by the edge, I mean invest early in something that could easily get cancelled even after a cliffhanger. 

In ASHIDAKA – The Iron Hero, the world is full of robots called droids. Fortunately, people in this world are naturally born with two cybernetic arms coming out of their shoulder blades. However, because we HAVE to have racism, anyone who has more than one pair of arms is considered to be in league with Satan, and are persecuted. The titular Ashidaka (whose name is thankfully not in all caps like the title) is named after the Moses of this world, and he inevitably ends up on a mission to take down Mecha Satan (henceforth known as the Centipede). 

The immediate issue with ASHIDAKA is that it kind of dumps a ton of crap on you at once. It jumps right into combat when you don’t even know how anything works yet, you get a Biblical lore dump, Centipede destroys Ashidaka’s hometown that you’re expected to have an emotional attachment toward over the course of five minutes, and he’s roped into some secret Anti-Centipede resistance. Yeah, it’s a lot. 

There are also some things that seem inconsistent to me, but it could be because of either the fast pacing, or the mangaka didn’t put much thought into the story. For example, why are people racist against those with four or more arms when the specific count has to be a hundred in order to be Satanic? I feel like that was just thrown in there just to be symbolic for the sake of symbolism. There’s also someone who’s a massive jerk to Ashidaka exactly one time for what seems like nothing more than shock value. Maybe if the manga runs long enough it’ll get to flesh this stuff out.

Another sad thing is that the writing is pretty bare-bones. It’s not as copy-paste as Kimetsu no Yaiba (which I may or not be saying out of spite against Kimetsu no Yaiba but I digress), but it’s enough to where you could probably read the Japanese version and more-or-less know exactly what’s going on. It’s a real shame, since it looks like it has potential to have a pretty good story moving forward.

The big plus with ASHIDAKA is definitely the arms. Usually, only one character in a series would have robot arms, but for that to be the standard for everyone in the world makes it a bit more interesting. There are many types of arms, along with a whole bunch of rules that will likely be amended on the fly because battle shounen love doing that. At least they look cool; that’s what matters most!

Unfortunately, that doesn’t help the characters. Similar to Musashi from Orient, among others, Ashidaka is a case of a “shounen protagonist in a seinen world”. He has absolutely zero rationality, and will throw a hissy fit if anyone dies for any reason, even if it’s for the greater good. He aims to find a less costly way of fighting, but that’s definitely not going to come into play for a while.

Supporting him is Geji, who is a bit more composed, even if he is super abrasive. And honestly, that’s kind of it so far. There’s several people in the aforementioned resistance movement, but they all consist of extremely basic tropes. At least they look cool?

Speaking of looks, ASHIDAKA is decent enough in the art department. The fights are flashy, but it can be tough to tell what’s going on since everything has robot parts.

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Current Verdict: 6/10

ASHIDAKA – The Iron Hero is nothing spectacular so far. But hey, I only read two volumes. Hopefully, it’ll get better in the future.

Attack on Titan: A Mainstream Series That I… Love?

Preface: If you’re wondering how I already have a review of Attack on Titan the day after it finished, don’t worry; I didn’t pirate it! There are official channels through which to finish this manga right now, at least in the U.S. One is to read the last leg of it on Crunchyroll’s manga tab that they actually updated after the death of Flash even though most people never use it. Alternatively, you can buy the remaining chapters on BookWalker for about 2 USD each. Of course, you’ll have to have read all thirty-two currently published U.S. releases for it to work. But you know what, at least you’d be supporting the actual creator!


There are types of stories that have existed since the dawn of man. Romance, for example, as full of BS as it is, is one of the most enduring story types of all time. Stories like Hajime Isayama’s Attack on Titan are insanely common; plucky teens thrust into a world of strife against some “mysterious enemy” that the main character “happens” to be “special” enough to save the world from. However, Attack on Titan is probably one of the best variations of this story ever created. And here’s why.

The plot is nothing new. We have the Titans—the “mysterious enemy”—ravaging mankind and driving them into hiding behind some walls (“But what about the possibility of an AERIAL ATTACK?!” Squidward Tentacles exclaims). After the designated first-chapter-death, the “plucky teens” join the designated “cool fighter people” and, well, fight the Titans.

I’m gonna tell you straight. You likely already know what’s going to happen, thankfully minus the dumb romance sideplot. As much as this series excels at foreshadowing and build-up, you don’t need it. If you’ve read stuff like this before, then you can probably make several ballpark guesses on what the low-down of this manga’s world is and at least one guess would probably be correct.

But you know what, strong execution beats lack of originality. The rules of how the different units of the military work are all thought out (even if the Survey Corps are the only ones who matter), the “parkour gear” or whatever it’s called is one of the coolest things I have ever seen, and there’s always something engaging going on in terms of plot progress. Even during a later arc that is notorious for its utter lack of Titan combat, the manga consistently keeps the momentum going.

Most of the time, I’m not a fan of “human” characters. But unlike cardboard boxes such as Rimuru Tempest from TenSura, Isayama actually seems to understand the definition OF a human being in the first place, especially what it’s like to be a teenager who has to live in a world of despair, and to have their perception of their established facts of life turned upside down numerous times. Wow, that was all one sentence…

First off, the three main characters—Eren, Armin, and Mikasa—somehow manage to maintain a relatively platonic relationship throughout the whole series. Two male characters and one female character, all of which are childhood friends, is a perfect love triangle, and any [bad] YA author would’ve done it in a heartbeat and ruined the story forever. Mikasa clearly has some level of “thing”-ness for Eren, but it’s seldom ham-fisted into your face but instead shown visually merely by the scarf that she wears; a gift from him when they first met. The fourth main character is Best Boy Levi, who is raw badassery and intellect rolled into one handsome boy. What’s there to dislike? The supporting cast is also phenomenal. From gambit-happy Erwin Smith, to potato-eating Sasha Blouse, to Actual Best Girl Krista, these kids are surprisingly easy to love.

This manga warrants a reread, because re-experiencing the story by watching the anime from the beginning, after having read past chapter ninety, really shows how organically they have developed over time. I cringed at the first episode, at Eren’s incessant whining, thinking, “Is this really the SAME GUY who I grew emotionally attached to?” THIS is character development at its finest.

“Rough around the edges” is an understatement for the art in this manga. Based on the “rules of art” that have been established over the years, Attack on Titan has “objectively” bad art. It’s not smooth nor crisp, but for me, it somehow “works” (It’s as if art was never meant to be assigned rules to begin with…).

If there is one “rule of art” that it follows, it’s gesture drawing. The many (MANY) tiny strokes in Isayama’s technique helps to convey motion in a spectacular fashion. I didn’t need the anime’s sakuga to feel the force of the parkour gear as our intrepid heroes flew through cities and forests, striking Titans as they went. All this in addition to his great sense of good panelwork makes Attack on Titan a tightly paced read. Not even the dialogue-driven chapters feel like a waste of time.

For the last paragraph, I’ll touch on the one thing that always ends up being divisive for long-running battle shounen series: the final act. Don’t worry; I’ll word it in the least spoilery way possible. Late-ish in Attack on Titan, an epic battle—one of the best in the series—unfolds in spectacular glory. But the aftermath opens up a can of worms that drastically changes the entire tone of the manga. Although it is still a great arc, the biggest problem is that it introduces a metric ton of new characters that I honestly didn’t care about, let alone remember their names in the first place. It also didn’t help that this was the arc where I had caught up on the most recent chapters, and ended up playing the waiting game most often. Since I’m always pressed for time, I can’t reread volumes to make sure I still remember stuff. 

And honestly, like a lot of long battle shounen, the plot gets pretty complicated. There’s even the possibility that it was retconned at some point. But you know what, I still love this manga to death. You gotta give mangakas some benefit of the doubt, since a lot of them are forced to make this stuff up as they go along. No matter how confusing it got, I still loved Attack on Titan all the way through. Isayama knows how to make a story feel engaging regardless of what’s happening. That takes talent.

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Final Verdict: 9.8/10

Attack on Titan is one of my favorite manga of all time. Isayama draws (no pun intended) influence from the very best of Western culture, without using any of the BS, to make a fantastic battle shounen series that miraculously maintains a consistent state of cohesion for a decade-long runtime. I’d recommend it if you want a shounen series that’s light on the fanservice, but I also just recommend it in general. The biggest issue will likely be the art if it doesn’t suit your tastes, but other than that this manga is a masterpiece through and through.

Peach Boy Riverside: Not Your Grandma’s Momotaro (First Impressions, Volumes 1-3)

This was a spur-of-the-moment decision for me. Normally, I tend to have a bulk of blog posts ready to go well in advance. But at the start of this year, I really dropped the ball. I started a lot of reviews but had no intention to post until the respective series were finished, like The Owl House for instance. I decided to pick up Peach Boy Riverside for three reasons: it’s by the creator of Miss Kobayashi’s Dragon Maid (even if the artist is different), it’s getting an anime that I can hope to ride the hype of, and it’s about the legendary Momotaro… to an extent. 

In Peach Boy Riverside, Princess Saltherine (henceforth known as Sally) wants to go on a journey, despite her overprotective dad. Fortunately, a pretty-boy named Mikoto shows up and sweeps her off her feet. The thing is that he’s someone who came from a peach, and killed a bunch of ogres (yes they localized the name “oni” for some reason). 

Despite how shoujo the manga looks, Peach Boy Riverside ends up being very shounen, and surprisingly edgy. It’s pretty normal stuff for the most part, but when Mikoto gets serious, he gets all “SAO-villain-y” and has upside-down hearts in his eyes. 

To be brutally honest, the manga up to what I’ve read has been a pretty typical shounen fantasy. It starts off with being completely aloof, then Sally is suddenly like “I’m going to end all racism!” The Momotaro aspect isn’t even evident, beyond the whole “boy who fights oni” thing. The world doesn’t feel defined enough to even tell if it’s an alternate Japan or a straight-up fantasy realm.

And, of course, I wasn’t particularly fond of the cast. Mikoto is the bread and butter of this thing, because pretty-boys are popular and he’s super strong. He is kind of an ass, which sets him apart from other men of his ilk, but that doesn’t make him any more remarkable. In addition to him is Sally, who is pretty much your typical power fantasy girl, and Frau, a bunny girl who’s basically one of those tragic waifus that you’re supposed to fry buckets for. Volume two introduces a female ogre who ends up being named Carrot after going through the whole shounen “from bad to good” thing, but so far, she’s merely been the peanut gallery.

The art, sadly, is not by Coolkyoushinja, but someone else who’s nowhere near as good. The manga has a very basic, standard look with very “stock”-looking character designs across the board. The action looks nice, but even that is outclassed by other series.

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Current Verdict: 7.35/10

Peach Boy Riverside isn’t awful, but it’s not that engaging right now. Mikoto being a creep, and the unsubtle social commentary, are more-or-less what this manga is running on, and it could peter out at any moment. I recommend it if you like TenSura, since Mikoto is the same type of character as Rimuru.

Chainsaw Man: Too Seinen for Shounen Jump?!

It’s no secret that Weekly Shounen Jump has not had the best run in the late 2010s. The newest manga by Naruto’s author got axed, among MANY other 2019 and 2020 debuts. And when they actually had a good series, it would either end off on a bad note (Shokugeki no Soma), or one of its writers would end up being a felon (ACT-AGE). But one series managed to be a standout franchise until the bitter end: Chainsaw Man, published in English by Viz. I gave it a good word in my First Impressions. Let’s see if it’s held out.

In Chainsaw Man, a dreg named Denji makes a living by hunting devils, with the help of a chainsaw-dog-devil named Pochita. But “makes a living” can be read as “barely scraping by”, for he’s shouldering a serious debt from his late father. However, when he’s almost cut to pieces, he fuses with Pochita and becomes a chainsaw man, after which he is taken under the wing of Makima, a beautiful girl from an official team of devil hunters.

Chainsaw Man is, for the most part, a very straightforward manga. The plot is very traditional shounen at first: bad guy appears, kill it, then wait for the next one. Denji’s heart becomes a major MacGuffin, but we aren’t informed of why for a pretty long time. Things heat up in the second half, and by the final third, it goes absolutely berserk with insanity.

What makes Chainsaw Man a great manga is its characters. The mangaka takes common shounen tropes and puts a seinen twist on them with Denji and the people around him. Denji himself seems to be a generic, self-insert shounen protagonist, but he’s more complicated than that. He’s very attracted to women, but he at least tries to maintain his feelings for Makima, despite the amount of other beautiful women who tempt him. I don’t like using the word “human” to describe a character, but it’s done exceptionally well with Denji. He’s an innocent kid thrust into an adult world, and his simple-mindedness made me sympathize with him.

The other thing is that the women in his life subvert common conventions as well, especially with Makima. Us readers are informed very early on of how suspicious she is. But Denji doesn’t know any of it, and he’s naively in love with her. Unfortunately, she takes advantage of his love for her to essentially exploit him, which I think is a great commentary on the idea of waifus in general. 

Of course, Makima ain’t crap compared to Best Girl Power. She’s just… effing awesome. She’s like the best friend that you’re so close to that you just start busting each other’s chops. Her chemistry with Denji is one of the best I’ve seen in all of Jump. Sadly, I didn’t really care for the rest of the protagonists. For one, I forgot a lot of their names, which is a bad sign for me. Fortunately, the antagonists are as fun as they are plentiful. They have some of the more memorable character designs and personalities, especially compared to the supporting protagonists. 

Somehow, I went almost the entire review without discussing exactly why Chainsaw Man is big (or would be if it weren’t for Kimetsu no Yaiba). Weekly Shounen Jump has some cute girls with cleavage, but that’s usually about it; the magazine is for early-teens kids after all. Chainsaw Man, however, has R18+ stuff; pretty much everything except for female private parts are shown. The manga is full of extremely visceral gore, and one character just straight-up asks Denji if he wants to have sex. The fact that something like this ran in Jump is insane.

That’s where my biggest gripe with Chainsaw Man lies. Its whole thing is that it’s very mature for a Jump manga. But the thing is—and the reason why I’m posting this so soon—that Chainsaw Man is getting a part two in Shounen Jump+, home to a lot of seinen series, from Jigokuraku to World’s End Harem. As a result, Chainsaw Man loses the one thing that makes it stand out from its ilk. This was probably inevitable because, you know, minors.

Anyhow, the artwork is fantastic. It’s rough, and dirty, with some phenomenal action scenes, and a surprising amount of abstract panels late in the series. The managaka is also able to contrast such insanity with some genuinely heartfelt and emotional scenes. It’s going to be so sad to see this twisted beauty dumbed down in the upcoming anime.

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Final Verdict: 9.15/10

Chainsaw Man is one of my favorite Jump manga of the 2010s. It’s over-the-top, with a lot of quirky characters, and a very alluring charm. Seriously, how in the world did Kimetsu no Yaiba beat this?! I highly recommend Chainsaw Man to anyone who likes their battle shounen super dark and edgy. Hopefully, if Viz licenses the sequel, I’ll be doing a post or two on that!

Horimiya: Realistic to a Fault (First Impressions, Volumes 1-5)

As someone who’s been more into manga than anime, I’ve frequently heard people discuss manga that deserve anime adaptations. And in those discussions, Horimiya has consistently come up. It didn’t look too interesting to me, but when it actually got its anime adaptation confirmed, I read a bit in order to see what the hubbub was about.

In Horimiya, a girl named Kyouko Hori seems like a typical high school girl, but has a secret life where she has to take care of her entire house (baby brother included). Her life changes after a chance encounter with the seemingly stoic Izumi Miyamura, who is actually some kind of goth dude or something. Since they both have secrets, that gives them some sense of commonality, and they decide to become secret friends.

To be honest, I don’t get the big deal with Hori’s secret. Miyamura’s I get, because of the dress code and all that. But why does Hori have to keep her thing a secret? “Oh my gawd, she’s a responsible, upstanding citizen who cares for her family. How disgusting.” I’m not saying it’s easy for her to support her household while going to high school, but I don’t get why she has to keep it a secret. 

Also, I have no idea if this is a romcom or merely a rom. The reason is that nothing in Horimiya is actually, you know, funny. There are definitely jokes, but a lot of it is really bog-standard. The manga uses a lot of the “text box tells you what’s supposed to be funny” thing; I have no idea what it’s called. It’s where the character is like “Why is this guy acting weird?” and the text box points at that person saying something like “Has no idea that they’re the reason why he’s acting weird”. Yeah, I dunno what it is. Sleepy Princess in the Demon Castle and Dragon Goes House-Hunting use this technique a lot better, mainly because those manga have actual comedy in them (Ohhhhh snap). 

At the very least, they don’t beat around the bush with the romance. However, that doesn’t make their relationship any less cringe. They practically confess their love to each other as early as volume two, but try to pretend like they never said it. I guess the positive is that they are actually dealing with their own emotional anxiety instead of being like “Why did I feel weird holding his/her hand? I DUNNO MAN!”, but it still left me unwilling to give any of my spare rats’ asses to them. 

What really made me not care about their relationship was Hori and Miyamura themselves. Like I said before, I have no idea why she can’t tell anyone about her family situation. I get that teens are judgmental, but she can’t even tell her teachers “Sorry, my grades kind of suck because I’m forced to care for my younger brother all by myself.” Miyamura is a bit more tolerable, since his tattoo thing can be a big deal. The running joke of his “feminine” traits don’t make him much better.

There are also other characters and I don’t like them either. From jealous Ishikawa to… also jealous Remi, everyone in Horimiya has basic romcom tropes, with little-to-no personality. “Eeeeeeh but that makes them realistic,” you argue. I’m sorry, I don’t understand why people think subdued characters are more human. In my experience, REAL teenagers are much louder and bombastic than the cardboard cutouts in most slice-of-life series. I’ve even seen grown men and women playing around like children (well, specifically on Twitch but it’s still an example), and I sincerely doubt that anyone can actually grow up to be THAT boring in real life (and if you do, I feel sorry for you). 

The art of Horimiya is just about as flat and subdued as the people in it. If you told me that this was a redrawing of a web manga á la One Punch Man, I would not believe you. The characters are only distinguishable from each other due to their hair, but they would easily blend into a crowd of other series’ characters their age. The facial expressions feel like they’re from a how-to-draw-manga book, and have no impact because they’re all “realistic” looking.

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Current Verdict: 6.25/10

This is something I could’ve only brought upon myself. Horimiya is probably good for a romance, but I simply hate romance with every fiber of my being. I wanted to check it out because of the anime hype, and now I know that I’m going to be very mad during the January 2021 anime season when everyone I follow is going to be Tweeting about how great the anime is and make me even more stressed out than I already am on social media—*huff huff* Anyway, I recommend Horimiya if you deeply care about human relationships.

Mission: Yozakura Family is Literally All About the Waifu (First Impressions, Chapters 1-30)

Spy X Family is a manga about a spy who makes a fake family, and that’s all well and good. But they’re not the only ones on the block. Mission: Yozakura Family has a family made entirely of spies. It’s managed to last a year in Jump’s ruthless gauntlet, so that means it must be doing something right. 

In Mission: Yozakura Family, a shy boy named Taiyo Asano has been coping with the abrupt death of his parents and brother (which is not at all a cheap emotional hook). His only friend is this girl named Mutsumi Yozakura, the adorable school idol. When Taiyo is attacked by Mutsumi’s overprotective brother, Kyoichiro, he is introduced to the Yozakura family (of spies). Because he’s the ultimate husbando (and because he doesn’t want to get assassinated), he marries into the family and vows to protect Mutsumi with his life.

I don’t know of many manga attempting to combine gag shounen with battle shounen (apparently, Katekyo Hitman Reborn! is one example, but SOMEONE (*cough* Viz *cough*) doesn’t have the manga licensed), but Yozakura Family has been a real fun time. Of course, there really is no narrative to speak of. The death of Taiyo’s family is pretty much glossed over until it gets to the designated “It wasn’t really an accident” plot development (which, honestly, isn’t a spoiler because that pretty much always happens).

The sillies are what matter, though. Yozakura Family is loaded with bombastic, over-the-top comedy that completely disregards realism, including a literal spy magazine and social media group. I also have to post a trigger warning: there are cases of minors (and adults) carrying firearms to school, so if you have any memories tied to an actual school shooting, then this manga might not be for you. There haven’t BEEN any school shootings so far, but I doubt that’ll stop you from being triggered. Also, as of where I left off, the manga hasn’t gone straight-up full battle shounen, like many gag series do. 

Unfortunately, Yozakura Family fubars one of the most important aspects of shounen: training. They show some of Taiyo’s training early on, but it’s gone over super-fast. It’s so abrupt that he goes from wimp to Bruce Willis overnight. Since this is primarily a gag shounen, I’m not too butthurt about it, but I’m definitely the minority in that.

This manga has a great cast of characters (for once). Taiyo is kind of that generic guy, like always, but the series isn’t called Yozakura Family for nothing. While Mutsumi herself is that “waifu” type, her siblings are where the personality comes in. Kyoichiro might (read as: “will”) annoy some people, but I think his ludicrous devotion to Mutsumi, plus his overly lacking subtlety of how much he hates Taiyo is hilarious. Her other siblings have very distinctive character design and memorable personalities, but sadly, they don’t have too much screentime. In any case, the antagonists are all fun, even if a lot of them (so far) have been in the throwaway category. 

The art is great. It’s simple, but effective. The action scenes are swift and packed with line work, while the facial expressions are on point. It’s what you’d expect from a shounen manga.

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Current Verdict: 9/10

Mission: Yozakura Family is starting off strong. I have no idea how popular it is, so I don’t know if it’s going to be ending soon, but I hope it has a solid run down the road. Of course, you can never truly know with a Jump manga.

Two Muscular, Magical Reviews in One Post!

I had every intention of reading Mashle: Magic and Muscles since its debut in Weekly Shounen Jump. But then, Seven Seas came out of nowhere and licensed a light novel with an extremely similar title: Muscles Are Better Than Magic! Since they seemed so identical, I decided to review them both in this post. Although Mashle came out in the U.S. before Muscles, the latter actually predates the former by three years. So naturally, I’ll go over it first!


Muscles Are Better Than Magic! Volume 1

In Muscles Are Better Than Magic!, a boy named Yuri lives in the forest alone. He has managed to train himself to the point where he’s super ripped, and can take on anything. When he finds an elven girl named Filia Windia, he decides to go on adventures with her, for no reason whatsoever.

If Muscles appears to be a run-of-the-mill, typical shounen fantasy light novel to you, that’s because it is! The whole darn thing is the two of them hanging out. A lot of the interactions are just him using his muscles and freaking people out. And like I said in the premise, there’s no purpose to anything that happens. They just go on adventures that are no different from your typical slice-of-life fantasy with no real spice beyond Yuri’s muscles.

The mostly boring cast doesn’t help either. While Yuri and Filia have some legitimately cute and funny interactions, they are surrounded by idiots. All the other characters are inconsequential NPCs who have no personality other than being shocked by Yuri’s muscles. That’s literally it! But even then, Yuri is also incredibly bland, with Filia being the only remotely likeable character.

The biggest issue is the writing. Muscles is one of those light novels that feels like a rough draft and not a publication. Although the action scenes are pretty good, descriptions of locations are as bare minimum as they typically are in these series. I get that writing is really hard but that doesn’t excuse when it’s bad in a published work!

Verdict: 5.75/10

Muscles Are Better Than Magic! is no better than your typical blazé fantasy. Similar to Buck Naked in Another World, Kuma Kuma Kuma Bear, and others, it uses some defining character design trait to pretend that it’s subversive. My chances of reading more are pretty low. But let’s see whether or not it’s the lesser of two evils when I review Mashle!


Mashle: Magic and Muscles First Impressions (Chapters 1-15)

In Mashle: Magic and Muscles, a boy named Mash Burnedead lives in the forest with an old wizard guy. He was born in a world of magic, but has no magic himself, making him an easy target of the police. When he bests the police with his bare hands, he is given a deal: enroll in Magic School and graduate at the top of his class or be pursued by the law forever. He accepts the deal, and attends the school with no magic power whatsoever.

I made a big deal about how Muscles and Mashle are the same, but… it turns out that Mashle resembles Black Clover more than anything else (oops). In any case, Mashle already shows greater personality than Muscles. Not only is the humor (and its delivery) much more substantial than in Muscles, but there’s also a purpose to the shenanigans that ensue.

So far, Mashle’s biggest issue is its simplicity. While I love a good, clear-cut Jump manga, a lot of [very vocal] people don’t. Because of this, there’s no rhyme or reason to the magic that gets used; they don’t even bother to explain the rules. And of course, let’s not forget the magic word, “unrealistic”, because of how impossibly strong Mash is for a teenager.

Mashle has a similar issue to Muscles: everyone other than the main character exists just to react to how swole said main character is. Furthermore, the lead girl is less remarkable than Filia, to the point where I already forgot her name. But unlike Yuri, Mash is a significantly more likeable character. In fact, he’s the bread and butter of this whole manga. While he’s completely devoid of personality, the author somehow makes that lack of personality into its own personality quirk. Also, his inane obsession with cream puffs makes him even more hilarious.

The art doesn’t look like much, but it’s more than enough. The panel composition expertly sells the humor, while also delivering the appropriate amount of punch to Mash’s attacks. If there are any issues, it’s that the black wizard robes make a lot of the foreshortening shots look kind of weird.

Current Verdict: 9.35/10

Muscles might be better than magic, but Mashle is far better than Muscles. It’s a risk investing in a new series when you don’t know whether or not it’ll get axed, but here’s hoping that Mashle stays for a couple of years at least. I recommend it to people who like battle shounen and fun (i.e. not cynical).

Jujutsu Kaisen is at least Better than Kimetsu no Yaiba (First Impressions, Chapters 1-75)

Weekly Shounen Jump has had some really great manga, and it’s had some not so great manga. While they have a system to weed out the latter, cases like Kimetsu no Yaiba show that it’s not perfect. A little manga called Jujutsu Kaisen (published in English by Viz) has risen to a pretty high level of popularity, without the need of a successful anime adaptation (even though the anime will no doubt make it quite popular overseas). Let’s see whether or not it deserves its popularity.

In Jujutsu Kaisen, a high-schooler named Yuji Itadori has a run-in with Megumi Fushiguro, a student from the curse-fighting Jujutsu Highschool, when he seeks a cursed object that Yuji’s classmates have come across. Yuji helps him fight back the curses that attack them, but things get hairy. Yuji ends up eating the cursed object- a severed finger- and becomes more than powerful enough to fight the curse, but is nearly possessed by the finger’s owner, Ryomen Sukuna. Due to Yuji’s strange ability to suppress its power, he’s recruited as a new student of Jujutsu Highschool in order to collect and consume the rest of the fingers… after which he will be executed. 

Let’s cross that bridge when we get to it; this is a First Impressions, after all. I had thought, based on Chainsaw Man, that Jump is trying to become more mature in order to recover from the slump it’s been in lately (a lot of series from 2019 onward have sold poorly), but alas, it seems that Chainsaw Man is an exception and not the rule. Despite how often it waxes poetic about life and death, Jujutsu Kaisen is a pretty typical shounen manga. 

As expected of most Jump manga, Jujutsu Kaisen starts by getting us acquainted with the main characters as they fight random enemies in self-contained mini-arcs, followed by a training arc. For the most part, the ideas of cursed energy and techniques are pretty generic, but the neatest aspect of the combat in Jujutsu Kaisen is the domain techniques. These are basically field effects that look really cool, and add a bit of spectacle to the fights.

The manga picks up after twenty-odd chapters, which is when the first major arc starts. It introduces the main antagonist (who will likely get replaced by someone less memorable if the manga ends up running for eight more years), and ups the ante by a lot. And I mean A LOT.

Typical shounen manga means a pretty one-dimensional cast. Yuji is a pretty generic, brash idiot, and the thing with Sukuna seems more like something to make him edgy than to give him a moral crisis. His classmates, Megumi, and the female lead, Nobara, aren’t that interesting either outside of their fighting abilities. Fortunately, Jujutsu Kaisen at least tries with some of its characters. Yuji’s teacher, Satoru Gojo, has got a pretty good sense of humor, for instance. There’s also some other students in other classes who are pretty wild, such as a literal panda bear, as well as some interesting folks from their rival school in Kyoto (such as mah boy Toto). 

The art of Jujutsu Kaisen is where it shines. It’s sketchy and dirty, but full of personality. The fight scenes are fast and spectacular, and really help the manga shine. The character design is also excellent, with a plethora of good-looking women.

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Current Verdict: 8.75/10

Jujutsu Kaisen is indeed a very mainstream manga. However, with great art, and a number of admittedly creative ideas (such as a decrepit old geezer who fights with an electric guitar), it stands out from the rabble. I recommend it to any battle shounen fanatic.

Talentless Nana Will Teach You to Not Trust Your Resident Moe Blob (First Impressions, Chapters 1-41)

Crunchyroll has never had the most… comprehensive catalogue of manga included with the premium subscription. Sure… I’ll be able to at least finish Attack on Titan on the same day as Japan without getting into legal trouble, but that’ll be beside the point when Adobe Flash Player dies this December without them updating the actual reader (assuming that I can’t alternatively use the mobile app, but I heard it was as buggy as heck). So, why not read one of the bizarre exclusives, that has all of the chapters up, while I can? Ladies and gentlemen… let’s check out Talentless Nana.

In Talentless Nana, a bunch of kids who have talents (i.e. superpowers) are sent to an academy on a deserted island to train, in order to fight the enemies of humanity. Our main protagonist, Nanao Nakajima, becomes quick friends with a new student named Nana Hiiragi, who has the ability to read minds. With the power of their inevitably blooming love for each other, they’ll learn and grow until they fight the enemies of humanity once and for all!

“Hey, wait a second!” you point out. “If the manga’s called Talentless Nana, then how come the titular character can read-?” Yeah… you noticed that too, didn’t you? *sigh* Look, I’m not gonna BS you. In order to properly review this manga, I must spoil the ending of chapter 1, because it’s a crucial tone setter that could make or break the whole manga to you. I could write the review without spoiling it, but I’d be glossing over something crucial to helping you properly decide if you want to read it, and that goes against what I want to be as a blogger. So, starting the next paragraph, I will be spoiling the end of chapter 1. Skip to the end of the review if you want a basic gist of the manga’s quality.

In the ACTUAL premise of Talentless Nana, the titular Nana Hiiragi is sent to the island where the enemies of humanity, those with talents are kept under the guise of training to fight an ersatz enemy, without them knowing they are their own enemies. Her mission is to use her wits to kill all the talented students without them finding out, and Nanao Nakajima is her first victim.

See how divisive this makes Talentless Nana? In a brilliant troll move, the manga begins in Nanao’s perspective, and aims to get you attached to the super adorable and compassionate Nana in record time. And just when you’re writing your fanfic about the two, Nanao is murdered, destroying your brain as a result (since you, hypothetically, imagined yourself as Nanao so you can pretend that you’ll find a significant other in life). It’s a perfect crotch-kick that takes advantage of a waifu-driven market.

So, besides breaking your heart and force-feeding you the shards, what does Talentless Nana have in terms of entertainment value? Basically, the main focus of the manga is that Nana befriends each student one at a time, pretending to be a ditzy moe blob. With each new victim, the rest of the group becomes more and more suspicious, and it’s pretty engaging to see her try to avoid having that suspicion turned on her.

Unfortunately (at least for some), the manga lacks the one thing that psychological thrillers “absolutely must have”, and that’s realism. Due to the superpowers, a lot of things that happen don’t make any sense, more so when Nana somehow manages to talk her way out of incriminating scenarios, like when people catch wind of a psychic’s photograph of her killing people in the future. Between this and the polarizing plot twist, I can totally see this getting widespread criticism when the anime airs: the lack of realism will perturb analytical viewers, and the twist will do the same to casual viewers.

Additionally, the manga has a pretty bland cast of characters. The only ones even worth discussing are Nana, who is actually pretty entertaining for the most part (at least until she starts sympathizing for her classmates which becomes kind of annoying), and Kyoya Onodera. Kyoya is a transfer student who arrives alongside her, but he’s not a spy like her; he’s one of her enemies. However, he’s actually smart, and he actually tries to, you know, investigate his classmates’ deaths. If this was a YA novel, Kyoya and Nana would end up making out by the end (hopefully they don’t).

The art is kind of average. While it captures motion pretty well, the character designs are incredibly bland, with Nana being the only standout character thanks to her hair. While it’s decent at making some scary closeups, it’s not really much in comparison to other manga art.

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Current Verdict: 7.5/10

While it has a number of issues, Talentless Nana is a decent guilty pleasure. I don’t normally “command” viewers to consume certain media, but due to the inevitable controversy the anime will cause, along with the death of Flash Player, I highly recommend at least reading a bit of the manga in order to be hip. Oh, and also, the fact that it will not be possible to read for much longer.

A Shipping Battle Royale for the Ages – The Quintessential Quintuplets Full Series Review

I don’t get romance. At all. That’s not a surprise if you’ve read any of my posts in the past. But manga usually convinces me to like something I normally wouldn’t. One of the most popular romance manga in recent years is Quintessential Quintuplets, published in English by Kodansha Comics. Did it win my heart? Find out!

In Quintessential Quintuplets, the five Nakano sisters are seriously failing at school. Fortunately, their filthy rich dad hires a tutor for them: the smart-talking Futaro Uesugi. One guy, one house, five cute girls. What could possibly go wrong?

While I don’t understand romance, it’s easy to understand why Quintuplets is popular. Chapter one concludes with a teaser of the series’ ending: Futaro marries one of the five sisters. This single decision is undoubtedly why Quintuplets is so big (or was so big- I’ll elaborate on that in a bit). The author knows exactly how fandoms work; with a canon ship built, it’s up to the fans to argue and banter over whom Futaro plans to set sail with.

It just boggles me that people can become so invested in these ships. Social media networks and subreddits of all kinds get ripped asunder, all over a fictional boy’s relationship with a fictional girl. They act like the entire world depends on him picking the right person. But is Quintuplets still enjoyable for those who don’t spend their free time fretting over ships?

The story is actually darn entertaining… for the most part. Quintuplets operates like a sitcom; when it’s just the main characters goofing around, it’s a pretty heartwarming good time. But once the drama kicks in, it’s an annoying, eye-roll-inducing slog. It’s tough to bring drama into something like this without making it a cringefest. Since it’s fictional, we know that everything that happens is entirely decided by the author; it’s really hard to make this kind of stuff seem natural, so I’m not too salty about it.

Unfortunately, it goes up in smoke at the end. The author does one of those stupid things where the story goes through several “what if” scenarios, none of which end up being canon, even in the case of the girl who actually wins. And when Futaro makes his decision, it feels arbitrary; all five girls more-or-less equally inspire him, and thus it feels like a roll of the dice. I’ve read discussions, and it seems that people really got into the nitty-gritty on the logic (or illogic) leading up the final decision, and as someone who has a hard time understanding relationships (let alone relationships between five siblings), I can’t vouch for ANY of those statements.

So how about the characters? Futaro is incredibly generic and unremarkable, but that’s okay, since the manga is called Quintessential Quintuplets and not One Essential Onetuplet (i.e. we only care about the Nakano sisters). I am baffled that people are meant to pick one of them and love them unconditionally, and that’s because they’re all kind of equal. I didn’t really like or dislike any of them. One standout thing about all five girls is that they’re female characters in a harem manga that actually get character development. And since character development is arbitrarily one of the absolute objectively good things in literature, I can definitely understand the girls’ appeal. But like I said before about human relationships, I never understood the logic behind any of the girls’ actions, which added to my not caring about them as characters.

The art is marketable and inherently appealing. Cute girls with blush cheek, check. Clip Studio backgrounds, check. The girls stand out thanks to their hair, and they take advantage of that to disguise themselves as each other (except they actually have varied hair colors in the color art. OOPS). It’s what you’d expect of a light and fluffy manga like this.

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Final Verdict: 6.5/10

As far as romcoms go, Quintessential Quintuplets is a decent com, but a viscerally terrible rom. Also, and I’m sorry for this, but I’m docking points for this manga encouraging one of the most toxic mindsets on the Internet in the form of a shipping war. If you want Quintessential Quintuplets, then go for it, but as far as I’m concerned, there’s many better manga out there.