I feel like the light novel game hasn’t been strong lately, at least from the English-publication perspective. To be honest, WATARU!!! is the only new series that got me excited. And while I don’t mind having less titles to worry about, I still enjoy having new ones to look forward to. There are two new titles left on my list this month that seem promising, and today’s post covers the first: Unnamed Memory, published in English by Yen Press.
In Unnamed Memory, a Prince named Oscar Farsas has been cursed to where his boys can no longer swim without drowning. Since he’s an only child, he has to alleviate the curse or his family line ends. To do this, he visits Tinasha, the Witch of Azure. She says that she can’t undo the curse, but a woman with a uterus immune to the curse (apparently?) can birth his kid just fine. Oscar immediately proposes to Tinasha, and is rejected. But since he climbed her tower, she has to do something, and that something is to live with him while pretending to be an apprentice.
Does this light novel seem shoujo to you? Well, it is. This is one of those where the strapping young man sweeps the tsundere girl off her feet. However, this one takes its sweet ol’ time. That sounds all well and good, but there’s still a lot of the dumb shoujo clichés that make me want to rip my hair out.
This volume is all over the place, as it tries to set up multiple things at once with no rhyme or reason. For example, the second chapter is a literal murder case, and there are these very blatantly suspicious people at the scene of the crime (who, of course, knew that the crime was going to be committed before it even happened). The case itself is resolved very lackadaisically, as if it was just a Saturday morning visit to the park.
Because of this, I have no idea where the priority lies with the story. The murder case isn’t all that’s resolved super fast. They build up to this big ancient demon from a war that suspiciously happened at the same time that the Farsas family got cursed, and they just do away with it like it’s no big deal. It almost reminds me of Sailor Moon, which is actually a bad thing because I wholeheartedly dislike that series.
Surprise, surprise, guess who didn’t like the characters whatsoever? Me! Oscar felt like a weird combination of genuinely caring for Tinasha while also being sexist? Based on the premise, you’d think she’d be the dominant member of the relationship, but nope, he still has to think he needs to swoop in and save her ass (but it doesn’t matter because their both overpowered protagonists). And to top it all off, he proposes to her on a daily basis and it’s ridiculously annoying.
Tinasha is, so far, a cookie-cutter tsundere. Her identity gets revealed super early, which I can at least appreciate, but the fact that she’s accepted by everyone quite easily makes the whole thing seem pointless. The other characters are as “kinda just there” as any peanut gallery, and a lot of them are introduced quite suddenly.
Unnamed Memory is a decent shoujo series I guess, but as someone who really doesn’t like shoujo, I can’t say I enjoyed even a lick of it. I’m not likely to commit to this series, but maybe you’ll like it if you’re a romance junkie.
I’m a big Pokémon fan, but I’ll admit that the series has been incredibly inconsistent. Sword and Shield are games that do a lot right, while also doing some things bafflingly wrong, compared to previous generations. The very vocal critics on social media don’t help the series’ case either, especially nowadays. The Isle of Armor does make a lot of improvements over the core game, but we really can’t have a final say on Gen 8 without playing through its second wave of DLC: Crown Tundra.
In the Crown Tundra, your character boards a train to the titular location and finds itself confronting some person’s very energetic father. After whipping his butt, his disgruntled child uses the opportunity to skedaddle. You join up with dad, and he makes you catch some Legendary Pokémon.
This campaign somehow has even less story than Isle of Armor. Literally, the entirety of Crown Tundra revolves around catching Legendary Pokémon. A LOT of Legendary Pokémon. I don’t know if Sword has a different cast, but for characters, I got Peony and his daughter Peonia. Peonia is kind of a brat, but her father is a fun, energetic, wholesome guy. They imply that he’s related to Rose somehow, but I don’t care deeply enough about Pokémon lore to look into it.
Structurally, I think this is the better of the two Pokémon DLCs… to a point. At the start, Peony gives you three Legendary Pokémon quests, which can be done in any order (it’s been a while since they gave you that much freedom). They’re all introduced with a hilariously long title and a fanfare, giving Peony even more personality (although I think Looker has done the same thing once or twice?).
The main quest is to help the Crown Tundra’s Legendary Pokémon, Calyrex, who possesses Peony in order to talk to you. I think this is the first time in the main series that you directly engage with a Pokémon. You also have a case where you have to pick one of two forms of Legendary Pokémon by planting a certain type of carrot to lure its steed, which further incentivizes spending the $180 on both Sword and Shield (with DLC) in order to get 100% completion in either game. Anyhow, Calyrex is a pure Pyschic-Type, and his steed is either Ghost or Ice-Type. Calyrex and the steed are an instance of a fusion Pokémon (the first since Gen 5), and it gets both of their Abilities at once.
For the other quests, there is a return of the Regis. As expected, you have to solve riddles. They are nowhere near as obtuse as the Braille stuff in Gen 3, but in case you can’t solve one, Peony will give you some helpful advice (not that I actually used him because I was overthinking or anything >_>). Gathering all three regular Regis at the final door does not give you Regigigas, but a choice between brand-new Electric and Dragon-Type Regis. The third quest is the most interesting because you actually get to catch regional variants of Gen 1’s Legendary birds. They’re roaming Legendaries, but unlike in games of old, you simply just run into them as they fly around in the overworld and fight them straight-up; definitely an upgrade.
Unfortunately, they seem to be following Isle of Armor’s model of making incredibly grindy mechanics to actually give you bang for your buck. No matter what you do, 99% of your time on Crown Tundra will be spent in the Max Lair. It is both a fun and awful idea. Basically, the Max Lair is a gauntlet of randomly generated Max Raid battles. Your team (or just you if you play with A.I.) picks a path and fights whatever is there. You can run into berries or helpful people along the way; either a backpacker who can give you a selection of hold items or a scientist who offers a random rental Pokémon. You fight four consecutive Max Raid battles, ending with a random Dynamax Legendary Pokémon. The big plus is that the Dynamax Pokémon here are nowhere near as bad as in the overworld (mainly because they don’t have shields), but the fact that you have to fight four of them in a row is rough because the “if four Pokémon faint, you lose” rule applies to the entire thing instead of individual fights.
What spices things up is that everyone gets random rental Pokémon. These rentals are actually pretty good, and a lot of interesting strategies can come up. I imagine this mode is amazing with friends, but as a noob who doesn’t have friends or a Nintendo Switch Online subscription, well… Max Lair sucks. For starters, you can get a bad setup of rental Pokémon options versus the Pokémon you encounter in the actual dungeon. And while you can catch a beaten Dynamax Pokémon and switch it out of your team, the fifteen seconds you get to decide a path is nowhere near enough to optimize a root. And if you have A.I., one of them will always switch out for the newly defeated Dynamax Pokémon, even if you choose not to catch it, and even if it has a type disadvantage against a future opponent. Save-scumming works, but you eventually have to spend Dynite Ore for doing it too often. “What’s Dynite Ore?” you ask. Dynite Ore is your reward for playing Max Lair. Completing a run only nets you nine. NINE. And to get the good stuff, including an item that gives your Pokémon its Hidden Ability, you need hundreds of the stuff. You do unlock an endless mode that gives you more Dynite Ore in exchange for not getting to keep any caught Pokémon, but I didn’t dabble in it. Overall, Max Lair WILL kick your butt, especially if you’re using A.I., and since you only have a vague idea of what Pokémon you’re up against, you won’t know if it’s worth save-scumming for a particular Legendary. The even better part is that you only keep one rental Pokémon at the end of a run. And guess what, some of the regular Pokémon you encounter are exclusive to Max Lair, which means you’ll still be playing through it even if you catch every Legendary! This also includes the opportunity to catch Ultra Beasts once you complete Crown Tundra, but I couldn’t find a single one in the attempts I made.
Other than that, I presume that completing both DLC campaigns unlocks the Galarian Star Tournament (since that’s how it happened with me), which is a repeatable team battle royale thing that will pit you and a partner against other Gym Leaders and characters. It’s easy if you have Hop, since he has his Gen 8 Legendary which can pretty much eat anything that isn’t Fire-Type. In other news, Peonia alludes to some weird woman who runs around at night, but I couldn’t get that to trigger. I tend to always miss some kind of post-game quest or whatnot in Pokémon games, so take this review with a grain of salt.
Final Verdict: 8/10
While Crown Tundra is very small (and VERY grindy), I believe that it, along with the Isle of Armor, are a step in the right direction for Pokémon as a whole. They take the open-world mechanic of the Wild Area, but give it more variety and substance. Plus, the idea of putting dedicated sidequests in an area is cool. If they take these same ideas and integrate them into a future core game, then we might have something good. But of course, knowing the series’ trends, any new idea they implement will be discarded, regardless of how objectively good it is.
Overall, I’m not entirely sure if the Expansion Pass is worth it. Obviously, you need it if you want completion, but both areas are still incredibly grindy. I kind of agree with the critics that the series hasn’t been the best it could be, but that’s mainly because I love Black and White 2 too much (maybe I’d do a retrospective on it if I had time or the willingness to erase either of my save files). Well, with Pokémon, I’m willing to pull a Star Wars fan and blindly hope that they’ll eventually release something really good despite them very consistently failing at every turn (Ooooh snap). Well, this got long-winded. Basically, I recommend the DLC if you’re a Pokémon veteran and just love the games in general.
I’ve been using the extra free-time from COVID-19 to watch some TV shows for the first time in my life. I just finished watching stuff like Avatar: The Last Airbender and Steven Universe, and those had some pretty emotional baggage. I’m caught up to DuckTales, and I needed something “dumb and fun” to watch after the tumultuousness of Steven. So, I turned to the first and last Netflix Original I’ll ever watch, The Dragon Prince. Made by some of the original creators of Avatar, I hoped that it would be as dumb and fun as I wanted it to be (for the record, it’s apparently really popular but I only heard of it when Netflix recommended it to me after I started Avatar. Hooray for my patented living-under-a-rock powers!). I thought I had watched 75% percent of the show after the first three seasons; but apparently, there’s going to be seven. So, let’s see if the show is worth the big investment.
The Dragon Prince starts out with a truly draconic exposition dump. Basically, there was this land of Xadia that had all this cool magic and stuff. But once one single person discovered evil dark magic, the elves took it out on the ENTIRE human race and forced them to move west. A powerful dragon named Thunder guarded the border, but everything changed when the Human Nation attacked (had to; it’s supposed to be comparable to Avatar). They used dark magic to slay Thunder, and killed his little egg bearing his heir, the Dragon Prince. War between the two halves of the world was just a shot away.
In the present day, we have two princes who live in a fancy schmancy palace by the name of Callum and Ezran. Life is all well and good, but everything changed when the Moonshadow Elf Nation attacked. So, they get sent away for their own protection. Meanwhile, an Elf girl named Rayla whiffs the chance to kill a human and now all of her friends hate her. The three kids inevitably cross paths, and it is revealed that the Dragon Prince is miraculously still alive. I guess we’re hoofing it to Xadia, then!
Before we can discuss the content of the narrative, this is one of those shows where it’s important to discuss the visuals first. The Dragon Prince is a fully CG show, similar to RWBY, and that tends to put off a large number of people. As the first show of this type that I watched, I found it to be pretty tolerable. The backgrounds appear to be fully hand-painted, like with Avatar, and the lighting and particle effects really help the world pop. The real issue is the character design. They have a cel-shaded style that doesn’t look all that bad, but for some reason, everyone moves at a very choppy and inconsistent framerate. I imagine this must be a stylistic choice, since I figured Netflix being rich enough to allow for models to move at 60 fps (also the fact that most modeling software these days function at that rate as well). But regardless, it’s definitely better to look at than most CG I’ve seen in anime and stuff.
So, I wanted The Dragon Prince to be dumb and fun, and boy, did I get what I wished for! This show is a kind of adventure fantasy that just isn’t common enough these days; too many of them are busy being political, dark, brooding, and in a lot of cases, ripping off Harry Potter. But nope, The Dragon Prince is a good ol’, “ragtag team of kids against the world” kind of fantasy, just like Avatar, except with a more modern sense of humor. There are some politics, but it’s incredibly clear-cut as to what the correct solution is, and it’s very explicit as far as which figures are smart and which are manipulable idiots.
However, just because The Dragon Prince is both dumb and fun, that doesn’t mean the latter is enough to justify the former for some people. While I am enjoying the show a lot thus far, the story is simplistic on a near child-like level. While it does try to be morally ambiguous by having the war be kind of the fault of both races, individual characters’ moral structures are written all over their sleeves. They don’t even try to hide the evilness of The Dragon Prince’s main antagonist, which is definitely a turn-off to those who like those layer-caked villains. The show can also be hard to take seriously even when it tries to be serious. In fact, the episode loading screen on Netlflix shows a screenshot of the fully hatched Dragon Prince, which spoils that he survives almost dying of hypothermia at the end of season one.
I’ll at least give them some slack for even remotely original worldbuilding. Instead of the tired Four Good Ol’ Elements, the world of The Dragon Prince comes packed with the Six Primal Sources, such as the Moon and the Stars. But functionally, they really aren’t that much different from the same elements of Avatar. It’s similar to how Trails of Cold Steel calls dark magic “Time Magic” and stuff. Look, don’t expect super originality from this thing, okay?
Especially not the cast. The leading male protagonist, Callum, would be unremarkable if it didn’t sound like he was voiced by the voice actor of Sokka from Avatar (he even makes the same wry comments as Sokka at times). He’s the stepson of the king, which would normally make him the victim of many a bully, but the issue seems to have next to no plot relevance; I can at least be thankful that they didn’t paint by numbers THAT much. Meanwhile, his stepbrother, Ezran, is- despite being the youngest- the moral support of the trio. Whenever drama unfolds in the group, he makes things right, almost in an overly convenient, Steven Universe kind of way. Furthermore, Ezran gets some genuine growth starting in the third season.
The female lead is the elf, Rayla. She’s a typical tomboy, but she’s also a bit of Mary Sue, since her first revealed trait is the inability to take a life. She’s also tsundere to the max, and it’s almost too obvious that she and Callum are going to be lovers. But despite how brooding she can be, she has some cute interactions with the boys all the same.
But I don’t like the entire crew. My least favorite characters are the animals that tag along: Bait and Zim, the latter of which is titular Dragon Prince who is not at all named after a cult classic cartoon from the early 2000s. Bait is very inconsistent; he’s useful, thanks to his flash ability, but he also tends to be the direct cause of some conflicts. Zim is just ADORABLE, and I do not like him because of that. I can imagine that both of these characters have toys based off of them in shopping malls everywhere. And to top it all off, Bait and Zim sometimes engage in a shipping war over Ezran.
The main antagonist is a geezer named Verin, the king’s royal advisor. Spoiler alert, the royal advisor is a bad man! Never seen THAT before! Fortunately, he is actually pretty interesting, because all of the evil things he’s doing are out of an obsessive devotion to the kingdom, and he genuinely thinks it’s good. I do have some kind of theory about him that has not yet been confirmed, but if I’m correct, his whole character arc could be undermined and he’ll become a typical one dimensional villain.
Other antagonists include Verin’s kids, Sorin and Claudia. They aren’t inherently evil, but they are both very stupid, and end up being easily coerced into following the princes and “accidentally letting them die” without even knowing that it’s a bad thing. But despite their stupidity (or rather, because of it), they have some great spats with each other, which provides some of the best humor in the series, and plus, they are genuinely good kids at heart. Sometimes, I enjoy their scenes more than the main group’s. The second season also introduces an incredibly sexy villain named Aaravos, but there’s not much known about him at this time.
Current Verdict: 8.65/10
I know, I know… I just scored The Dragon Prince .15 points more than Avatar. I’m sorry. I know that Avatar is definitely a better crafted fantasy epic, yet this show was more fun to watch for whatever reason. It has its flaws, but it’s definitely shaping up to be something great. I recommend it to any fantasy fans (unless you like the dark and brooding stuff, in which case, stay the heck away from this show).
I don’t get romance. At all. That’s not a surprise if you’ve read any of my posts in the past. But manga usually convinces me to like something I normally wouldn’t. One of the most popular romance manga in recent years is Quintessential Quintuplets, published in English by Kodansha Comics. Did it win my heart? Find out!
In Quintessential Quintuplets, the five Nakano sisters are seriously failing at school. Fortunately, their filthy rich dad hires a tutor for them: the smart-talking Futaro Uesugi. One guy, one house, five cute girls. What could possibly go wrong?
While I don’t understand romance, it’s easy to understand why Quintuplets is popular. Chapter one concludes with a teaser of the series’ ending: Futaro marries one of the five sisters. This single decision is undoubtedly why Quintuplets is so big (or was so big- I’ll elaborate on that in a bit). The author knows exactly how fandoms work; with a canon ship built, it’s up to the fans to argue and banter over whom Futaro plans to set sail with.
It just boggles me that people can become so invested in these ships. Social media networks and subreddits of all kinds get ripped asunder, all over a fictional boy’s relationship with a fictional girl. They act like the entire world depends on him picking the right person. But is Quintuplets still enjoyable for those who don’t spend their free time fretting over ships?
The story is actually darn entertaining… for the most part. Quintuplets operates like a sitcom; when it’s just the main characters goofing around, it’s a pretty heartwarming good time. But once the drama kicks in, it’s an annoying, eye-roll-inducing slog. It’s tough to bring drama into something like this without making it a cringefest. Since it’s fictional, we know that everything that happens is entirely decided by the author; it’s really hard to make this kind of stuff seem natural, so I’m not too salty about it.
Unfortunately, it goes up in smoke at the end. The author does one of those stupid things where the story goes through several “what if” scenarios, none of which end up being canon, even in the case of the girl who actually wins. And when Futaro makes his decision, it feels arbitrary; all five girls more-or-less equally inspire him, and thus it feels like a roll of the dice. I’ve read discussions, and it seems that people really got into the nitty-gritty on the logic (or illogic) leading up the final decision, and as someone who has a hard time understanding relationships (let alone relationships between five siblings), I can’t vouch for ANY of those statements.
So how about the characters? Futaro is incredibly generic and unremarkable, but that’s okay, since the manga is called Quintessential Quintuplets and not One Essential Onetuplet (i.e. we only care about the Nakano sisters). I am baffled that people are meant to pick one of them and love them unconditionally, and that’s because they’re all kind of equal. I didn’t really like or dislike any of them. One standout thing about all five girls is that they’re female characters in a harem manga that actually get character development. And since character development is arbitrarily one of the absolute objectively good things in literature, I can definitely understand the girls’ appeal. But like I said before about human relationships, I never understood the logic behind any of the girls’ actions, which added to my not caring about them as characters.
The art is marketable and inherently appealing. Cute girls with blush cheek, check. Clip Studio backgrounds, check. The girls stand out thanks to their hair, and they take advantage of that to disguise themselves as each other (except they actually have varied hair colors in the color art. OOPS). It’s what you’d expect of a light and fluffy manga like this.
Final Verdict: 6.5/10
As far as romcoms go, Quintessential Quintuplets is a decent com, but a viscerally terrible rom. Also, and I’m sorry for this, but I’m docking points for this manga encouraging one of the most toxic mindsets on the Internet in the form of a shipping war. If you want Quintessential Quintuplets, then go for it, but as far as I’m concerned, there’s many better manga out there.
Last time on Cautious Hero, Rista and Seiya end up in Ixphoria, the SS Rank world that Seiya failed to save in a previous life. Rista opens a gate to make adjustments, but a werewolf breaks through. Adenela kills it, but it mutters something about having already left its mark. Seiya immediately heads to Ixphoria, saying “Everything’s going to be okay”. When they arrive, it turns out the werewolf’s attack left Seiya with amnesia, and a reckless personality. Rista manages to get him to hold back, then an old guy helps guide them to safety, where they encounter Braht, one of Seiya’s old buddies. After a bit of an argument, Seiya grabs a rusty sword and heads out to fight the boss, Bunogeos. Rista manages to turn the sword into a platinum sword, and Seiya is able to beat some of the enemies by using his high-level spells in ACTUAL combat. But Bunogeos shows up and captures them. Fortunately, Seiya is able to destroy the iron bars by headbutting them, and recovers his memory in the process. The refugees aren’t giving him a warm welcome, so Seiya beats them up (yep, he’s back alright). Unfortunately, he also hates Rista, because it was her fault that he couldn’t be perfectly prepared. He promises to defeat Bunogeos, so he changes his class to Jolly Piper, with Earth Mage as a secondary job. They sneak underground, and Seiya utilizes a makeshift spitball gun to take out the enemies. It’s super effective! They repeat this strat for a while, then seek out Bunogeos. Curiously enough, Seiya starts squealing like a pig while spying on Bunogeos. Unfortunately, they aren’t able to find a weakness before being detected, so they fight him head-on. But of course, Seiya learned the ability to change classes himself, and thus is able to make quick work of him, even when he tries to enter his second phase. When they head back to the spirit world, Seiya masters shape-shifting, turning himself into Bunogeos (the pig squealing was practice for this), and Rista into a fish beastkin. They head to Termine, where they shapeshift and join the beast squadron. Rista is sent to the former queen of Termine, Camilla (her mom), whom she is instructed to torture (she doesn’t though). The day of the ritual comes upon them, and Rista returns to her mom. However, Grandleon is there, holding a doll that Tiana (past Rista) made for her, and that’s what finally breaks her. Rista appraises it, and sees a memory of her past life. The queen is now about to be executed, and she interrupts Seiya’s ritual to get him to save her. And you know what, he decides to fight Grandleon on his own. It’s rough, but Seiya pushes his new Berserk skill to its utmost limits, and manages a narrow victory.
And guess what… there’s more where that came from! In this volume, the Machine Emperor Oxerio sends his machine corp to attack Termine. Seiya gets about as over-the-top as usual with his perfect preparedness, and disregards the public as he fortifies the city. But in addition to Oxerio, he has an evil sorceress named Celemonic to take care of in the latter half of the volume.
In fact, Seiya is more sadistic than ever. He genuinely trolls us- the readers- and shows complete disrespect towards literally everyone. When a disturbing secret regarding the killing machines is revealed, he doesn’t even bat an eye. Seriously, if you didn’t like Seiya before, then you’re only hurting yourself by continuing to put up with him. What do you think about Seiya at this point? Leave a comment with your thoughts!
As far as newcomers are concerned, we get introduced to a rogue killing machine named Kiriko, who has a kindhearted personality. There’s also the introduction of yet another goddess who continues to follow the trend of being an eccentric weirdo. As far as development of existing characters is concerned, everyone is more-or-less the same. You know the saying: “If it ain’t broke, don’t fix it.”
I must still praise the author for not making the series so repetitive despite how simple it is. Seiya goes above and beyond, at one point showing us he doesn’t even need to be conscious in order to beat back his enemies. The solutions to problems get more over-the-top and creative than ever! But a seasoned reader like myself should know that this consistent rate in quality is likely too good to be true.
Cautious Hero is on fire, as always. Bu according to the afterword, the Ixphoria Arc ends next volume. MyAnimeList still says this series is ongoing, but what could possibly happen after this? Well, I suppose the only solution is to wait and find out!
Last time on Kuma Kuma Kuma Bear, a girl named Yuna logs into her favorite MMO, World Fantasy Online, during a new update. She is given some game-breaking bear-themed equipment as a gift for playing for a long time, and is sent to an unfamiliar part of the game world in said bear equipment, with her level reset to 1. She saves a girl named Fina from wolves, and the two of them head to the nearest town with the mob loot. They sell it at the guild, and Yuna spends her hard-earned cash at the inn. The next day, Yuna- guess what- registers at the guild, but only after- guess what- beats some red-shirted upstarts. She then buys a ton of throwing knives, along with a sword and butchering knife, as well as some normal-people clothes. She also acquires bear-themed magic, which she practices on some wolves. She beats enough of them for it to instantly promote her to E-Rank at the guild. Some of the friends of that guy who she beat up start slandering her, and as a result, she is forced to undertake a goblin-slaying quest with them. The required amount is fifty, and she offers to fight them all herself and give them the credit so they stay off her back. She goes with the female adventurer, Rulina, defeats them all herself (double the required amount and a boss), and earns respect among the other group. Over time, Yuna defeats so many monsters that she becomes D-Rank with no effort, and hires Fina to butcher the spoils. They go on a quest to fight tigerwolves, which go down easily. Lastly, Yuna spends a heap of cash on an empty plot of land, and constructs a bear house to live in.
The bear-themed antics are just as bear-themed and… un-antic-y (professional term) as last time. Honestly, I struggled to write anything of substance in this post, and that’s why I’m pairing it with a review of Infinite Dendrogram Volume 12. The second volume of Kuma Kuma Kuma Bear is almost exactly the same as the previous one.
At the current rate, it seems that it’s going to commit to being an episodic CGDCT isekai, which for some (many) people, is enough (especially with the bear onesie). Yuna visits some noble guy, which- I’ll admit- her apprehensiveness to the request was actually kind of funny. But afterwards, Fina’s mom is sick, and Yuna- being the OP protagonist she is- restores her to perfect health almost instantly. Everything happens so unceremoniously that it bores me to tears. Furthermore, the “let’s tell you the same chain of events you just saw but from Fina’s perspective” thing does not die down in this volume.
The issue really is the bland and basic writing style. While there comes a point where TOO much finesse can make you sound like a pretentious hack, not enough will make your work seem lifeless. I couldn’t be immersed in any fashion, and I could barely visualize anything besides Yuna.
You know what, Yuna really is the only thing that matters, isn’t she? She doesn’t just look adorable, but she also helps people for no reason. WHAT AN AMAZING AND NOT-AT-ALL IDEALIZED PERSON. I feel like the author expects people to love her because of how good she is. Well, us critics got a name for girls like her: Mary Sue.
Kuma Kuma Kuma Bear is so superficial. It’s cute, it’s relaxing, but it relies entirely on Yuna’s cuteness. If she didn’t have a bear onesie this thing would not sell. All of her powers are typical stuff, but they just have the word “bear” tacked on to them; they aren’t even puns! Compare it to Invincible Shovel, which actually uses shovel-like properties, such as “digging” through people’s memories, or “burying” entire castles. My chances of reading more Kuma Kuma Kuma Bear are next to nil. I’m going to be so salty when the anime airs because I KNOW that people are gonna be all over Yuna’s bear suit and her good will, WHILE SOMETHING LEGITIMATELY GOOD AND ORIGINAL LIKE TO YOUR ETERNITY WILL GET SHAFTED BECAUSE FUUUUUUUUU-! Anyway, if you like CGDCT and isekai, then Kuma Kuma Kuma Bear will do just fine.
Infinite Dendrogram Volume 12
Last time on Infinite Dendrogram (volume 10), Ray goes to college while also having a new accessory made for him that would help him resist poison. That’s it for him. In Caldina, Hugh Lesseps gets involved with some crazy woman named AR-I-CA on a quest to find a bunch of sealed boss monsters that were stolen from Huang He. A powerful mafia called Mirage goes after them, but they become a non-issue real fast when Dancing Princess Hiuli defeats them all by herself. Gerbera, in the Gaol, also gets stronger as she trains with her new friends in Illegal Frontier, led by the King of Crimes, who is incidentally involved in what is going on at Hugh’s end. Things are looking intense, AND WE FINALLY GET TO SEE WHAT HAPPENS NEXT.
Er, well… not quite? The stuff that happened last time felt like setup, and this volume feels like… more setup. The developments last volume end up being ignored in favor of some new ones. First off, Figaro’s yandere girlfriend, Hannya, is released from the Gaol. She hates couples… which is why it’s so perfect that she was released during the time of a lovey-dovey festival in Gideon.
There’s also some new political developments, mainly this arranged marriage with Princess Elizabeth and one of Huang He’s princes. In order to butter them up, they hang out during the aforementioned festival. They also hint at a potential alliance with Caldina in the future, but nothing seems to come of it yet.
The volume starts with some more insight on Kashimiya, this iai-fighting dude that we only got to see a blip of once upon a time. But after that, the bulk of it is the lovey-dovey festival. And yeah, it kind of feels like a filler volume, even moreso than the Gloria prequel fight. The interactions between the characters are genuinely cute, but this is the first time I’ve seen the overarching story get backseated this violently in Dendro.
Things do ramp up toward the end; Dendro always has to have a crazy fight scene or two. But as far as character development goes, it’s really only Figaro and Hannya who get it. We do get introduced to some new Dendro A.I. but we’re still kept in the dark; in fact, the prequel volume told us more than this one did! And as usual, we still don’t get to see any of Legendaria nor Ray’s sister.
I don’t know what it is, but this is probably my least favorite Dendro volume so far. It’s a cute little mini-arc that set some stuff up, but it’s been a long time since something intense happened. Something big needs to happen, and fast, or this great series could REALLY become the next SAO (and I mean that in a bad way).
I’ve stated my disdain toward slice-of-life isekai in my reviews of Ascendance of a Bookworm, Mushoku Tensei, Buck Naked in Another World and Kuma Kuma Kuma Bear. There are exceptions, like Konosuba, but that one’s more of a screwball comedy that’s only technically a slice-of-life because of its general lack of plot progression. I have yet to like any of those chill fantasies that have the word “wholesome” slapped onto them when they try to sell their one-dimensional, superficially cute lolis to savvy audiences, such as If It’s For my Daughter, I’d Even Defeat a Demon Lord (a.k.a. one of the worst light novels of all time (side note: I know it gets darker later, but I got to that point and I still hate it)). But maybe, just maybe, The Extraordinary, the Ordinary, and SOAP! (published in English by J-Novel Club), will be the exception.
In a kingdom whose name I already forgot, a girl named Lucia Arca is living her life as a royal maid who washes clothes for the soldiers. Thanks to her only magic, Soap, she gets the tough stains OUT (R.I.P. Oxi-Clean…). But when monsters attack, she ends up using Soap against them in panic, and… it works! Now her whole lifestyle changes for the better.
But before that, there are definitely a number of hurdles to jump. This volume takes about 25% of its content to get to what’s mentioned in the product description, which also includes two side chapters. It is a pain, but thankfully, it doesn’t take long to get through.
Unfortunately, it is- surprise, surprise- a bit boring. The writing isn’t that interesting, and I found myself zoning out a few times (mainly because I was looking forward to resuming Grimgar of Fantasy and Ash for the first time in two years but that’s beside the point). The biggest issue is that- I’m gonna have a heart attack I’m so surprised!- the soap gimmick does not shake things up. Sure, it’s all neat and cool that Lucia has this unusual power, which could’ve made Extraordinary Soap a power fantasy combined with slice-of-life fantasy. But due to the fact that Lucia is a woman, she’s forced to stand aside and let the men handle things, in complete disregard of her overpowered ability. There’s also not much in the way of stakes, even though the volume tries to have them with its cliffhanger ending.
Also… the cast is boring. “Slice-of-life characters are more human,” you point out, “therefore they don’t need the unrealistic, over-the-top personalities of your battle shounen and power fantasy isekai trash!” Being human MEANS having quirky personalities, not being a blank slate (something I’ll get into more detail once a certain manga is complete). As I was saying, most of these characters are boring, “good” people. Lucia is the typical “poor girl who’s special for literally no reason” and this guy named Celes is the “perfect ideal boy-person that the aforementioned poor girl gets for literally no reason”.
“Hang on,” you say, “you compared this LN to isekai in the first paragraph, but it’s NOT isekai. Just because an LN is a fantasy doesn’t mean it’s an isekai!” I know that. However, Extraordinary Soap throws you a curveball; it IS an isekai, but Lucia is not the person from our world. The person from our world is Maria, who is admittedly the most fleshed out character. She’s got an abrasive side, an emotionally insecure side, and a weird yuri side. Perfect waifu material if I do say so myself! Unfortunately, she and Lucia are part of a sitcom-like love triangle, and Celes happens to be the unlucky third vertice.
The artwork for Extraordinary Soap looks more manga-y than light novel-y. It has nice, vibrant cover art, but overall, the grayscale illustrations are bland. Also, it looks like a shoujo manga, so it loses additional points from me.
TheExtraordinary, the Ordinary, and SOAP! is more ordinary than extraordinary, and soap not even a factor. It’s a typical, “WHOLESOME” isekai, falling for the genre’s typical trappings thanks to Middle Age misogyny (in Layman’s Terms, it would be better if Lucia actually got to USE Soap). It’ll likely become a sleeper hit if it ever gets an anime (and people are gonna LOVE Maria, I can tell). If you like any of the books I mentioned in the first paragraph, then this one should scratch the same itch.
Last time on Outer Ragna, Twitch streamer PotatoStarch booted up his new deluxe edition of the Dark Souls-ian JRPG called Dragon Demon RPG, where humans are caught in an unending war between elves and vampires. But unbeknownst to him, it’s actually a real alternate world, and his character, Kuroi the slave girl, is a real person whom he’s controlling. With his skills, she manages to defend the human village from monsters, learns some magic from an item drop, and acquires the rare job of Apostle. She is inevitably joined by the knight, Agias, the fire sorcerer, Odysson, and a loli named Sira. Things heat up when an Elven army (complete with its own Apostle) moves in and occupies the human territory, in preparation for a battle against the vampires. When the vampires actually appear, the humans and elves team up and manage to drive them away. Kuroi was MVP, of course, and she is turned into an object of worship: the Hare of Flame. Now humans are- for once- sitting pretty, and even joining Kuroi in her stat farming regimen. But it doesn’t stay that way for long when the vampires commence another attack, this time with one of their own Apostles. As you’d expect, Kuroi steamrolls the vampires with her flame sword and wrecks their Apostle, the Golden. In the aftermath, Starch gets a strange message…
…that is completely ignored, apparently. But there are more pressing developments to discuss, such as the world-changing exposition dump given to us during various chapters set in the real world. Apparently, Dragon Demon RPG was a computer virus disguised as a videogame that’s being used in cyber warfare? What’s happening in the game world is the Parallel World War, and if I’m understanding it correctly (which I have been consistently failing to do based off of the previous volume), the different races are all being run by various world powers. If this is correct, then I’ll admit that my interest is piqued for Outer Ragna.
However, despite how cool all of this stuff is, it doesn’t change much of the content within Dragon Demon RPG itself. The POVs are still all over the place. The descriptions of locations, characters and where they are in 3D space, etc. are still pretty lacking.
Furthermore, the characters are no better than last time. The existing characters still feel like cardboard cut-outs, and I completely forgot about a lot of them from the previous volume. The only new character who seems even remotely interesting is Shadow Tamika, a vampire person who seems to want to do away with all the gods in the world. However, she’s about as boring as everyone else.
And I still can’t seem to tell where anyone is at any given time. I’m really bad when it comes to large-scale military narratives, and I lose myself in all the different cardinal directions. “Oh this person’s this way, that person’s that way…” I can’t make any sense of it. That’s not a problem I can fault Outer Ragna for, but it’s definitely having an inverse effect on my enjoyment of it.
Outer Ragna has a lot of great ideas, but it’s all falling flat on its face. I don’t know what it is, but I just can’t get into this one at all. I might give it one more volume, but it’s likely that I’m not going to read Outer Ragna anymore.
So, it’s St. Patrick’s Day, and I wanted to make a post that would fit the theme. Seven Seas says that this manga, called Nicola Traveling Around the Demons’ World, felt like a European children’s picture book. European folklore > Irish folklore > St. Patrick’s Day… that’s close enough, right?
In this manga, the titular Nicola is found in the middle of the Demon World by some dude named Simon. They then decide to travel together.
That’s it. That’s the whole premise.
Nicola is basically Yotsuba&! meets Somali and the Forest Guardian. It’s more like the latter, what with humans being discriminated from literally everything else in the world, but it has the much lighter tone of the former.
Each chapter is a short story, which usually involves antics between Nicola and Simon, and Nicola doing good deeds without even trying. It’s a very sweet and heartwarming manga, in a way that’s not as superficial as If It’s for my Daughter, I’d even Defeat a Demon Lord.
Since Nicola and Simon never stay in one place for too long, they end up being the only characters that show up consistently. Nicola isn’t anywhere near as much of a liability as Somali, plus she has the spunk of Yotsuba. Most notably, she can use magic, which is rare, but can only produce flowers.
If Nicola is Stan Laurel, then Simon is Oliver Hardy. He spends most of his time making sure she doesn’t do anything stupid, and that’s about it. He is a merchant of some kind, but his heart isn’t quite a golden idol, given the fact that he’s babysitting a kid with no pay.
The art is what makes Nicola very appealing. There’s hatching everywhere, and the characters are all very cartoony and expressive. It’s basically The Girl from the Other Side‘s general idea for a style, but used in a way that’s not as unsettling.
Current Verdict: 8/10
Nicola is no Yotsuba&!, but it’s definitely a good, cute read. It doesn’t have any fanservice, so even little kids can enjoy it. If you want a jolly fantasy romp, then join Nicola on her travels through the Demons’ World.