Weeb Reads Monthly December 2020

Well, this post’s a bit late. The reason is because the latest volume of Otherside Picnic came out too close to  the end of the year. But hey, at least I got this out on the same week as New Year’s Eve, right? Anyway, let’s do this.


Sorcerer King of Destruction and Golem of the Barbarian Queen Volume 2

I had a sliver of hope for this one. After all, it started out as a pretty lonely, post-apocalyptic isekai. However, it doesn’t take long for Nemaki to reach a town. At this point, Sorcerer King pretty much turns into your run-of-the-mill slice-of-life isekai.

If I was a more generous reviewer, I’d say it’s fascinating to see the fact that Nemaki doesn’t exactly understand Gol. She’s very trigger happy, and her clothes are more than just cosmetic. Nemaki genuinely does not know what she’s capable of, nor what makes her tick, giving a genuine sense of mystery and concern. Unfortunately, I’m not a more generous reviewer. From rubbing cheeks to looking at her underwear, Nemaki’s interactions with Gol are no different than that of a typical isekai waifu. It seems like she was made as a golem just to pretend that Sorcerer King is subversive. And with the usual stiff writing, I have little to no interest remaining in this series.

Verdict: 6.5/10


May These Leaden Battlegrounds Leave No Trace Volume 2

Before getting into this volume, I must clarify that I did not cover The Eminence in Shadow Volume 2 like I planned. First off, I ran out of money because, well, Christmas. Second off, I had too many doubts about that series. The fact that Cid’s made-up enemy turns out to be real, along with them actually skipping how his own organization comes about… It’s just plain stupid. Combine that with the subpar characters and you have another series that, in my opinion, does not at all deserve to place on the Kono Sugoi Light Novel rankings. 

I also had doubts about May These Leaden Battlegrounds Leave No Trace. Like most time travel narratives, Leaden Battlegrounds is kind of… iffy. But for some reason, I enjoyed it because I was curious as to how stupid it could get. So here we are!

The main premise of the volume is Rain and Air getting into a scuffle with some Western soldiers, one of whom is a cute girl named Deadrim, and the other person is… there. Once again, most of the volume proves to be boring, but there’s just enough intrigue at the end to make you wanna buy the next one. The only other noteworthy thing is that fact that Air should be using the Devil Bullet on Rain, but that whole aspect of their relationship goes in the direction you’d expect.

Verdict: 7.2/10


DanMachi Volume 15

It feels like it’s been forever and a day since we had a new DanMachi volume. Unfortunately, this one’s a filler volume. Sure, DanMachi has had some of the better filler in light novels, but not this time. We do get more backstory to some of our main protagonists, in addition to the backstory we already got, but it kind of feels excessive. For example, the first chapter is literally about the inn that Bell stayed at until he found out about Hestia. Do we really need that? In any case, most of the stories are pretty good, though not the best that DanMachi has to offer. 

Verdict: 7.9/10


Infinite Dendrogram Volume 13

After the relative nothing that happened last time, we finally have an event that’s been building up for a long time: a conference between Altar and Dryfe. In order to participate, Ray forms a clan with his friends and gets a new job. This new job, as always, is something wild that nobody likes which ends up being really useful for his build. In any case, it’s not even a spoiler to say that the conference goes south, and a big fight breaks out.

The one gripe I have is something that’s happened twice now in Dendro: withholding information from the reader that the main character, who’s narrating, happens to know. It’s a cheap way to build anticipation and I don’t know why any writer would ever think this is a good idea. Nemesis, once again, evolves into a new form after a small time-skip leading up to the conference. We also don’t get to see it, since this volume ends in the middle of the action. Other than that, Dendro still meets (and exceeds) expectations.

Verdict: 8.75/10


Otherside Picnic Volume 4

It feels like it’s been forever since we got some Otherside Picnic! With the anime in development, I cannot wait for yuri fans to get super toxic and scare off potential viewers. But in the meantime, we have this. As usual, it starts off [relatively] chill, with the girls going to the cult HQ from the previous volume to clear it of supernatural gook.

Other than that, it’s pretty typical stuff. Sorawo and Toriko’s relationship gets more intense, and we learn a bit of the former’s past, but that’s about it. There’s no new goal established. However, I’m fine with that, because Otherside Picnic is a CGDCT at heart, and core narrative doesn’t really matter in those. As long as the suspense is still off the rails (which it is in this volume HOLY CRAP), then I’m good.

Verdict: 9.3/10


Conclusion

Overall, we had a pretty good lineup of light novels to close off the year. Unfortunately, it looks like I’m going to be skipping this January’s Weeb Reads Monthly because there are only two volumes that I actually have interest in, excluding the upcoming debuts. February might be skipped too, because I only see ONE volume of interest on BookWalker’s Pre-Order page at the time of writing this post. Regardless, whatever I skip will all be lumped in with another month eventually!

A True Isekai Pioneer: The Wonderful Wizard of Oz Novel Review

I don’t know what compelled me to do this. Isekai is one of my favorite genres (even though 99% of them are ass), so it only made sense for me to read a classic isekai: The Wonderful Wizard of Oz by L. Frank Baum. I recall watching the movie in a film class. All I remember is that Judy Garland is adorable, and that the movie itself is incredibly lackluster with the exception of the [aged] technical effects. The books (yes, books. There are fourteen Oz books actually) are sure to have much more substance, right? After all; the book is better than the film.

In The Wonderful Wizard of Oz, a girl named Dorothy is just chilling at her rinky-dink home in Kansas when a CYCLONE LIFTS HER HOUSE. She is abnormally calm during the situation and falls asleep while still in the eye of the storm. Dorothy (with dog, Toto) wakes up in Oz, where she is praised for having murdered the Wicked Witch of the East with her house. In order to get home, she must find the titular Wizard of Oz.

Thanks to this, I finally know where most modern Japanese isekai get their lack of depth. The writing in this book is as archaic as the time period. We get the bare minimum description of anything, and no sense of scale for any architecture in this world (also, get used to some unexpected usage of the word “queer”). There is next to no worldbuilding; stuff is just there for the sake of being there. Also, Dorothy has plot armor out of her ass thanks to a kiss from the Witch of the North. It’s sad that a lot of literature has not evolved since the turn of the 20th Century.

At the very least, the book has momentum. It doesn’t waste any words, and scenes that would normally take ten years to read in a modern isekai can be completed in minutes. The Witch of the North would be an exposition dump character, but thankfully, she only tells Dorothy what’s actually RELEVANT to the plot at the current moment. 

Unfortunately, the original source novel wasn’t as dark as I thought it would be. Normally, I don’t really care for super cynical stuff, but given the time period, I figured that the story would be really dark. But other than a few isolated scenes, such as the Tin Woodman’s backstory, it’s just about as lackadaisical as the movie. Oh, and in case you’re a fan of the movie, literally NONE of the famous lines are in the original. No “We’re not in Kansas anymore,” no “Lions and tigers and bears”; not even the cultic chant that the Witch of the West’s guards use when patrolling.

Furthermore, I did not like the cast of the book at all (surprise, surprise). They were not just boring but inconsistent. The worst of them is the Tin Woodman, who acts like he can’t kill anything but doesn’t hesitate to create an admittedly gorey mound of wolf corpses. And before you argue “Um people were super religious then and they didn’t really think animals have souls because God gave man dominion over animal”, just keep in mind that Mr. Woodman cries when accidentally stepping on a beetle. A beetle. 

And holy heck, this is apparently where the “real treasure was the friends we made along the way” trope came from, because these characters are about as brainless as the Scarecrow. They all want these specific traits, but they end up already possessing said traits. Normally, this would be meant for an epiphany at the end, but it doesn’t turn out that way (it’s actually kind of weird what happens). I feel like Baum didn’t put any more thought into this than a typical crappy Japanese isekai author. 

Another issue lies not just in the content of the story, but the publication. I got the 100th Anniversary edition, with gold pages, which made me think “This should be really well presented.” Wrong! This edition displays a large assortment of… uh… illustrations, but their placement is all wrong. Sometimes, you’ll see one before the actual depicted scene happens. But more often than not, they’ll SUPERIMPOSE TEXT over them. Who in their right mind thought this would be a good tribute to Baum’s legacy?!

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Final Verdict: 6.75/10

Call me an uncultured swine, but I didn’t find The Wonderful Wizard of Oz to be all that wonderful. No worldbuilding, no consistency, no visual descriptions, flat dialogue… this might’ve been groundbreaking at the time, but things have changed in 120-odd years. While some classics, like Dracula, age pretty well, this one has not, and I hate it when people act like all literary classics are still objectively great even by modern standards. 

However, I am at least curious as to what the rest of the series has to offer. Each installment seems to be pretty self-contained, so I hope to possibly review all fourteen books over a long course of time. I imagine that they get more and more effed up (the cover of the final book has people on fire in the background), and it might be fascinating to see. But as far as recommendations for the original classic are concerned… I’d hold off on it. There are better things out there, with better writing.

In the Land of Leadale: A Chill Isekai with No Strings Attached (Volume 1 Review)

They say you can’t judge a book by its cover. But in defense of doing just that, having great cover art is important for generating interest. And that’s exactly what drew me to a new isekai licensed by Yen Press: In the Land of Leadale. There’s something eye-catching about really tall towers in the middle of fantasy landscapes… and let’s hope my eyes weren’t caught by another marketing scheme.

In In the Land of Leadale (well, that sounded wrong), a girl named Keina Kagami dies in her hospital bed and is transported into the VRMMORPG, World of Leadale. She has taken the form of her avatar, Cayna, and has pretty much all of her (OP) abilities. However, two hundred in-game years have passed since she last played! …Which means nothing.

I don’t know if this is a case of slow burn, but Leadale seems like another dime-a-dozen isekai. Unlike others of its ilk, this one at least has a few positives. The author managed to put some decent worldbuilding into the game, even if most of it is cosmetic and has no effect on the plot. According to the lore dump, World of Leadale was made by some incredibly trollish devs, and apparently, you need to be a god-tier player who can cast ten spells at once just to cure poison. Poison, one of the most common ailments in RPGs!

But worry not, for Cayna is one such god-tier player, at Level 1,100. She can down a massive bear by merely kicking it in the face, and is super rich. Oh, and that whimsical tower that’s normally a goal in these games? That’s her house! So yeah, don’t expect stakes. There’s supposed to be a goal where she goes to the other guardians’ towers, but there’s no urgency to it, and Cayna herself even says that she’s only doing it because she has nothing better to do.

Also, don’t expect to be able to visualize anything. It seems to be customary with most light novels to only provide the bare minimum description of anything, and sadly, that’s the case with Leadale. They also don’t bother describing anyone who isn’t a lousy NPC, which would be nice, except the NPCs tend to have more screentime than major characters in this volume. 

The cast is as cardboard as usual. Cayna tries to be a subversive protagonist by being a girl and a mother, but those traits seem to distract from how little personality she has (Also, expect the volume’s only sense of humor to consist of people having over-the-top reactions to her identity. Over and over again). Her three kids (read as: custom-made NPCs á la Overlord) aren’t very interesting either. Out of the three, I had a lot of hope in her son, Skargo, because he looked like someone who’d have an Oedipus complex and make this more controversial. But alas, he just ends up being annoying. 

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Verdict: 5.5/10

In the Land of Leadale is either pulling a long con, or it’s your typical, boring isekai. Some people will probably like it enough just from the main character being a mom, but that’s not enough for me. I recommend it if you like Mushoku Tensei and stuff.

Weeb Reads Monthly – September 2020

I definitely like this new monthly format for light novels. In fact, I’m going to keep at it for… er… ever. Since I’m doing this right out of the gate, there should be a lot more books to discuss in this post. So, bear with me as we tear through the month’s newest releases!


So I’m a Spider, So What? Volume 9

I discussed this series a long time ago, in a post where I compared it to Overlord and That Time I Got Reincarnated as a Slime. Since then… it’s been the only one of the three I haven’t dropped completely. The series has kind of been in a slump for me lately; after the twist in volume 5, we finally know what’s going on, but after that it’s been a bit of a trudge to get to the good stuff. Looking at the table contents, one chapter towards the end stands out like a sore thumb. Maybe this is when it gets its act back together?

Sadly, the first half of the volume is not particularly exciting. They FINALLY reach the demon realm, and they just cozy up in Ariel’s house. In fact, the interludes seem to have more plot relevance than the main story, such as some side chapters featuring Mr. Ogre-boy from the last volume.

Other than that, Spider is kind of hit-or-miss as always. The volume’s climax is a battle against Ogre-boy, but it’s marred by exposition, and I—to be honest—never really understood what his point in the story is. Anyways, like I mentioned earlier, one chapter stands out, and there is definitely a revelation. Buuuuuut, when we get the whole story, it’s kind of stupid (our girl even reacts as such). And as things stand at the end of the volume, it seems like the next one is going to be back to our regularly scheduled mundanity. I will not be counting these eggs before they hatch!

Verdict: 7.5/10


The Invincible Shovel Volume 3

Alright, it’s time for some more Invincible Shovel! This is about the point where the series ends up becoming repetitive. But if there’s one thing that’s interesting, it’s Catria of all people. She has fought tooth and nail to not fall victim to Lithisia, who has basically evolved into a half-human, half-shovel entity. Her sword has literally become a shovel. But in this volume, Catria starts to do shovel techniques, while still trying to deny that she’s getting shoveled.

Another interesting thing to note is that Invincible Shovel seems to be setting itself up for the endgame. MyAnimeList still says it’s publishing, but it could be wrong. I have a theory as to what a future arc could be, but we’ll have to wait for that point to find out. Otherwise, it’s the same shoveltastic comedy it always is!

Verdict: 8/10


Deathbound Duke’s Daughter: Erika Aurelia and the Angel’s Crypt

I gave the previous Deathbound Duke’s Daughter volume a lackluster score, but I had some semblance of hope for the future of the series. It had a very whimsical world, even if the characters were just about as plastic as any slice-of-life fantasy.

In this volume, Erika goes to Ignitia where she meets the city’s charming prince, August. The really long first chapter is basically to introduce us to the city and the fact that there’s this titular Angel’s Crypt. Erika knows that she is to be murdered by this beast in said Crypt, which August thinks can grant his wish to be better at dragon riding.

Overall, I felt like this volume was slightly better than the previous one. Once it picked up, things got pretty fast-paced and adventurous. Unfortunately, I don’t think it’s good enough. August is a typical “bastard child trope”, and felt so manufactured to me; he has absolutely zero hesitation in selling his soul to a demon in order to get his wish. Also, they try to hide who the villain is even though the color pages straight-up tell you who it is (but it’s still predictable regardless). 

Verdict: 7.55/10


Combatants Will Be Dispatched! Volume 4

I’ve been loving Combatants Will Be Dispatched!, but the biggest issue with it has been trying to write a substantial review of the newest volumes. Fortunately, with this new format, I can put in a short blurb and it’ll be fine! Let’s see what Six’s latest adventure has in store for us.

This volume serves one purpose, and that’s to properly introduce a new waifu: Lilith. If you recall, she’s one of Six’s superiors; the mad scientist of Kisaragi. Sadly, she’s my least favorite protagonist so far. There’s nothing wrong with her, but she just falls short of Best Girl Alice and Besterest Girl Grimm. A lot of her lines are just her having straight-man reactions to how ridiculous the fantasy world is and not much else.

Overall, this is sort of a slice-of-life volume (as slice-of-life as Combatants can get). It’s funny, and there’s some good character interactions, but nothing much actually happens. The climax makes you think that they’re finally going to make a move on the Demon Lord, but it ends up getting put off. Maybe they’ll follow up next volume?

Verdict: 8.35/10


Torture Princess: Fremd Torturchen Volume 5

This has been one of my favorite isekai of all time. I won’t defend anyone who says it’s edgy, superficial, and trashy, but it has such chutzpah that I love it. The previous volume had the least amount of gore, yet it raised the bar for the story moving forward. Since I made sure this was the final volume we cover today, I saved the best for last! 

Volume five is even more of a departure from the over-the-top gore, and caffeine-fueled villains than volume four. Right away, Jeanne establishes a new goal: kill the Saint so that Diablos can never awaken. But since we have no idea where she is, the only choice is to ask the Saint’s BFF: the Butcher. Of course, it can’t be that easy; in fact, it takes most of the volume to reach the booger.

Just from reading the volume, I can easily assume that this is the point where people would really start hating on Torture Princess. I’m still loving this story, but the way things play out in this current arc really smells like milking the series (which is odd because I don’t think Torture Princess is that popular in Japan). It’s still relatively straightforward for now, but there’s no telling what it’s going to be like in the future. Furthermore, there’s a big scene at the end that will likely come off as contrived and/or predictable (which, let’s be honest, we critics only use those words when we’ve genuinely fallen for a plot twist and we want to write an excuse for it). But as far as this volume’s concerned, Torture Princess maintains its same sense of quality… for what it’s worth to you.

Verdict: 9.15/10


Conclusion

“There should be a lot more books to discuss in this post,” he says… yet he only discusses one more book than the last time. Well, that’s definitely going to change next month, especially if I can go to Disney this year (in which case I’d have to do a mega post for October and November). Anyway, good books this time around. Leave a comment for some feedback!

WATARU!!! The Divisive New Gag Isekai! (Volume 1 Review)

Sometimes, I think the stuff I’ve read has caused me to lose brain cells. I used to be pretty good at handling some mature and complex themes, but nowadays, I want simple, dumb stuff. The new J-Novel Club publication, WATARU!!! The Hot-Blooded Fighting Teen & His Epic Adventures After Stopping a Truck with His Bare Hands!, is one of those braincell-killers. I am pretty damn sure that a monumental amount of people would hate this LN, and yet… I LOVE IT!

In WATARU!!!, the titular Wataru Ito is about to be hit by the Truck-kun that has sent many-a clueless adolescent male to another world. Due to his insane strength, he stops it with his bare hands. However, as to not kill the driver from the forced deceleration, he lets the truck hit him. Wataru is brought into another world, and sets off to fight the strongest opponent: the Demon Lord, Deus!

This… WATARU!!! is just something else. Okay, so if you’re looking into reading this, I recommend you watch two completely unrelated television shows. The first of which is The Legend of Korra. I made my case about how much of a hot mess it is, but the radio announcer guy who does the recap has a really good voice for reading WATARU!!! You see, ninety percent of the sentences are written with exclamation points, enough to put Elaine Benes to shame. It’s ridiculous and over-the-top, but I love it. The narrator even tells you how you feel, which I would normally find pretentious, but it’s done in a way that’s perfectly in tune with the LN’s personality. There’s also references to fake-real-world martial arts techniques, which the LN adds its own footnotes to. I recommend reading those in Siri’s voice to make it sound funnier.

The second show I think you should watch is Jojo’s Bizarre Adventure. Not only is it one of the few anime so good that I enjoy watching without reading the source manga (because half of it is unlicensed in English at this point), but it also has a sense of its own ridiculousness. The dramatic reactions to everything, plus the appearance of onomatopoeia onscreen, have been my reference for visualizing the cinematics of WATARU!!!, and I recommend you do the same.

In case you couldn’t tell, WATARU!!!’s sense of humor boils down to being dumb and overly meta while spamming exclamation points. It’s the kind of thing that you’ll know whether you like it or not within five seconds. It relies entirely on the quirky writing style which makes a big deal out of everything. And another tongue-and-cheek thing that WATARU!!! does is having modern facilities in a fantasy world. They have rock concerts, 1950’s-style diners, and even a gothic shop called “Tot Hopic”. Half the time, Wataru ends up fighting enemies through rap and cooking.

The characters are surprisingly enjoyable. Wataru himself is Gary Sue on steroids, and it makes the over-the-topness of the whole series feel complete. However, he doesn’t beat Best Girl Aria. She comes off as a typical heroine, but ends up playing the straight-man role (while frequently getting stabbed in the forehead). Aria also has weird quirks, such as completely disregarding her parents getting kidnapped by the Demon Lord in favor of knockoff Beyblades, and playing drums with her feet.

Along with them is Résistance, one of Deus’s minions who gets the Piccolo treatment and joins Wataru’s party. She’s not as great as Aria, but she’s still a fun character. Deus himself is hilarious; he just eats his pudding. The problem with him is that he has diabetes, and yet he keeps eating his pudding despite it. I have no idea if it would offend someone with diabetes, but knowing today’s culture, it probably would.

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Verdict: 9/10

WATARU!!! is stupid, extremely stupid. And yet… it’s a masterpiece. This is starting out as one of the best gag isekai I’ve read, and it could become one of my favorite light novel series of all time. Reading WATARU!!! is truly an experience, but it’s not for everyone. I can only recommend it to fans of stuff like Konosuba and Cautious Hero.

Back to Usual Shenanigans – SAO: Moon Cradle Arc Review (Volumes 19 and 20)

Volume 18 of Sword Art Online marked the end of the massive Alicization Arc. Now, we can finally go to a new arc, in a new wor- wait, why is there a map of the Underworld inside volume 19? Oh my God. Of course… This is Kawahara. We can’t go to a new proper arc without some filler in between! This review covers the two-part filler arc: Moon Cradle.

Moon Cradle is set during the two hundred year time period that Kirito and Asuna are trapped in the Underworld, after they beat up Vecta and Poopoo (Laughing Coffin guy), and turn Alice into an android (or something). Everything’s all well and good, until a goblin is accused of murdering a civilian. It’s up to detective Kirito once again! After all, he’s solved a whopping one other mystery in his life; he’s perfect!

The first volume is basically figuring out who the murderer is, and the second volume is catching the booger. Like other SAO filler arcs (besides the Asuna one), Moon Cradle is incredibly boring. Furthermore, Kirito and Asuna get free plot armor, since we’ve SEEN them return from the Underworld in the previous volume. He also showcases more of his OP-ness from scenes like being able to force open a Vecta-only door with no problem. 

The characters don’t get much better either. Sure, Kirito and Ronie (who’s role in the Alicization Arc I completely forgot) get to spend some time together, but it’s more so a kick in her crotch, since Kirito and Asuna will always be THE couple. But hey, at least Kirito is as “good” and “inspirational” as he always is (*proceeds to wretch*).

And similar to most of SAO, despite the urgency of the situation (which ends up escalating to both a murder and a kidnapping), the characters find some time to goof off. “Should we solve this mystery?” “We should, but I think we should have a picnic lunch first!” This is almost Log Horizon level of characters actively choosing to not advance the plot. 

But the term “advance the plot” is applied loosely here. Most of the investigation is them discussing the nuances of the Taboo Index over and over and over again. And the one time they do something investigative, they just whip out some magic that allows them to witness the crime as it occurred! At this point, I’ve lost all knowledge (and care) of how the magic system in the Underworld works, so if you can prove whether or not the spell they did was possible within the world’s logic, then have at it and explain it to me in the comments section.

To end off the arc is a less-than-stellar climax. It builds up to the possibility of a team of two women fighting the bad guy, which would have been a nice change of pace. I say “would have been” because Kirito shows up right at the end and takes all the credit like the scientists who stole that one lady’s discovery of DNA. The actual conflict isn’t even resolved, and Kawahara even points that out himself in the afterword. But despite this, he’s chosen to start a completely new arc because… reasons?

Verdict: 5/10

Alicization was the first remotely descent arc in SAO, and now we have this. I’m sorry for being so rude, but I was seriously, lividly tired of that blasted Underworld! Well, it’s over now. So let’s hope beyond hope that Unital Ring is even worth half the pain of putting up with everything that leads up to it!

Weeb Reads Monthly – August 2020

Welcome to the first Weeb Reads Monthly post! If you don’t know how it works, I’ll explain it right here and now. Basically, all the light novel volumes I would’ve covered in a given month (with the exception of series debuts) will be covered here. The review of the individual volumes will be only one or two paragraphs each, but it’ll all be organized into this post. And don’t worry if you’re looking for a specific volume; each post will be categorized and tagged under the respective series covered, so you can just search for the tags. Without further ado, let’s see how good of an idea this was!


Eighty-Six Volume 5

We’re starting out strong with the newest volume of Eighty-Six, the game-changing military sci-fi epic that’s sure to become mainstream when the anime airs. Speaking of the anime, I really hope (even though it’s not going to happen) that it airs this fall. Given the core themes, the timing would be all-too perfect given the current circumstances. 

Anyway, this installment continues the train ride of win that was started in volume 4. First and foremost, we get some huge revelations regarding the Legion’s origins. You will have to suspend some disbelief, because the new character, Vika, basically developed the Legion’s AI when he was just about done wearing diapers. It’s dumb, but you know what, Dreamworks made a movie about a baby who runs an entire business, so pick your battles.

Eighty-Six enters cyberpunk territory with the introduction of Sirins. These are androids made using similar design principles that contribute to the Legion, and they are not exactly well received by the main protagonists. This brings up the expected ethical issues, which are all discussed ad nauseum in the actual story, so… Look, subtlety has NOT been Eighty-Six’s forte, alright?

Overall, this volume was great as usual. Also, the one scene during the climax has gotta be iconic for the entire series. Just wow… the amount of despair was beyond anything that Re:ZERO could possibly offer. Eighty-Six raises the bar, that’s for sure!

Verdict: 8.65/10


Rascal Does Not Dream of Petite Devil Kohai

I did not particularly enjoy the previous volume, Rascal Does Not Dream of Bunny Girl Senpai. While it wasn’t baaaaaad, it was still kind of pretentious, as it was like “Oh look at me and how symbolic I am! I studied quantum physics, love me, WAAAAANT ME!” (Okay, now I’m referencing Seinfeld but you get the point). But you know what, I had to give it another chance because I’m a glutton for punishment!

If you recall from the previous volume, our buddy Sakuta enters a Groundhog Day-like time loop. This is, of course, another case of Adolescence Syndrome, and the perp is Tomoe Koga. But unlike Mika, whose issue was at least something legitimately terrifying from a sociological standpoint, Tomoe’s issue boils down to dumb teen antics. The plot structure is also very similar to the previous book: Sakuta has a strange experience, gets confused, talks to Rio, Rio vomits quantum physics, and Sakuta’s like “Okay now I get it.”

Overall, my problems with Rascal as a whole still have not changed. I do not like the application of quantum physics at all; to me, it serves no purpose other than to make the story feel more profound than it is(n’t). The other reason is more so a problem I have with popular culture as a whole. For reasons I don’t quite understand, general consensus seems to be that individual personal problems are an objectively better story theme than problems of a grander scope. And by complaining about it just now, I lose all my credibility as an adult human being. *Sighs* Look, Rascal at least has some semblance of good writing and forward momentum, so I’ll keep my eye on it for now.

Verdict: 7.5/10


Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? Volume 6

This is the first time I’ve covered this franchise on my blog. I didn’t want to review them volume-by-volume because, like with Cautious Hero, I’d have nothing of note to say. So now that I have this new formula, I can talk about it! 

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? (better known as Okaasan Online) is about a boy named Masato who gets to testrun a new VRMMORPG, but the twist is that his mother, Mamako, gets stuck with him! It gets a lot of criticism for being ecchi, but I love it. Mamako is a great twist on the overpowered protagonist, who- like any real mom- embarrasses her son nonstop. The supporting characters, like Best Girl Wise, are great as well. And after the previous volume’s introduction of this sort of Anti-Mamako character, named Hahako, I’ve highly anticipated this volume and how it might handle her character.

Unfortunately, we don’t get to see much of her until towards the end. In fact, the first half of the volume is filler. But once we get past that point, the series is at its usual antics. We also get introduced to a new Best Girl named Mone. She’s pretty much the yandere; if Masato doesn’t dote on her, everyone dies. There’s not much else to say about the volume, and that’s exactly why I made LN posts like this now!

Verdict: 8.45/10


Full Metal Panic! Volume 4

This is also the first time I’ve ever discussed Full Metal Panic!, mainly because I didn’t know if I would be able to commit to finishing it. I’m only including it here because the new So I’m a Spider, So What? didn’t come out on August 18th like I thought it would, and this was one of the few options that I didn’t outright hate. As you can see, I’m also WAY behind on the volumes, and that’s because too much comes out too quickly. And I’m sure I’m going to make a lot of retro anime fans livid when I say this, but… I haven’t exactly been liking FMP! as much as a lot of more modern stuff. It’s fun, but this could easily be the last volume of the series I read, since I only have so much time and money.

Anyways, for the uninitiated, Full Metal Panic! is about a secret agent named Sousuke Sagara who is charged with keeping his eye on a girl named Chidori Kaname, who is established in the first volume to have some secret brain knowledge that could be very dangerous in the wrong hands. So far, it’s been a series of episodic, Saturday Morning Cartoon-like escapades where Sousuke fights some people and Chidori is baggage because it was the 1990s back then.

It could be because it’s been more than a hot minute since I last read FMP!, but I didn’t exactly enjoy this volume too much. Basically, they capture this dude, and there seems to be no real purpose for capturing him other than the fact that he was a bad guy in the previous volume. Things pick up a lot towards the end, and some nasty cliffhangers are thrust in our faces. 

But even then, this series just has not grabbed me at all. A lot of critics would say that FMP! is automatically better than more recent stuff just because it’s not isekai, and while I do acknowledge that every one of the older series I’ve read has been radically different, I find that a of newer stuff- isekai included- are better (and before you accuse me of being a twelve-year-old, keep in mind that a lot of FMP! fans were twelve when it first came out). So far, I find Durarara! to be the only older series to still be really good to this day.

Verdict: 7.75/10


Conclusion

The first post of this series is pretty short, but that’s probably good; shouldn’t get too ambitious (it also doesn’t help that almost everything I covered came out in the second half of the month). Overall, this was a solid month of great reads, and I definitely prefer reviewing light novels in this manner. Leave me a comment on your thoughts of this new format!

The Sorcerer King of Destruction and the Golem of the Barbarian Queen Volume 1 Review

For every happy-go-lucky isekai, there’s one that tries to be all dark and brooding. One example is The Eminence in Shadow, which I recently covered. There’s also, of course, Overlord and Torture Princess. Despite their wild variance in quality, they all seem to have one thing in common: they’re not really that dark at all. I’m fine with that, but it would be nice to have something that’s truly effed up. Maybe this new series from Seven Seas, *takes deep breath* The Sorcerer King of Destruction and the Golem of the Barbarian Queen, will be dark enough.

In Sorcerer King, a dude is summoned to another world. He finds some books, and realizes that the purpose of his summoning is to become the titular Sorcerer King of Destruction and destroy the world! Ignoring that last part, he practices some spells, such as summoning golems. When he actually manages to make one that lasts, he loses all of his memories of the real world.

What is immediately made apparent is that this thing starts off slow. And I mean real slow. To put it in anime terms, it fails the “Three Episode Test”, which judges anime under the pretense that it’ll pick up during the third episode at the latest. It takes almost a quarter of the volume for the guy to create the other protagonist, his golem, Goltarou. However, it doesn’t become the strapping she-golem that probably made you want to read this light novel in the first place until about halfway through.

And as far as tone is concerned… Sorcerer King is- surprise, surprise- edgy, instead of dark. Even if the protag has no memories of himself, he still has memories of Japan and various otaku terminology, which is as out-of-place as it usually is. But if anything is dark, it’s the world itself. This is the sorriest state I have ever seen an isekai setting in; even more so than Torture Princess, which is definitely saying something. There’s no need for a Sorcerer King of Destruction; it seems the world is already destroyed.

When it comes to the characters, it’s just our main protagonist and Goltarou. He’s as generic as you can expect. In fact, without his memories, anyone can project themselves onto him, hooray! The real point of contention is Goltarou. One aspect that stands out is the possibility that she’s transgender, which to me, is a first in isekai (ps: if trans is the wrong term for this, then please correct me). However, they’re still clearly pushing for a heterosexual romance between her and the main protagonist, so it’s kind of up to interpretation. Due to the fact that Goltarou is silent, has no personality, and does whatever the main protagonist says, her being 100% female would make this LN come off as hardcore sexist.

The art is mixed. While the cover art is fine, the inside illustrations are very rough and sketchy. Everything has a dark toner that makes a lot of stuff blur together, and I’m not entirely a fan. But hey, what’s important is that Goltarou is very *makes cat noises*. 

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Verdict: 7/10

So far, Sorcerer King is very… okay. It could go either way from here, so I can’t definitively say what I think. For the time being, I recommend it if you like those anime waifus who walk around like robots and call you “goshujin-sama”. 

The Eminence in Shadow Volume 1 Review

If you know my blog, you know I tend to like a good sociopath. As a critic, I don’t like Mary/Gary Sue; sometimes I want a protagonist like Light Yagami, who smirks and says “All according to keikaku.” However, I know not everyone feels that way, and that’s why I anticipate that The Eminence in Shadow (published in English by Yen Press) is going to become one of the most contentious new isekai.

Our protagonist idolizes those who operate from behind the scenes, and he dreams of being a puppet master himself. The biggest thing standing in his way is the fact that magic isn’t real in our world. After years of training, he gets hit by a truck, and is reborn in a fantasy world as Cid Kagenou. With his wildest dreams now in his grasp, he (very quickly) builds a harem of cute girls, and calls said harem the Shadow Garden.

The Eminence in Shadow reeks of shallow wish-fulfilment, and not just because of the harem. Similar to the Secret Organization LN I reviewed (that got axed apparently), Cid pulls a non-existent enemy out of his ass by fabricating the Cult of Diablos. The women he meets fall for it hook, line, and sinker. Or at least… I think that’s the case? The opening lines in the volume are as follows: “The Cult of Diablos… That’s our enemy. Well… it’s not like they actually exist.” However, from pretty much the get-go, they’re already fighting evil scientists who seem to very much be real Diablos Cult members. I don’t know if it was implied that Cid bribed them into doing it or something, or if it was an oopsie on the author’s part (or option C: I didn’t notice it because I’m a dimwit).

Putting that logic issue aside, Eminence is pretty entertaining. It has a dark sense of humor, and that stupid level of teen angst that’s fun to cringe at. The story reads fast, and there’s plenty of gore and over-the-top action. There’s also some funny romcom-like antics that ensue as Cid tries to blend in as a side character at his school.

Speaking of characters, Cid is my favorite thus far; he’s a clever, conniving little sociopath. He’s also a pretty unique take on an overpowered protagonist, since he’s overpowered at techniques rather than, well, power. But other than him, everyone else is quite forgettable. His entourage of women are your typical tropes, and they’re all Cid’s lapdogs. The only other remotely likeable characters are this sadistic princess, Alexia, and Gamma, one of Cid’s women who is somehow both a mastermind and a ditz at the same time.

The art in Eminence is great. It has an edgy color palette which fits in perfectly with its image, and the characters at least look cool, even if they aren’t particularly enjoyable. I’ll definitely be looking forward to what the future volume covers look like.

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Verdict: 7.65/10

Although it’s a bit confusing at times, The Eminence in Shadow is off to a great start. It’s edgy, trashy, and scandalous. For now, I recommend it to fans of similarly edgy franchises, like Persona.

A Witch’s Printing Office First Impressions (with an Important Announcement)

As I come upon my first whole year of managing this blog (by myself, by the way), I have been battling against a lot of stress. I don’t just have this to manage, but a full-time job as well. Plus, there’s way too much media that comes out. Even when I pick and choose what I absolutely want to cover, there’s too much. I can also imagine that you get an aneurysm trying to keep up with my three posts a week.

Fortunately, there’s going to be some changes, effective today, August 4th, 2020. Posts will be back to how they were in the very beginning: every Tuesday and Saturday. As a result, there won’t be as many First Impressions of manga, not unless I’m certain my opinion will sway wildly once they’re complete. For example, I have a Jujutsu Kaisen First Impressions written already (I’m just waiting for the anime to air so I can mooch off of it). It’s a battle shounen; those are chaotic by nature and wildly inconsistent in quality at times. While I enjoyed what I read so far, that can change over the course of a single chapter.

Light novels are going to be handled differently. If you’ve read some of my light novel reviews, you’ll have seen my struggles to write something of substance in some of them. Even if I love them, a lot of them are pretty formulaic, such as Cautious Hero and Konosuba. I even did the stupid recap thing solely to extend the reviews. As such, I will now save most light novel posts for one long post at the end of a given month, where I’ll just put a small blurb for each. Exceptions will be for the first and final volumes of a given series (assuming I get far enough for the latter). For example, I plan to post a review of The Eminence in Shadow Volume 1 when that comes out. Since it’s brand new, that’ll be its own post, but all subsequent volumes will be in the monthly post, which I’ll name “Weeb Reads Monthly” or something similar. Another exception will be any series I’ve been doing arc-by-arc, which just applies to Monogatari and Sword Art Online.

So yeah, hopefully this’ll help both our sanity. Do you like the new schedule that I’m implementing? Hopefully you do, because I really didn’t like the old way at all. Anyway, I don’t want this post to just be a dumb announcement, so below is the post I was planning to have done normally…


A lot of critics complain about isekai for being the same thing over and over again. Even the new, slice-of-life variants that are the exact opposite of typical, action-driven-harem isekai are becoming common to the point of redundancy. Now it’s at the point where the subversive isekai need to subvert themselves, and a manga (not a light novel) by the name of A Witch’s Printing Office (published in English by Yen Press) is one such subversion.

In A Witch’s Printing Office, a girl named Mika Kamiya has been reincarnated into a fantasy world (as you do). The manga kindly skips all the formalities and goes well into her career at a book printing firm called Protagonist Press. But in addition to working at a printing press, she also runs Magiket: a popular magic-themed convention!

Immediately, this manga shows off its social commentaries, not on politics, but on real world conventions (and I mean event-conventions, not social protocol). The fact that the setting is called “Akivalhalla”, based on Akihabara in Japan, shows just how creative this manga is. It even opens when these Akivalhalla Knights defeat the Overnight Fiends: literal monsters that parody those who camp outside a venue before it opens. 

But a slice-of-life isekai is still a slice-of-life isekai. While Mika implies that she wants to go back to the real world, she seems perfectly at home in the fantasy world. Most of the story are self-contained narratives, which are based around managing the convention and printing books. There is continuity, like when they introduce another person from our world into the story, but it usually hard cuts to something completely different after the fact.

Fortunately, all the chapters have their own unique charm to them. When they are not running the printing press or the convention, Mika has all sorts of funny adventures. From taking a holy sword just to use as a paper cutter, to getting unwittingly possessed by an evil mage, this manga has a lot of variety to it; it’s not just “Praise me for how chill and low-stakes I am” like most other slice-of-life isekai. Plus, the humor is really on point.

I tend to dislike most slice-of-life isekais’ casts, and while this manga isn’t quite an exception, I at least enjoyed A Witch’s Printing Office’s cast marginally better than most others of the genre. Mika comes off as a ditzy moe blob, but she shows a bit of a greedy side that makes her more interesting than most ditzy moe blobs. Sadly, her two friends, Clair and Kiriko, seem to just serve as two pairs of large breasts (and I really hope they’re legal adults for no particular reason related to my perverse imagination). A lot of the minor characters end up being pretty likeable, but they’re called minor characters for a reason.

The art for A Witch’s Printing Office is so good, that I’m willing to believe it was done with Clip Studio assets. There is so much life, detail, and texture to every panel, yet it’s still easy to tell what’s going on. The landscapes are absolutely beautiful, and I’d hate to see a hypothetical anime adaptation undermine the whole thing. There is a lot of charm and personality poured into it that I could spend minutes gawking at any given page.

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Current Verdict: 8.95/10

Like many, many truly great franchises, A Witch’s Printing Office does not get the hype it deserves. It’s a fun and unique take on the isekai genre (that critics will probably find some way to pick apart but I digress). I recommend it to anyone who truly appreciates otaku culture at its finest.