I’m deep enough in the metal rabbit hole to follow new bands as they come. Of course, since metal marketing is very difficult in the U.S., my ability to find these depends entirely on the “Coming Soon” tab in Apple Music’s metal page (unless they’re signed under Napalm or Nuclear Blast Records, which are pretty damn good at promoting). One such band is a new French symphonic metal band, Avaland. They claim to be a “metal opera”, which sounds an awful lot like Dark Sarah and Gloryhammer (two of my favorite bands of all time). Since I love those bands, I had to try Avanland’s debut album, Theater of Sorcery, ASAP.
Like with many concept albums, I only have a vague idea of what’s going on. Avaland is named after the story’s fictitious setting. The young wizard, Adam Wilstrom, is the one who has to save it from some sort of curse. In any case, despite this being a band, in the sense that it has more than one member, it seems that founder Adrien G. Gzagg is the band. He didn’t just write all the lyrics; according to their Facebook bio, he also composed the music all by himself.
Of course, I gotta go over the album cover art first. To sum it up, Theater of Sorcery looks amazing. It’s all mysterious and strange, with great composition and an appealing combination of purple, blue, and yellow-orange. I really want to know what the dude in there is up to, dammit! And the only way to find out is to listen to the record.
Since metal has to be infinitely complex… ugh. Avaland really isn’t that symphonic at all, to be perfectly honest. Symphonic elements show up just often enough to remind you that they exist. Fortunately, they don’t really need that fluff. In fact, Avaland weirdly reminds me of old-timey musicals, specifically from the 1970s. In particular, ‘Let the Wind Blow’ (which I can assume is one of the hits of the record) sounds like it would be in a disco movie. Heck, one of the guest singers sounds like the backup vocals on Phil Collins’ ‘Easy Lover’.
Hey, now that I brought up the guests, let’s discuss them. In essence… They’re good, but I don’t know who the f*** any of them are. The reason is that the streaming service I use doesn’t have the track listing specify who’s actually singing. Gzagg himself could be one of the vocalists, and I would be none the wiser. In any case, my favorite vocalist ended up being the deep, shouty guy; whoever says the lines “Here you come into the fabulous place of Avaland” / “Just take your seat and watch the actors play.” He’s good, man.
The one issue I had is the way the lyrics were written. I get that English is insanely hard to learn, but the bad grammar is kind of laughable. I get that grammar sometimes needs to go out the window for the sake of better flow, but I have a feeling that lines like “A hurricane was just about to ruin down on my life” were not intentional. But for all I know, the singers’ accents might be so thick that the lyrics generator mistook what they said. On the flipside, the less-than-fancy vocabulary makes these songs easy to remember and sing along to.
In terms of atmosphere, Theater of Sorcery has a wide range of moods. There are epic tracks like the titular opening song, prog-metal-like tracks such as ‘Gypsum Flower’, as well as the distinctively disco-esque tracks such as ‘Deja Vu’ and the aforementioned ‘Let the Wind Blow.’ But no matter what this album sounds like, it really reminds me specifically of the 1970s. Even the vocalists have that tinny, sound that I feel like a lot of 1970s rock singers had. In all seriousness, I apologize if I’m completely off the mark about all these ’70s comparisons, which l likely am.
Final Verdict: 9.15/10
It goes without saying that there’s no way in hell I was going to enjoy this album as much as anything from Dark Sarah nor Gloryhammer, especially the former. Nonetheless, Theater of Sorcery absolutely rocked. Apparently, Gzagg is just in diapers when it comes to music experience, but it definitely doesn’t sound like it. There are veterans that I think he’s already outclassed with Avaland. Unfortunately, they will likely be at a disadvantage without bigger names performing the songs. But you know what, you gotta start somewhere! I will definitely be supporting Avaland, and if you like metal-infused musicals, then I recommend you support them as well!
Theoretically, anyone can make a cover of a song. However, it takes balls to make a cover that offers a new take on a well-known hit, especially if it ends up surpassing the original. For the heck of it, I thought I’d showcase my Top Five favorite covers. The rules are simple: I cannot reuse the same artist, both in the case of the cover-er and the cover-ee. Also, in order to properly gauge the cover, I need to be familiar with the original version. With that said and done, let’s cover the covers!
5) Ad Infinitum — This Is Halloween
Of course, I gotta have an obscure band that none of my readers, let alone most of the Internet at large, knows about! Well, I suppose I should tell you who they are. Ad Infinitum is a very new symphonic metal band; in fact, they only have one album so far. For a debut, their first album is really freaking good. However, what made me want to listen to them was seeing the track listing and noticing a cover of ‘This is Halloween’ from Tim Burton’s The Nightmare Before Christmas.
Gotta love a fellow Disney fan! Given the original song’s darker theme, metal is a perfect genre to incorporate into a cover. And, well, if it wasn’t obvious given my taste, I think this is a better version. Since the original is sung by multiple characters, vocalist Melissa Bonny sort of had to do some roleplaying. And guess what, she kicked ass! She’s a great singer normally, but this cover gave me new respect for her singing prowess.
4) ILLUMISHADE — Into the Unknown
You’ve probably never heard of ILLUMIUSHADE, since they’re new and all. ILLUMISHADE is a Swiss metal band that released an extremely ambitious concept album last year, which just so happened to be very enjoyable. Similar to Gloryhammer, every member is a character in an original story that they made up.
Oh, and the song they cover is another Disney number: ‘Into the Unknown’ from Frozen 2! Knowing this cover existed is what convinced me to check them out, and well, it’s worth it. Their Guardian (good God, I hope I got that stage name right) does an unexpectedly good job of being on par with Adela—I mean—Idina Menzel (it’s as if metal singers are the best or something), and the heavier instrumentation obviously helps. This version’s a real banger, that’s for sure!
3) In This Moment — Fly Like an Eagle
I have praised In This Moment a lot, specifically for being the effed up American metal band that I wanted, but didn’t get, out of Slipknot. They have never stagnated, and have tried numerous approaches to their sound. This also includes covers of songs that don’t seem to suit them at all! They’ve done an effed up version of Billy Idol’s ‘White Wedding’ (with new lyrics and Rob Halford), a banging cover of Phil Collin’s ‘In The Air Tonight’, as well as a cover of Queen’s ‘We Will Rock You’ with guest singers.
For some reason, I really love their cover of Steve Miller Band’s ‘Fly Like an Eagle’ (a.k.a. Hot take: the only Steve Miller Band song I like). It maintains the trippy feel of the song, but with that In This Moment touch to it. The best part is that, apparently, this song wasn’t originally intended to be a cover of ‘Fly Like an Eagle’. They just did the music and were like “What if we made this ‘Fly Like an Eagle?’” In This Moment is such a good band, that they can put out amazing music by accident!
2) Disturbed — The Sound of Silence
Why do I have something popular on here?! Well, because I actually love it for once! Disturbed has done a lot of covers, from Tears for Fears’ ‘Shout’ to Genesis’ ‘The Land of Confusion’, all of which were really good. But—and this probably goes for a lot of people—none of them beat their cover of Simon and Garfunkel’s somehow still relevant ‘The Sound of Silence’.
Seriously, wow, it’s really hard to describe just how good this cover is. One thing that truly shows a talented metal band is not how good they can be as a metal band, but how good they can be completely unplugged, and this song conveys that. The most unexpected thing to come from this cover is how amazing Disturbed’s vocalist, David Draiman, is at crooning, of all things. His voice is deep, sad, and full of emotion, even when he cuts in his signature gravelly sound toward the end. It’s absolutely incredible. It’s also the first time EVER that a song not pertaining to Disney ever moved me to tears. Literally; I was crying after I heard this for the first time. I don’t bat an eye at any Danganronpa character death, but for some reason, some metal band’s cover of a folk song I’m not emotionally attached to has me spilling buckets.
1) Epica — Dedicate Your Heart!
Does this song title not sound familiar to you? Translate it into Japanese: “Shinzou wo Sasageyo!” That’s not a coincidence. The winner is a cover of the third opening of Attack on Titan. In fact, Epica has a whole EP of Attack on Titan covers. Your favorite of these will likely be dictated based on how much you love the originals, and since the third OP was my favorite, ‘Dedicate Your Heart’ is first place on this list.
Sometimes, I regret abandoning Linked Horizon, the original artist for the first three OPs, the fourth ED, and the fifth OP. I actually ordered one of their albums. They were my first ever symphonic power metal band. And looking back, they’re only an impressive band if you’re like the many twelve-year-olds who’ve never listened to power metal before, and got their first impression of the subgenre from Attack on Titan. After hearing Epica’s covers, I no longer regret falling off of Linked Horizon.
Epica does such good justice to these songs, that they become the originals. I believe everything about them is better than the originals in every way. The instrumentation sounds so real that it makes Linked Horizon look manufactured and fake. And of course, Simone Simons—who is pretty much a Titan herself—blows the original band’s vocalist into oblivion. Not gonna lie, my whole idea behind this post was for me to offer a sizzling hot take on one of the most iconic anime openings of all time.
Alrighty, that’s another controversial music post wrapped up! Apparently, we learned that Western metal bands should cover anime OPs more often. With that said, AMARANTHE NEEDS TO COVER ‘HACKING TO THE GATE’… uh… please.
Oh, RiseFromAshes, what have you done, by tagging me? You definitely seem interested in the mindf*** that is my music tastes. Well, thanks for the tag! In case you’re new to my blog, you might notice an incredibly simple pattern emerge after the first few prompts.
(1) Link back to the original (Sophie @ Me and Ink) so she can see your answers and listen to the tunes.
Oh god, Sophie, you’re going to LISTEN to this stuff? Looking at what she wrote for her own tag, er… Girl, just skip this one. It’s for your mental health.
(2) For every prompt you choose to do, name 1-5 songs (you can use Sophie’s graphics).
(3) Have fun and play your music LOUD!
Well, let’s begin.
For the sake of anonymity, I can’t reveal the exact state I’m from. BUT, since I am from the United States of America, so I figured I’d meet you guys halfway. If you thought I’d answer with ‘Born in the U.S.A.’ by Bruce Springsteen, then… Hi! Welcome to my blog, Weeb Revues, person who’s clearly never read any of my music posts before!
There are a lot of songs about America, but for the sake of keeping this post shorter than a novella, I’ll only put two. Kansas’ ‘Song for America’ is a nice, long track chronicling the history of my [overly] proud home nation. Something that’s a bit more on the nose is Queensrÿche’s ‘Empire’. It’s a much more accurate portrayal of the U.S. than the ‘Star-Bangled Banner.’
If you weren’t freaked out by my previous entries… then, well, get out your holy water. My music tastes leave little room for love. I could include some Disney musical numbers, which I do love, but that’s not how I roll.
Two more songs come to mind, the first of which is In This Moment’s disgusting power ballad, ‘Sexual Hallucination’ (surprise, surprise, no MV for it), with special guest Brent Smith (I actually don’t know who he is though). It’s a sick, twisted little song that I should hate, yet it’s one of my favorite songs from them. Did you use your holy water yet? If you did, then you should’ve saved it for the other love song: ‘He Is’ by Ghost. It’s a sappy ballad dedicated to none other than Satan. Since I’m an agnostic, it’s no skin off MY nose! Your nose, however… I can’t vouch for that.
Sophie, if you’re actually reading this, then I’m sorry. You should stop now before it gets worse. Yes, it gets worse.
I don’t like dancing. However, I will select some songs that I would dance to if I enjoyed dancing. Fair trade, right? As tempted as I am to bring up Ghost again, I want some variety. Amaranthe has some very danceable metal songs. In fact, the vast majority of their stuff is perfect for dancing. Out of all of them, I feel like ‘Drop Dead Cynical’ is the best one to dance to. There’s something “jamming” about it, I dunno. I’m no dance-ologist, so I could be talking out of my ass here.
If you made it this far, then you’ll at least have some respite here. Since most of the stuff I like isn’t popular enough to be used in film, I will need to rely on music made FOR the film instead. And by that, I mean Disney songs.
I don’t even know if saying I like ‘Let It Go’ from Frozen is a popular opinion or not, since that song getting memed to death garnered some criticism. Well, regardless, I love it, along with ‘Into the Unknown’, ‘Lost in the Woods’, and ‘Show Yourself’ from Frozen 2. I also love most of Moana and The Princess and the Frog‘s soundtrack.
Of course, for the sake of consistency, I’ll end off this segment with something metal. ‘Crazy Train’, the classic Ozzy Osbourne hit that launched his solo career in the 1980s, was randomly used in the movie Megamind for what is likely no reason other than pandering to dads. Hooray, marketing!
What could I possibly put for this prompt? Metal is the exact opposite of calm in every way, after all. Well, fret not, for really talented metal bands can sound just as awesome even if they turn the rev down by a large margin.
The immediate example is an old track from Ritchie Blackmore’s old band, Rainbow. The track in question is called ‘Catch the Rainbow’, and it’s a very slow and strange little mind trip. This was back when they had Ronnie James Dio (a.k.a. one of the greatest singers of all time) on the vocals, and that man was as good of a crooner as he was a shouter. Of course, since it’s so old, there’s no MV to embed. Oh well, saves me some work!
In case it wasn’t obvious, I more-or-less have stopped listening to most of what I liked as a kid. I liked Heart and Journey, but the keyword is “liked” (past tense).
The longest band I have been an ongoing fan of is Rush, the classic prog pioneers. Like a simp, I started with the one everyone started with, at least after 1981’s Moving Picture‘s dropped: ‘Tom Sawyer.’ I don’t know if it’s my favorite Rush song, but it’s still a banger.
Pretty much any and all music from the subgenre of power metal counts for this category. I could write a book called 101 Power Metal Songs to Listen to Before you Die or something. Oh, that basic premise is taken? Nevermind.
The first band that comes to mind is DragonForce, the band behind ‘Through the Fire and Flames’. Or, if you’re a super-weeb, the band with “the guy who streamed with Miku and Kanami from BAND-MAID”. Since their enduring commercial hit overshadows their almost two-decade long career as it is, I’ll bring up one of my favorites of their newer stuff: ‘Tomorrow’s Kings’ (which has no MV to embed, sorry). I don’t know what it’s about, but it sounds vaguely motivational enough, and is one of their most pulse-pounding songs. It’s one of many that I think transcends ‘Through the Fire and Flames’.
I brought up a lot of older stuff up to this point, but to be perfectly frank, I don’t like a lot of older stuff. Unsurprisingly, I don’t really like much of anything in the first half of the Twentieth Century and earlier. In keeping with the spirit of this prompt, I shall give a shout-out to the oldest band that I actively listen to: Black Sabbath.
If you aren’t a metal-headed guru, then you wouldn’t know that they are one of the original pioneers. In terms of sound mixing, they sound dated as f***, but their ambitions are anything but. A lot of household classics, like ‘Iron Man’, are still really good. Oh, and apparently, they have a new edition of their fourth album, Black Sabbath Vol. 4, out this year. Don’t know what’s in it, but uh… buy it, I guess?
I don’t want to be that guy who reminds everyone about how 2020 was “the worst year in human history even though there were many far worse years” …but a lot of things definitely changed for the worse nonetheless, even if you exclude COVID. One example is the fateful day when the #BlackLivesMatter riots, following the murder of George Floyd at the hands of a White police officer (Fun Fact: the chief of police was actually Black but nobody cares about that detail), occurred… It felt like the bridges built by Martin Luther King were single-handedly burned to the ground…
And I’m going to look like an idiot and a horrible person if Oceans of Slumber’s ‘Pray for Fire’ is not a commentary on that very incident! Let’s assume, for the sake of argument, that it is. I mean, the album it was on came out only months after all that went down, so. In any case, that’s one of the few songs to reduce me to tears. Last year was rough (thanks to the media), and this song was basically pouring lemonade, salt, and sulfuric acid directly into the wound. Oceans of Slumber are experts in making you feel like crap, and this song is one of their best for that reason.
‘The Banished Heart’, a slightly older track by the same band, moves me as well since it sounds vaguely hopeful toward the end. There is one more song that REALLY made me cry buckets when I first heard it, but I’m actually saving it for a future post!
I don’t really have musical obsessions. I believe that everything needs to be enjoyed in moderation, so that stuff doesn’t burn me out.
Of course, that doesn’t mean I don’t have temptations to listen to stuff on repeat. And of all the bands I’m into now, I have the biggest temptation with pretty much every song from Dark Sarah. Since you have a near 100% chance of never having heard of them, allow me to explain. Hailing from Finland, Dark Sarah achieves the impossible union of metal… with musical theater. Yes, they pump out heavy-ass jams with a Phantom of the Opera-like twist, and WHY ISN’T THIS A THING IN DISNEY YET?!
Also, literally a week ago to this day, I just got into a new band: the Viking-themed Brothers of Metal. They’re not even remotely the first band with such a theme, but they’re the ones I picked because, well, that badass name! I just finished their first album, and I’m already hooked. Is there some mistake? 2017’s Prophecy of Ragnarӧk is too good to be their debut. Oh, and yes, one of the members is a woman. DEAL WITH IT.
I’m not that great at lyrics (especially if I’m wrong about the aforementioned Oceans of Slumber song). But in my defense, it’s the interpretation that counts (thanks, Dead Poets Society). I have a number of entries, but I must bring up the discography of Rush first. Their drummer, the late and great Neil Peart, was one of the best lyricists ever. I could write a thesis of different Rush lyrics, and of all of them, I have to post the chorus for ‘Freewill’. It’s a relatable song that deserves to be in the motivational category, and it’s very apt for our “You gotta do what everyone else is doing!” society.
“You can choose a ready guide in some celestial voice” / “If you choose not to decide you still have made a choice” / “You can choose from phantom fears and kindness that can kill” / “I will choose above, that’s clear” / “I will choose freewill!”
I also love the lyrics for the pirate-themed metal band, Alestorm. The lyrics so authentically capture the feeling of pirate sea shanties, I always question if I’m listening to a cover. Allow me to include an excerpt from one of their songs:
“Hey, you’re banjaxed!” / “Hey, you’re screwed!” / “And death is coming for you!” / “Trapped on an island, lost at sea!” / “Shipwrecked you’ll cease to be!”
Another song with great lyrics is ‘When the Wild Wind Blows’, one of the more recent tracks from metal veterans Iron Maiden. I think it’s pretty timely, considering the reason behind recent events. Key word: “Think”. I could be reading these damn lines wrong!
“Have you heard what they said on the news today?” / “Have you heard what is coming to us all?” / “That the world as we know it will be comin’ to and end” / “Have you heard? Have you heard?”
Lastly, I’ll bring up a very obscure band that has recently released a massive banger factory last year: Helion Prime. They are power metal, with lyrics influenced by real-world science. Question Everything, the aforementioned banger factory, is a phenomenal album and I highly recommend buying it to support them (and listening to it to). Since it’s Women’s History Month, I’ll include an excerpt from the track ‘Madame Mercury’, which is (probably?) a salute to computer programming pioneer Ada Lovelace. Or NASA engineer Katherine Johnson. Or… well, in this context, all that matters is that it’s about a woman!
“Let’s hear it for the human computer!” / “West area warrior!” / “Pillar of justice and honor” / “Madame Mercury is here to” / “Fight for the dream and” / “take her place in the race to go beyond” / “the stratosphere” / “the highest tier to space!” / “Hold your ground, take a look around” / “It’s in your right to ignite” / “The flame that fuels the mind” / “Do your best, and you will rise!”
Well, this is a conundrum. I, more-or-less, don’t like anything in the charts. Epica’s new album, Omega, is in the charts. However, I’m still playing catch-up with them and I don’t want to skip three whole albums just for this post (it’s called O.C.D., F.Y.I.). Fortunately, Sophie didn’t specify that the choice has to be in the CURRENT charts.
Thanks to Amaranthe’s Facebook page, I learned that their first ever single, ‘Hunger’, actually topped Swedish charts a little over ten years ago (I’m tempted to move to Sweden if their tastes are THAT good…). Compared to the beasts they are now, ‘Hunger’ shows signs of a young, feisty Amaranthe that was still trying to figure itself out. But hey, I still love it.
Honestly, I don’t have many, like, life-based memories associated with a song. I think the first time I heard Iron Maiden’s classic, ‘Run to the Hills’, was back when I made an attempt to have friends as a lad. I actually went to their house (which I would never do now, COVID or no COVID), and watched them play the hip new XBox game, Rock Band. ‘Run to the Hills’ was on there, and I thought it was a really good song. But thanks to me ol’ mum, I wouldn’t get to listen to Iron Maiden in earnest for twelve more years. That’s a lot of buildup for a band!
I hate singing. I don’t know about you, but I wanted to smash my face into a window whenever we had to sing Americana songs in music class in grade school. So, generally, no matter how much I like a song, I will never sing it. I’m also bad at memorizing lyrics to even my favoritest songs (in case you couldn’t tell from me not knowing what Oceans of Slumber’s ‘Pray for Fire’ is about).
But if I can memorize lyrics, I tend to mumble them at times. Remember Ghost? Thanks to their combination of disco, metal, and the occult, I find their lyrics to be some of the easiest to commit to memory. But in case you couldn’t tell, not all of them should be sung in a public place. ‘From the Pinnacle to the Pit’ and ‘Rats’ are fine, but I would get exorcised on the spot if I dared break out into the chorus of ‘Monstrance Clock’.
Honestly, I tend to go into artists expecting to like them. However, there are some times where I liked something more than I thought I would. UNPOPULAR OPINION ALERT! For instance, I kinda-sorta like the newer music of Evanescence more than their older stuff. I felt like they had the same angst as before, but with more class to it. I didn’t expect to like them at all, and the fact that I listened to the pre-released tracks for The Bitter Truth is… actually, I don’t know how I should feel about that.
Beyond that, though, I was legitimately bamboozled by In This Moment. The beauty of listening to bands in order is to see them change in a time-lapse-photography-y manner. I imagine most people started with Blood or Black Widow. But I went through their very normal-sounding first three albums first. And when I got to Blood’s titular track, I was hoodwinked. The change in style was one thing, but the other factor was that it sounded like a song from Slipknot, one of my least favorite bands of all time. Of course, since I brought up the lewd song with Brent Smith before, ‘Blood’ won’t exactly catch you off guard. Hooray, context sensitivity!
I can’t name an all-time favorite album! Aaaaaaah! I can’t even name several of my favorite albums, since this post would be double its current length. As such, I’ll just name my favorite album from one band I haven’t discussed at this point.
The band in question is one of the most enduring (and still active) metal bands: Judas Priest. If metal was a religion, vocalist Rob Halford would be its god (since that’s, you know, his stage name). Since I’m me, my favorite album is not British Steel. No, it’s not Screaming for Vengeance.
It’s their newest album, Firepower. 1990’s Painkiller was my favorite for several years, until I listened through all of Firepower. The album is, well, pretty much perfect. It’s classic Priest, but made with the experience one would gain by writing metal music for—at the time—forty-eight years. It’s too good for its own good! (F.Y.I. the below MV is of one of the tracks from the album since the titular track didn’t have one)
I hate music videos. “Hate” is not a word I use lightly. I think music videos are stupid, to be perfectly frank. I haven’t even watched a single MV that I’ve embedded up to this point (hope they actually worked). And I’m not judging something without the experience; I’ve watched a fair share of them. They weren’t so bad when they started out. It was a new field, and while they were stupid, they were corny enough to have a charm to them. But nowadays, with advancements in technology, they’re just as corny, but take themselves so much more seriously. We go from one half of the screen showing the performer and the other half being a sideways close-up of his lips, to the band performing in a warehouse while they spam particle effects and seizure-inducing jump cuts. And holy f***, don’t get me started on AC/DC’s ‘Realize’ video, where they decided to do the whole thing with a fisheye lens for some reason.
But in the spirit of the post, I tried to hastily come up with at least two remotely decent MVs to show. The first one is of ‘The Surprising’, one of the newer tracks from the classic hard rock band, Deep Purple. The video is done entirely in 2D animation, and I actually liked it. Although it reuses a lot of assets, it has a very interesting art style, and is chock full of references to the various album covers throughout their career. One of the best parts is that there really isn’t too much going on in it, unlike most music videos that hate people with epilepsy.
The other enjoyable video I found was another 2D animation: Disturbed’s cover of the Genesis hit, ‘Land of Confusion’. The artstyle is kind of “Don Bluth meets anime” and has a lot of that 2000s edge culture in it. It’s also “much more relevant today than it was then because I only pay attention to the media and politics at face value and none of the actually good things that happen in the world.”
Wow, this was the longest tag I’ve ever done. At least I don’t have to tag eighty people; I can decide the amount. I tend to tag the same people over and over again, but I think I’ll give them a break. I’m going to tag some WordPress bloggers who are deeper in the metal hole than me!
…Is what I would say if I actually found ones that weren’t just news! I found two that consistently posted reviews, but other than that, I suppose I WILL be nominating the same people over and over again!
With all that said and done, it’s time for my first major hiatus! I’m taking a break from the Internet just to make sure that I do not get spoiled of the Attack on Titan manga finale next month, especially since it’s possible that the anime will actually end before the manga. My next post will be a review of Attack on Titan, so look forward to that!
It’s Women’s History Month once more, and every year, I am peeved at a very blatant bias regarding the specific women who are honored throughout the month. Sure, I get it’s Women’s HISTORY Month, and they have to prioritize, you know, HISTORICAL figures. But when it comes to this current generation of female entertainment figures, they always choose people like Taylor Swift, Alex Morgan, Beyoncé, etc.; all popular, inherently appealing, and mainstream. No thanks. In order to even the playing field, I’m going to give a shout-out to several women who aren’t so saintly. I’m talking about women in the most “manly” musical genre: metal. I might not be as powerful as, you know, the media, but hopefully one young girl who gets made fun of for not playing with Barbie dolls will read this and feel better about herself.
But before we start, I need to say some things regarding the content of the post. I only came up with the idea a couple days ago, so—to be brutally, brutally honest—this post will feel a bit rushed. It’s not as big of a deal, since I would be hard-pressed to research most of my entries, as they are from a more niche industry. Also, I would be expected to post pictures of each person as I introduce them. Well, I won’t be doing that for two reasons. The first reason is that I don’t know the copyright restrictions when it comes to official promotional photos versus, say, a post that they publish on their own social media accounts. And the second reason is that I personally don’t feel comfortable Google Image searching a single, living, breathing person. I know that they would expect such a thing, but as a grown man, I don’t want to come off as a stalker. Anyways, how about I stop beating around the bush and actually contribute already?!
Oh, and RiseFromAshes, you might just get a preview of what I’m going to write about in the Music and Me Tag that I’m going to post about next Saturday! Yipee!
I’m starting off with someone who’s quickly become one of my favorite singers of all time. Brittney Slayes is the lead vocalist from Unleash the Archers, a power metal band from Canada. She’s so darn good, I’ve wondered if they digitally alter her voice (I’ve never seen them live, so…). Her voice goes so deep, I know men who sound more tenor than that! And when she shouts… hoo boy, it feels like a volcanic eruption! If you’re curious, check out Unleash the Archers for yourself!
Before I go over Maria Brink, the vocalist of In This Moment, I need to discuss one of my least favorite singers of all time: Corey Taylor from Slipknot. In case you didn’t read my old rundown of several early 2000s bands, I shall reiterate that I think Taylor is a frat-boy in a middle-aged man’s body. His combination of angsty crooning, whiny shouting, and his attempts at sounding emotionally disturbed made me laugh more than anything.
By comparison, Maria Brink is more-or-less female Corey Taylor in the way she sings. And yet, I love her? She does everything Taylor can do, only better. I’m not even being Feminist. I just really love her singing, despite the fact that I shouldn’t. If you wanna know just how demonic she sounds, check out In This Moment. Just be forewarned that she doesn’t show her true colors until their fourth album, Blood.
Amaranthe seems to be one of those bands that’s wildly popular closer to where they’re from, and more-or-less unknown everywhere else. You probably don’t even know what Amaranthe is, which is perfectly legit (and that also implies you’re from the U.S. where they pretty much don’t exist). They are a Swedish metal band that incorporates pop elements in a way that somehow still sounds metal, and I love them.
Anyway, let’s actually talk about the actual person sometime this century. Since you are so likely to not know about Amaranthe, I must explain that they have three dedicated vocalists, all with different styles. And, well, there’s a good reason that Elize Ryd is the sole original vocalist left in the lineup. That woman basically has a party that erupts from her throat whenever she performs. Ryd is just an all-around great singer.
I was hesitant to include Simone Simons from Epica. It’s not an issue of whether or not I admire her, but apparently, the band’s new album has placed in the top ten in charts from all over the world, even America. So clearly, Epica is popular enough as it is!
Well, gotta talk about popular stuff sometime (and also, she’s still less popular than a lot of women today). What makes Simons stand out in metal is that she doesn’t sing in a style suitable for the genre whatsoever; she sings opera-style. Despite this clash, her beautiful voice somehow suits the very metal style of Epica to a tee. In fact, I can’t imagine the band without her. Hooray for not having to be completely masculine in order to still be an empowered woman!
There’s a number of articles about great women in metal, so I had to throw a curveball to try and stand out from the rest (hopefully this is an actual curveball). As such, my last entry is Sharon Osbourne, a woman who is not a member in any metal band whatsoever. What makes her qualify for this post?
In case her surname didn’t catch your eye, I should inform you that Sharon is the wife of the legendary metal pioneer himself, Ozzy Osbourne. Anyone who has a vague idea of what Ozzy’s life has been like would know that Sharon was the most important person in his life. In fact, she more-or-less saved his life and his career. Her father owned Ozzy’s label at the time. However, her dad was a bit of an ass. And to quickly sum up, she basically flipped off her own father and became Ozzy’s support. He would not be alive if it weren’t for her. That’s a fact.
I hope you enjoyed this hastily cobbled together post. I had fun writing it, and I kind of want to write another one next year. The problem is that while there are certainly more than enough women in metal—a lot of which get even less attention than the ones I wrote about—I only have so much time to juggle so many bands. In the off chance I try to make this a yearly tradition, I’d probably have to reduce the amount of people to three. I currently have enough left for a couple more years (double that if more than two members of Lovebites made their surnames public). I’d love some feedback on this post and whether or not you’d like to see more!
I’ll always love the classic rock of yesteryear more than anything. But over the last several years of my life, I’ve realized the greatness of contemporary Japanese music, and want to spread the awareness of these artists as wide as possible. In this blog I’ll discuss my favorite Japanese music artists… for the second time, since things have changed a bit. In fact, there’s so many that I wanted to talk about that I had to double the length of the list!
10) Kenshi Yonezu
One immediate difference between this list and the previous one is that Dempagumi.inc is not on here anymore. I still stand by everything I said originally; they are definitely the best idol group and one of the best examples of mainstream pop out there. However, I am biased toward rock and innovation (plus, Dempa’s newest album was pretty lackluster). As a result, someone else has snuck onto the list: Kenshi Yonezu.
Yonezu is a strange case. He seems to be one of the most popular singers in Japan… and only in Japan. I have no idea how someone as famous as he is has not gone global at this point, but that’s just Japanese marketing I guess! Anyways, while I’d normally be against someone so popular, the reason that I like him is that he’s not as mainstream as you would think. In fact, his music is very abstract and strange.
Why is his music strange? Er… it just is. Yonezu’s music falls into a weird, Beatles-esque prog-soft-pop-rock style (confused?), and it’s something you just gotta try. You never know what he will pull out of his eccentric butt.
While I don’t love ALL of his songs (hence his position at the bottom of the list), he’s definitely a man who seems to care about quality over quantity. Since his 2012 record label debut, the man has only put out three studio albums. And it’s not like he’s an anime singer, like- say- Konomi Suzuki, who can only put out singles when they’re hired for an anime. He clearly invests all of his brain meats into his music, and I commend the guy for it. Yonezu’s music has been getting better and better over time. While I find his first album, Diorama, to be hit-or-miss, his second album, Bootleg is all-around great, and his newest album, Stray Sheep, is utter “Wow”. I put him on here in anticipation that he’ll evolve to levels beyond what anyone can predict (and maybe go global?).
9) Hysteric Panic
Hysteric Panic is a very underrated J-rock group that I love because of their simple, primal energy. Songs fall within the hard rock category, but border on metal after their fourth album, Hypnotic Poison. For some reason, I want to describe their style as “memey” because of how nonsensical they sound at times.
They also have a wide range of vocals, from a high-pitched, Axl Rose-sounding guy, to a guy who sounds like a constipated alligator (and on occasion, what sounds like a choir of Japanese school girls). Regardless of if it’s multiple guys or the same guy, this wide range of screams makes Hysteric Panic stand out as a thrash band. At present, their original guitarist has left (I think?), and they haven’t shown any signs of a new release. I’m concerned with how they will move from here, but if they’ve truly been acknowledged by the spirit of rock, they’ll party till they’re purple!
8) Gacharic Spin
I had a debate over Gacharic Spin or RAISE A SUILEN from Bang! Dream (which I discussed in my review of the latter’s first album). But in the end, I chose Gachapin. But even then, I was hesitant. I am fully aware that they have changed a lot since their initial formation, especially after their original drummer tragically passed away. The problem in my case is that Apple Music didn’t exactly HAVE the band’s older stuff, and as a result, I’m ONLY familiar with their newer, more electronic sound (side note: I’ve also just started listening to Galneryus, and they will probably replace Gachapin in a third version of this post).
But you know what, sometimes that’s them apples. Why would I not be qualified as a fan just because I never heard the original lineup? In any case, the Gachapin I know has garage-style jams featuring various auto-tuning and synth effects for style.
The one problem I have with them is that they are pretty inconsistent. When they go full-on, they are fricking serious electronic metal. However, a lot of their stuff feels like typical rock and kind of… there. I get that not all songs can be bangers, but that really shows at times in Gachapin. But you know what, the great thing about rock bands is that if you don’t like them, then they can just say “Eff you!” and go about their day. Anyway, if you like rock with punch, then check out Gachapin.
I dropped MIYAVI after two albums, Hikaru Utada after one and a half, and Kyary Pamyu Pamyu after just half of a compilation album. I’ve made my peace with them, but there’s always the classic counterargument for any critic who doesn’t finish a thing: “It gets way better later!” As much as you can argue about that defense until the cows come home, it is partially true, and Crossfaith is such a case.
I royally disliked them at first. I started from the very beginning: 2009’s The Artificial Theory of Dramatic Beauty. I loved the idea of thrash with a techno atmosphere, but it sounded bad. They only used one or two synth effects, and the singing was awful. Kenta Koie sings entirely through the type of throaty scream that I only previously heard as backing vocals (like Hysteric Panic), and in English. Oof.
But hey, Crossfaith wouldn’t be on here without a reason. I was about to give up on them after 2011’s The Dream, the Space. However, I gave them one more chance on their 2012 EP, Zion. It ended up being a marginal improvement, and enough of one for me to try their 2013 album, Apocalyze. That album instantly changed my views of the band. As soon as I heard the intro track, ‘Prelude’, followed by ‘We Are the Future’, I went from a critic of Crossfaith to a fan in the span of a single song. I can’t describe exactly what it was, but they seemed to have a better sense of how to combine metal and synth to make a truly futuristic metal band THAT SHOULD’VE DONE THE BOSS MUSIC IN XENOBLADE X *grumble grumble*.
As good as Apocalyze was, they kept growing. Koie’s singing goes from bearable to straight-up good, and they start experimenting with songs like Wildfire, a groovy fusion of disco and metal featuring the band Skindred (whom I know nothing about other than that song). Their 2018 concept album, EX_MACHINA, and 2020 EP, SPECIES, are great showcases of how much they’ve grown over the years. My only issue with them (besides their first two albums) is that they don’t really do guitar solos. Normally, I’d find that disgraceful, but when I’m listening to their raw cyberpunk rage, it never bothers me.
6) Wagakki Band
Before I start talking about these guys, I shall have you know that I was an avid fan of this group well before their collaboration with Evanescence. That being said, onto the actual discussion!
I know I shouldn’t make a post about “how wild and weird Japan is”, but Wagakki Band is something that could only be formed in Japan. And I’m saying that because their… equipment is much more accessible in Japan than anywhere else.
Wagakki Band is a massive group, and that’s because there’s a LOT of instruments (and yet Slipknot somehow has more members). Along with the usual rock instruments, such as guitars and drums, they also have some very vintage instruments. Specifically, wagakki instruments (which literally means traditional Japanese instruments). They are a true East Meets West rock band! But of course, I do not want to give them credit where it isn’t due; I’m pretty sure at least two bands have done the same thing way earlier. However, those bands are old, and older Japanese bands are shaky at best when it comes to licensing in my region, so… I’m gonna stick with Wagakki Band for pretty much forever.
In any case, the way they combine the two styles of music is so good it’s almost creepy. My favorite aspect is how well the *insert name of old-timey Japanese drum here* works for hard rock. What’s even weirder is the fact that their vocalist, Yuko Suzuhana, sings in an old-timey style, and it also doesn’t feel like it clashes. Whether it’s a head-banger or a power ballad, Wagakki Band delivers. Japan has always had a knack for seamlessly integrating its modem culture with its traditional culture, and Wagakki Band is one such integration.
5) MYTH & ROID
Led by TomH@ck of OxT, MYTH & ROID was originally my favorite Japanese band, and was in 1st on early drafts of the original post. Although they are a solid prog-rock band that has more of an identity than most people in the ainsong industry, I realized that I find the artists in the Top 3 more irreplaceable. I don’t know if it’s because MYTH & ROID has way less discography or what, but them’s the brakes.
But hey, they’re still in Top Five for a reason. MYTH & ROID has managed to craft a distinct style that basically allows them to do whatever they want, as long as they maintain one consistency: MAKE. IT. AWESOME. Out of all the artists on this list, I have always exclaimed “WTF?!” with every song of theirs the first time I heard it.
At the time, I remember when I threw on ‘Styx Helix’ because it was a Re:ZERO song, and thought it was decent techno-chill. I later noticed that they also did OP 2 of the same show. I put on that song, ‘Paradisus Paradoxim’, and it completely blew me away with how different it was. I fell in love with MYTH & ROID right then and there, making them the first Japanese rock band I ever seriously tried to get into. While they are no longer my favorite, they are still a great band that stands out from the rest. I recommend giving them a listen if you’re tired of that mainstream crap.
This is a band I literally found out of nowhere. Although they’ve grown substantially more popular with their most recent album, I was a fan since summer 2019- snug within the range of “before it was cool.” When I made the life-changing decision of subscribing to Apple Music, one of the first bands I got into was- no, not BAND-MAID- but Passcode. Passocde’s great and all, but in the similar artists tab, I couldn’t help but notice BAND-MAID. And the rest is history.
BAND-MAID, whose claim to fame comes from their maid cafe-like attire, is a hard rock band that skirts the line of metal. And they’re a damn powerful one at that. One distinct vibe I get from their music is something I rarely feel in any other J-Rock bands: Classic Rock. It’s not as prevalent as a certain other band on this list, but they definitely have an old-school, garage-y style reminiscent of stuff like AC/DC. “You only like them because they’re mimicking Western culture, you traitorous lech!” you exclaim. Well… I don’t define rock by any nationality. Sorry, bub.
I had some concerns when I first started listening to their breakthrough 2019 album, CONQUEROR, but it has definitely grown on me in the latter half. In conclusion, BAND-MAID is a ludicrously good group. Apple Music doesn’t have their very first album, but it has everything else. I personally started with their third studio album, Brand-New Maid, but you can honestly start anywhere.
I can’t believe nano is not in first anymore. It was already surprising when I docked her to second place, but as you can see, she’s actually in third now. But why? After all, she is one of the few people in the anisong industry who really has a true style that is entirely her own. But hey, she’s still great, and here’s why…
nano generally does very aggressive hard rock and metal tracks, but also throws in electronic, or even in the case of one particular song, combines rock with traditional Japanese instruments. I find her older stuff to be rough around the edges, but from her third album, Rock On, and onwards, she’s gotten better and louder. Her albums are one of the best showcases of the evolution of an artist that I’ve ever heard. A lot of credit goes to whoever produces and mixes the music in order to bring out the best of her powerful voice and the instruments that her buddies play.
nano’s music is divided into two distinct types: Regular J-rock that’s used as assets for anime and such, and straight up Western-influenced hard rock, complete with English singing. The latter is typically used in albums, as the designated deep cuts. However, I find those to be some of the best filler, and oftentimes among nano’s best songs. I recommend going through all of her albums, or at least starting with Rock On and going chronologically from there.
I never liked pop music. I always associated the pop genre with mainstream. But out of nowhere, a pop band took my heart and almost sniped first place on this list. I present to you: Mili.
I have never been surprised by a 21st Century artist more than Mili. The idea of pop not having to be mainstream was legitimately mind-blowing to me. Normally, I can compare an artist to someone else; you saw that in this post. But I can’t compare Mili to anyone. They are unlike anything I’ve ever heard in my life.
Their music is otherworldly. They use a combination of piano and synth that just has an air of uniqueness to it. While all their albums are great, they get better and better, to the point where it outclasses their older stuff by a lot. 2018’s Millennium Mother is such a good album I haven’t actually gone back to their first album, Mag Mell.
I can’t praise Mili without giving kudos to their vocalist, Cassie Wei (a.k.a. momocashew). Her voice is just absolutely phenomenal. Her English, along with the lyrics she sings, are great. Her voice can be both soothing and terrifying depending on the mood of the song. She’s truly one of the best Asian singers I’ve ever heard.
Mili was originally first on this list until just earlier this week. While they are definitely the most unique band I’ve heard from Japan, it’s still technically pop (or soft rock?). I like the heavy stuff, and that’s why Lovebites took first place.
If BAND-MAID is classic rock, then Lovebites is classic metal. They aren’t just my current favorite J-Metal band of all time; they’re among my favorite metal bands ofall time. Underrated doesn’t even begin to describe them. They deserve way more than their puny five-digit amount of followers, that’s for sure.
Immediately, Lovebites comes off as similar to DragonForce, with their orchestral synth in a lot of their songs, and their multi-minute guitar solos. However, they have much more variety in terms of tempos and melodies, which- IMO- makes them better than DragonForce in a way. They have a venomous and aggressive aura that reminds me of none other than Judas Priest, and they ALSO have a level of simplicity that’s similar to Iron Maiden. This is no coincidence, because (unless they’re faking it), at least one of the members is a classic metal fanatic. And by the way, their vocalist, Asami, is amazing…. For the most part. Like Crossfaith’s Kenta Koie, she sings in Engrish, and I admit she doesn’t sound too great. However, it’s still easy to tell that she has amazing talent when it comes to singing itself. It took Koie a decade to sound good in English, and it’ll probably take Asami about as long to do the same.
If there’s any remaining issue, it’s that Lovebites needs a bit of experimentation. While their fast-paced music is about as good as similar songs from Priest and Maiden, that isn’t all that those two bands can do. In Lovebites’ case, that kind of music makes up the bulk of their career, and I know that they are more capable. But hey, they’ve pretty much just started. 2020’s album, Electric Pentagram, already sets a new standard of quality for them. It took Priest and Rush a decade to cement themselves into rock history. Where will Lovebites go in 2030? I can’t wait to find out.
I feel pretty safe saying that this is my definitive list for Japanese music artists. The only one I see changing the list is Galneryus, but I don’t know if it’d be worth making a third, identical post just for them. Japan might come off as a country full of dainty, yukata-wearing tea-sippers, but rock is a language that anyone can learn. And hopefully with this, you can see that Japan has a genuine sense of metal that isn’t fake and superficial like BABYMETAL. If you have a hankering for this stuff, give it a try (and follow the artists’ on social media because you’re not going to have any other source of news from them because Japan doesn’t want you to know they exist).
I have made it clear before, but in case you’re new to this blog, I’ll make it clear again: I grew up with classic rock. Nothing else was necessary, and there were some legitimate reasons. First off, the first ever music I heard was from Journey, which kind of feeds into the whole “you’ll pretty much be biased towards media similar to the first ever media you consume” mindset (but in my defense, I’m actually not a particularly big Journey fan these days). The second and third reasons boil down to the same source: the student body of my middle and high schools. I hated them all, which is a typical thing for teens to go through. But I was also socially awkward, so I never joined their brooding circles or whatever. As a result, I missed a lot of the bands that came up at the time (plus, I would have a fear of metal music until I heard Black Sabbath’s Iron Man on a classic rock radio station and had my life changed forever). I was SO edgy, hip, and against the status quo, that I reveled in being an outcast by listening to something that probably doesn’t get many new, young fans these days: the aforementioned classic rock. I continued to reject 2000s music until Japanese music further changed my life by showing me that current music can be good. As a result, I steeled my resolve and used the power of Apple Music to take a trip back to the 1990s and early 2000s, and see what bands I would’ve listened to if it weren’t for my sheltered childhood. Results… varied. Just so it’s not about “me-me-me”, this post will serve as a basic rundown of five bands, in case you never heard of them or were considering giving them a try.
Attempt #1: Slipknot
“Wait, what are you hashtagging the number one for?” you ask. Well, you young’un, the hashtag symbol used to be a symbol that meant “number”, hence “#1” in the example. ANYWAY, the first band I tried was Slipknot. They’re incredibly popular, but being the degenerate I am, I only knew of them thanks to a line in Hotel Transylvania that actually made me scared of them for years. From what I’ve heard so far, it seems obvious that this band helped pioneer the new “edgelord” culture. According to the Apple Music bio, they invented a new metal genre, creatively named “nu metal” (SUCH EDGY MISSPELLING), which seems to be just regular metal but with angstier, on-the-nose lyrics about all the tortured thoughts and experiences teens go through.
If you’re new to this blog, I’ll make it clear that I always have a problem with teen angst, at least in the way it’s portrayed here in the U.S. I get that metal was formed out of anger, but that was… well… a more mature anger I guess? But in the case of Slipknot, it felt like they were a bunch of frat boys instead of grown men. I wasn’t really into them until their third album, which I’ll admit had some very good and varied music composition in it.
But the key words are “music composition”. The lyrics grow angstier and angstier. I get that a lot of teens can relate to the lyrics, but that doesn’t mean that they aren’t written in “angst-enese” in such a way that makes me cringe. If you wrote out the lyrics of any Slipknot song, 99/100 times it’d look like a passage in a YA novel, and in case you’re new to this blog… I don’t exactly like YA novels!
To top it off, lead vocalist Corey Taylor has an extremely one-dimensional personality in his singing. He’s not bad… he’s just not good. When it comes to vocalists, little nuances in their delivery make all the difference. From iconic things like David Lee Roth’s weird banshee screams, to minute things like Dee Snider’s evil snicker before the first chorus of Burn in Hell, the devil is in the details, and Taylor seems to disregard that. His vocal range is either “brooding teen” or “screaming brooding teen”. Taylor does try stuff, such as ragged breathing and practically making out with his mic at times, but it hasn’t really gotten to me. It took me until very recently to discover why I don’t like his singing: he feels too human. When it comes to my favorite singers, there’s a distinct feeling of “This is an actual person singing this?” Instead, Taylor comes off as “This is an actual person singing this.” (notice the lack of a question mark?). Maybe that’s what he was going for? Anyway, I’m currently halfway through Slipknot’s discography, and in the process of going back through those albums to see if the band grows on me. If you can convince me that Corey Taylor is a really good singer, then I could probably give the band less flack.
Attempt #2: Disturbed
I don’t even remember how I know they exist. But thank goodness I do, because I’m finding Disturbed to be a huge improvement over Slipknot. They have the same angst in their lyrics, but everything else feels… better for some reason. One big factor is lead vocalist David Draiman. While he’s not top-dollar, he at least has some form of identity with what I can only describe as “his impression of Link from Legend of Zelda” that he frequently does in between lines of lyrics.
The thing that got me most interested in Disturbed was their covers. They do some pretty thoughtful remixes of some stuff well outside their genre, such as Tears for Fears’ Shout. These covers are great, and they help Disturbed to stand out from other metal bands.
Unfortunately, Disturbed seems to have trouble standing out from themselves. I get that not every song can be perfect, but a lot of them have kind of been samey thus far. I don’t know exactly how to describe it, but the way Draiman sings verses specifically sounds similar across a lot of their songs. But hey, if that’s the biggest issue I have, then that’s not too bad, especially compared to Slipknot! At the current rate, I’m bound to become a dedicated Disturbed fan.
Attempt #3: Dream Theater
I considered not counting them for this post, because they started in the late 1980s. However, they didn’t gain traction until the 1990s, which I judged would’ve put them just within range of my being exposed to them while I was in high school. Also, if I didn’t count them I’d only have four bands on this post and it had to be three or a multiple of five because I have OCD.
I only know of this band thanks to one of my favorite YouTubers, NintendoCaprisun. In one video (an episode of Secret of Evermore I think?), he discussed listening to this band, Dream Theater, and he said “it sounded like Rush”. When I was a teen, Rush was the first band I consciously decided to get into, and they were one of my favorites. And yeah… they do sound like Rush.
If you want fantastic prog-metal, Dream Theater’s got you covered. Their songs vary wildly in melody, tone, and lyrics and incorporate synth as well. However, my one concern is that while they are a prog band, they aren’t exactly a prog band. I get that there’s only so much a human mind can create, but prog rock- by definition- has to keep pushing the envelope, and that technically applies to the genre itself. Of course, I’m only at Dream Theater’s earliest albums, so that could change. But for the time being, even “faux-prog” is better than most of the crap that’s popular these days, and as such, I fully intend to become a Dream Theater fan… once I catch up to their umpteenth album.
Attempt #4: DragonForce
This was the first band I had never actually heard of until they came up on my Apple Music feed. Yes, the rock I live under is so heavy that I didn’t even know about the “Through the Fire and Flames Band”, nor Through the Fire and Flames itself. I only came across the song during TheRunawayguys Colosseum events, where The8BitDrummer would drum the song… just for the VOD to get muted. Because his other favorite songs were very… memey, I thought Through the Fire and Flames was the same case. But ‘lo and behold, as if it were destiny, I discovered DragonForce.
And boy, what a discovery! In a nutshell, DragonForce has an inspirational, heart-pumping, get-your-ass-out-of-bed mood reminiscent of Survivor, but with a touch of metal. Very fast metal. Part of me even thought that they sped this stuff up in post, but I’ve heard enough talent to know that humans are more than capable of playing like that (also, you know, the fact that The8BitDrummer did just that on a livestream). I can’t help but thump the floor with my feet (since I mainly listen to music sitting down these days) to their psychotically fast rhythms. Plus, their whimsical, positive lyrics, coupled with the members’ choir-like harmonies make any song from them feel like perfect background music for an epic, large-scale fantasy battle.
Of course, such a specific style is going to get repetitive; there’s only so many combinations of chords for this (and tbh the final chorus of every other song is done in a capella). While I’m definitely not complaining about hearing such ridiculous metal, I highly advise against binging their albums. With that in mind, I am finding DragonForce to be my favorite of the bands covered in this post. While some of the others might be more creative, this band has such a fresh identity that they earn a lot of points from me (also the fact that my favorite is the least popular of these five is consistent with my reputation).
Attempt #5: Evanescence
Okay, here’s a confession. I only picked this band for two reasons: one, to make sure this post had a clean five subjects, and two, to share the story of how I discovered Evanescence. Why should you care about how I found this band? Well, because it will likely make you cringe at me. Yes, it’s actually a worse discovery story than learning of Slipknot through Hotel Transylvania.
Earlier this year, around the time that the coronavirus was just starting to spread- before people went crazy over it- there was some sort of collaborative effort with Evanescence and one of my favorite Japanese bands, Wagakki Band (which, for some reason, hasn’t gotten that much publicity despite this event. Good job Japan; you REALLY commit to not promoting your musicians!). I don’t know what happened to that whole thing, but yeah, I learned of one of the most popular metal bands of the 21st Century via a significantly less popular band, when it would’ve been the other way around for literally anyone else in the world.
Assuming you didn’t click off this post, I’ll actually get to my reaction to Evanescence itself. I’m gonna come off as a hypocrite right here, because Evanescence is similar to Slipknot in a way. In YA terms, Slipknot is the brash, loud, and reckless male protagonist, while Evanescence is the snotty, depressed-yet-entitled female protagonist. In fact, Evanescence is so teenager-y, that I initially mistook them as the band that was hired to do the RWBY openings (cringing yet?).
But for some reason, I don’t want to have a cow over this band. The music is angsty, sure, but they kinda have a thing going with their combination of metal, synth, and a sad, sad, ebony piano (all you need now is the world’s smallest violin). Also, their lyrics are a bit more eloquent. To use YA terms, Slipknot lyrics feel like they were written by John Green, and Evanescence lyrics feel like they were written by Maggie Stiefvater. I don’t particularly like either authors, but I definitely prefer the latter (are you REALLY cringing yet?).
The biggest surprise is the proficiency of lead vocalist Amy Lee. While she’s no Ann Wilson, Lee is substantially better than most female singers of this generation. Sure, she might sound whiny, but I think it’s been established that Evanescence is a very whiny band in general. But as much praise I’m singing for them, I only see them in 21st or 22nd in my favorite music artists of all time; barely missing a spot on the big Top Twenty post I’ve been working on. But at this point, I only just started their second album, giving them plenty of time to grow on me like a YA novel that’s so bad it’s good!
For years, I’ve thought that the U.S. and U.K.- the pioneers of rock and metal respectively- have lost their touch. But to quote Genesis’ Land of Confusion (which is on topic because it’s one of the Disturbed cover songs), I can see the fire still alight, burning into the night (now I got the song stuck in your head). Slipknot wasn’t a great first impression, but I definitely found some solid bands, even if I come off as blinded by nostalgia for liking the most eighties-ish of the five, DragonForce, the best.
You’ve probably heard all of these thoughts before, when you were a kid and MySpace was a thing. But regardless, I’d like some feedback. What do you think of these bands, and do you agree with my thoughts? Also, what are other great rock and metal bands of this generation?
I’ll always love the classic rock of yesteryear more than anything. But over the last several years of my life, I’ve realized the unique greatness of contemporary Japanese music. In this blog I’ll discuss my favorite Japanese music artists.
5) Hysteric Panic
This spot was originally going to ONE OK ROCK. For all intents and purposes, ONE OK ROCK’s members are very talented, and very experimental-two qualities that I seek in bands. However, just going off of the sheer percentage of discography that I loved, Hysteric Panic is way better than them in my book. So why do I like this basically unknown J-thrash band so much?
I love Hysteric Panic because of their energy. They more or less only play thrash, but they’re so darn good at it that I can’t even complain. They also have a wide range of vocals, from a high-pitched, Axl Rose-sounding guy, to a guy who sounds like a constipated alligator. Regardless of if it’s multiple guys or the same guy, this wide range of screams makes Hysteric Panic stand out as a thrash band. Give them a whirl if you love Metallica or others like them!
4) MYTH & ROID
Led by TomH@ck of OxT, MYTH & ROID was originally my favorite Japanese band, and was in 1st on early drafts of this post. Although they are a solid prog-rock band that has more of an identity than most people in the ainsong industry, I realized that I find the artists in the Top 3 more irreplaceable. I don’t know if it’s because MYTH & ROID has way less discography or what, but them’s the brakes.
But hey, they’re still in Top 5 for a reason. MYTH & ROID has managed to craft a distinct style that basically allows them to do whatever they want, as long as they maintain one consistency: MAKE. IT. AWESOME. Out of all the artists on this list, I have always exclaimed “WTF?!” with every song of theirs the first time I heard it.
Recently, I have been exposed to music from the bizarro minds of truly eccentric people, such as DAOKO and Kenshi Yonezu. But at the time, I remember when I threw on Styx Helix because it was a Re:ZERO song, and thought it was a decent techno-chill song. I later noticed that they also did OP 2 of the same show. I put on that song, Paradisus Paradoxim, and it completely blew me away with how different it was. I fell in love with MYTH & ROID right then and there… and then fell slightly less in love with them over time.
While they are no longer my favorite, they are still a great band that stands out from the rest. I recommend giving them a listen if you’re tired of that mainstream crap.
Didn’t expect a pop group, did you? And an IDOL group on top of that?! Well, this entry was originally going to be the jazz-pop duo, ORESAMA. As great as their music is, their record label, Lantis, seems to not want anybody overseas to be able to support their artists, so I basically grew out of them.
However, one MyAnimeList article helped fill the ORESAMA-shaped hole in my heart: The announcement of Dempagumi.inc member, Mirin Furukawa’s, marriage. I immediately had to know what a band with such a weird name was, and sure ‘nough, they’re on Apple Music! One greatest hits album later, and I found myself- for the first time ever- unironically in love with a pop idol group.
Dempagumi’s gimmick is that they are otaku. A lot of their songs are about Akihabara and… well, I don’t know what else because they’re singing in a language I don’t know very well. Additionally, their singing reaches such outrageous tempos at times that it just HAS to have been artificially sped up in post!
Speaking of the tempo, Dempagumi’s main musical style is fully caffeinated J-Pop with tons of synthesizers and videogame sound effects. They try to get you hooked by messing with that pattern-recognition area of your brain that made you bee-bop to Gangam Style. What they do is start off with a fast, catchy beat, and then arbitrarily and abruptly shift into a different, faster tune altogether. This is best exemplified in W.W.D., one of my favorite songs from them. Since their style is designed to mess directly with your brain on a nueral level, you can’t not be caught off guard even if you’re expecting it. It’s science! They’ve been around for over ten years, and they still bamboozle me even during their newest songs. The only flaw with Dempagumi is that there are some songs that are a little more mainstream, and while those are nice and la-dee-da, they aren’t the Dempagumi that I love.
Seriously though, this group should be monopolizing the idol industry! I doubt that any of the members themselves are involved in the creative process of their songs, but whoever is involved… is a freakin’ genius. I highly recommend Dempagumi.inc to anyone who wants a twist to mainstream pop. Start with their greatest hits album: WWD Best Demparyouko, since, like I said, they’ve kind of been active for over ten years…
This is a band I literally found out of nowhere. Although they’ve grown substantially more popular with their most recent album, I was a fan since summer 2019- snug within the range of “before it was cool.” When I made the life-changing decision of subscribing to Apple Music, one of the first bands I got into was- no, not BAND-MAID- but Passcode. Passocde’s great and all, but in the similar artists tab, I couldn’t help but notice BAND-MAID. And the rest is history.
BAND-MAID, whose claim to fame comes from their maid cafe-like attire, is a hard rock band that skirts the line of metal, and a damn powerful one at that. One distinct feeling I get from their music is not something I ever feel in any other J-Rock bands: Classic Rock. Yeah, I know it’s an oxymoron, but a lot of their stuff reminds me of AC/DC, Van Halen, Dio… basically, all the rock bands of yore that I love. “You only like them because they’re mimicking Western culture, you traitorous lech!” you exclaim. Well… it’s true that they do come off as Western, but they’re excused because they still manage to have some sort of identity, despite how much they emulate those aforementioned artists.
If I have any concern, it’s that I don’t know what direction they’re headed in. Despite the fact that their newest album is objectively their most successful and important one, I feel mixed about it. It sounds a bit… lighter than previous records (I’ve only listened to the first half of it, though). I won’t fault them for trying stuff; in fact, I love it when artists try stuff. But I don’t know if they’re merely trying stuff, or if they’re trying to pander to the masses. If it’s the latter, they’d likely abandon the metal music identity they’ve spent the past five years building.
But for the time being, BAND-MAID is a ludicrously good group. Apple Music doesn’t have their very first album, but it has everything else. I personally started with their third studio album, Brand-New Maid, but you can honestly start anywhere.
It shouldn’t surprise me that Japanese-American singer nano wound up being first on my list. After all, she is one of the few people in the anisong industry who really has a true style that is entirely their own.
nano generally does very aggressive hard rock and metal tracks, but also throws in electronic, or even in the case of one particular song, combines rock with traditional Japanese instruments. I find her older stuff to be rough around the edges, but from her album, Rock On, and onwards, she’s gotten better and louder. Her albums are one of the best showcases of the evolution of an artist that I’ve ever heard. A lot of credit goes to whoever produces and mixes the music in order to bring out the best of her powerful voice and the instruments that her buddies play.
nano’s music is divided into two distinct types: Regular J-rock that’s used as assets for anime and such, and straight up Western-influenced hard rock. The latter is typically used in albums, as the designated filler songs. However, I find those to be some of the best filler, and often times among nano’s best songs. I recommend going through all of her albums, or at least starting with Rock On and going chronologically from there.
Overall, Japanese music is freakin’ great, and I don’t get why it’s not more popular. I get that the Japanese generally like to keep to themselves, culturally, but most of this stuff is as easily accessible on big-name streaming service as their Korean competitors! It’s… it’s THERE! Well, whatever. Hopefully, this post will raise just a little more awareness for the stuff. I highly recommend you follow these artists, and whoever else you find interesting, on Twitter. Most of the Tweets are in Japanese… but… it takes only two clicks to translate their Tweet… so just follow them already!
Honorable Mentions: Passcode, RAISE A SUILEN, Burnout Syndromes, ASCA, ONE OK ROCK
PREFACE: I did not see a single review, rating, or opinion regarding this movie; I went into it with a completely open mind. So, the opinions you are seeing have not been influenced by anything besides the movie itself. Also, minor spoilers ahead. Nothing too bad, though.
Disney sequels have come a long way from straight-to-VHS cash grabs (that, admit it, we all loved when we were small and innocent), to theatrical releases that they put more chutzpah into. How does the sequel of the meme-able animated sensation that is Frozen measure up?
Frozen 2 starts with a flashback about the nobles of Arendelle and the people of some magical forest meeting up, having a BIT of a falling out, and the Anna and Elsa’s dad being saved by some mysterious voice. Years later (and after the events of the original Frozen), Elsa hears that voice, and it’s not long after that until Arendelle gets wrecked. Now, the original cast must go to that forest and see what the heck’s going on. This all somehow ends with the origin story behind Elsa’s powers.
Well, it’s not anywhere near as mind-bending as MatPat’s original theory on the subject, that’s for sure. In fact, everything about it seems too simple. When the actual reveal of her powers comes up, it’s like, “Yeah, so that’s it,” and the other characters kind of take it in their stride. However, as I will mention in a future post about the appeal of Disney movies in general, the narrative ends up being the most trivial matter.
The characters are what sell these things, and it is no exception this time around. As you’d expect, Elsa, the character who became synonymous with THAT song, is the one who is given the most character development. She, basically, well, learns about herself and that she should REALLY trust her buddies, just sayin’. Anna and Kristoff end up mostly involved in a subplot where the latter repeatedly tries and fails to propose to the former. This ends up creating some very cringe-inducing scenes, but they’re offset by something I’ll get to in another section of this review. Despite getting almost (key word) no further development, the kudos once again goes to Olaf, who has perhaps cemented himself as the greatest supporting protagonist in Disney history. His one-liners are cleverer than ever, including a hilarious abridged recap of the first movie.
Despite this, it seems that only the main characters were given any love this time. There are a lot of newcomers in this movie, and I already forgot their names (I literally just got home from the theater at the time of writing this). The worst offender by far is the purple Pascal clone; it is the Porgs of Frozen 2: cute, unnecessary, and marketable.
But hey, at least the soundtrack rocks. This time around, they seem to be pushing one of Elsa’s new numbers, “Into the Unknown,” as the next meme (even though “Show Yourself” is better…). However, the crown jewel of Frozen 2 goes to Kristoff of all people. His ridiculous power ballad, “Lost in the Woods,” rivals the timeless Spongebob classic, “Sweet Victory,” in terms of its amazing stupidness. It will not get nominated for Best Song at the Oscars (*cough* ‘cuz they suck *cough*), but I know in my heart that it’s the best. Regardless of what song I like and what you like, the soundtrack came out before the movie, so give yourself a listen if you end up liking it.
And lastly, the visuals are as astonishing as ever. The models don’t really look that much different (going off of memory), but they definitely did some new stuff with particles and lighting that they didn’t do in the first movie. I’m glad it wasn’t a downgrade from the first movie.
Final Verdict: 7.6/10
Frozen 2 is something, all right. While I think that the first movie is better put together, and has some hint that they tried to build genuine tension, this movie has certain isolated moments that wholeheartedly surpass the first one. The soundtrack is also more consistent, so you can always look forward to another number, instead of the first one, which was like “Well, ‘Let It Go’ is over, it only goes downhill from here.” Due to many references to the original movie, you will need to have seen and enjoyed it get the inside jokes of Frozen 2 at all, so keep that in mind.