Torture Princess Volume 4 and Konosuba Volume 11 Reviews

Last time on Torture Princess, Kaito and Elisabeth are dispatched to the capital to kill a giant mound of flesh, which happens to be the three remaining Demons fused together. There, they meet a powerful paladin named Izabella Vicker, who naturally does not like Elisabeth very much, as well as the not-exactly-dead Godd Deos, who’s using a mechanic similar to that of Vlad to project his soul throughout the world. In order to not have to rely on her, Izabella resolves herself to kill the mutants of the townsfolk that are spawned by the flesh blob (and is the only soldier who doesn’t get scarred for life). They manage to hold it back on the first day, at least. Later that night, Kaito overhears a conversation with Izabella and some other soldiers and realizes that the Knight was actually her brother, who was one of the many people that Elisabeth slaughtered in her backstory. The next day, the Church’s trump card appears: La Mules, a young girl who can vomit big birds. They manage to cut a big gash in the blob, causing the Monarch’s body to split off from it, which Kaito captures alive. Unfortunately, the blob forms the face of the King, and zaps La Mules with a mental attack that makes her kill herself. Elisabeth must finish it off tomorrow while it’s wounded. Since she’ll die no matter what tomorrow- either from the blob or being executed- Kaito goes on a wholesome date with her. Later that night, he uses pain-sharing magic to inflict massive pain on both the Monarch and himself, so that his magic is supercharged for the final battle. When the fated day dawns, they launch a full-on offensive (with the help of Hina, who just fully recovered), and infiltrate the flesh blob. Inside its core, they manage to destroy the King and Grand Monarch’s fused hearts, as well as the grotesque demon baby that they give birth to. With this, Elisabeth’s mission is complete. On the day of execution, she complies without resistance. However, Kaito shows up and attacks, threatening to destroy mankind. Yup, Kaito is now the fifteenth contractor, and he saved Elisabeth’s life by having her ordered to vanquish him.

Sure, this sounds like a cheap excuse to pad out a series that was CLEARLY over, and… well… it is. But hey, that doesn’t mean that the series is BAD. At least not for the time being, because this volume is the start of a rootin’ tootin’ new arc of Torture Princess

One final warning before getting into the actual review: DO NOT READ THE CHARACTER BIOS at the beginning! It mentions a new character introduced in this volume, and spoils a very standout trait of theirs. It kinda-sorta ruined a good half of the book for me, so seriously, do what I said.

Kaito is on the run as usual, because he- you know- declared war on the world. Sadly, the series once again shows that it is indeed a generic wish fulfillment isekai in the fact that he doesn’t choose to kill anyone who goes after him (which is not bad, but it’s still worth pointing out). But on the way, he meets the designated beastfolk, who seek his aid. There’s been a series of massacres in their community, and Kaito needs to find the culprit. 

This volume has a ton of new (and maybe kinda predictable) revelations about the overarching narrative as a whole. And most of it is provided courtesy of Jeanne de Rais, the new character whose trait I got spoiled of. Fortunately, I can tell you about her personality without spoiling anything. She’s an absolute lunatic, in the best way possible. She randomly swings from talking super politely to something a bit more… bold (literally; her text turns boldfaced in this state), and begins cursing people off.

But not a single character has yet to surpass Best Girl Hina (who has recently become my favorite character in the series). I get that her relationship with Kaito is a one-dimensional yandere-servant and self-insert-protag, but it’s an incredibly well-written one. Their chemistry is bubbling more excitedly than ever, and I’m loving every minute of it. And you know what… I’m officially going to declare that Kaito and Hina are a better Subaru and Rem than Subaru and Rem. THERE. I SAID IT. NO TAKESIES BACKSIES.

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Verdict: 9.35/10

With the amazing character interactions, Jeanne’s entertaining personality, and the new plot developments, this may be my favorite volume of Torture Princess thus far. And the irony behind that is that this volume has the least amount of gore. As much as I was saying that the gore is what will carry this series, I was proven wrong. This volume shows that Torture Princess is a legitimately well-crafted masterpiece that stands out among other isekai rabble, and I’m hoping it continues to stay this way (and for the love of God never get an anime adaptation).


Normally, I’d give an overly detailed recap of a previous LN volume at the start of these posts. But I goofed this time… again, just like with No Game No Life Volume 10. I’m really sorry. But hey, maybe not having a recap is better? Well, the basic gist is that Iris is the Best Girl. That’s what’s important.

This volume is titled The Archwizard’s Little Sister. That means it’s all about Megumin’s sister, Komekko (who I had completely forgotten was introduced in volume 5 and thought that she was a brand new character), right? Heh-heh-heh, WROOONG. The book pulls a Monogatari and spends a third of itself with Kazuma lazing around at Iris’, which becomes its own mini-arc where they try to convince him to come home.

Unlike Monogatari, this part’s entertaining in its own right. He literally fights tooth and nail to stay with his little sister, Iris, and this causes the usual Konosuba Khaos (had to change the letter for alliteration) to ensue. It’s your usual Kazuma being a buttmonkey stuff that’s karried Konosuba (alliteration again) all this time… and it’s kind of getting old. I love these characters, but their comedy hasn’t really evolved. For example, the third volume of Cautious Hero introduces a lot of new abilities for Seiya that creates even more ridiculous scenarios than before. But here… Kazuma’s still being lazy, Aqua’s still being a whiny brat, Megumin’s still the Best Girl, and Darkness is still a punching bag.

Fortunately, this volume of Konosuba is a return to the series’ roots. For the first time in what feels like a long time, we have the cast doing just normal quests. We also have a reference to Combatants Will Be Dispatched!, with a brief mention of the goddess who is supposed to be the sister of Zenarith, the goddess of undeath that Grimm worships. Overall, the volume was pretty nostalgic in a way.

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Verdict: 8.75/10

With six volumes left for us Westerners, Konosuba is still coming in strong. This volume is a nice little romp, and the twist ending definitely has me curious. Let’s hope it can stay good all the way through!

Eighty-Six Volume 4 Review

Last time on Eighty-Six, Shin’s team sets out to fight the Morpho, the giant Legion that fired the railgun at the Federacy, and is controlled by the mind of one of Shin’s relatives, Kiriya Nouzen. Well, he beats it, to say the least (and by himself, of course). And just like it was foreshadowed in volume 1, Lena shows up and they meet IRL! Now we can FINALLY know what happens next!

So, I haven’t been enjoying the past two volumes of Eighty-Six. A lot of it felt like torture porn as Shin and the others get exploited, and have to fight to save people who treat them like crap, even in the Federacy. There were also a lot of boring military people who got all introduced at once and had really boring personalities. 

But now… hoo boy, Lena is back, making the power couple that carried Eighty-Six’s first volume so good! I know I normally don’t like romance, but these two established themselves as one of the most organic and interesting relationships out there, and it once again shows. They even had some great interactions together (even if it resulted in some misplaced comedy scenes).

Since this is the first volume with Lena in a while, this it’s going to be about her. As established, she transferred to the multicultural Federacy from the whi- I mean- Alba Supremacist Republic. The racist practices of the Republic are well known to the Federacy by now, and because of this, Lena gets crapped on from the powers that be. Fortunately, Shin exists as a cushion for her guilt complex. It’s actually something that I felt when I was a kid, when I first learned about Martin Luther King. I wanted the African-American kids in my class to bully me, so I could be punished for something that I didn’t even do, just because people from a generation ago did it.

But Lena doesn’t have much time to get used to her situation, for today’s mission actually starts pretty darn early (much sooner than taking a whole volume and a half in the previous arc). This mission involves going into what’s left of the Republic that got overtaken by the Legion and, well, taking it back. This means going back to Nazi-Germany-Meets-Overly-Patriotic-White-Supremacist-America once more.

And as you can expect, the only thing waiting for Shin, besides some angry Legion, is racism. While the racism came off as torture porn last time, this time we get some interesting and differing perspectives from Lena and Shin. The irony here is that Lena, a whi- I mean- Alba person is much more offended than the actual victims. It’s almost implying that certain people shouldn’t respond to certain other people who are just being jerks, or trolls.

Overall, the only problem I had was kind of telling where people were in 3D space. A lot of times, during the actual operation, the story would flip perspectives rapidly, and it confused me a lot. It also was pretty inconsistent with whether or not it wanted to mark transitional points with a simple page break, or an actual symbol. Maybe if they- say- used the symbol to transition between P.O.V.s in particular, I would’ve understood what was going on a lot better. 

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Verdict: 8.9/10

Finally, Eighty-Six is back with a vengeance! My interest in the story is reinvigorated, especially with the new development at the end, and now I can’t wait for the next volume. Here’s hoping that it stays strong all the way through!

Re:ZERO -Starting Life in Another World- Volume 12 Review

Last time on Re:ZERO, we learned that Subaru has WAY too much to do to get through this arc. First off, Emilia has to pass this trial at the sanctuary so that they can get through the forest, and even though Subaru got through the first part with no problem, Emilia is the one who needs to pass it because reasons. However, at the same time, Elsa- back from volume 1- attacks Roswaal mansion, where the comatose Rem is. Oh, and if they take too long with either, their camp will be ravaged by a hive-mind of demon bunnies created by the Witch of Gluttony. I should also mention that Beatrice is potentially a Witch cultist, since she has a Gospel-looking book in her room. But when Subaru presses Roswaal, he’s real adamant that she isn’t. And after he returns to New Best Girl Echidna’s place for advice, the camp gets attacked by-!

Holy crap, finally! It’s mother-effing Satella! As I mentioned in my overview of the series, my curiosity of what Satella is like has been my driving force to commit to Re:ZERO. Unfortunately, you don’t really get to see much of her personality, other than that yandere crap that she’s been displaying in all of Subaru’s previous encounters with her. But hey, it’s freaking Satella. Beggars can’t be choosers.

Minor spoilers; Subaru dies again, which further compounds the layercake of conflicts in this arc. Now, he has to: help Emilia get through the trial, deal with Garfiel, save Rem from the attack of Elsa and her cohort at Roswaal Mansion, the attack from that rabbit demon, AND the subsequent attack from Satella! Have fun, Subaru.

I never got to talk about this arc properly in the original overview, so I’ll sum up my thoughts on it up to this point. I wasn’t too into this arc at first. Garfiel felt like a very arbitrary antagonist, just stuck there to be annoying, and Echidna came off as merely a replacement for Rem; someone for Subaru to confide in.  It was also agonizing that they’re just stuck in this stupid Sanctuary in the first place.

Also, as far as the story as a whole is concerned, Re:ZERO is as padding-happy as ever. The reason why the previous arc, with Petelgeuse (or whatever his name is), was my least favorite thus far was because it just took forever. 

But right at the start of volume 12, I finally got to enjoy this arc for the first time. The story went from nothing happening to everything happening all at once. There are so many huge moments, from Echidna’s backstory, to a powerful scene between Subaru and Beatrice of all people, to Roswaal finally coming clean, and the proper introduction of Satella, volume 12 cranks it up a notch and then some. And that scene at the end… holy crap. We are likely on the cusp of a big turning point here.

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Verdict: 9.5/10

This volume was lit. Scratch that, this is my favorite volume in Re:ZERO to this point. It was completely worth getting to read this far ahead before the second anime season! Let’s hope that it continues to get better from here.

Ride Your Wave Movie Review

Recently, I’ve realized that anime feature films are where Japanese animation puts its best foot forward. By a long shot. So, I decided to go against my gut and see Ride Your Wave, a new romance film from the studio Science SARU. Were mistakes made that day?

Can’t answer that question without a brief rundown of the premise first. A cute surfer girl named Hinako Mukaimizu moves from Chiba to a new town. One night, her life almost- literally- goes up in flames when her apartment catches fire. She is saved by a young fireman named Minato Hinageshi. They fall in love immediately and live happily ever after. Nothing goes south whatsoever.

Spoiler alert, it goes south. No, this isn’t even a spoiler, because if you’ve seen ANY romance for teens, or Up, then you likely figured what was going to happen just based on that last paragraph. What happens is that Minato drowns.

But don’t worry, this is magical YA-land! In the aftermath of his death, Hinako starts seeing Minato in bodies of water. You know, like you do.

There are three reasons why I wasn’t even remotely invested emotionally in Ride Your Wave. First, I never fell in love with a real life human ever, so I can’t relate. Second, as someone who’s been a teenager, I KNOW that love at first sight is the most BS thing ever; merely just some hormones going off in response to primal urges and other stimuli. Third, and most importantly, it is incredibly cut and dry (despite being water-themed). I even spent more than half of the movie thinking about the movie previews that they showed, and I was still able to follow Ride Your Wave‘s plot without missing a beat.

Ride Your Wave is basically your typical YA novel, except with that touch of anime whimsy. I can’t really say anything else about the story, because there isn’t anything else to say. The characters are all typical teen templates, too. I’m probably going to forget all of their names after completing this post.

The music, though, is the absolute WORST aspect of the movie. While half of it is pretty harmless BGM, the other half is the freaking overused song: “Brand New Story” by GENERATIONS from Exile Tribe. I had seen the band’s name come up occasionally on Apple Music’s Similar Artists tab, but I never got around to trying their music. Because of how it’s used in Ride Your Wave, I was not given a good first impression. While it’s not the worst song by itself, it is a plot relevant song in the movie. This means that you will have to hear it ad naaaaaaaauseuuuuum! Blech.

But hey, the visuals are all worth it, right (*sarcasm*)? I’m sure a lot of people will go gaga over Ride Your Wave‘s bright, Wind Waker-esque art style and fluid animation. I’ll admit that I might’ve silently gawked at a couple of shots. Unfortunately, it doesn’t seem to serve any purpose to the story’s themes.

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Final Verdict: 6.8/10

Ride Your Wave is nothing special; it’ll likely be forgotten when the next “pulse-pounding, break-your-heart-and-put-it-back-together” thing comes out (especially if it’s directed by Shinkai). I only saw it because the anime movies that I’ve seen have consistently maintained a higher standard than their TV counterparts, and despite all the salt, Ride Your Wave does the same. I can’t exactly recommend it, mainly because it was one-night only. So if the Blu-Ray comes out, borrow it from a friend, since there’s no such thing as a movie rental store in this world. 

Torture Princess: Fremd Torturchen Volume 3 Review

Last time on Torture Princess, Elisabeth and Co. went to Vlad’s castle to find information on the remaining demons. Kaito pockets a strange orb, but otherwise they have as much luck as two Spaceballs combing the desert. Later, they get invited to the castle of a new demon, the governor. Upon arrival, they see a gruesome scene where innocent people are gorging endlessly on poison foodstuffs. Elisabeth puts them out of their misery, and they go to the Governor’s bedroom where they find him already dead. Suddenly, the guy’s heart ruptures and Elisabeth is afflicted with some spell. Then, another new demon, the Grand King Fiore (female), shows up. Apparently, she has the ability to control other demons, and set this all up for Elisabeth. They manage to escape, but Elisabeth’s magic is heavily drained. However, the church immediately makes her fight two more demons that are attacking the same area. But before that, Kaito discovers that Vlad’s orb contains his spirit, and he teaches Kaito how to use some magic. With this, they’re able to fight the demons, but one of them is used in the same spell again, and Elisabeth is in even deeper doo-doo. What’s worse is that the Grand King, in control of two MORE demons, is attacking Elisabeth’s HQ directly. Desperate to help, Kaito forms a contract with Vlad’s Kaiser. Hina finds out, and he involves her in a plan. Hina uses a weapon that makes Kaito feel the pain of all the minions that are killed in order to power up his Kaiser. By the time he shows up, she’s got her arms and legs burnt off.  Unfortunately, Kaito’s magic isn’t enough to fight off the Grand King in her final form. But he has a backup plan. He stabs himself and uses the blood- fused with the Kaiser’s- to cure Elisabeth, and she whoops the Grand King’s booty. YEAH! YEAH! BEST GIRL ELISABETH IN THE HIZ-OUSE! However, they barely manage to restore Hina’s limbs before they get an emergency summons to the capital city, which is seriously getting wrecked.

Unfortunately, Hina’s “gears have to realign” or whatever, so she’s not actually IN this volume. But hey, given that volume 2 was all about the S.S. KaitoHina, this volume is all about the S.S. KaitoElisabeth. It’s about freakin’ time, am I right? 

Anyway, the situation in the capital is about what you’d expect. The three remaining Demons have fused together into a giant flesh blob, and it sucks in people, turning them into mutants that throw other people into it and repeat the cycle. The description of it, as well how Elisabeth dispatches the mutants, is about as excessively violent as you’d expect.

This volume gives us a new girl named Izabella Vicker, a commanding officer of the paladins who are sided with the church. She’s your typical hyper-morally-correct Mary Sue who wouldn’t be caught dead doing something dishonorable. But she’s an extreme case; in order for them to not have to rely on Elisabeth, she chooses to bathe in sin by killing the innocent people who’ve been turned into mutants. She’s my least favorite character so far, but there’s a good chance she’ll have a bigger role to play later.

Despite this volume centering around an entire battle, this is actually the least action-packed volume so far. Normally, I would be like, “Ugh… more boring crap where nothing happens,” but Torture Princess once again shows its surprising strength in character interactions. There’s an entire chapter of Kaito and Elisabeth just hanging out together, and it’s a really good chapter. Their relationship is probably one of the best that I have ever seen; much better than the BS from the actual romance genre.

But of course, what we all want to know is what happens at the end of the volume. After all, as established in volume 1, Elisabeth’s only reward for defeating all these demons is public execution. I personally saw it coming, but that doesn’t mean it’s not something entirely predictable. You’ll have to read this volume and see.

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Verdict: 9/10

This brings us to the end of the first arc of Torture Princess. I have no clue of how things are going to play out moving forward. But as long as it’s edgy beyond all reason, I’ll see it through to the bitter end.

Eighty-Six Overview (Volumes 1-3)

Covers of volume 1-3

I’ve been reading Eighty-Six since its English release courtesy of Yen Press. Due to the fact that volumes 2 and 3 all happen during the epilogue of volume 1, I decided to cover all three of them in one blog post because it’s technically still a review of volume 1(?).

Eighty-Six is set in the Republic of Mongolia, in a world at war with the Legion: surviving robot weapons of an empire long gone (supposedly). The pale-skinned people of Mongolia live in paradise within the 85-sector city, leaving the dark-skinned people in the 86th sector to fight the Legion. It’s justified because the Eighty-Six (the derogatory term for this people) are considered pigs, and nobody cries when pigs are killed. …Yeeeeeeah, this is a light novel about racism. 

Racism is such a universal issue that it can also be used, in writing, as an easy emotional hook to make something that sucks seem good. However, the portrayal of racism in Eighty-Six is executed really well. The writing is so evil and devious, it’s as if each passage is like firing a railgun bullet straight into your throbbing aortic pump.

The biggest strength of Eighty-Six lies in the main protagonists.. Like in classic forbidden romance fashion, the lead female is a white girl in the military- Lena- who is assigned as an operator who corresponds via some kind of brain-Skype to a squadron of Eighty-Six soldiers, captained by the male lead Shin. The experiences that they have with and away from each other are very engaging, and makes their relationship one of the better romances, despite how they don’t communicate in person (at least not yet). 

Unfortunately, they are marred by a lackluster supporting cast. It seems you need to be SERIOUSLY emotional and not analytical, because the rest of the characters are either blatantly wearing red shirts, or are of almost no consequence. These people tend to be really one-note and forgettable. The only character I liked besides Shin and Lena was Frederica, a military loli introduced in volume 2, but that’s only because she actually has plot relevance. You’d think that the characters who are higher-ups in command, such as *takes out notes* Lena’s supervisor, Karlstahl, or Ernst Zimmerman from the city introduced in volume 2, would be very important. However, these people just end up twiddling their thumbs, stalling out the story discussing different strategies when we KNOW that Shin’s squad is going to just tackle any given conflict head-on because Shin is a lead protagonist. If that’s meant to be a commentary on the actual military’s competence, then I applaud the author on that one. 

Due to this miserably sad cast (both in the emotional sense and the writing sense), a lot of Eighty-Six really drones on. The basic formula seems to mainly be slice-of-life and drama, followed by actual battles. However, since I didn’t grow emotionally attached to these characters, I got bored fast, especially in volume 2, which didn’t even have a fight. There isn’t much character development outside of Shin either; most of his squad complains about how miserable they are, while other people complain about how unjust it is for kids to be in the military (yet Shin ends up getting sent out anyway). In a manga very similar thematically, Attack on Titan, I could at least grow attached to the characters because there were more defining traits, and instead of Shin being the only one who matters, everyone in Attack on Titan (well, mostly everyone), has some important role to play in the story. Shin could literally be a one-man squad and nothing would change in terms of what actually goes down on the battlefield.

The art is middle-of-the-road for me. The characters look okay, but the real juicy stuff is in the schematics of various Legion and other machines as well as maps of the areas where strategies are being planned. The color art’s also great.

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Verdict: 8/10

Eighty-Six is torture porn, but damn good torture porn. Despite the low quantity of good characters, the series has great worldbuilding, and great tryhard writing to boot. Now that volume 3 has contextualized volume 1’s epilogue, maybe we’ll FINALLY GET TO SEE WHAT HAPPENS NEXT IN VOLUME 4!!

Torture Princess: Fremd Torturchen Volume 1 Review

The cover of volume 1

Welcome to the first Thursday blog! I’m hoping to include Thursday evenings in the regular schedule from here on out. Today is my review of Torture Princess: Fremd Torturchen, published in English by Yen Press.

The issue of gore and inhumane crimes’ presence in entertainment has always been a subject of much controversy. In the anime community, shows such as Elfen Lied and Goblin Slayer have ignited wildfires on message boards. Torture Princess has the potential to cause a volcanic eruption. And what a beautiful eruption it would be!

Torture Princess shows it’s edginess in its premise. Sena Kaito is summoned to another world in the body of a golem- after he is strangled to death by his father- to serve Elisabeth la Fanu, a lowly sow who has committed a ton of crimes and whose punishment is to hunt thirteen demons. As Kaito helps her on her quest, he learns about her and the cruel world she lives in and is slowly changed during his new life there. The events taking place in this volume are consistently violent and unsettling, but that’s not a surprise given the title of the series.

The characters, however, end up being a big surprise. I expected Best Girl Elisabeth to be a one-dimensional sadist and for Kaito to be a one-dimensional masochist. However, this volume quickly proved me wrong. In the case of the titular torture princess, Elisabeth is a strange combination of several dere types that somehow manage to work. She’s a two-sided coin where one side is the sadistic badass you’d expect, but on the other side is an emotionally insecure waifu that you just want to offer your shoulder for her to cry on.

Speaking of emotionally insecure, Kaito is one dark and disturbed kid. Who wouldn’t be, with a father like that? Although the numerous illegal practices of his father are a bit over-the-top, the mere presence of an abusive parents makes Kaito much more relatable to audiences than his Goody Two-Shoes cousins in other isekai. He’s also got a snarky personality, which leads to some great interactions with Elisabeth.

The third major player is Hina, an autonomous doll girl who ends up taking the role of yandere. I admit that she’s the weakest link out of the trio so far, but in terms of sheer personality she is one of the better yandere I have seen.

All of this wouldn’t be possible without the author’s prose. Torture Princess doesn’t try to pull off its angst with a straight face and end up falling apart; it embraces its angst and doesn’t care what you think. The prose portrays violence with elegance and grace, which is suitable to how Elisabeth looks when she takes down her foes. One of the few concerns I have is that the dark pasts of both Elisabeth and Kaito seem to be tackled in their entirety in this volume. I have no idea where it’ll go from here, but I’m going to put faith in the author.

I really like the art in this one. Elisabeth looks awesome on the cover, plus I commend anyone able to draw chain links and still have a hand attached to their body.

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Verdict: 9/10

Torture Princess is– surprisingly- one of my new favorite isekai of all time. I found it very immersive, and difficult to put down. It’s no Berserk, but you can probably count on actually being able to READ the conclusion to this one.

If you cannot stand things like blood and murder (of children, among other things), then STAY AWAY from this. If Goblin Slayer went over the line, then that line is a dot to Torture Princess!

But if you DO read it, I recommend reading it on Barnes & Noble’s nook app, just for the ability to change the style to white font on black paper. I decided to try that out halfway into the volume and it legitimately helped with the immersion!