The Emerald City of Oz: Somehow, a Volume with a Literal War in it Has Next to NO Action

L. Frank Baum’s Oz books had been steadily getting better, up until the fifth book, The Road to Oz. I really hope that it was just a fluke. Well, the only way to figure out if the series is getting better or worse is to continue it! Let’s jump into book six: The Emerald City of Oz.

In this installment, Dorothy’s aunt and uncle are S.O.L. And while a good therapist would tell you not to run away from your problems, Dorothy suggests to do just that! She has Ozma invite them to live in Oz forever. And what a time to move in, as the Nome King is planning to invade.

Up to this point, the government of the Emerald City has been well-established. However, when Baum gave us the recap of how it worked, I realized another prophecy of Baum’s. But this one, er… Well, to sum up, everyone has equal money in the Emerald City. Oz is a Communist kingdom. Aaaaah, American culture, you never cease to baffle me.

Anyway, the basic structure of this volume alternates POVs, from Dorothy showing her relatives around Oz, while the Nome King’s general recruits followers for his cause. I initially looked forward to this, because I thought, “Hey, we can reintroduce some of the minor antagonists from earlier in the series! Continuity!” However, I was once again an ignoramus for having hope in Baum. Instead of doing that, we are suddenly introduced to a number of one-dimensionally evil races, one of which is a literal race of furries (different from the ones in The Road to Oz). 

Not only are there new bad guys in this volume, but there are also brand new denizens of Oz. Classic Baum, constantly adding new things instead of expanding upon existing things. Because it’s whacky! The new races are as imaginative as usual, such as a race of people made out of puzzle pieces. There’s also a race of paper people, all created by a single girl—once again, Baum unwittingly stuffs sacrilege into kids’ brains. At least he has balls. 

But no matter how creative Baum gets, it seems I just cannot get immersed in this world. Everything in it is just distributed, and doesn’t feel… like anything. People still love this series so much? How? I can only see this being good at the time, before Tolkein raised the bar (a bar that is definitely not met even these days). It takes so much more than ideas to have good worldbuilding, and I expected more out of such a beloved series. I guess that’s one thing that it has in common with most modern stuff (Oooooh snap).

Honestly, I have nothing else to say. The climax is boring and rushed, possibly shoehorning in a new plot device that I’m supposed to have believed was in the Emerald City from the very beginning (I say “possibly” because it could’ve been mentioned and I forgot because I was bored). Oz researcher Peter Glassman, once again, acts as if this is the greatest thing since sliced bread. But this time, his reasoning seems to entirely rest on the fact that Emerald City has alternating POVs. This is what I hate about classic literature as a whole. People just laud them for being the first at doing something, as if that makes it better than any later stuff that does the same thing better. By comparison, I can at least say that Dracula is one of the best vampire stories ever. It was a no-nonsense thriller, where the vampires were real monsters that didn’t glow with shoujo sparkles. Oz is not Dracula.

It’s not all bad, though. There were a couple of interesting bits that I feel like should be brought up. First off, there is a place (I forgot what location was called), where its people had anxiety attacks over literally every possible negative eventually, even the super improbable ones. Baum, arguably, predicted the slowly deteriorating mental health of America. It’s exaggerated, but I actually related to these people, since I’m living in a world where the media will make everything out to be the end of days. There is also another case of Glinda the Good being not-so-good. They meet these rabbits who have been forcibly evolved to a civilized state completely against their will, and only because Glinda felt like it. That final book looms ever ominously before me, man.

~~~~~

Final Verdict: 6.7/10

Emerald City of Oz gets a slightly higher rating since it has some of the more inventive ideas (even if they are superficial). Overall, this book sucks. I would be glad to be finished with it, as it was meant to be the final Oz book. However, we are not even halfway. I’m suddenly Han Solo, because I have a bad feeling about this.

Two First Impressions of Two Psychological Manga

I initially come off as someone who only likes happy, fluffy stuff. And while that is generally what I gravitate toward, I do get that variety is the spice of life. I love a good, dark drama; the problem is that there aren’t a lot that satisfy both conditions. But for some reason, I’ve found manga to be my most enjoyed medium when it comes to enjoying the darker facets of the human psyche. And to show how insane some manga can get, here are two examples. Note that neither of these appear on BookWalker’s search suggestions, meaning only one thing: THEY ARE NOT FOR YOUNG’UNS. For fairness sake, both reviews are based on the respective mangas’ first two volumes. 


Back When You Called Us Devils

In this messed up manga, you have the most generic-looking kid imaginable: Yusuke Saito. Apparently, looks are deceiving. He’s been coming down with amnesia, but it isn’t long before some people show up who claim that he was a very, VERY horrible person in his past. 

And I mean horrible. Basically, the most messed up things you can think of, Yusuke allegedly did. I don’t even want to write the words for them, so here’s a basic TL;DR of his crimes: Goblin Slayer Episode 1. No, that’s not hyperbole. I have a good enough grasp of reality and fiction to not get messed up by it, but that doesn’t mean it won’t mess you up.

The main conflict is to get Yusuke to remember everything he did. Fortunately, helping him is his childhood friend who also happens to be one of his alleged victims: Aizawa Yojiro. Since Aizawa actually knows Yusuke, the process is simple: go to the places relevant to his past and jog his memory in said places. The story is fun (albeit a bit messed up), and I’m curious to see where it goes.

The hardest sell of Back When You Called Us Devils is no doubt the characters. If you couldn’t tell, everyone is basically evil. It doesn’t take long for you to find out that Yusuke is indeed what his victims claim him to be, but it feels very unrealistic for a kid to just be like that without the full story. Aizawa is Mr. Ends-Justify-the-Means, and does not hesitate to commit equally bad crimes if he darn well feels like it. Even Yusuke’s favorite victim, Akari Ichinose—whom he supposedly murdered (they have yet to show her dead body, which is a classic trope in pretty much all media)—is pretty messed up as well. She had some bizarre relationship with him where she lets him do whatever he wants to her and hopes it breaks him somehow? It’s something I can’t really describe, honestly; you’ll have to read the manga to find out!

The art is what it should be for this type of manga. It has a sketchy style, and the character design gives me a very 1990s manga vibe for some reason. Thankfully, a lot of the expressions are relatively subdued; a very rare design choice in this medium. Overall, it looks great.

Current Verdict: 8.5/10


My Dearest Self With Malice Aforethought

This manga ended up being, by sheer coincidence, similar to Back When You Called Us Devils; the main protagonist, Eiji Urashima, is also haunted by a dark past that’s about to bite him in the butt. But unlike the other guy, the reason is pretty well-known: he’s the son of LL, a serial killer. Eiji has been able to live a normal life, but he suddenly starts experiencing time-skips. The reason for this is B1, a split personality that seems to be more-or-less following in his father’s footsteps. Eiji now must find the truth behind, well, himself.

Dearest Self ends up, arguably, being more suspenseful than the other manga. Back When You Called Us Devils is built entirely around the anticipation of learning Yusuke’s past, the suspense being in us not knowing information. Here, however, we are fed new information relatively quickly. After all, we’re seeing the consequences of B1’s actions in real time. And every time we’re given that new information, it has the same “Oh crap” feeling that makes suspense good. There’s also a lot more action to boot.

The characters are, sadly, not too spectacular. Eiji is your typical thriller protagonist, where he starts off as super timid, but ends up becoming more and more like B1 as he’s forced to do uncouth things in order to find the truth. The most likeable character is this one loli whose name I actually forgot… oops. Basically, she’s that weird girl who’s super big-brain and knows how to do a lot of unconventional stuff that just so happens to be helpful in plot progression.

The art, for the most part, is much more modern than Back When You Called Us Devils. The eyes are very detailed, and there are a lot more instances of crosshatching and distortion effects. The faces are a bit more exaggerated, however.

~~~~~

Current Verdict: 8.65/10


Conclusion

These were both very fun, and dark manga that will probably never get anime adaptations. Of course, Naoki Urasawa can eat these for breakfast. But at the very least, these will do fine to tide you over if you’re waiting on more Asadora! to release. In fact, that’s basically why I decided to read these in the first place. Since both are finished in Japan, I should be able to put out full reviews of them sometime next year!

Weeb Reads Monthly May 2021

Another month, another delve into the light novel hole! Just for the record (which applies with all of these), the stuff I cover is less than 1% of what comes out each month. And yet, it’s still somehow less than the amount of anime that comes out every season. Geez laweez, this hobby is not easy!


Torture Princess Volume 7

This is it. Usually, when we have a perfect ending to a series, yet the series continues, it falls apart. For all intents and purposes, Torture Princess ended when Kaito sacrificed himself to seal away God and Diablo, all because he wanted Elisabeth to live. As the new main protagonist, Elisabeth comes across a strange man who tries to create an artificial Torture Princess. This guy, however, realizes that the person needs to be from another world for the whole thing to work. And it just so happens that he—somehow—has a girl who fits the bill.

This is mainly a dialogue-driven volume, a very different change of pace from killing two of the main protagonists. It boils down to Elisebeth having confrontations with these new villains and trying to figure out their motivation. The big thing is that Elisabeth going along with their plan would allow her to reunite with Kaito.

Speaking of these new villains… hoo boy. The ringleader, Lewis, is a pretty typical edgy villain guy; sadly, the weakest antagonist thus far. Fortunately, Alice Carroll more than makes up for it (get the obvious symbolism yet?). She’s royally effed up. Like, beyond belief. She acts all happy when she’s walking on guts or ripping butterflies, yet you can tell that she’s been through things. She has this trauma associated with having to apologize to people and it’s really messed up. Lewis, well, he did a good job making a Torture Princess, that’s for sure!

Overall, it’s a tense volume, with some action on the side. I didn’t enjoy it quite as much as others, but that could be because of the drastic change in insanity from the previous volume, as well as my worries that the series will suck by going into a second act. But for the time being, Torture Princess has yet to disappoint!

Verdict: 8.9/10


Dungeon Busters Volume 2

It’s been too long since we’ve had a new volume of this pleasant surprise of a political fantasy. I loved how JRPG mechanics were integrated into real life ethics and economics in the previous volume of Dungeon Busters. We only got the tip of the iceberg then. Hopefully, with the groundwork laid out, the LN can start in earnest.

After getting an infodump on the various world events associated with the Dungeon phenomenon, Ezoe celebrates his first Dungeon clear. This accomplishment makes him quite notorious, and helps further the development of Dungeon Busters, Inc. Things around the world get shaky as well, with countries that aren’t Japan making pretty much no progress. There’s also a preview of someone with their own waifu card abusing their dungeon powers and causing mayhem in South America.

The problems I had with the first volume look like they’re going to stick. As before, Dungeon Busters seems to take its sweet time. It’s necessary, sure, but it doesn’t help someone whose schedule is as tight as mine is. The characters are also quite unremarkable, with the exception of Ezoe, and this bland cast is only expanding. We get a large number of new faces thrown at us, and the end of the volume teases SIX new, plot-relevant characters to be introduced.

My other issue is with the politics, especially now that this aspect has gotten fleshed out drastically. I have no real authority to vouch for the accuracy of these politics. It feels accurate, but that’s only because of the negativity that I experience around me. Sometimes it feels mature, and sometimes it feels like a twelve-year-old with a false understanding of politics.

Because of how heavy the political aspect is getting, I see Dungeon Busters as a source of anxiety for me moving forward. I seem all cool and stoic on this blog, but in real life, I’m a basket case struggling to merely feel like I have a right to my own existence. I am pounded by so much contradictory information, and I am currently unsure how to even live my life. While this is an alternate universe, it still feels very true to real life, and some stuff in here is not helpful for someone who’s trying to make sense in the midst of all the noise.

Verdict: 8.65/10


Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? Volume 9

It feels like there shouldn’t be much more to this series. After all, we beat the Libere Rebellion. And yet, there’s still more. What new plot thread could be woven now?

If you couldn’t tell from the cover, this is the Christmas special. In an attempt to give the three remaining Kings a redemption arc, they turn the Kings (along with Masato because of lolz) into babies. They must forge new memories with Mamako and Hahako as they experience the classic Christmas spirit.

The conflict in this volume revolves around our resident spoilsport, Mone. She goes a little bit crazy and ends up causing a big ruckus. The young’uns will have to reexamine the relationship between mother and child once more in order to resolve this one. Other than that, the ending teases the finale. However, the author’s plan to end this eleven-volume series at volume ten is worrying.

Verdict: 8.7/10


ROLL OVER AND DIE Volume 3

So, the last volume was insane. How are we going to top eyeballs that absorb into people’s skin and turn them into mangled scabby flesh blobs? The only way to find out is to read the third volume of one of the best yuri LNs on the market!

As usual, this volume starts off slow and dialogue-driven. We learn about Gadhio and his motive for trying to take out the Church. We also see some chemistry between Sara and Neigass, even if it’s for all of five seconds. 

The real premise of this volume is the Church’s Necromancy project. Plain and simple, their thing is using Origin cores to bring people back to life as their actual selves, as opposed to, well… you know. Of course, in keeping with series tradition, that goes in the direction you’d expect. I.e. Spoilers which aren’t really spoilers, the people brought back to life aren’t really their actual selves. WHO’DA THUNK IT. Anyway, this volume easily tops the previous one during the insanity and heightened emotion of the climax. The ending shows some big changes coming to town, none of which benefit our protagonists. I can’t wait for the next release!

Verdict: 9.8/10


Conclusion

Well, I barely got this done in time. I literally just finished that Dungeon Busters volume yesterday. And oh boy, it looks like everything I care about in June will be coming out within the last ten days of the month. Hooray!

Weeb Reads Monthly March and April 2021

Man, going on hiatus stinks. I’ve been backed up with so many posts, that I don’t know what to do! As such, this is going to be a massively long Weeb Reads Monthly. Fortunately, I only had one book for April. Nonetheless, you’ll want to grab some popcorn here!


Re:ZERO Volume 15

It was nice being ahead of the anime. At this point, the second season has likely finished the Sanctuary Arc and started a bit of the next arc. Fortunately, us losers who read the light novels at least get to complete the former before we’re left behind. 

So, in this volume, Subaru and Co. have to beat Elsa, the moe-blob beast tamer whose name I keep forgetting, and get Beatrice, the most stubborn waifu ever, to leave the stupid library. Oh, and Emilia has to FINALLY finish the dumb trials! That’s a lot to do, and it’s impressive that it’s all wrapped up here.

The only real flaws are that the fights are awful. They always were, in my opinion, but it sucks that they haven’t gotten better. You really have to like Re:ZERO for the story or you won’t like it at all. The other issue is that Beatrice really is a stubborn little b****, and they waste time by reiterating her tragic backstory over and over again to make us have feels for her. I liked this arc, but man, it overstayed its welcome!

Verdict: 8.9/10


Combatants Will Be Dispatched! Volume 5

In this volume of Combatants Will Be Dispatched!, we finally get to see the Demon Lord. It wouldn’t be an ecchi light novel if said Demon Lord wasn’t a cute girl, and as such, she’s a cute girl. The new character is named Viper, and she’s basically a parody of the overly self-sacrificial sad waifu. Remember kids: committing suicide is bad! Obviously, she’s no Grimm, but to be honest, she’s probably my least favorite character so far. Her martyrdom is kind of annoying, even when compared to the ever-scummy Six and Snow.

Anyway, the main conflict is them having to fight the Sand King. Action was never this author’s strong suit, and the fight in this volume is pretty unceremonious. There is a fun twist towards the end, but other than that, it’s pretty typical Combatants stuff.

Verdict: 8.35/10


Infinite Dendrogram Volume 14

As expected, the entirety of this volume is the fight that ensues at the summit thingamajig. After being withheld from seeing Nemesis’ fourth form, we waste no time seeing it now. It’s another cool and unusual power that further cements Ray as having one of the most interesting fighting styles among self-insert LN protagonists. The first major battle is against the King of Beasts, whom we’ve been building up to for a long time. And to no surprise, the fight does not disappoint. 

If these fights showcase anything, it’s that Ray still has a long way to go. I mean, c’mon, Dendro really is unfair when it comes to the one-of-a-kind, game-breaking boss drops. Nonetheless, the fights are incredible and engaging. 

Most LNs with all fights would be just that, but Dendro isn’t like most LNs. In the aftermath of the summit war (not to be confused with the Summit War in One Piece), we get some crazy new developments. Sadly, we aren’t going to know what happens next for a while, because apparently, something else was happening at the capital of Altar at the same time. Hopefully, it’ll give us some context on what the hell is going on.

Verdict: 9/10


So I’m a Spider, So What?! Volume 11

This series was finally getting good. A swathe of plot revelations have been brought up: our intrepid hero is a creation made by D, out of sheer laziness, and said intrepid hero becomes an intrepid villain. Ooooh, moral quandaries, even though no one else in the series is likeable so it doesn’t really work! Anyway, with this volume, So I’m a Spider, So What?! should finally be banging!

Having hope was my fault. 

Where the spider stands now, Shun’s red-shirted brother Julius is eleven years old. That means this volume is all about him. Look, I’ve seen all kinds of opinions that I disagree with, but this is a rare time where I’ll question your character if you like this volume. People seem to think that any and all character development is good, but I think this is an example of BAD character development. Sure, we learn about this man and his emotional insecurities or whatever, but… who cares?! It’s not just the fact that we know he’ll die; it’s that his existence has no bearing on the story. Good character development is, you know, ANY character in One Piece. This is just filler disguised as something good. If you have a good reason to defend this volume, let me know in the comments.

Verdict: 4/10


Cautious Hero Volume 6

So, the end of the previous volume was a thing. We have an established final boss, for starters. Oh, and Seiya gets sent back to earth, and is not allowed back. However, that last part is not in play for long. You see, the aforementioned final boss, Mersais, makes a big mess of reality. In order to fix it, they need to defeat her. But since the spirit world is out of commission, they need to restore three of the messed up worlds to establish a connection with where Mersais is, the first of which is Gaeabrande. 

Seiya is better than ever, obviously. But without a spirit world, where can he train? Fortunately, he is able to set up shop in the underworld. There, he lives with these twins who vomit blood on a regular basis. Also, everyone in the underworld is horny for deities. Good thing Cersceus comes with them; he can be used as a meat shield.

Overall, this volume is as good as usual. And despite the fact that we’re reusing assets, Seiya still learns new, interesting powers that further vary his fighting style. Also, there’s a sense of nostalgia for going back to these old worlds, even if the realities aren’t real.

Verdict: 9.35/10


Last Round Arthurs Volume 4

In case this series didn’t love Fuyuki enough, this volume is about her too. Or rather, the lack thereof, for she has a run-in with the leader of the Dame du Lac, and her existence is erased from everyone except Rintaro’s memories. The solution ends up being a quest for the Holy Grail, which Arthur himself couldn’t even get.

To put things bluntly, this volume is about as banger as usual. The action is intense, and the chemistry with the characters is just so darn good. The premise of Rintaro battling his “emo inner demons” has been becoming a bit of a running theme, but it looks like that’s FINALLY resolved here. Also, based on how this ends, there’s a good chance that the next volume will be the finale.

Verdict: 9/10


Eighty-Six Volume 7

It took seven volumes… No, not to capture the Merciless Queen, but something much more important: fanservice! We have a scene of them swimming in the mixed bath, which is supposed to be justified by some bigwigs wanting them to get a whiff of normal life after their constant sortieing. It’s about what you’d expect.

Fortunately, it’s not all filler. After some more of the typical reminders that Eighty-Six is actually a social commentary on racism, we finally get to speak with the Merciless Queen. Unfortunately, due to the fact that she has to be the “enigmatic character who withholds information for no reason”, we don’t get legitimate answers until three quarters into the volume.

Of course, the most “important” part is the party at the end. It would’ve been enjoyable, if I liked more than two of the characters. At the very least, we finally get to see resolution with a certain something (i.e. the something that fans are intended to have wanted the most out of Eighty-Six).

Verdict: 7.85/10


Rascal Does Not Dream of Siscon Idol

Ugh, this crap again. I have no idea how I stuck with it for this long, considering I don’t really like it at all. Anyway, Mai switched bodies with her failure idol of a stepsister, Nadoka Toyohama. While Sakuta has to figure out how to fix this, the girls have to get used to life as each other.

Man, this volume… to be blunt, I hated it. Sakuta doesn’t even do anything to figure out the problem; he kind of just goes with the flow. And honestly, this whole thing is a perfectly normal sibling rivalry drama. 

I just don’t get it… I understand the appeal of relatable issues, but I don’t understand why people laud writers who just take those same scenarios and put a supernatural spin on them. It’s the same thing, but with a cosmetic difference, yet it’s widely considered to be different. I’m any case, it’s safe to assume that I’ll be giving up on Rascal Does Not Dream for good.

Verdict: 5/10


The Invincible Shovel Volume 4

In this volume, every orb is collected. All that’s left is to defeat Zeleburg. Unfortunately, since Lithisia evolved into a shovel, the orbs don’t consider her part of the royal bloodline anymore. SO… they’re useless.

Fortunately, they just march into town and fight him with shovel powers. The usual antics ensue, and Catria gets shoveled more than ever, thanks to a shovel resisting device that needs to be recharged by her getting shoveled. We are also introduced to the shapeshifting demon, Elise, disguised as the pre-shovel Lithisia. Catria takes a liking to her, but sadly, Elise inevitably digs her own grave, just like everyone else.

Overall, it’s a great volume. However, the author might have dug themselves into a corner. You see, the volume ends on an insane cliffhanger, and after that is an author’s note saying “What the hell am I going to do with this?”. I have no idea how much longer the story goes on for, but chances are that Invincible Shovel is going to shovelplode on its shoveself.

Verdict: 8.25/10


Torture Princess Volume 6

This has been one of my favorite light novels of all time since release, but apparently, not enough for me to not miss a volume. In fact, it’s been four months. By the time you’re reading this, volume seven will have come out. But for the sake of being able to talk about it without spoiling THIS volume, I have to save that blurb for May. 

Anyway, shit’s hit the fan. Elisabeth and Jeanne were all means to an end, that end being to have God and Diablo bring about the apocalypse. Kaito has to take matters into his own hands, which is actually easier done than said, since he’s gotten so powerful at this point. Because of how things stand, he gets a real chance to wear Elisabeth’s shoes for once. It’s quite engaging, if I do say so myself.

As expected with Torture Princess, this volume is utter bonkers. We don’t just get insane new plot developments, such as the Saint’s backstory; there’s also a ton of battles against truly nightmarish critters. The ending is, well, a mindf***. And according to the author, this was just the first arc. So, I guess it was a blessing in disguise that I only had to wait one month for the start of part two. 

Verdict: 9.85/10


Conclusion

Boy, that was long! Hope you enjoyed this little college thesis. I’ll be back next month with the seventh volume of Torture Princess, and hopefully other good stuff. Oh, and that’s assuming I don’t end up mashing May with the June stuff (which is just as likely).

The Marvelous Land of Oz: The First of Many Oz Sequels

I didn’t like The Wonderful Wizard of Oz, but I was curious about its future installments. However, when I opened up the second Oz book, The Marvelous Land of Oz, I was immediately presented with an author’s note, straight from L. Frank Baum himself. To paraphrase, it said that he was compelled to write a sequel at the behest of his fans. 

This further cements my original point with the first book. Similar to modern bad isekai, the writing was bare-bones, the characters were brain-dead and inconsistent, and the world lacked any semblance of rhyme or reason. And the cherry on top… he’s making it up as he goes along! Well, as someone who loves battle shounen, I can’t immediately rule out the possibility that Marvelous Land could be enjoyable. So without further ado, let’s begin!

In The Marvelous Land of Oz, a boy from the northern parts named Tip has a crap life. He’s stuck slaving away for Mombi, an annoying old coot that nobody likes. As a prank, Tip creates a vaguely humanoid figure with a jack-o’-lantern for a head (creatively named Jack Pumpkinhead by the way). Mombi uses this Powder of Life she (illegally) bought and brings Jack to life, after which Tip grabs him and they haul ass to the Emerald City.

Right off the bat, most of the issues from The Wonderful Wizard of Oz are present here. The story is, once again, incredibly haphazard, with every action feeling incredibly arbitrary. In fact, Tip and Jack don’t even know why they want to go to the Emerald City in the first place. 

I can at least appreciate the gumption that Baum had at the time. The creation of Jack, followed by the eventual creation of the saw-horse (a log with a horse-shaped head) is a pretty direct defiance of God. Frankenstein, which was a hip new novel at the time, did the same thing. But since this was a kids series, what Baum did was much more controversial. And while Frankenstein is supposed to be a social commentary on how humans shouldn’t play God, Baum doesn’t even remotely make any ethical quandary out of Jack and the saw-horse. Of course, now that every other fantasy world has an evil religious cult, the ballsiness of Baum’s efforts are kind of… non-existent by modern standards.

But you know what, there was something else about Marvelous Land that can be considered pretty groundbreaking. The main conflict of this novel ends up being the Army of Revolt, who usurp Scarecrow from his throne at Emerald City. The big humdinger about this is that the Army of Revolt are all women, tired of sexism. Unfortunately, like before, this is another case of an already-existing novel for older audiences conveying themes better. Feminism was already a thing thanks to Jane Eyre (thank you, Friends episode, for teaching me that without me having to read it). 

Also, Feminism is presented poorly in this novel. First off, the Army of Revolt is incredibly stereotypical. Their primary motivation for storming Emerald City is to use its tax money on clothes and jewelry. Plus, their weapons consist entirely of knitting needles, which can definitely hurt, but are still very “womanly”. Furthermore, the reader isn’t allowed any form of interpretation or moral ambiguity when it comes to the Army of Revolt; they’re antagonists, which means they’re evil.

One of my biggest issues with Marvelous Land in particular is one scene that, honestly, makes me question whether or not Baum ever received an education. Tip and Co. obtain a magic item, and the conditions to activate it require them to count to seventeen in increments of two. Since seventeen is an odd number, this seems impossible. One logical solution is to count by halves in increments of two, thus counting in increments of one whole number as a result, which sounds like the solution that actually gets proposed. However, they count to .5, then to one, then just count in increments of two from there. I reread their explanation for how that’s supposed to have worked at least five times and I legitimately did not get that logic. Does the magical item round to the nearest whole number when decimals are worked in? If you’re a calculus major or something, then please comment as to how that’s supposed to work.

Fortunately, this novel has a far better sense of humor than the previous novel… I think? The thing about media from decades’ past is that we modern people find things funny that weren’t at all intended to be funny. One line of dialogue I actually chuckled at was them encountering some asshole, and Jack casually commenting “What a nice guy!” It was funny because I had no idea if it was actually supposed to be sarcasm or not (since Jack was just born). Also, someone needs to make an Oz tier list fast. In the previous book, we learned that winged monkeys are SSS-tier, even more so than any of the Witches of the Cardinal Directions. In Marvelous Land, we learn that twelve mice are more powerful than professionally trained military personnel. Again, I have no idea if it was meant to be funny or if Baum was off his rocker (since the whole story was improvised). 

The characters are also much better… to a point. Jack would be an interesting “robot” character, but he’s pretty much sworn absolute loyalty to Tip; add breasts and he’d be no different from your typical objectified waifu. Since he considers Tip his father, it’s probably a consequence of that fact that dad was the end-all-be-all alpha-and-omega of the household at the time. Sadly, that’s about it for the cast. Tip and Mombi aren’t too interesting, and Jinjur—the leader of the Army of Revolt—is too contradictory for her ilk.

However, there is a potential silver lining. Of all the returning Oz characters, the most interesting ends up being Glinda the “Good.” Notice the quotation marks? Since she’s Miss Helps Everyone, Tip and Co. end up asking for assistance to deal with the Army of Revolt. Bizarrely enough, violence is her first solution every step of the way, despite how good she’s supposed to be. This could be setting up for a very complex character later on (since she’s the star of that ominous-looking final book and all). Unfortunately, I could be reading too deeply into this. After all, this was the time when extremism in Christianity was more prevalent, and it was understood that any heinous crime is justified as long as the victim is “evil.”

One of the biggest redeeming factors comes at the end. Of all the gutsy things Baum tried thus far, the big reveal in Marvelous Land is legitimately huge, putting the book about a century ahead of its time. In fact, I don’t even think Baum himself knew how significant it would be when he was writing it!

~~~~~

Verdict: 6.85/10

The Marvelous Land of Oz isn’t great, but it’s better than The Wonderful Wizard of Oz (also, the illustrations are no longer superimposed over text). It at least gives me hope that the series will gradually get more and more trippy (and better) moving forward. Here’s hoping that I’m not wasting my time!

I Miss Hard Science Fiction: A Rant

Honestly, I don’t even know if I wanna post this, but it’s something that’s bothered me for a couple of years and I wanted to get off my chest. If you’re familiar with my other rants, you’d know that I had very different tastes back when I was a teenager. I was SO edgy, I did things that not even edgy kids did. For music, I only listened to classic rock. For movies, I only watched old movies; from classics like Dead Poets Society to freaking Spellbound (which is a boring slog that’s only any good in the climax). And for books… I read hard science fiction. 

Hard? Haha, like a—

I know it’s a euphemism, but hard science fiction is a genre. Think of popular science fiction like Star Wars. Epic battles, witty dialogue, memorable characters, spectacular spectacle… Now, think of the opposite of all that; think of Star Wars’ rival older cousin, Star Trek. Slow pacing, tons of dialogue, tackling some very difficult ethical issues… That is hard science fiction. 

As implied by the title, hard science fiction is meant to read like a history book of the future. And also implied by the title, it’s difficult. Perhaps more difficult than any genre to comprehend. They really pour everything into trying to make their worlds as immersive as possible, and it’s a damn undertaking. Tolkein was impressive enough with his Middle Earth. But hard SF authors had to do the same thing, only with multiple star systems, each with as much history as Middle Earth itself. Most adults would have a hard time reading it, and as a teenager, well… Results varied.

Greg Bear

Okay, so, technically, my first hard SF novel was Hitchhiker’s Guide to the Galaxy. But, well, that one is just technically a satire and definitely not meant to read like a future history (right?). However, when I first bought it, I saw some books by a Greg Bear next to it. And, well, after finishing Hitchhiker’s (and almost having my brain fall out), I tried out some good ol’ Bear. You saw the last two words of the previous passage, right?

The first novel of his I read was called Darwin’s Radio. The premise was simple.: Sscientists discover ancient cave drawings (or something) that show that mankind has been slowly evolving into a new species. There was a lot of dialogue, a lot of which was just buildup to the revelation that mankind has been evolving in the first place (oops, spoilers).

As expected, racism is the immediate public response (side note: one of my most distinct memories is Bear actually writing in dialogue from a certain someone who I can’t name because he was a celebrity until people realized he was a rapist. But it’s still funny how it makes the novel dated due to whom Bear chose). This isn’t “racism” as we know it today; unlike people with other ethnicities, this is a legit new species. And another curveball is that mankind had a decent basis to become racist. Due to how evolution and natural selection works, Homo sapien was essentially going to go extinct due to this new species, and thus they respond in fear, which is expressed in the form of racism. 

I remember being both bored and engaged with the novel at the same time. It was weird, but I loved it. There was also a sequel, Darwin’s Children, but all I remember is that there’s some kind of concentration camp for kids of the new species and it’s supposed to make us, the readers, angry that they’re being treated that way. One big issue with both novels is that they had incredibly loose endings. To this day, I have no idea if Bear wrote a third book (or if he even still writes). 

The Bear doesn’t stop there! I was hooked enough on his writing prowess to read a rather thick standalone novel: The City at the End of Time. This book went places. What I remember most is that there were these people who had these emblems and had to stop… something from happening. It was nonsense for the sake of nonsense, from the objects getting folded and crumpled into incomprehensible shapes, to cats guiding some guy through some weird castle. Beautifully written, but with no purpose nor meaning. After this, I would read several pretty lackluster standalones from Bear, and then…

I read Queen of Angels. A lot of positive reviews consider this his best novel, and I definitely agree. It had two different plots going on at once. Half of the book focused on this old guy (that I remember picturing as Jerry Stiller for some reason) who was supposed to investigate a murder, which would eventually involve entering the accused’s consciousness, and the other half was about some other guy who had to help an A.I. attain sentience. It was an amazing mess, with themes focusing on mental health and what constituted as being sane in the first place. It iconically ends with an entire page of I’s spelling out a giant capital I. Hilariously enough, it’s actually part one (or even part two) of a four-book series, and I didn’t know that because it ended so loosely, like all of Bear’s other books. I have not read Queen of Angel’s sequels to this day.

Kevin J. Anderson and Stephen Baxter

I was mixed towards Greg Bear. Afterwards, I would try to read Isaac Asimov’s Foundation series, and fail spectacularly. It was too large in scope for me to handle, and I have always wanted to re-attempt at reading it to completion someday. However, after having given up the ghost with Foundation at the time, Kevin J. Anderson and Stephen Baxter would help hook me on hard SF.

Anderson writes books closer to Star Wars in pacing and action, but with more hard SF scope and mind-bending concepts. His epic series, Saga of the Seven Suns, was the first long book series I was able to read to completion (yes, before Harry Potter), and I remember it being great. I also read the much more recent sequel trilogy, Saga of Shadows, but I don’t recall it being as good.

If Anderson was the weak attack that staggered me, Stephen Baxter was the heavy finishing blow. I only read two novels from him, but they were bangers. I forgot their names, but I definitely didn’t forget what they were about. In one, the main character is trying to find his missing ex (or something), and stumbles upon a secret cult of women who have lived underground for so long that they evolved into an entirely different species. The other one is supposed to have been that book’s sequel, even though it’s set about a million years in the future, and involves some guy who needs to fight aliens… of some kind. Baxter wrote a lot of wild stuff, but my library decided not to stock them. He would’ve become one of my favorites if I had more access to his bibliography.

Alastair Reynolds and Peter F. Hamilton

Now I was getting into the good stuff! I recall Alastair Reynolds and Peter F. Hamilton being real good at incorporating crazy ideas in ways that were relatively easy to comprehend thanks to their writing prowess. Their novels felt like narratives, and not history books. 

My library had a lot of stuff from Reynolds in particular, so I was more familiar with his works. He was definitely the more imaginative of the two authors discussed in this section. To list off a few examples, Reynolds’ novels include but are not limited to: a disease that fuses people with nearby machines, a mad scientist plan of reversing a planet’s rotation, someone getting cut into 150 individual pieces while still being alive (sort of like Law in One Piece), and some alien race’s simulation of an alternate 1950s where WWII never happened, which was also infested with mutant five-year-olds for some reason. 

Peter F. Hamilton is a guy who thinks big. He’s written a lot of books set in various eras of his fictional Commonwealth world. I mainly read the Void Trilogy. It was… complicated, but I remember it being about this guy who dreamt of a parallel dimension where some wizard boy is supposed to do… something. There was also some android girl being chased by an assassin, maybe? I always wanted to read his gigantic Night’s Dawn Trilogy. But since I have this blog, and that series is about 4,000 pages in total, I think I will not be able to fulfill that desire.

Kim Stanley Robinson

Things got iffy again with Kim Stanley Robinson. From a literary standpoint, his books are absolutely phenomenal (at least out of the ones I read). They are among the most realistic-feeling science fiction novels I’ve experienced. He’s most known for the Mars trilogy, which is an incredibly well-thought out epic showcasing mankind’s colonization of Mars. It felt so real it was like reading an actual history book from the future.

But given what I think about realism, Robinson’s books didn’t do it for me. They were so real, so human, so grounded in reality, that I couldn’t get emotionally invested. I just don’t like people very much, and the characters all felt like people. Also, the hypothetical politics regarding things like preserving the natural beauty of Mars, to a parallel of the United States declaring independence from Britain, felt so real that I hated them as much as regular politics. If you can get into this guy’s stuff, then you’re a lucky duck.

Ending on a Great Note

I read one or two books by several people for a while, all with varying degrees of success. The last hard SF media I’d consume would be the best of all of those previously discussed. It was written by Cixin Liu, a Chinese SF author. I know, controversial little China.

Yep, I’m talking about the Remembrance of Earth’s Past Trilogy, better known by the individual novels: The Three-Body Problem, The Dark Forest, and Death’s End. THIS was a thing! Remembrance of Earth’s Past is a simple first contact story, but with none of the tropes and all of the innovation. It begins when a Famicom-style adventure game is released, and is meant to test people on how to solve the titular Three-Body Problem. Those who solve it are roped into a secret first contact cover-up that ends up being publicly revealed anyway (I forgot exactly how). I will be spoiling the rest of the trilogy from here!

It starts off slow, but gets REAL crazy. In the second volume, the aliens have more-or-less announced their presence, and the government—in desperation—assigns five random people, offering all the resources that can be provided to stop the aliens. These people cannot actually communicate what they come up with, or else the aliens will know. Almost every single person comes up with something unethical, like destroying or brainwashing humanity along with the aliens. The one guy who spends most of his money on a summer home with his girlfriend (I think he actually bought the girlfriend too I.I.R.C.) comes up with the best solution. The basis for the solution is the Dark Forest theory, which I think deserves to be recognized as the best hard SF theory since Asimov’s Laws of Robotics. From what I recall, the Dark Forest states that all civilizations are hunters in a dark forest; they try to keep themselves hidden, and indiscriminately pick off any sign of life they see. In galactic terms, this means that aliens will not attempt first contact in the grandiose way you see in movies; no, they will fire a probe and end it stealthily. No peace, no war. The guy’s solution is a thing that will alert other aliens to Earth’s existence, which will scare off the current aliens, but doom mankind.

It’s cynical, and if you’ve read a lot of my blog, you’d know how I feel about cynicism. However, Liu does cynicism in a way that’s almost beautiful, and Death’s End shows it. It does start off confusing at first, because its main protagonist is a diplomat sent to the aliens during the events of The Three-Body Problem. All this time, he’s been schmoozing the aliens. But in the meantime, the aliens have pulled a 2112 and assumed control over humanity. A butt-ton of the human race gets killed off (by androids or something), and it’s at this point that the Dark Forest Flaregun thing is used. After a series of reality-bending events, we learn that the weapons that various alien civilizations have been using on each other have been slowly reducing the universe to nothing, one dimension at a time. Again, it’s cynical, but beautiful. This is hard SF at its finest. You should be able to see why I miss this genre so much. 

But… Do I Really Miss It?

I’ve been thinking of getting back into hard SF. But at the same time, I don’t know if I can. Since finishing Liu’s books, I have become fully immersed in the otaku world of manga and light novels, while also focusing on kids’ and teens’ literature in general. 

As an example, I already made an attempt to return to the genre as recently as 2019. I read the self-titled opener of Peter F. Hamilton’s newest series, Salvation, only a few months after it came out. I did not like it. It started out with your usual premise: aliens send spies to live among humans, yadda-yadda-yadda, and some ship crashes in Antarctica or something. I know that setup is a thing, but Salvation is 99% the backstories of the main characters with 1% alien intrigue, and only two of the characters’ stories are actually plot relevant I.I.R.C.! The reviews on GoodReads were smarter than usual, and they mostly checked out positive. As such, I blamed myself. I was dumbed down by otaku culture, and could no longer enjoy hard SF. I no doubt would have loved it if I had read it as a teen, but ironically, I didn’t love it as an adult.

The way I look at things from a writing perspective has changed. I attribute long bits of dialogue as infodumping, for example. I’ll criticize lack of action, too. Also, ever since reading stuff like Monogatari, I probably would attribute any themes explored in hard SF as pretentious bullcrap. But most importantly, I have realized that those books contained an excessive amount of… sex. People say ecchi is bad, but there’s entire markets here in the good ol’ US of A that revolve around sex. I hate confessing this, but, er… this is how I first learned about the process. It wasn’t like watching “that video” in health class, but it was pretty close. I recalled not being disgusted as much as confused.

But there is one glimmer of hope, that I probably shouldn’t bother hoping for, and that is the impossible union of hard SF scope with the youth and accessibility of children’s media. As far as I know, it has been attempted thrice. The first time is the famous Time Quintet, starting with the iconic A Wrinkle in Time. It’s kind of… something. While the application of hard science is good enough, it has some of the usual bullcrap. The main protagonist, Charles Wallace, is one of those “special-for-no-reason” characters, and good ol’ nakama power ends up winning the day. Other than that, there’s the usual ham-fisted commentaries against Communism that show that the author grew up during the Red Scare. I think the series has aged relatively poorly, overall.

However, the glimmer of hope shown once more in two obscure and modern series, the first of which is called Randoms. It was a trilogy that started off like a typical wish-fulfilment fantasy, but ends up going into Star Wars Episode I-levels of space politics. I was very interested, but a lot of very arbitrary and forced drama scenes would come up starting in the second book and make me really livid. I actually haven’t finished the series, but since book three is the shortest, I might just push myself for the sake of discussing it in more detail.

There was also hope in The Chronicle of the Dark Star Trilogy. I read this one to completion only a few months before starting this blog. It had scope, it had hard science, it had youth, it had ethical quandaries; this one was a winner! It handled the ideas of time travel and multiple universes in ways that made it easy for kids to grasp. It only had two problems, the first of which was that the main protagonist was just as special as Charles Wallace (the characters literally say stuff like “Wow, you’re the only human who can time travel without exploding!” and it never gets explained). I also did not like how the series resolved. In the final book, the plot basically becomes a Star Trek episode, where the characters find this weird thing, and endlessly discuss how weird the thing is. In the climax, it ends up being almost a clone of the climax of Wrinkle. And similar to that, the main character ham-fists those American values of “individuality is more important than survival of the whole race!”, and leaves no room for debate nor interpretation. And of course, everything ends happily for all those involved. This could’ve been something to raise ethical debates, but like in The Giver and Arc of a Scythe, it reinforces the same viewpoints that readers have grown to understand instead of making them question those viewpoints. I know of no other hard SF series for young’uns, and if there are any, tell me in the comments!

In conclusion, I—to this day—have no idea if I want to try hard SF ever again. It takes me all of my free time just to keep up with manga and light novels, even after I get more gung-ho with DNF’ing stuff. This is something that will haunt me to my dying day, that’s for sure. In any case, if you’ve made it here, you’re amazing! If you’d like, leave a comment on your sci-fi experiences and tell me if there’s anything in this ballpark you’d recommend.

Weeb Reads Monthly – September 2020

I definitely like this new monthly format for light novels. In fact, I’m going to keep at it for… er… ever. Since I’m doing this right out of the gate, there should be a lot more books to discuss in this post. So, bear with me as we tear through the month’s newest releases!


So I’m a Spider, So What? Volume 9

I discussed this series a long time ago, in a post where I compared it to Overlord and That Time I Got Reincarnated as a Slime. Since then… it’s been the only one of the three I haven’t dropped completely. The series has kind of been in a slump for me lately; after the twist in volume 5, we finally know what’s going on, but after that it’s been a bit of a trudge to get to the good stuff. Looking at the table contents, one chapter towards the end stands out like a sore thumb. Maybe this is when it gets its act back together?

Sadly, the first half of the volume is not particularly exciting. They FINALLY reach the demon realm, and they just cozy up in Ariel’s house. In fact, the interludes seem to have more plot relevance than the main story, such as some side chapters featuring Mr. Ogre-boy from the last volume.

Other than that, Spider is kind of hit-or-miss as always. The volume’s climax is a battle against Ogre-boy, but it’s marred by exposition, and I—to be honest—never really understood what his point in the story is. Anyways, like I mentioned earlier, one chapter stands out, and there is definitely a revelation. Buuuuuut, when we get the whole story, it’s kind of stupid (our girl even reacts as such). And as things stand at the end of the volume, it seems like the next one is going to be back to our regularly scheduled mundanity. I will not be counting these eggs before they hatch!

Verdict: 7.5/10


The Invincible Shovel Volume 3

Alright, it’s time for some more Invincible Shovel! This is about the point where the series ends up becoming repetitive. But if there’s one thing that’s interesting, it’s Catria of all people. She has fought tooth and nail to not fall victim to Lithisia, who has basically evolved into a half-human, half-shovel entity. Her sword has literally become a shovel. But in this volume, Catria starts to do shovel techniques, while still trying to deny that she’s getting shoveled.

Another interesting thing to note is that Invincible Shovel seems to be setting itself up for the endgame. MyAnimeList still says it’s publishing, but it could be wrong. I have a theory as to what a future arc could be, but we’ll have to wait for that point to find out. Otherwise, it’s the same shoveltastic comedy it always is!

Verdict: 8/10


Deathbound Duke’s Daughter: Erika Aurelia and the Angel’s Crypt

I gave the previous Deathbound Duke’s Daughter volume a lackluster score, but I had some semblance of hope for the future of the series. It had a very whimsical world, even if the characters were just about as plastic as any slice-of-life fantasy.

In this volume, Erika goes to Ignitia where she meets the city’s charming prince, August. The really long first chapter is basically to introduce us to the city and the fact that there’s this titular Angel’s Crypt. Erika knows that she is to be murdered by this beast in said Crypt, which August thinks can grant his wish to be better at dragon riding.

Overall, I felt like this volume was slightly better than the previous one. Once it picked up, things got pretty fast-paced and adventurous. Unfortunately, I don’t think it’s good enough. August is a typical “bastard child trope”, and felt so manufactured to me; he has absolutely zero hesitation in selling his soul to a demon in order to get his wish. Also, they try to hide who the villain is even though the color pages straight-up tell you who it is (but it’s still predictable regardless). 

Verdict: 7.55/10


Combatants Will Be Dispatched! Volume 4

I’ve been loving Combatants Will Be Dispatched!, but the biggest issue with it has been trying to write a substantial review of the newest volumes. Fortunately, with this new format, I can put in a short blurb and it’ll be fine! Let’s see what Six’s latest adventure has in store for us.

This volume serves one purpose, and that’s to properly introduce a new waifu: Lilith. If you recall, she’s one of Six’s superiors; the mad scientist of Kisaragi. Sadly, she’s my least favorite protagonist so far. There’s nothing wrong with her, but she just falls short of Best Girl Alice and Besterest Girl Grimm. A lot of her lines are just her having straight-man reactions to how ridiculous the fantasy world is and not much else.

Overall, this is sort of a slice-of-life volume (as slice-of-life as Combatants can get). It’s funny, and there’s some good character interactions, but nothing much actually happens. The climax makes you think that they’re finally going to make a move on the Demon Lord, but it ends up getting put off. Maybe they’ll follow up next volume?

Verdict: 8.35/10


Torture Princess: Fremd Torturchen Volume 5

This has been one of my favorite isekai of all time. I won’t defend anyone who says it’s edgy, superficial, and trashy, but it has such chutzpah that I love it. The previous volume had the least amount of gore, yet it raised the bar for the story moving forward. Since I made sure this was the final volume we cover today, I saved the best for last! 

Volume five is even more of a departure from the over-the-top gore, and caffeine-fueled villains than volume four. Right away, Jeanne establishes a new goal: kill the Saint so that Diablos can never awaken. But since we have no idea where she is, the only choice is to ask the Saint’s BFF: the Butcher. Of course, it can’t be that easy; in fact, it takes most of the volume to reach the booger.

Just from reading the volume, I can easily assume that this is the point where people would really start hating on Torture Princess. I’m still loving this story, but the way things play out in this current arc really smells like milking the series (which is odd because I don’t think Torture Princess is that popular in Japan). It’s still relatively straightforward for now, but there’s no telling what it’s going to be like in the future. Furthermore, there’s a big scene at the end that will likely come off as contrived and/or predictable (which, let’s be honest, we critics only use those words when we’ve genuinely fallen for a plot twist and we want to write an excuse for it). But as far as this volume’s concerned, Torture Princess maintains its same sense of quality… for what it’s worth to you.

Verdict: 9.15/10


Conclusion

“There should be a lot more books to discuss in this post,” he says… yet he only discusses one more book than the last time. Well, that’s definitely going to change next month, especially if I can go to Disney this year (in which case I’d have to do a mega post for October and November). Anyway, good books this time around. Leave a comment for some feedback!

Talentless Nana Will Teach You to Not Trust Your Resident Moe Blob (First Impressions, Chapters 1-41)

Crunchyroll has never had the most… comprehensive catalogue of manga included with the premium subscription. Sure… I’ll be able to at least finish Attack on Titan on the same day as Japan without getting into legal trouble, but that’ll be beside the point when Adobe Flash Player dies this December without them updating the actual reader (assuming that I can’t alternatively use the mobile app, but I heard it was as buggy as heck). So, why not read one of the bizarre exclusives, that has all of the chapters up, while I can? Ladies and gentlemen… let’s check out Talentless Nana.

In Talentless Nana, a bunch of kids who have talents (i.e. superpowers) are sent to an academy on a deserted island to train, in order to fight the enemies of humanity. Our main protagonist, Nanao Nakajima, becomes quick friends with a new student named Nana Hiiragi, who has the ability to read minds. With the power of their inevitably blooming love for each other, they’ll learn and grow until they fight the enemies of humanity once and for all!

“Hey, wait a second!” you point out. “If the manga’s called Talentless Nana, then how come the titular character can read-?” Yeah… you noticed that too, didn’t you? *sigh* Look, I’m not gonna BS you. In order to properly review this manga, I must spoil the ending of chapter 1, because it’s a crucial tone setter that could make or break the whole manga to you. I could write the review without spoiling it, but I’d be glossing over something crucial to helping you properly decide if you want to read it, and that goes against what I want to be as a blogger. So, starting the next paragraph, I will be spoiling the end of chapter 1. Skip to the end of the review if you want a basic gist of the manga’s quality.

In the ACTUAL premise of Talentless Nana, the titular Nana Hiiragi is sent to the island where the enemies of humanity, those with talents are kept under the guise of training to fight an ersatz enemy, without them knowing they are their own enemies. Her mission is to use her wits to kill all the talented students without them finding out, and Nanao Nakajima is her first victim.

See how divisive this makes Talentless Nana? In a brilliant troll move, the manga begins in Nanao’s perspective, and aims to get you attached to the super adorable and compassionate Nana in record time. And just when you’re writing your fanfic about the two, Nanao is murdered, destroying your brain as a result (since you, hypothetically, imagined yourself as Nanao so you can pretend that you’ll find a significant other in life). It’s a perfect crotch-kick that takes advantage of a waifu-driven market.

So, besides breaking your heart and force-feeding you the shards, what does Talentless Nana have in terms of entertainment value? Basically, the main focus of the manga is that Nana befriends each student one at a time, pretending to be a ditzy moe blob. With each new victim, the rest of the group becomes more and more suspicious, and it’s pretty engaging to see her try to avoid having that suspicion turned on her.

Unfortunately (at least for some), the manga lacks the one thing that psychological thrillers “absolutely must have”, and that’s realism. Due to the superpowers, a lot of things that happen don’t make any sense, more so when Nana somehow manages to talk her way out of incriminating scenarios, like when people catch wind of a psychic’s photograph of her killing people in the future. Between this and the polarizing plot twist, I can totally see this getting widespread criticism when the anime airs: the lack of realism will perturb analytical viewers, and the twist will do the same to casual viewers.

Additionally, the manga has a pretty bland cast of characters. The only ones even worth discussing are Nana, who is actually pretty entertaining for the most part (at least until she starts sympathizing for her classmates which becomes kind of annoying), and Kyoya Onodera. Kyoya is a transfer student who arrives alongside her, but he’s not a spy like her; he’s one of her enemies. However, he’s actually smart, and he actually tries to, you know, investigate his classmates’ deaths. If this was a YA novel, Kyoya and Nana would end up making out by the end (hopefully they don’t).

The art is kind of average. While it captures motion pretty well, the character designs are incredibly bland, with Nana being the only standout character thanks to her hair. While it’s decent at making some scary closeups, it’s not really much in comparison to other manga art.

~~~~~

Current Verdict: 7.5/10

While it has a number of issues, Talentless Nana is a decent guilty pleasure. I don’t normally “command” viewers to consume certain media, but due to the inevitable controversy the anime will cause, along with the death of Flash Player, I highly recommend at least reading a bit of the manga in order to be hip. Oh, and also, the fact that it will not be possible to read for much longer.

Now THIS is Yuri – ROLL OVER AND DIE Volume 1 Review

If you’ve read some of my previous posts, then you’ll be aware that I have not had the best track record with Seven Seas’ light novels; they just so happen to license some of the worst material I have ever read. The only one I’ve liked is The Invincible Shovel, and that’s in danger of becoming seriously repetitive. Other notable releases tend to be incredibly controversial, which would be good guilty pleasure, but some of them (such as Buck Naked in Another World) are so bare-bones and boring that I can’t enjoy them even for that! As a result, I had low expectations for one of their newest licences, a little series called *takes deep breath* ROLL OVER AND DIE: I Will Fight for an Ordinary Life with my Love and Cursed Sword. This was the needle in a haystack that I needed.

In ROLL OVER AND DIE (sorry, the official title is in all caps), a girl named Flum Apricot is chosen, among others, to defeat the Demon Lord. She has an ability called Reversal, which has all her stats locked in at 0. As a result, her party members treat her like crap until one of them sells her off as a slave. Just when she’s at the depths of despair, she stumbles upon a cursed sword, which- thanks to her ability- reverses its adverse effects and grants her massive stat buffs. With this power, she escapes captivity with a slave girl named Milkit, and sets off to live a normal life.

Critics have a word for scenarios in which an author tries so hard to make an underdog that it comes off as over-the-top and gratuitous: “torture porn”. That term is incredibly apt for ROLL OVER AND DIE.  Flum is constantly called weak, is unacknowledged by society, and is- multiple times- seen as a sex toy by random jerks. Everyone is out to get her, and when someone tries to be nice, it’s actually a Shield Hero-style ruse. It’s shock value, sure, but similar to stuff like Eighty-Six, it’s executed really well!

But a light novel is still a light novel. Instead of actually earning her keep through hard work like a real underdog, Flum has power thrown into her lap, free of charge. And it’s not only the sword; she frequently stumbles upon more cursed equipment by sheer coincidence. The story also does a good job at giving her plot armor. In one early fight, she’s literally cut to ribbons, but the reversed curse effect can heal her even from that. Typical OP protagonist stuff.

Despite this, there is one thing that saves ROLL OVER AND DIE from being your usual power fantasy romp, and it’s the fact that Flum is a girl. Let’s go over the basic premise again: Flum Apricot is given phenomenal cosmic power by pure happenstance. She befriends a slave girl named Milkit, who calls her “Master”, as if Flum owned her as a slave. Imagine Flum being a boy, and the whole tone of the LN completely changes. Because of how society is, we are more willing to sympathize with a woman who’s overcoming torment, but as a boy, she’d be a cringe-inducing overpowered protagonist. We’re more willing to look at a girl owning a younger female slave as two sisters, but as a boy, she’d be a misogynist taking advantage of an emotionally distraught young woman. Now you see just how important it is for Flum to be a girl!

Unfortunately, Flum being a girl doesn’t make her particularly interesting. For some reason, I have a track record of coming down hard on characters, and ROLL OVER AND DIE is no exception. Everyone involved is your typical fantasy trope, with not much personality, especially Flum’s ex-party members. Milkit is probably my least favorite character because she seems to only exist to be the dime-a-dozen “tortured waifu” that makes everyone cry when she says things like “Nobody’s given me positive feedback before” (so her name is Milkit because she milks the audience!). Her inability to contribute to battle seems to further cement this. The saving grace is a loli named Sara, who speaks in a Southern accent, and wields a mace even though she’s ten. She’s both cute and capable!

To offset the fairly lackluster cast, the plot has some serious momentum. It’s fast-paced, and neatly divided into “Episodes”. Developments that would normally be reserved for several volumes down the road are thrown at you right out of the gate. The tone of the whole series changes just as you’re getting acquainted with it, that’s for sure! There are a lot of genuinely great action and suspense sequences. And to top it off, excessive gore really brings the fun ridiculousness of the story together.

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Verdict: 8.75/10

I’ve finally found a light novel series that I think Seven Seas made a great call with licensing! ROLL OVER AND DIE is starting out to be a deceptively great franchise, and one that seriously needs an anime just to annoy people. Between this, Otherside Picnic, and Murcielago, I’m starting to consider the possibility that yuri is this secretly amazing genre… Anyway, I recommend ROLL OVER AND DIE if you fancy yourself some girl power!

Weeb Reads Monthly – August 2020

Welcome to the first Weeb Reads Monthly post! If you don’t know how it works, I’ll explain it right here and now. Basically, all the light novel volumes I would’ve covered in a given month (with the exception of series debuts) will be covered here. The review of the individual volumes will be only one or two paragraphs each, but it’ll all be organized into this post. And don’t worry if you’re looking for a specific volume; each post will be categorized and tagged under the respective series covered, so you can just search for the tags. Without further ado, let’s see how good of an idea this was!


Eighty-Six Volume 5

We’re starting out strong with the newest volume of Eighty-Six, the game-changing military sci-fi epic that’s sure to become mainstream when the anime airs. Speaking of the anime, I really hope (even though it’s not going to happen) that it airs this fall. Given the core themes, the timing would be all-too perfect given the current circumstances. 

Anyway, this installment continues the train ride of win that was started in volume 4. First and foremost, we get some huge revelations regarding the Legion’s origins. You will have to suspend some disbelief, because the new character, Vika, basically developed the Legion’s AI when he was just about done wearing diapers. It’s dumb, but you know what, Dreamworks made a movie about a baby who runs an entire business, so pick your battles.

Eighty-Six enters cyberpunk territory with the introduction of Sirins. These are androids made using similar design principles that contribute to the Legion, and they are not exactly well received by the main protagonists. This brings up the expected ethical issues, which are all discussed ad nauseum in the actual story, so… Look, subtlety has NOT been Eighty-Six’s forte, alright?

Overall, this volume was great as usual. Also, the one scene during the climax has gotta be iconic for the entire series. Just wow… the amount of despair was beyond anything that Re:ZERO could possibly offer. Eighty-Six raises the bar, that’s for sure!

Verdict: 8.65/10


Rascal Does Not Dream of Petite Devil Kohai

I did not particularly enjoy the previous volume, Rascal Does Not Dream of Bunny Girl Senpai. While it wasn’t baaaaaad, it was still kind of pretentious, as it was like “Oh look at me and how symbolic I am! I studied quantum physics, love me, WAAAAANT ME!” (Okay, now I’m referencing Seinfeld but you get the point). But you know what, I had to give it another chance because I’m a glutton for punishment!

If you recall from the previous volume, our buddy Sakuta enters a Groundhog Day-like time loop. This is, of course, another case of Adolescence Syndrome, and the perp is Tomoe Koga. But unlike Mika, whose issue was at least something legitimately terrifying from a sociological standpoint, Tomoe’s issue boils down to dumb teen antics. The plot structure is also very similar to the previous book: Sakuta has a strange experience, gets confused, talks to Rio, Rio vomits quantum physics, and Sakuta’s like “Okay now I get it.”

Overall, my problems with Rascal as a whole still have not changed. I do not like the application of quantum physics at all; to me, it serves no purpose other than to make the story feel more profound than it is(n’t). The other reason is more so a problem I have with popular culture as a whole. For reasons I don’t quite understand, general consensus seems to be that individual personal problems are an objectively better story theme than problems of a grander scope. And by complaining about it just now, I lose all my credibility as an adult human being. *Sighs* Look, Rascal at least has some semblance of good writing and forward momentum, so I’ll keep my eye on it for now.

Verdict: 7.5/10


Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? Volume 6

This is the first time I’ve covered this franchise on my blog. I didn’t want to review them volume-by-volume because, like with Cautious Hero, I’d have nothing of note to say. So now that I have this new formula, I can talk about it! 

Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? (better known as Okaasan Online) is about a boy named Masato who gets to testrun a new VRMMORPG, but the twist is that his mother, Mamako, gets stuck with him! It gets a lot of criticism for being ecchi, but I love it. Mamako is a great twist on the overpowered protagonist, who- like any real mom- embarrasses her son nonstop. The supporting characters, like Best Girl Wise, are great as well. And after the previous volume’s introduction of this sort of Anti-Mamako character, named Hahako, I’ve highly anticipated this volume and how it might handle her character.

Unfortunately, we don’t get to see much of her until towards the end. In fact, the first half of the volume is filler. But once we get past that point, the series is at its usual antics. We also get introduced to a new Best Girl named Mone. She’s pretty much the yandere; if Masato doesn’t dote on her, everyone dies. There’s not much else to say about the volume, and that’s exactly why I made LN posts like this now!

Verdict: 8.45/10


Full Metal Panic! Volume 4

This is also the first time I’ve ever discussed Full Metal Panic!, mainly because I didn’t know if I would be able to commit to finishing it. I’m only including it here because the new So I’m a Spider, So What? didn’t come out on August 18th like I thought it would, and this was one of the few options that I didn’t outright hate. As you can see, I’m also WAY behind on the volumes, and that’s because too much comes out too quickly. And I’m sure I’m going to make a lot of retro anime fans livid when I say this, but… I haven’t exactly been liking FMP! as much as a lot of more modern stuff. It’s fun, but this could easily be the last volume of the series I read, since I only have so much time and money.

Anyways, for the uninitiated, Full Metal Panic! is about a secret agent named Sousuke Sagara who is charged with keeping his eye on a girl named Chidori Kaname, who is established in the first volume to have some secret brain knowledge that could be very dangerous in the wrong hands. So far, it’s been a series of episodic, Saturday Morning Cartoon-like escapades where Sousuke fights some people and Chidori is baggage because it was the 1990s back then.

It could be because it’s been more than a hot minute since I last read FMP!, but I didn’t exactly enjoy this volume too much. Basically, they capture this dude, and there seems to be no real purpose for capturing him other than the fact that he was a bad guy in the previous volume. Things pick up a lot towards the end, and some nasty cliffhangers are thrust in our faces. 

But even then, this series just has not grabbed me at all. A lot of critics would say that FMP! is automatically better than more recent stuff just because it’s not isekai, and while I do acknowledge that every one of the older series I’ve read has been radically different, I find that a of newer stuff- isekai included- are better (and before you accuse me of being a twelve-year-old, keep in mind that a lot of FMP! fans were twelve when it first came out). So far, I find Durarara! to be the only older series to still be really good to this day.

Verdict: 7.75/10


Conclusion

The first post of this series is pretty short, but that’s probably good; shouldn’t get too ambitious (it also doesn’t help that almost everything I covered came out in the second half of the month). Overall, this was a solid month of great reads, and I definitely prefer reviewing light novels in this manner. Leave me a comment on your thoughts of this new format!