My whole life, I’ve lived with the baseless impression that Western culture- specifically that of the United States- looks upon Japanese culture with disdain. Part of this is from the factual translation and- in some cases- censorship issues that plagued Japanese media when it first came overseas (for example, the One Piece dub that shall not be named). For these reasons, I completely ignored Nickelodeon’s fantasy epic, Avatar: The Last Airbender, despite it being lauded for the past fifteen years- by devout anime fans- as a true bridge between Eastern and Western animation. Well, it’s on Netflix now. I have no more excuses.
The only thing I knew about this show going into it was its simple premise. Four nations, each of which control the elements of Water, Earth, Air, and Fire, have existed together just fine. Then- to quote the show’s intro- everything changed when the Fire Nation attacked. The only one who could save the world was the Avatar, but he apparently disappeared because that ALWAYS happens in these kinds of fantasy series. Then everything changed when the Fire Nation- I mean- when two Water Tribe siblings, Katara and Sokka, found a balding boy named Aang, and his- giant pet platypus?- inside of a block of ice. Spoiler alert, he’s the last Airbender, and he embarks on a quest to become the Avatar and beat up the prepubescent prince of the Fire Nation, Zuko (among others). It’s pretty simple, tbh. I don’t know why they need to remind you in every single episode.
I guess it was a precaution for any kids who came into Avatar mid-season, but since it follows anime traditions, it has to be watched in chronological order (I get that newer cartoons have similar continuity, but I’m pretty sure that no other cartoon at THIS point in time had a continuous story). Wow, that was all one sentence. Anyhoo, the thing that’s impressive right off the bat is the fact that a large number of kids were able to put up with Avatar as it aired. It takes two episodes for any real action to occur, and for a kid, that’s like a year. I definitely would’ve turned away if I had seen the pilot episode on launch date. But at the same time, DBZ and Naruto were also airing, so relatively speaking, Avatar had to have felt like a rollercoaster ride.
Enough rambling! Since Aang needs to know all four elements to actually BE the Avatar, he’s gotta go to the other locations and learn them all! As such, the show is neatly split into a single “book” (season) for each remaining element to learn. The basic structure of Avatar is to go from Point A to Point B, train in Point B until he learns the element, fight something, and move onto the next one. Simple, right?
No, actually, it’s not. Appa Airlines (patent pending) is not a very efficient transportation service. And as such, the crew needs to make a number of stops along the way. This results in some episodes being less-than plot relevant. I can imagine that this was done with the intention of meeting viewers halfway, by marrying both the episodic and continuous narrative story structure of Saturday morning cartoons and anime, respectively. Look, I get that something like this had never been done before, but the execution still results in a very unfocused narrative. Sure, some of these stops are worthwhile, either for actual plot relevance, or giving us insight on one or more of the characters. But much of the time, it’s a series of self-contained, uninteresting plots.
Like any fantasy epic, Avatar doesn’t fire on all cylinders right away. My expectations for the show were shot by the end of season one. I’d even say that season one was straight-up bad overall. Fortunately, once season two starts, the show gets significantly more involved, with almost every episode having legitimate plot relevance.
The key word here is “almost”. While the story does follow a more coherent narrative after season one, there are still blips of those Saturday morning cartoon trappings. Due to how much more infrequent the filler gets, it stands out way more when it actually decides to rear its ugly head. These episodes can contain cute interactions, but break the pacing of the plot, especially when they occur immediately following a super intense episode with a cliffhanger (btw, who was the GENIUS who decided to put one of these episodes IMMEDIATELY before the FINAL ARC?! (but for the record, it was actually a pretty great episode)). But you know what, I’ll take even the worst episode of this series over the entire seasons’ worth of filler from the long-running anime that had been airing at the time.
I must say that the show’s worldbuilding surprised me a little. While I didn’t really care much about the lore, they do some cool, clever stuff with the elements. It’s simple enough for kids to understand, but flexible enough so that it doesn’t become repetitive. If there’s any problem I have with the world of Avatar, it’s the fact that the evil Fire Nation is likely to be based off of Japan (maybe my baseless impressions were right after all…).
My biggest concern going into Avatar was if I’d laugh at the comedic bits. After all, it’s been a decade and a half; our sense of humor has changed a lot, especially compared to the 2010s cartoons I’ve seen lately. Overall, I found the humor to be kind of hit-or-miss. While I acknowledged a lot of the humor as funny, I didn’t laugh out loud anywhere near as often as, say, Gravity Falls.
Another concern was that the cast wouldn’t be so great. I figured that it would take a while to get me warmed up to most of the characters, but I was afraid it wouldn’t be enough. While most of the cast did end up growing on me, the attempt wasn’t exactly as successful as with Gravity Falls or DuckTales.
I’ll admit that they did a good job making Aang conform to shounen protagonist tropes; he’s very aloof, and tends to let his body move ahead of his brain. Furthermore, the show consistently reminds you that he’s just a kid, and that he’s been forced to do something much bigger than what his bald head can comprehend. Conversely, the Western aspect of the show makes him fall for some of the sitcom-like tropes of cartoons, such as the classic “hears negative things from his peers, leaves the room, said peers immediately say a positive flipside to those negative statements, but since he didn’t hear that particular part, he does something stupid”.
The Water Siblings are worse. Sokka is the better of the two, since he brings the bulk of Avatar’s humor to the table, and is ironically the most rational of the group. But the biggest issue with him is how they handle his character arc. Everyone has their own shortcomings to work through, but Sokka’s issues feel the most arbitrary. The first big moment in his arc rides entirely on a ship that was intentionally built to sink, and it’s pretty uninteresting during the brief time that it stays afloat. I’m sure that Sokka must’ve felt like a pitiable, tragic hero to the ten-year-olds who all related to him back when the show aired, but once you get to my age- and more modern times- the telltale signs of a NOTP are too obvious to ignore. Fortunately, it becomes a non-issue by season three.
And Katara… I don’t know what they were trying to do with her. I feel like they wanted to make her into a tsundere, but had a hard time because they weren’t allowed to use ecchi in their relationship. I appreciate that she has multiple sides- from being an absolute b**** to a complete waifu- but overall, I didn’t really enjoy her company for some reason, making her my least favorite character overall.
If I was spoiled by anything in Avatar, it was the addition of a loli to the main troupe. I gotta say I’m impressed that they hit that particular anime nail on the head, since it’s more so a niche community trope than something prevalent in the mainstream battle shounen anime at the time. Anyways, said loli- introduced in season two- is named Toph, and she’s a real wild card. With sassy one-liners and the perfect height, Toph is easily the best of the main protagonists… at least after the others work out the major kinks with her at the start of their relationship.
Then there’s Zuko. Hoo boy. First off, I reaaaaaaally didn’t like how his voice actor portrayed him; I used the word prepubescent to describe him for a reason. As a result, I may be biased in my criticism of the boy. He beats your face in with his one-dimensional irritability. But me, I put up with Bakugo… so, I had a feeling that I’d eventually like him better over time. And that feeling was correct. By season two, there’s a lot of big turning points in his character arc that show he’s much more emotionally distraught than what it looks like at first glance.
Abrasiveness seems to run in the Fire Nation’s royal family. Introduced in season two is Zuko’s sister, Azula. She’s rude, but unlike Zuko, who’s misunderstood, she’s fully aware of it, and enjoys it. Azula also has help in Aang hunting with her buddies, Mei and Tai Li. These two have fun spats with each other, but other than a certain scene late in the series, they aren’t too remarkable.
I saved the best character for last. Out of all the characters, I grew attached to Zuko’s uncle, Iroh, faster than just about anyone else. Most of my favorite scenes in the series are, tbh, interactions between him and Zuko. He supplies some of the best humor, but he’s also great when it comes to being serious.
If there was one thing they got right when it came to anime, it was the following mindset: spend money when it counts. Similar to anime, a lot of the animation in Avatar is kind of lacking. But when actual fights are happening, it looks excellent. Battles are incredibly well choreographed, especially for a kids show, and they pretty much always use the environment in some way. I can imagine that parents got angry over this show when it was airing, and I probably would’ve killed myself pretending to be a bender if I had watched Avatar as a kid. The hand-painted backgrounds also have a weirdly nostalgic look to them. The biggest issue with the art style is that although the character design is memorable, it is a bit bland. They could’ve done a lot more combining cartoon and anime styles; in fact, a lot of manga out at the time- such as One Piece– did a great job in that regard. Oh well, it’s just a nitpick anyway. Overall, the show still looks great, even when watching it in 480p and 4:3 aspect ratio.
Final Verdict: 8.5/10
It’s predictable. It’s corny. Its sense of humor is dated as all heck, and it spews sappy lessons of friendship just as about as often as any battle shounen series. But despite this, I thoroughly enjoyed watching Avatar: The Last Airbender for the first time (even if I must respectfully disagree with anyone who calls it one of the greatest fantasy epics of all time; One Piece is still higher up there). I must also give the team appreciation for creating what was perhaps the most loving marriage of cartoon and anime at the time. It must’ve been mind-blowing for kids watching this while it aired, since I’m pretty sure it was the first cartoon of its kind. As much as I don’t like saying America is better at something that originated in another country (what is this, Beat Bobby Flay?), I must concede that Avatar is among the better “anime” I’ve seen. I recommend it if you like battle shounen anime, and/or youthful, silly fantasy with a number of wholesome life lessons.
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