Bukumi Miki’s Shy could be one of the most hyped and controversial upcoming anime, potentially warranting comparisons to My Hero Academia, and according to RiseFromAshes, people getting obsessed with whether or not girls kiss. Wow that was one sentence… Anyway, I’ve actually known about it for some time, since stumbling upon it back in my MAL days, being intrigued, and waiting for it to get licensed for Western consumption (since pirating is for bad noodles). Well, it’s finally here… goodbye, wallet.
In Shy, the world is free of war, thanks to the appearance of superheroes. One of them is the titular Shy—a.k.a. Teru Momijiyama. In case you couldn’t tell, she’s insecure and socially awkward. However, when a strange boy starts messing with people’s hearts, she might end up being the key to saving the world from calamity.
Immediately, this manga showcases the pressure that heroes are faced with. Shy gets involved with a typical amusement park accident in the opening chapter. One person ends up injured, but that’s enough for the entire world to want to cancel her. What makes it even more awkward is that the same person—Iko Koshikawa—ends up transferring to Teru’s class on crutches.
The main premise of the series sets itself up right off the bat. As I stated before, a very dubious boy—whom the heroes name Stigma—is able to amplify the darkness in people’s hearts and turn them into monsters. Iko is the first victim that we see in this volume. The fight is your classic “save the broken waifu” sequence.
It was then that I realized that Shy is really more like Kingdom Hearts than My Hero Academia. Instead of commentating on classism and societal pressures, Shy’s core theme seems to have to do with problems of the heart. Even planet earth has a heart… apparently?
So far, if there is any problem I have with Shy, it’s that… it’s not as creative as I thought it would be? So far, the ideas are all very simple. Each nation has one hero, and they report to a being named Unilord who lives in a space station. Stigma’s power has been seen a billion times in fiction, and—I dunno—the first encounter didn’t exactly wow me. It was good, but I guess it’s starting to get tiring to see the whole “people’s fears manifest into physical forms” trope. Aesthetically, the transformation wasn’t too interesting either.
However, Shy does some great things right off the bat. So far, the cast of characters are very likable. Teru, as Shy, is going to have a lot of baggage moving forward. Poor thing… I can totally relate to being an introvert yet having the entire world forced onto your shoulders; I’m sure everyone can these days, with how aware we all are of discrimination and climate change.
She’s nice and all, but I have a feeling that everyone is going to like Pepesha Andreianov, a.k.a. Spirit. She’s compassionate, perpetually drunk, and her physical qualities are above par with the base wants of the superficial man. Stardust (whose birth name I already forgot) is an eccentric rock star who has a bit of an anti-hero thing going on. Unilord is also unexpectedly quirky for what appears to be a god-like figure. Oh, and a fair warning here: so far, there has been no sexual tension among the overwhelmingly female cast.
Current Verdict: 8/10
Shy is off to a good start, but it’s too soon to say if it’s actually really good or not (although I can presume that many people in the community will say that it’s better than My Hero Academia because no one but me likes that series anymore for some reason). It lays the groundwork for something, but there are a LOT of series where that something ends up being nothing. You might as well get on the bandwagon before it gets sardine-packed with himedanshi.
I learned of this magazine thanks to my local library stocking the first tankobons from them. Saturday AM is one of several magazines by a small outfit called MyFutPrint Entertainment, that publish manga made by people who aren’t Japanese. I thought it was a really good idea, but it’s not perfect. For starters, serialization is way slower than in Japan, either due to the company being smaller or because they treat their mangaka like humans. Also, my library didn’t bother to order some of the titles I was particularly interested in, which means I’ll have to subscribe. With no mention of a trial period, I decided to read the first volumes of several of the series that the library did have, to gauge whether or not such a risky investment would pay off in the long run. I don’t normally read manga when they only have their first volumes out, but I’m doing this because I also need to gauge whether or not it’s worth waiting for more volumes in the first place (given how slow serialization is). After all, my only other gaijin manga experience was Radiant, a manga that I found to be very middle-of-the-road, and haven’t resumed reading since that review was published. Anyway, preamble aside, let’s just hope that I don’t hold these titles in the same regard as Radiant.
Apple Black by Odzune Oguguo
Well, for a battle shounen, Apple Black is way more involved than expected. To put it simply, it stars a boy named Sano, whose left arm—Arodhis—is the last legacy of his late dad, Merlin. It’s the ultimate weapon that can trigger the cataclysmic Infinite Night. Sano, being a battle shounen protagonist, instead wants to end all war (and become the #1 Sorcerer Hokage of Pirates probably). However, there’s a lot more to it. A LOT more. There’s all these organizations, and not to mention, a magic school with its own intricacies. It took me an hour to read this volume, which is not at all the normal reading time for a shounen.
For a manga I wasn’t looking forward to, Apple Black has been much better than I initially thought. It definitely looks the part, with phenomenal artwork and spectacle. The ideas are also off-the-wall, and the humor checks out as well. The large cast of characters is quite good, but due to how many there are in this volume alone, I feel like I’ll only remember Sano and his classmates. Sano himself is a typical dumb shounen boy, but his upbringing in isolation justifies how dumb he is. Oguguo combines the nerd and the pervert tropes to make Symon, a sleazy four-eyes who likes the in-universe equivalent of Wonder Woman comics. Ryuzaki is a typical brash boy, but the end of the volume shows he’s more complicated than that. The female lead is a girl named Opal, who seems pretty awesome, but hasn’t gotten too much screentime yet. There are many other characters, including a very sexy grandma, but this post’d be too long if I discussed them all.
Unfortunately, the biggest flaw with Apple Black that I foresee is a matter of circumstance. It does appear to be one of the more consistent series, since it’s apparently a reprint of the series as of ten years ago. However, like I said before, Saturday AM is a lot slower than Jump. With how ambitious and complex Apple Black is, Oguguo better put recaps in future volumes, or people might forget MANY of the finer details. Sure, you can reread the older stuff, but I’m someone who rarely—scratch that, never—has the time. Sadly, this is something that’s going to bite the bums of every mangaka under this publisher.
Current Verdict: 8.5/10
Titan King by Tony Dawkins
Titan King is significantly simpler than Apple Black: a boy named Eli Santos is abducted from Earth and forced to compete in an intergalactic tournament. The participants are able to summon a bonded titan to fight alongside them and have anime powers. Like I said, simple.
With the entire manga being a tournament arc, there is a much higher focus on action than in Apple Black. I definitely enjoyed the artwork and fighting more. However, I don’t know if it’s because of being nervous to read these manga or what, but I didn’t enjoy it as much? Honestly, it was probably the nerves, because the manga is pretty damn great from an objective standpoint. The only real flaw is that the characters are way more by-the-book. They have awesome designs, but are everything you can expect from a battle shounen cast.
Current Verdict: 8.45/10
Saigami by Seny
Full transparency: I wanted this section to be The Massively Multiplayer World of Ghosts, which is the one I was looking forward to the most, but my library doesn’t have any copies. So, here we are with one of the titles I was least interested in: Saigami! Like Apple Black, it seems to be a flagship series, so I should probably give it a fair shot out of respect.
The reason why I wasn’t interested in it is because it’s a traditional isekai: a girl named Hanasaki Ayumi is miserable, and then gets sent into another world. She then discovers that she’s one of the titular Saigami for a hitherto unexplained reason. However, even with badass fire powers, her new life is hard as nails and a lot of folks don’t like her.
The idea of isekai where the other world isn’t exactly a bed of roses feels as dime-a-dozen as your typical harem power trip. However, Saigami was initially penned by Seny many years ago, so it’s technically one of the first instances or possibly THE first instance of this. However, given my timing with reading it, that whole aspect of Saigami lost its novelty fast.
In any case, there’s nothing overtly abhorrent about the manga so far. It looks like it’s going to be quite lengthy, with this volume just introducing the world, its characters, and setting up for the first major arc. It’s a slow start, but by being a manga, it’s SIGNIFICANTLY more tolerable and faster-paced than 99/100 isekai light novels. It could be a yuri, assuming that the RWBY reference at the beginning was foreshadowing, but for now, Ayumi is the only girl…
Which is a perfect transition into discussing the characters! Ayumi herself is what you’d expect: someone who constantly gets dunked on, and has to learn to embrace her inner power. She’s weak and whiny now, but I’m assuming she’ll be a badass down the road. The other three characters introduced are all boys. Sean is a silly, fun guy, who is basically Ayumi’s BFF in five seconds. Angsty Reyji doesn’t trust her at all, since she’s not from Saigami-land but has Saigami powers somehow. Last but not least is Daiszke, another underdog who gets treated like crap, this time because his powers were taken too far.
Sadly, I do find the artwork to be the weakest of what was discussed today. It hits all the right notes, sure, but compared to the others, it’s just the weakest. It has a shojo-y look to it, but thankfully, the characters actually look like people instead of Grey aliens wearing human suits; that’s one big positive at least. There haven’t been any major fights, so I can’t really say how good the action looks. In conclusion, this volume was the least impressive, but I imagine it’ll only get better with time.
Current Verdict: 8.25/10
Hammer by JeyOdin
Hammer is, believe it or not, EVEN SIMPLER than Titan King! It stars a boy named Stud Hammer, who has all the relatable quirks of being lonely, having a missing mother, and a dad who’s always going to work. In a depressed stupor, he finds his dad’s journal, and gets Blue-Skadooed into it. He then proceeds to have adventures.
The opening arc of Hammer revolves around the mysterious murder of the Ocean Kingdom’s king. It’s basically a setup volume, because it’s clearly implied that there’s more to this murder than meets the eye. Otherwise, it’s a very Dragon Ball-ish, comedic battle shounen with great fights.
Hammer is, visually, the one that stands out among the manga discussed today. That’s because its artsyle seamlessly blends American cartoon aesthetic with monochromatic manga goodness. It looks awesome, and is by far its greatest strength.
I don’t quite have an opinion on the characters because I really didn’t feel like I’ve gotten to know them well enough. They have memorable designs, but are pretty basic for the most part. Two of them, Stud and a young police officer named Dan (who I enjoyed imagining Dan from Game Grumps as his V.A.), currently rely on classic emotional hooks to get brownie points from you. Dan’s older sister, Diane, is cool, but she’s a pretty typical onee-sama trope herself (not that there’s anything wrong with that).
Current Verdict: 8.5/10
So, Will I Be Subscribing to Them?
The answer, for the time being, is “undecided.” If I was richer, I’d do it in a heartbeat. However, I have hundreds of dollars worth of subscriptions, including a $300 annual fee for WordPress that I need to pay off, all off of minimum wage! Crunchyroll is something I’d be willing to abandon, since I have gone on record saying that I don’t enjoy anime outside of the movies, but I actually have a relative who’s using my account in my stead pretty consistently.
Even if I could afford Saturday AM, I still don’t quite know what I’d be getting into. The website is pretty bare bones, and according to the description of their app, they don’t even have a series-by-series list like Viz; you still have to pay separate, flat rates for “chapter packs” specific to each series. Also, I’ve known about them for three months now, and they haven’t added a single new serialization since. There was a recent collection of one-shots, but I don’t know if they’re doing the Jump tradition of “the most popular one-shot gets to start as a full series” or not. Also, due to the aforementioned slow publication, I’d be flushing money down the toilet just playing the waiting game for more content. The other caveat is the world itself. Every day, we’re getting showered with news about global disorder, the war in Ukraine, the climate crisis, China, etc. The talking heads estimate that we don’t even have a decade left before the next mass extinction. Saturday AM might not even be worth investing in, because there might not even be enough time for them to grow into something truly great; they’ve been doing this for almost ten years, and are only just now printing their first tankobons.
If I could find a way to get out of Crunchyroll, then I’d probably be subscribed to them now; the monthly rate—even if you factor in the chapter packs—is cheaper. However, whether or not I go through with it remains to be seen; after all, what if there’s a TV anime that’s actually good for once? In any case, if you’re reading this, and you have a much better income than me, then I implore you to check these guys out if you’re interested. I don’t want to sound like I’m forcing you… but this little team needs support, and the price of admission is peanuts. I hope you enjoyed this post, and that you highly consider subscribing to Saturday AM!
Well, time to read another isekai. What does this one try to do to stand out? If you couldn’t tell from the insanely long title, Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!, this one is in the dark void of space! Is that enough to make it good?
In Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship!, a young man named Takahiro Saido (henceforth known as Hiro) wakes up in his Stella Online ship, the Krishna (PS: Stella Online is an MMO that he played to death, as per usual with this stuff). As expected, the Krishna is insanely strong and Hiro has no trouble becoming powerful. Typical stuff, really.
And I mean typical. His starship isn’t only super powerful, but he’s also amazing at piloting it. He aces the hardest test in the Merc guild without breaking a sweat. Also, he gets some early loot from pirates and it nets him a fat chunk of space smackaroos. And of course, he saves a young, exploitable girl with no more motive than an innocent pure heart.
So, the writing is the same as any light novel: if it’s not a girl, it’s not worth describing. Have fun trying to visualize the surely intricate sci-fi architecture, whatever it may look like. In any case, the story for this volume is a simple establishment of characters, with some space skirmishes to show how awesome Hiro is.
And while we’re on the subject of Hiro, let’s discuss the cast of characters. As expected, there isn’t much to them. You’d think that Hiro, being a space Merc, would make him morally ambiguous, but… it doesn’t. He’s your usual kind of guy, only interesting quirk being his deep desire for carbonated beverages. The first cute girl is a space elf named Elma, who at least has some kind of personality trait. The aforementioned girl he saves, Mimi, is the same waifu tragedy, straight from the book of tropes. The only notable thing about their chemistry is that they are very openly romantic with each other. And by that, I mean Hiro regularly alternates between the two of them in bed.
Reborn as a Space Mercenary: I Woke Up Piloting the Strongest Starship! is relatively harmless, but it’s about as unremarkable as a garden variety isekai (hence why this review is stupidly short). I don’t see myself committing to this one unless I magically obtain some bonus time when future volumes release. But who knows? Maybe you’ll like this one more than I did.
This was a spur-of-the-moment decision for me. Normally, I tend to have a bulk of blog posts ready to go well in advance. But at the start of this year, I really dropped the ball. I started a lot of reviews but had no intention to post until the respective series were finished, like The Owl House for instance. I decided to pick up Peach Boy Riverside for three reasons: it’s by the creator of Miss Kobayashi’s Dragon Maid (even if the artist is different), it’s getting an anime that I can hope to ride the hype of, and it’s about the legendary Momotaro… to an extent.
In Peach Boy Riverside, Princess Saltherine (henceforth known as Sally) wants to go on a journey, despite her overprotective dad. Fortunately, a pretty-boy named Mikoto shows up and sweeps her off her feet. The thing is that he’s someone who came from a peach, and killed a bunch of ogres (yes they localized the name “oni” for some reason).
Despite how shoujo the manga looks, Peach Boy Riverside ends up being very shounen, and surprisingly edgy. It’s pretty normal stuff for the most part, but when Mikoto gets serious, he gets all “SAO-villain-y” and has upside-down hearts in his eyes.
To be brutally honest, the manga up to what I’ve read has been a pretty typical shounen fantasy. It starts off with being completely aloof, then Sally is suddenly like “I’m going to end all racism!” The Momotaro aspect isn’t even evident, beyond the whole “boy who fights oni” thing. The world doesn’t feel defined enough to even tell if it’s an alternate Japan or a straight-up fantasy realm.
And, of course, I wasn’t particularly fond of the cast. Mikoto is the bread and butter of this thing, because pretty-boys are popular and he’s super strong. He is kind of an ass, which sets him apart from other men of his ilk, but that doesn’t make him any more remarkable. In addition to him is Sally, who is pretty much your typical power fantasy girl, and Frau, a bunny girl who’s basically one of those tragic waifus that you’re supposed to fry buckets for. Volume two introduces a female ogre who ends up being named Carrot after going through the whole shounen “from bad to good” thing, but so far, she’s merely been the peanut gallery.
The art, sadly, is not by Coolkyoushinja, but someone else who’s nowhere near as good. The manga has a very basic, standard look with very “stock”-looking character designs across the board. The action looks nice, but even that is outclassed by other series.
Current Verdict: 7.35/10
Peach Boy Riverside isn’t awful, but it’s not that engaging right now. Mikoto being a creep, and the unsubtle social commentary, are more-or-less what this manga is running on, and it could peter out at any moment. I recommend it if you like TenSura, since Mikoto is the same type of character as Rimuru.
It’s no secret that Weekly Shounen Jump has not had the best run in the late 2010s. The newest manga by Naruto’s author got axed, among MANY other 2019 and 2020 debuts. And when they actually had a good series, it would either end off on a bad note (Shokugeki no Soma), or one of its writers would end up being a felon (ACT-AGE). But one series managed to be a standout franchise until the bitter end: Chainsaw Man, published in English by Viz. I gave it a good word in my First Impressions. Let’s see if it’s held out.
In Chainsaw Man, a dreg named Denji makes a living by hunting devils, with the help of a chainsaw-dog-devil named Pochita. But “makes a living” can be read as “barely scraping by”, for he’s shouldering a serious debt from his late father. However, when he’s almost cut to pieces, he fuses with Pochita and becomes a chainsaw man, after which he is taken under the wing of Makima, a beautiful girl from an official team of devil hunters.
Chainsaw Man is, for the most part, a very straightforward manga. The plot is very traditional shounen at first: bad guy appears, kill it, then wait for the next one. Denji’s heart becomes a major MacGuffin, but we aren’t informed of why for a pretty long time. Things heat up in the second half, and by the final third, it goes absolutely berserk with insanity.
What makes Chainsaw Man a great manga is its characters. The mangaka takes common shounen tropes and puts a seinen twist on them with Denji and the people around him. Denji himself seems to be a generic, self-insert shounen protagonist, but he’s more complicated than that. He’s very attracted to women, but he at least tries to maintain his feelings for Makima, despite the amount of other beautiful women who tempt him. I don’t like using the word “human” to describe a character, but it’s done exceptionally well with Denji. He’s an innocent kid thrust into an adult world, and his simple-mindedness made me sympathize with him.
The other thing is that the women in his life subvert common conventions as well, especially with Makima. Us readers are informed very early on of how suspicious she is. But Denji doesn’t know any of it, and he’s naively in love with her. Unfortunately, she takes advantage of his love for her to essentially exploit him, which I think is a great commentary on the idea of waifus in general.
Of course, Makima ain’t crap compared to Best Girl Power. She’s just… effing awesome. She’s like the best friend that you’re so close to that you just start busting each other’s chops. Her chemistry with Denji is one of the best I’ve seen in all of Jump. Sadly, I didn’t really care for the rest of the protagonists. For one, I forgot a lot of their names, which is a bad sign for me. Fortunately, the antagonists are as fun as they are plentiful. They have some of the more memorable character designs and personalities, especially compared to the supporting protagonists.
Somehow, I went almost the entire review without discussing exactly why Chainsaw Man is big (or would be if it weren’t for Kimetsu no Yaiba). Weekly Shounen Jump has some cute girls with cleavage, but that’s usually about it; the magazine is for early-teens kids after all. Chainsaw Man, however, has R18+ stuff; pretty much everything except for female private parts are shown. The manga is full of extremely visceral gore, and one character just straight-up asks Denji if he wants to have sex. The fact that something like this ran in Jump is insane.
That’s where my biggest gripe with Chainsaw Man lies. Its whole thing is that it’s very mature for a Jump manga. But the thing is—and the reason why I’m posting this so soon—that Chainsaw Man is getting a part two in Shounen Jump+, home to a lot of seinen series, from Jigokuraku to World’s End Harem. As a result, Chainsaw Man loses the one thing that makes it stand out from its ilk. This was probably inevitable because, you know, minors.
Anyhow, the artwork is fantastic. It’s rough, and dirty, with some phenomenal action scenes, and a surprising amount of abstract panels late in the series. The managaka is also able to contrast such insanity with some genuinely heartfelt and emotional scenes. It’s going to be so sad to see this twisted beauty dumbed down in the upcoming anime.
Final Verdict: 9.15/10
Chainsaw Man is one of my favorite Jump manga of the 2010s. It’s over-the-top, with a lot of quirky characters, and a very alluring charm. Seriously, how in the world did Kimetsu no Yaiba beat this?! I highly recommend Chainsaw Man to anyone who likes their battle shounen super dark and edgy. Hopefully, if Viz licenses the sequel, I’ll be doing a post or two on that!
Spy X Family is a manga about a spy who makes a fake family, and that’s all well and good. But they’re not the only ones on the block. Mission: Yozakura Family has a family made entirely of spies. It’s managed to last a year in Jump’s ruthless gauntlet, so that means it must be doing something right.
In Mission: Yozakura Family, a shy boy named Taiyo Asano has been coping with the abrupt death of his parents and brother (which is not at all a cheap emotional hook). His only friend is this girl named Mutsumi Yozakura, the adorable school idol. When Taiyo is attacked by Mutsumi’s overprotective brother, Kyoichiro, he is introduced to the Yozakura family (of spies). Because he’s the ultimate husbando (and because he doesn’t want to get assassinated), he marries into the family and vows to protect Mutsumi with his life.
I don’t know of many manga attempting to combine gag shounen with battle shounen (apparently, Katekyo Hitman Reborn! is one example, but SOMEONE (*cough* Viz *cough*) doesn’t have the manga licensed), but Yozakura Family has been a real fun time. Of course, there really is no narrative to speak of. The death of Taiyo’s family is pretty much glossed over until it gets to the designated “It wasn’t really an accident” plot development (which, honestly, isn’t a spoiler because that pretty much always happens).
The sillies are what matter, though. Yozakura Family is loaded with bombastic, over-the-top comedy that completely disregards realism, including a literal spy magazine and social media group. I also have to post a trigger warning: there are cases of minors (and adults) carrying firearms to school, so if you have any memories tied to an actual school shooting, then this manga might not be for you. There haven’t BEEN any school shootings so far, but I doubt that’ll stop you from being triggered. Also, as of where I left off, the manga hasn’t gone straight-up full battle shounen, like many gag series do.
Unfortunately, Yozakura Family fubars one of the most important aspects of shounen: training. They show some of Taiyo’s training early on, but it’s gone over super-fast. It’s so abrupt that he goes from wimp to Bruce Willis overnight. Since this is primarily a gag shounen, I’m not too butthurt about it, but I’m definitely the minority in that.
This manga has a great cast of characters (for once). Taiyo is kind of that generic guy, like always, but the series isn’t called Yozakura Family for nothing. While Mutsumi herself is that “waifu” type, her siblings are where the personality comes in. Kyoichiro might (read as: “will”) annoy some people, but I think his ludicrous devotion to Mutsumi, plus his overly lacking subtlety of how much he hates Taiyo is hilarious. Her other siblings have very distinctive character design and memorable personalities, but sadly, they don’t have too much screentime. In any case, the antagonists are all fun, even if a lot of them (so far) have been in the throwaway category.
The art is great. It’s simple, but effective. The action scenes are swift and packed with line work, while the facial expressions are on point. It’s what you’d expect from a shounen manga.
Current Verdict: 9/10
Mission: Yozakura Family is starting off strong. I have no idea how popular it is, so I don’t know if it’s going to be ending soon, but I hope it has a solid run down the road. Of course, you can never truly know with a Jump manga.
Weekly Shounen Jump has had some really great manga, and it’s had some not so great manga. While they have a system to weed out the latter, cases like Kimetsu no Yaiba show that it’s not perfect. A little manga called Jujutsu Kaisen (published in English by Viz) has risen to a pretty high level of popularity, without the need of a successful anime adaptation (even though the anime will no doubt make it quite popular overseas). Let’s see whether or not it deserves its popularity.
In Jujutsu Kaisen, a high-schooler named Yuji Itadori has a run-in with Megumi Fushiguro, a student from the curse-fighting Jujutsu Highschool, when he seeks a cursed object that Yuji’s classmates have come across. Yuji helps him fight back the curses that attack them, but things get hairy. Yuji ends up eating the cursed object- a severed finger- and becomes more than powerful enough to fight the curse, but is nearly possessed by the finger’s owner, Ryomen Sukuna. Due to Yuji’s strange ability to suppress its power, he’s recruited as a new student of Jujutsu Highschool in order to collect and consume the rest of the fingers… after which he will be executed.
Let’s cross that bridge when we get to it; this is a First Impressions, after all. I had thought, based on Chainsaw Man, that Jump is trying to become more mature in order to recover from the slump it’s been in lately (a lot of series from 2019 onward have sold poorly), but alas, it seems that Chainsaw Man is an exception and not the rule. Despite how often it waxes poetic about life and death, Jujutsu Kaisen is a pretty typical shounen manga.
As expected of most Jump manga, Jujutsu Kaisen starts by getting us acquainted with the main characters as they fight random enemies in self-contained mini-arcs, followed by a training arc. For the most part, the ideas of cursed energy and techniques are pretty generic, but the neatest aspect of the combat in Jujutsu Kaisen is the domain techniques. These are basically field effects that look really cool, and add a bit of spectacle to the fights.
The manga picks up after twenty-odd chapters, which is when the first major arc starts. It introduces the main antagonist (who will likely get replaced by someone less memorable if the manga ends up running for eight more years), and ups the ante by a lot. And I mean A LOT.
Typical shounen manga means a pretty one-dimensional cast. Yuji is a pretty generic, brash idiot, and the thing with Sukuna seems more like something to make him edgy than to give him a moral crisis. His classmates, Megumi, and the female lead, Nobara, aren’t that interesting either outside of their fighting abilities. Fortunately, Jujutsu Kaisen at least tries with some of its characters. Yuji’s teacher, Satoru Gojo, has got a pretty good sense of humor, for instance. There’s also some other students in other classes who are pretty wild, such as a literal panda bear, as well as some interesting folks from their rival school in Kyoto (such as mah boy Toto).
The art of Jujutsu Kaisen is where it shines. It’s sketchy and dirty, but full of personality. The fight scenes are fast and spectacular, and really help the manga shine. The character design is also excellent, with a plethora of good-looking women.
Current Verdict: 8.75/10
Jujutsu Kaisen is indeed a very mainstream manga. However, with great art, and a number of admittedly creative ideas (such as a decrepit old geezer who fights with an electric guitar), it stands out from the rabble. I recommend it to any battle shounen fanatic.
Sometimes, I think the stuff I’ve read has caused me to lose brain cells. I used to be pretty good at handling some mature and complex themes, but nowadays, I want simple, dumb stuff. The new J-Novel Club publication, WATARU!!! The Hot-Blooded Fighting Teen & His Epic Adventures After Stopping a Truck with His Bare Hands!, is one of those braincell-killers. I am pretty damn sure that a monumental amount of people would hate this LN, and yet… I LOVE IT!
In WATARU!!!, the titular Wataru Ito is about to be hit by the Truck-kun that has sent many-a clueless adolescent male to another world. Due to his insane strength, he stops it with his bare hands. However, as to not kill the driver from the forced deceleration, he lets the truck hit him. Wataru is brought into another world, and sets off to fight the strongest opponent: the Demon Lord, Deus!
This… WATARU!!! is just something else. Okay, so if you’re looking into reading this, I recommend you watch two completely unrelated television shows. The first of which is The Legend of Korra. I made my case about how much of a hot mess it is, but the radio announcer guy who does the recap has a really good voice for reading WATARU!!! You see, ninety percent of the sentences are written with exclamation points, enough to put Elaine Benes to shame. It’s ridiculous and over-the-top, but I love it. The narrator even tells you how you feel, which I would normally find pretentious, but it’s done in a way that’s perfectly in tune with the LN’s personality. There’s also references to fake-real-world martial arts techniques, which the LN adds its own footnotes to. I recommend reading those in Siri’s voice to make it sound funnier.
The second show I think you should watch is Jojo’s Bizarre Adventure. Not only is it one of the few anime so good that I enjoy watching without reading the source manga (because half of it is unlicensed in English at this point), but it also has a sense of its own ridiculousness. The dramatic reactions to everything, plus the appearance of onomatopoeia onscreen, have been my reference for visualizing the cinematics of WATARU!!!, and I recommend you do the same.
In case you couldn’t tell, WATARU!!!’s sense of humor boils down to being dumb and overly meta while spamming exclamation points. It’s the kind of thing that you’ll know whether you like it or not within five seconds. It relies entirely on the quirky writing style which makes a big deal out of everything. And another tongue-and-cheek thing that WATARU!!! does is having modern facilities in a fantasy world. They have rock concerts, 1950’s-style diners, and even a gothic shop called “Tot Hopic”. Half the time, Wataru ends up fighting enemies through rap and cooking.
The characters are surprisingly enjoyable. Wataru himself is Gary Sue on steroids, and it makes the over-the-topness of the whole series feel complete. However, he doesn’t beat Best Girl Aria. She comes off as a typical heroine, but ends up playing the straight-man role (while frequently getting stabbed in the forehead). Aria also has weird quirks, such as completely disregarding her parents getting kidnapped by the Demon Lord in favor of knockoff Beyblades, and playing drums with her feet.
Along with them is Résistance, one of Deus’s minions who gets the Piccolo treatment and joins Wataru’s party. She’s not as great as Aria, but she’s still a fun character. Deus himself is hilarious; he just eats his pudding. The problem with him is that he has diabetes, and yet he keeps eating his pudding despite it. I have no idea if it would offend someone with diabetes, but knowing today’s culture, it probably would.
WATARU!!! is stupid, extremely stupid. And yet… it’s a masterpiece. This is starting out as one of the best gag isekai I’ve read, and it could become one of my favorite light novel series of all time. Reading WATARU!!! is truly an experience, but it’s not for everyone. I can only recommend it to fans of stuff like Konosuba and Cautious Hero.
I’ve been using the extra free-time from COVID-19 to watch some TV shows for the first time in my life. I just finished watching stuff like Avatar: The Last Airbender and Steven Universe, and those had some pretty emotional baggage. I’m caught up to DuckTales, and I needed something “dumb and fun” to watch after the tumultuousness of Steven. So, I turned to the first and last Netflix Original I’ll ever watch, The Dragon Prince. Made by some of the original creators of Avatar, I hoped that it would be as dumb and fun as I wanted it to be (for the record, it’s apparently really popular but I only heard of it when Netflix recommended it to me after I started Avatar. Hooray for my patented living-under-a-rock powers!). I thought I had watched 75% percent of the show after the first three seasons; but apparently, there’s going to be seven. So, let’s see if the show is worth the big investment.
The Dragon Prince starts out with a truly draconic exposition dump. Basically, there was this land of Xadia that had all this cool magic and stuff. But once one single person discovered evil dark magic, the elves took it out on the ENTIRE human race and forced them to move west. A powerful dragon named Thunder guarded the border, but everything changed when the Human Nation attacked (had to; it’s supposed to be comparable to Avatar). They used dark magic to slay Thunder, and killed his little egg bearing his heir, the Dragon Prince. War between the two halves of the world was just a shot away.
In the present day, we have two princes who live in a fancy schmancy palace by the name of Callum and Ezran. Life is all well and good, but everything changed when the Moonshadow Elf Nation attacked. So, they get sent away for their own protection. Meanwhile, an Elf girl named Rayla whiffs the chance to kill a human and now all of her friends hate her. The three kids inevitably cross paths, and it is revealed that the Dragon Prince is miraculously still alive. I guess we’re hoofing it to Xadia, then!
Before we can discuss the content of the narrative, this is one of those shows where it’s important to discuss the visuals first. The Dragon Prince is a fully CG show, similar to RWBY, and that tends to put off a large number of people. As the first show of this type that I watched, I found it to be pretty tolerable. The backgrounds appear to be fully hand-painted, like with Avatar, and the lighting and particle effects really help the world pop. The real issue is the character design. They have a cel-shaded style that doesn’t look all that bad, but for some reason, everyone moves at a very choppy and inconsistent framerate. I imagine this must be a stylistic choice, since I figured Netflix being rich enough to allow for models to move at 60 fps (also the fact that most modeling software these days function at that rate as well). But regardless, it’s definitely better to look at than most CG I’ve seen in anime and stuff.
So, I wanted The Dragon Prince to be dumb and fun, and boy, did I get what I wished for! This show is a kind of adventure fantasy that just isn’t common enough these days; too many of them are busy being political, dark, brooding, and in a lot of cases, ripping off Harry Potter. But nope, The Dragon Prince is a good ol’, “ragtag team of kids against the world” kind of fantasy, just like Avatar, except with a more modern sense of humor. There are some politics, but it’s incredibly clear-cut as to what the correct solution is, and it’s very explicit as far as which figures are smart and which are manipulable idiots.
However, just because The Dragon Prince is both dumb and fun, that doesn’t mean the latter is enough to justify the former for some people. While I am enjoying the show a lot thus far, the story is simplistic on a near child-like level. While it does try to be morally ambiguous by having the war be kind of the fault of both races, individual characters’ moral structures are written all over their sleeves. They don’t even try to hide the evilness of The Dragon Prince’s main antagonist, which is definitely a turn-off to those who like those layer-caked villains. The show can also be hard to take seriously even when it tries to be serious. In fact, the episode loading screen on Netlflix shows a screenshot of the fully hatched Dragon Prince, which spoils that he survives almost dying of hypothermia at the end of season one.
I’ll at least give them some slack for even remotely original worldbuilding. Instead of the tired Four Good Ol’ Elements, the world of The Dragon Prince comes packed with the Six Primal Sources, such as the Moon and the Stars. But functionally, they really aren’t that much different from the same elements of Avatar. It’s similar to how Trails of Cold Steel calls dark magic “Time Magic” and stuff. Look, don’t expect super originality from this thing, okay?
Especially not the cast. The leading male protagonist, Callum, would be unremarkable if it didn’t sound like he was voiced by the voice actor of Sokka from Avatar (he even makes the same wry comments as Sokka at times). He’s the stepson of the king, which would normally make him the victim of many a bully, but the issue seems to have next to no plot relevance; I can at least be thankful that they didn’t paint by numbers THAT much. Meanwhile, his stepbrother, Ezran, is- despite being the youngest- the moral support of the trio. Whenever drama unfolds in the group, he makes things right, almost in an overly convenient, Steven Universe kind of way. Furthermore, Ezran gets some genuine growth starting in the third season.
The female lead is the elf, Rayla. She’s a typical tomboy, but she’s also a bit of Mary Sue, since her first revealed trait is the inability to take a life. She’s also tsundere to the max, and it’s almost too obvious that she and Callum are going to be lovers. But despite how brooding she can be, she has some cute interactions with the boys all the same.
But I don’t like the entire crew. My least favorite characters are the animals that tag along: Bait and Zim, the latter of which is titular Dragon Prince who is not at all named after a cult classic cartoon from the early 2000s. Bait is very inconsistent; he’s useful, thanks to his flash ability, but he also tends to be the direct cause of some conflicts. Zim is just ADORABLE, and I do not like him because of that. I can imagine that both of these characters have toys based off of them in shopping malls everywhere. And to top it all off, Bait and Zim sometimes engage in a shipping war over Ezran.
The main antagonist is a geezer named Verin, the king’s royal advisor. Spoiler alert, the royal advisor is a bad man! Never seen THAT before! Fortunately, he is actually pretty interesting, because all of the evil things he’s doing are out of an obsessive devotion to the kingdom, and he genuinely thinks it’s good. I do have some kind of theory about him that has not yet been confirmed, but if I’m correct, his whole character arc could be undermined and he’ll become a typical one dimensional villain.
Other antagonists include Verin’s kids, Sorin and Claudia. They aren’t inherently evil, but they are both very stupid, and end up being easily coerced into following the princes and “accidentally letting them die” without even knowing that it’s a bad thing. But despite their stupidity (or rather, because of it), they have some great spats with each other, which provides some of the best humor in the series, and plus, they are genuinely good kids at heart. Sometimes, I enjoy their scenes more than the main group’s. The second season also introduces an incredibly sexy villain named Aaravos, but there’s not much known about him at this time.
Current Verdict: 8.65/10
I know, I know… I just scored The Dragon Prince .15 points more than Avatar. I’m sorry. I know that Avatar is definitely a better crafted fantasy epic, yet this show was more fun to watch for whatever reason. It has its flaws, but it’s definitely shaping up to be something great. I recommend it to any fantasy fans (unless you like the dark and brooding stuff, in which case, stay the heck away from this show).
Last time on Kuma Kuma Kuma Bear, a girl named Yuna logs into her favorite MMO, World Fantasy Online, during a new update. She is given some game-breaking bear-themed equipment as a gift for playing for a long time, and is sent to an unfamiliar part of the game world in said bear equipment, with her level reset to 1. She saves a girl named Fina from wolves, and the two of them head to the nearest town with the mob loot. They sell it at the guild, and Yuna spends her hard-earned cash at the inn. The next day, Yuna- guess what- registers at the guild, but only after- guess what- beats some red-shirted upstarts. She then buys a ton of throwing knives, along with a sword and butchering knife, as well as some normal-people clothes. She also acquires bear-themed magic, which she practices on some wolves. She beats enough of them for it to instantly promote her to E-Rank at the guild. Some of the friends of that guy who she beat up start slandering her, and as a result, she is forced to undertake a goblin-slaying quest with them. The required amount is fifty, and she offers to fight them all herself and give them the credit so they stay off her back. She goes with the female adventurer, Rulina, defeats them all herself (double the required amount and a boss), and earns respect among the other group. Over time, Yuna defeats so many monsters that she becomes D-Rank with no effort, and hires Fina to butcher the spoils. They go on a quest to fight tigerwolves, which go down easily. Lastly, Yuna spends a heap of cash on an empty plot of land, and constructs a bear house to live in.
The bear-themed antics are just as bear-themed and… un-antic-y (professional term) as last time. Honestly, I struggled to write anything of substance in this post, and that’s why I’m pairing it with a review of Infinite Dendrogram Volume 12. The second volume of Kuma Kuma Kuma Bear is almost exactly the same as the previous one.
At the current rate, it seems that it’s going to commit to being an episodic CGDCT isekai, which for some (many) people, is enough (especially with the bear onesie). Yuna visits some noble guy, which- I’ll admit- her apprehensiveness to the request was actually kind of funny. But afterwards, Fina’s mom is sick, and Yuna- being the OP protagonist she is- restores her to perfect health almost instantly. Everything happens so unceremoniously that it bores me to tears. Furthermore, the “let’s tell you the same chain of events you just saw but from Fina’s perspective” thing does not die down in this volume.
The issue really is the bland and basic writing style. While there comes a point where TOO much finesse can make you sound like a pretentious hack, not enough will make your work seem lifeless. I couldn’t be immersed in any fashion, and I could barely visualize anything besides Yuna.
You know what, Yuna really is the only thing that matters, isn’t she? She doesn’t just look adorable, but she also helps people for no reason. WHAT AN AMAZING AND NOT-AT-ALL IDEALIZED PERSON. I feel like the author expects people to love her because of how good she is. Well, us critics got a name for girls like her: Mary Sue.
Kuma Kuma Kuma Bear is so superficial. It’s cute, it’s relaxing, but it relies entirely on Yuna’s cuteness. If she didn’t have a bear onesie this thing would not sell. All of her powers are typical stuff, but they just have the word “bear” tacked on to them; they aren’t even puns! Compare it to Invincible Shovel, which actually uses shovel-like properties, such as “digging” through people’s memories, or “burying” entire castles. My chances of reading more Kuma Kuma Kuma Bear are next to nil. I’m going to be so salty when the anime airs because I KNOW that people are gonna be all over Yuna’s bear suit and her good will, WHILE SOMETHING LEGITIMATELY GOOD AND ORIGINAL LIKE TO YOUR ETERNITY WILL GET SHAFTED BECAUSE FUUUUUUUUU-! Anyway, if you like CGDCT and isekai, then Kuma Kuma Kuma Bear will do just fine.
Infinite Dendrogram Volume 12
Last time on Infinite Dendrogram (volume 10), Ray goes to college while also having a new accessory made for him that would help him resist poison. That’s it for him. In Caldina, Hugh Lesseps gets involved with some crazy woman named AR-I-CA on a quest to find a bunch of sealed boss monsters that were stolen from Huang He. A powerful mafia called Mirage goes after them, but they become a non-issue real fast when Dancing Princess Hiuli defeats them all by herself. Gerbera, in the Gaol, also gets stronger as she trains with her new friends in Illegal Frontier, led by the King of Crimes, who is incidentally involved in what is going on at Hugh’s end. Things are looking intense, AND WE FINALLY GET TO SEE WHAT HAPPENS NEXT.
Er, well… not quite? The stuff that happened last time felt like setup, and this volume feels like… more setup. The developments last volume end up being ignored in favor of some new ones. First off, Figaro’s yandere girlfriend, Hannya, is released from the Gaol. She hates couples… which is why it’s so perfect that she was released during the time of a lovey-dovey festival in Gideon.
There’s also some new political developments, mainly this arranged marriage with Princess Elizabeth and one of Huang He’s princes. In order to butter them up, they hang out during the aforementioned festival. They also hint at a potential alliance with Caldina in the future, but nothing seems to come of it yet.
The volume starts with some more insight on Kashimiya, this iai-fighting dude that we only got to see a blip of once upon a time. But after that, the bulk of it is the lovey-dovey festival. And yeah, it kind of feels like a filler volume, even moreso than the Gloria prequel fight. The interactions between the characters are genuinely cute, but this is the first time I’ve seen the overarching story get backseated this violently in Dendro.
Things do ramp up toward the end; Dendro always has to have a crazy fight scene or two. But as far as character development goes, it’s really only Figaro and Hannya who get it. We do get introduced to some new Dendro A.I. but we’re still kept in the dark; in fact, the prequel volume told us more than this one did! And as usual, we still don’t get to see any of Legendaria nor Ray’s sister.
I don’t know what it is, but this is probably my least favorite Dendro volume so far. It’s a cute little mini-arc that set some stuff up, but it’s been a long time since something intense happened. Something big needs to happen, and fast, or this great series could REALLY become the next SAO (and I mean that in a bad way).