Ten Japanese Music Artists I Wish I Liked More

It’s been a while since I talked about J-pop stuff, mainly because my music tastes have changed a lot since last year. Over 99% of what I listen to is metal, and more than half of that consists of European artists. But even before then, there were a number of artists that I liked, but didn’t exactly love. I’ll go over them here because there’s a chance you might be more interested in them than me.


BURNOUT SYNDROMES

You might recognize the band known for three Haikyuu!! openings and one Dr. Stone opening (among others). They actually have a very long career. Their opening songs tend to be very mainstream-y pop rock, but they actually have a good amount of weird avant garde stuff. A lot of their deep cuts are very different from one another, and tend to be better than stuff like ‘Fly High!’. The problem with them is that they’re very outclassed. Bands like Mili are better on the experimental end, while a lot of other bands are just better from a musical standpoint. Once in a while, I’ll throw them on, but they are pretty forgettable overall.


Passcode

This was the first artist I listened to when I got into music streaming. They were also my first impression of the death metal growl style of singing (even though they are not a real death metal band). Passcode is a more electronic take on the same idea pioneered by BABYMETAL: idol pop crap fused with metal. For starters, their album covers are really cool (especially 2020’s Strive), plus, they’re just straight-up better than BABYMETAL.

Unfortunately, the inherent issues of idol pop mar Passcode by quite a lot. The songs are great, but tend to blur together, and are honestly quite forgettable. They’re only enjoyable in the actual moment you’re listening to them (at least to me), but there are so many better bands than them. 

Ultimately, the one band that made me fall out of Passcode ended up being one that fused metal with Western pop: Amaranthe, from Sweden. Their music is better and more memorable, and they also have three distinct vocalists who are really easy to identify. I don’t know how BABYMETAL is more popular since Amaranthe even predates them by three years. Oh well, that’s just how it is in this world!


Memai Siren

This band is so mysterious that they don’t even post photos of their members. Memai Siren is a bizarrely melancholy and chill hard rock band with some cool, edgy album cover art. They also have some prog elements, with most of their releases starting out with trippy instrumentals. 

Honestly, that’s about it. Their vocalist has a unique voice, but yeah… this is another case of bands outclassing Memai Siren. Again, Mili does the bizarro stuff way better, and there’s definitely better hard rock out there. In any case, most of Memai Siren’s discography consists of EPs, so it won’t take too long to give them a gander if you’re curious.


Queen Bee

Even though I borderline stopped enjoying Queen Bee, there are some things that do earn mad respect points from me. First off, they have phenomenal fashion sense. Second off, they have a great logo. And most importantly, their vocalist, known simply as Avu-chan, is one of my favorites in Japan. Avu can go from Prince-level high pitched to an almost death-metal-like growl (unless there’s two separate people, but hey, researching these obscure bands is next to impossible, okay?). Those opinions remain unchanged.

However, the band’s music didn’t exactly move me. A lot of their older stuff is very late-60s-ish, “what the f*** are these people on?” hard rock, which is very good, even as someone who doesn’t really like the late 60s. But after a while, the band essentially moves toward a jazzier sound. And as someone who doesn’t like jazz, well… let’s say that not even Avu could make me enjoy it.


UVERworld

You must be screaming at me by now. “No,” you reply, “since the post is ‘Japanese Music Artists you wish you liked more’, that obviously just means that UVERworld is so banger, that the human mind is incapable of giving them the love they deserve.” Sorry, but that’s not true. Like the others, I wish I liked them more, but I don’t. The band known for Bleach‘s ‘D-Techno Life’, My Hero Academia‘s ‘Odd Future’, and The Promised Neverland‘s ‘Touch Off’ (among many others) is just straight-up not that great.

But I didn’t “wish” I liked them for nothing. Since licensing older bands sucks, I only have access to their newer stuff, where they employ a unique, synth-heavy blend of jazz, rock, and rap. The songs I mentioned before are actually very good, and somewhat deserve their recognition in the anime community. However, that’s about it. I’ve listened to a couple of their albums all the way through and was more-or-less underwhelmed. For me to really like an artist, they must have a good number of enjoyable deep cuts as well as hits. UVERworld simply doesn’t have good enough deep cuts.


Ironbunny

They aren’t just called Ironbunny, but their guitarist—and mascot—is a tokusatsu-looking cosplayer named Edie. Coincidence? I THINK NOT! If it wasn’t obvious, Ironbunny is a relatively new hard rock band with heavy influences off of classic rock and metal (hence the obvious Iron Maiden reference in their imagery). 

Overall, the music is pretty darn good. The reason why I fell off of them is because one of their members had to leave due to health issues and… that’s it. The band seems to be part of some radio show or something, hosting other rock and metal figures in Japan, but they haven’t released anything new following the departure of that person. But honestly, they’re outclassed even in the case of their best stuff.


King Gnu

This might make some Asian readers mad, because it seems like King Gnu is significantly more popular in Japan than anywhere else. I listened to their first three albums, up to their chart-topping record, Ceremony. King Gnu is a weird combination of rock, hip-hop, and jazz that I can at least respect from a creative standpoint. Unfortunately, a lot of them leaned toward “catchy pop crap”, ultimately making me lose interest in the band.

As a side note, vocalist Daiki Tsuneta also has another band called millennium parade (lowercase is actually part of the official name). They would be well-known for ‘Fly With Me’, but it ended up being the OP for Ghost in the Shell S.A.C._2045, which nobody liked, so… yeah. millennium parade has the same style as King Gnu, but with more electronic and prog elements. Overall, I liked them better, but they only had four singles when I tried to get into them, and I just couldn’t commit so early on. They have since released their debut album, The Millennium Parade, so I might try to get back into them if I could squeeze them in.


Flow

Time for some anger! Yep, Flow, the band known for everyone’s two favorite Naruto openings, among other things that don’t come to my recollection, is on this list! To be honest, this entry is pretty much identical to UVERworld, but kinda worse. My first attempt to get into them was through a greatest hits album, and even then, there were tracks I found forgettable. I respect them for being a no-gimmick, old-time rock n’ roll band, but as someone who doesn’t like that kind of music in general, they were not doing it for me.


ORESAMA

These guys have done a bunch of anime openings… for stuff that you’ve probably never heard of. In fact, they might be more popular in J-Pop than anime, at least over here in ‘Merica. ORESAMA employs a unique style of bubblegum pop that’s both upbeat and chill at the same time. They’re perfect for perking up after a crappy day at work. Obviously, given the fact that they’re a pop group, I fell off of them overtime. It’s a shame, because even with my metal-headed-ness, I find myself missing them. However, at this time, I just don’t miss them enough.


ONE OK ROCK

I gotta end with the one that’s most likely to make you angry. ONE OK ROCK was one of the first non-anime Japanese artists I ever tried to get into. Key word: “tried” 

In any case, I do like their older stuff. I listened to those albums all the way through and they were great. However, they seemed to gradually move toward a poppier, boy-band-ish artist with their newer stuff. ‘We Are’ is good, but that’s about it when it comes to their power ballad stuff. I didn’t even finish 2019’s Eye of the Storm because all the songs sounded like pop crap. And to rub salt in the wound, a lot of the metal I’ve been getting into greatly eclipses ONE OK ROCK at its best, so yeah. 


Conclusion

Well, that’s that. I wish I liked these guys more, but I don’t, and that’s how it is. Like I said before, you’ll probably enjoy any of these bands more than me (especially ONE OK ROCK). Please feel free to leave a comment as to how vehemently you disagree with my sizzling hot takes!

Peer Pressure Tag

Well, this is amazing timing for two reasons: 1) I was really running out of blog posts, and 2) I had actually written a whole rant revolving around this very topic! In any case, RiseFromAshes tagged me with this very relatable… er… well, it’s not really an award. It’s more like… the opposite. Anyway, let’s go over the rules!

Rules

  • Link back to the creator, which is Random Thoughts of My Fandoms.
  • Provide a link to the person who tagged you.
  • Answer all questions honestly
  • Come up with 5 questions of your own. (4 have to be about peer pressure; 1 can be random and about whatever)
  • Tag at least 10 people and provide links to their blogs. Please no “you!”
  • Recommend at least 5 books or songs you see everywhere/are very popular that you’ve read or listened to.
  • Use the hashtag #peer pressure tag for easier visibility

This first part was confusing, because it looks like you actually have to answer five preset questions in addition to the custom questions asked by the person who tagged you. The rules don’t say “answer the default questions first”, so I’m going with my gut here. Speaking of going with my gut, that’s how I’m going to go about answering the questions!

Questions 

  1. Have you ever done anything because you were scared you’d be missing out? (FOMO)

I’ve got no idea what that acronym means because, in case you’re new to my blog, I’m an uncultured swine! That’s exactly why I’m such an interesting recipient of this tag, not to toot my own horn. In any case, I never did anything because I feared I would miss out. I didn’t care about prom or nothing, folks.

  1. Do you often do things just because your friends or someone close to you is doing it? 

This I haven’t caved yet, but damn, have I been tempted. I watch a lot of people on YouTube, and since I choose to have no friends, those YouTubers are the closest I’ve got to being close to someone outside my family. They have vastly different tastes from me, a lot of which lean toward the mainstream. It’s really hard to watch their videos at times.

  1. Have you ever felt uneasy about giving your opinion simply because it would be unpopular?

Well, yeah. However, I have my blog that’s chock full of unpopular opinions. The good thing about WordPress is that it seems pretty low in toxicity. If I dared Tweet something like “#Gloryhammer slaps, dawg”, I would likely get a negative response (but that’s also the Internet in general). I’ve also heard horror stories of K-Pop fans somehow being able to end careers, but luckily for me, I haven’t witnessed it for myself.

  1. Do you ever find yourself running away from popular things because you don’t want to be labelled as “basic?”

Honestly, I’m not afraid of being labeled as “basic.” I’m afraid of not being labeled as a human. I tend to proudly proclaim the fact that I’m an uncultured swine, but it’s really a front so that I can pretend like it’s okay to be one. 

  1. (Random question) What’s your dream job?

I’m doing it.

Rise’s Questions:

  1. What’s the best result you’ve had from doing something because of peer pressure? (I.E. made new friends, discovered a new TV show, etc)

The following answer doesn’t even count as peer pressure, but there’s no other example that comes to memory. Like, eight years ago, someone I had tried to be friends with made an offhand comment about how much they loved Disturbed. That ended up being why I tried the band last year, and I love them too. That’s not peer pressure, I know, and I probably would’ve tried Disturbed if they had shown up in my recommendations on Apple Music. But I’m gonna be honest, I don’t have peers to pressure me.

  1. What’s the worst result you’ve had from doing something because of peer pressure? (If it’s really bad, skip this.)

My mom made me attend the graduation ceremony from vocational school. It made me miserable and anxious. 

  1. During your time online, blogging or not, what’s the best case of peer pressure going well that you’ve seen/experienced?

I’m sorry, but I have no recollection of such a thing.

  1. If you have a funny story involving peer pressure, can you share it here? (If not, give advice on dealing with peer pressure)

I don’t have a funny story. So, as per the rules, here’s advice: Don’t let anyone tell you how to live your life. I recommend getting into metal, because that genre embodies not caring if you’re accepted by society. But honestly, any music is good, as long as it helps.

  1. (Random question) What is a video that lives in your head rent free? Link it in this post.

The community of YouTubers that I follow has been doing a yearly charity stream since 2018. And of all the segments of all the streams up to this point, a particular segment from last year’s stream is pretty special. It’s three hours long, so make sure you have popcorn.

Tags (Why do these posts demand so many?!):

Questions for the Tagees:

  1. Do you frequently consume media for acceptance in a community?
  2. What do you do if a close friend is really adamant about making you read/watch/listen to something they like, even though they know you don’t, but they’re making you do it anyway because fwiendship?
  3. Have you ever been peer pressured into voting against your will? If you voluntarily enjoy voting, then give advice on how to deal with peer pressure.
  4. Have you consumed media because a celebrity made a positive offhand remark about it?
  5. (Random Question) This sort of counts as peer pressure but not really… Anyway, do you feel like you are obligated to consume media by diverse people because you’re afraid of being called a racist by toxic P.C. people? I don’t know how bad it is outside of the U.S., though…

Recommendations: I was stumped with this part. My first answer was the five books of Percy Jackson and the Olympians, since they are mainstream books that I enjoyed as a preteen. But honestly, with how consistently disappointed I’ve been with the books published under the Rick Riordan Presents imprint (and the later Trials of Apollo books), I question if Percy Jackson was ever that good. Fortunately, I still have a good record of loving Disney movies, but movies aren’t allowed in the rules! As such, I’m just going to put Disney songs as recommendations, since I actually listen to them casually.

  • Let It Go
  • Show Yourself
  • Friends on the Other Side
  • Under the Sea
  • Be Our Guest

I Risked My Life to Watch Earwig and the Witch! Was It Worth It?

As someone who suffers from anxiety and an inherent fear of physical contact, and as someone who follows a number of public figures who think COVID is the threat that the media says it is, I was—and am—a nervous wreck. Even at this point where people are just tired of it, I’m still scared for my life. I was forced to see Studio Ghibli’s Earwig and the Witch in theatres (since my family doesn’t have HBOMax) as a way for me to face my fears, and I truly did feel afraid for my life. Was I able to enjoy the movie despite all that was going through my head? Also, is the movie itself enjoyable? That’s the more important question! Oh, and of course, I never read the source novel for it!

In Earwig and the Witch, the titular Earwig (a.k.a. Ayatsuru if you like subbed) is left at an orphanage. After living most of her young life there, she is adopted by the titular witch, Bella Yaga. Since she’s empowered and all that, Earwig is determined to own her new home.

Let’s not beat around the bush. This is Ghibli’s first CG movie, and I wanna talk about the CG. It’s not Pixar to where they individually rig every single hair follicle, but everything else checks out. The lighting is good, the style is faithful to 2D animation while still being 3D, and the characters are very emotive. It’s not perfect, but it’s at least better than some of the horrid TV anime CG.

Sadly, that’s really all that makes this stand out from Ghibli’s filmography. Well, I say “sadly” as if it’s a bad thing. Ghibli sets a high standard for Japanese animation for a reason, after all. Earwig is full of the same charm and homeliness you’d expect out of My Neighbor Totoro and Spirited Away. It’s simple, to the point, and has a lot of wholesome charm.

Unfortunately, this also means Earwig has the same problems as most Ghibli flicks. The pacing is abysmally slow, despite its short length. It’s also structured like most Ghibli movies, to where more than half of the core narrative isn’t tackled until the last ten percent of the runtime. A lot is also left up to interpretation, assuming Ghibli even bothered to leave subtle clues in the first place.

The cast consists of four main characters, and literally no one else. Earwig is an unusual subversion of characters of her ilk; she enjoyed her life at the orphanage, and is incredibly headstrong and feisty when at the receiving end of Bella Yaga’s… er… parenting. As someone who tends to like control freak types, I was initially drawn to Earwig’s character arc. But with this being a family-friendly coming-of-age story, I’d thought they’d try to give her a redemption arc, which ends up not happening. Her adoptive mother, Bella Yaga, has a fetish with worms, but other than that, she’s your typical lousy foster parent character. 

Also living in the same house is Thomas, a black cat who tries to be comic mischief (key word: “tries”). The movie’s tragic hero is the owner of the house, known only as the Mandrake. He comes off as super sketchy, but different elements about him are organically divulged over the course of the movie, making him the most complete-feeling of the cast.

In a completely spoiler-free manner, I warn you about the ending. Honestly, we [the anime community] have seen this often enough to know that it’s just Ghibli being Ghibli.  Even the ones that aren’t as, well, Earwig-ish, have left me with a sense of… lack of accomplishment. I dunno, maybe it’s the uncultured swine in me talking. 

~~~~~

Final Verdict: 7.15/10

To be brutally honest, the fact that Earwig and the Witch is CG is the only incentive to watch it. It is bog standard Ghibli in every other sense, and it’s still outclassed by stuff like Spirited Away and Kaguya. I’d only recommend it to diehard fans of Ghibli and the art of animation itself.

I Miss Hard Science Fiction: A Rant

Honestly, I don’t even know if I wanna post this, but it’s something that’s bothered me for a couple of years and I wanted to get off my chest. If you’re familiar with my other rants, you’d know that I had very different tastes back when I was a teenager. I was SO edgy, I did things that not even edgy kids did. For music, I only listened to classic rock. For movies, I only watched old movies; from classics like Dead Poets Society to freaking Spellbound (which is a boring slog that’s only any good in the climax). And for books… I read hard science fiction. 

Hard? Haha, like a—

I know it’s a euphemism, but hard science fiction is a genre. Think of popular science fiction like Star Wars. Epic battles, witty dialogue, memorable characters, spectacular spectacle… Now, think of the opposite of all that; think of Star Wars’ rival older cousin, Star Trek. Slow pacing, tons of dialogue, tackling some very difficult ethical issues… That is hard science fiction. 

As implied by the title, hard science fiction is meant to read like a history book of the future. And also implied by the title, it’s difficult. Perhaps more difficult than any genre to comprehend. They really pour everything into trying to make their worlds as immersive as possible, and it’s a damn undertaking. Tolkein was impressive enough with his Middle Earth. But hard SF authors had to do the same thing, only with multiple star systems, each with as much history as Middle Earth itself. Most adults would have a hard time reading it, and as a teenager, well… Results varied.

Greg Bear

Okay, so, technically, my first hard SF novel was Hitchhiker’s Guide to the Galaxy. But, well, that one is just technically a satire and definitely not meant to read like a future history (right?). However, when I first bought it, I saw some books by a Greg Bear next to it. And, well, after finishing Hitchhiker’s (and almost having my brain fall out), I tried out some good ol’ Bear. You saw the last two words of the previous passage, right?

The first novel of his I read was called Darwin’s Radio. The premise was simple.: Sscientists discover ancient cave drawings (or something) that show that mankind has been slowly evolving into a new species. There was a lot of dialogue, a lot of which was just buildup to the revelation that mankind has been evolving in the first place (oops, spoilers).

As expected, racism is the immediate public response (side note: one of my most distinct memories is Bear actually writing in dialogue from a certain someone who I can’t name because he was a celebrity until people realized he was a rapist. But it’s still funny how it makes the novel dated due to whom Bear chose). This isn’t “racism” as we know it today; unlike people with other ethnicities, this is a legit new species. And another curveball is that mankind had a decent basis to become racist. Due to how evolution and natural selection works, Homo sapien was essentially going to go extinct due to this new species, and thus they respond in fear, which is expressed in the form of racism. 

I remember being both bored and engaged with the novel at the same time. It was weird, but I loved it. There was also a sequel, Darwin’s Children, but all I remember is that there’s some kind of concentration camp for kids of the new species and it’s supposed to make us, the readers, angry that they’re being treated that way. One big issue with both novels is that they had incredibly loose endings. To this day, I have no idea if Bear wrote a third book (or if he even still writes). 

The Bear doesn’t stop there! I was hooked enough on his writing prowess to read a rather thick standalone novel: The City at the End of Time. This book went places. What I remember most is that there were these people who had these emblems and had to stop… something from happening. It was nonsense for the sake of nonsense, from the objects getting folded and crumpled into incomprehensible shapes, to cats guiding some guy through some weird castle. Beautifully written, but with no purpose nor meaning. After this, I would read several pretty lackluster standalones from Bear, and then…

I read Queen of Angels. A lot of positive reviews consider this his best novel, and I definitely agree. It had two different plots going on at once. Half of the book focused on this old guy (that I remember picturing as Jerry Stiller for some reason) who was supposed to investigate a murder, which would eventually involve entering the accused’s consciousness, and the other half was about some other guy who had to help an A.I. attain sentience. It was an amazing mess, with themes focusing on mental health and what constituted as being sane in the first place. It iconically ends with an entire page of I’s spelling out a giant capital I. Hilariously enough, it’s actually part one (or even part two) of a four-book series, and I didn’t know that because it ended so loosely, like all of Bear’s other books. I have not read Queen of Angel’s sequels to this day.

Kevin J. Anderson and Stephen Baxter

I was mixed towards Greg Bear. Afterwards, I would try to read Isaac Asimov’s Foundation series, and fail spectacularly. It was too large in scope for me to handle, and I have always wanted to re-attempt at reading it to completion someday. However, after having given up the ghost with Foundation at the time, Kevin J. Anderson and Stephen Baxter would help hook me on hard SF.

Anderson writes books closer to Star Wars in pacing and action, but with more hard SF scope and mind-bending concepts. His epic series, Saga of the Seven Suns, was the first long book series I was able to read to completion (yes, before Harry Potter), and I remember it being great. I also read the much more recent sequel trilogy, Saga of Shadows, but I don’t recall it being as good.

If Anderson was the weak attack that staggered me, Stephen Baxter was the heavy finishing blow. I only read two novels from him, but they were bangers. I forgot their names, but I definitely didn’t forget what they were about. In one, the main character is trying to find his missing ex (or something), and stumbles upon a secret cult of women who have lived underground for so long that they evolved into an entirely different species. The other one is supposed to have been that book’s sequel, even though it’s set about a million years in the future, and involves some guy who needs to fight aliens… of some kind. Baxter wrote a lot of wild stuff, but my library decided not to stock them. He would’ve become one of my favorites if I had more access to his bibliography.

Alastair Reynolds and Peter F. Hamilton

Now I was getting into the good stuff! I recall Alastair Reynolds and Peter F. Hamilton being real good at incorporating crazy ideas in ways that were relatively easy to comprehend thanks to their writing prowess. Their novels felt like narratives, and not history books. 

My library had a lot of stuff from Reynolds in particular, so I was more familiar with his works. He was definitely the more imaginative of the two authors discussed in this section. To list off a few examples, Reynolds’ novels include but are not limited to: a disease that fuses people with nearby machines, a mad scientist plan of reversing a planet’s rotation, someone getting cut into 150 individual pieces while still being alive (sort of like Law in One Piece), and some alien race’s simulation of an alternate 1950s where WWII never happened, which was also infested with mutant five-year-olds for some reason. 

Peter F. Hamilton is a guy who thinks big. He’s written a lot of books set in various eras of his fictional Commonwealth world. I mainly read the Void Trilogy. It was… complicated, but I remember it being about this guy who dreamt of a parallel dimension where some wizard boy is supposed to do… something. There was also some android girl being chased by an assassin, maybe? I always wanted to read his gigantic Night’s Dawn Trilogy. But since I have this blog, and that series is about 4,000 pages in total, I think I will not be able to fulfill that desire.

Kim Stanley Robinson

Things got iffy again with Kim Stanley Robinson. From a literary standpoint, his books are absolutely phenomenal (at least out of the ones I read). They are among the most realistic-feeling science fiction novels I’ve experienced. He’s most known for the Mars trilogy, which is an incredibly well-thought out epic showcasing mankind’s colonization of Mars. It felt so real it was like reading an actual history book from the future.

But given what I think about realism, Robinson’s books didn’t do it for me. They were so real, so human, so grounded in reality, that I couldn’t get emotionally invested. I just don’t like people very much, and the characters all felt like people. Also, the hypothetical politics regarding things like preserving the natural beauty of Mars, to a parallel of the United States declaring independence from Britain, felt so real that I hated them as much as regular politics. If you can get into this guy’s stuff, then you’re a lucky duck.

Ending on a Great Note

I read one or two books by several people for a while, all with varying degrees of success. The last hard SF media I’d consume would be the best of all of those previously discussed. It was written by Cixin Liu, a Chinese SF author. I know, controversial little China.

Yep, I’m talking about the Remembrance of Earth’s Past Trilogy, better known by the individual novels: The Three-Body Problem, The Dark Forest, and Death’s End. THIS was a thing! Remembrance of Earth’s Past is a simple first contact story, but with none of the tropes and all of the innovation. It begins when a Famicom-style adventure game is released, and is meant to test people on how to solve the titular Three-Body Problem. Those who solve it are roped into a secret first contact cover-up that ends up being publicly revealed anyway (I forgot exactly how). I will be spoiling the rest of the trilogy from here!

It starts off slow, but gets REAL crazy. In the second volume, the aliens have more-or-less announced their presence, and the government—in desperation—assigns five random people, offering all the resources that can be provided to stop the aliens. These people cannot actually communicate what they come up with, or else the aliens will know. Almost every single person comes up with something unethical, like destroying or brainwashing humanity along with the aliens. The one guy who spends most of his money on a summer home with his girlfriend (I think he actually bought the girlfriend too I.I.R.C.) comes up with the best solution. The basis for the solution is the Dark Forest theory, which I think deserves to be recognized as the best hard SF theory since Asimov’s Laws of Robotics. From what I recall, the Dark Forest states that all civilizations are hunters in a dark forest; they try to keep themselves hidden, and indiscriminately pick off any sign of life they see. In galactic terms, this means that aliens will not attempt first contact in the grandiose way you see in movies; no, they will fire a probe and end it stealthily. No peace, no war. The guy’s solution is a thing that will alert other aliens to Earth’s existence, which will scare off the current aliens, but doom mankind.

It’s cynical, and if you’ve read a lot of my blog, you’d know how I feel about cynicism. However, Liu does cynicism in a way that’s almost beautiful, and Death’s End shows it. It does start off confusing at first, because its main protagonist is a diplomat sent to the aliens during the events of The Three-Body Problem. All this time, he’s been schmoozing the aliens. But in the meantime, the aliens have pulled a 2112 and assumed control over humanity. A butt-ton of the human race gets killed off (by androids or something), and it’s at this point that the Dark Forest Flaregun thing is used. After a series of reality-bending events, we learn that the weapons that various alien civilizations have been using on each other have been slowly reducing the universe to nothing, one dimension at a time. Again, it’s cynical, but beautiful. This is hard SF at its finest. You should be able to see why I miss this genre so much. 

But… Do I Really Miss It?

I’ve been thinking of getting back into hard SF. But at the same time, I don’t know if I can. Since finishing Liu’s books, I have become fully immersed in the otaku world of manga and light novels, while also focusing on kids’ and teens’ literature in general. 

As an example, I already made an attempt to return to the genre as recently as 2019. I read the self-titled opener of Peter F. Hamilton’s newest series, Salvation, only a few months after it came out. I did not like it. It started out with your usual premise: aliens send spies to live among humans, yadda-yadda-yadda, and some ship crashes in Antarctica or something. I know that setup is a thing, but Salvation is 99% the backstories of the main characters with 1% alien intrigue, and only two of the characters’ stories are actually plot relevant I.I.R.C.! The reviews on GoodReads were smarter than usual, and they mostly checked out positive. As such, I blamed myself. I was dumbed down by otaku culture, and could no longer enjoy hard SF. I no doubt would have loved it if I had read it as a teen, but ironically, I didn’t love it as an adult.

The way I look at things from a writing perspective has changed. I attribute long bits of dialogue as infodumping, for example. I’ll criticize lack of action, too. Also, ever since reading stuff like Monogatari, I probably would attribute any themes explored in hard SF as pretentious bullcrap. But most importantly, I have realized that those books contained an excessive amount of… sex. People say ecchi is bad, but there’s entire markets here in the good ol’ US of A that revolve around sex. I hate confessing this, but, er… this is how I first learned about the process. It wasn’t like watching “that video” in health class, but it was pretty close. I recalled not being disgusted as much as confused.

But there is one glimmer of hope, that I probably shouldn’t bother hoping for, and that is the impossible union of hard SF scope with the youth and accessibility of children’s media. As far as I know, it has been attempted thrice. The first time is the famous Time Quintet, starting with the iconic A Wrinkle in Time. It’s kind of… something. While the application of hard science is good enough, it has some of the usual bullcrap. The main protagonist, Charles Wallace, is one of those “special-for-no-reason” characters, and good ol’ nakama power ends up winning the day. Other than that, there’s the usual ham-fisted commentaries against Communism that show that the author grew up during the Red Scare. I think the series has aged relatively poorly, overall.

However, the glimmer of hope shown once more in two obscure and modern series, the first of which is called Randoms. It was a trilogy that started off like a typical wish-fulfilment fantasy, but ends up going into Star Wars Episode I-levels of space politics. I was very interested, but a lot of very arbitrary and forced drama scenes would come up starting in the second book and make me really livid. I actually haven’t finished the series, but since book three is the shortest, I might just push myself for the sake of discussing it in more detail.

There was also hope in The Chronicle of the Dark Star Trilogy. I read this one to completion only a few months before starting this blog. It had scope, it had hard science, it had youth, it had ethical quandaries; this one was a winner! It handled the ideas of time travel and multiple universes in ways that made it easy for kids to grasp. It only had two problems, the first of which was that the main protagonist was just as special as Charles Wallace (the characters literally say stuff like “Wow, you’re the only human who can time travel without exploding!” and it never gets explained). I also did not like how the series resolved. In the final book, the plot basically becomes a Star Trek episode, where the characters find this weird thing, and endlessly discuss how weird the thing is. In the climax, it ends up being almost a clone of the climax of Wrinkle. And similar to that, the main character ham-fists those American values of “individuality is more important than survival of the whole race!”, and leaves no room for debate nor interpretation. And of course, everything ends happily for all those involved. This could’ve been something to raise ethical debates, but like in The Giver and Arc of a Scythe, it reinforces the same viewpoints that readers have grown to understand instead of making them question those viewpoints. I know of no other hard SF series for young’uns, and if there are any, tell me in the comments!

In conclusion, I—to this day—have no idea if I want to try hard SF ever again. It takes me all of my free time just to keep up with manga and light novels, even after I get more gung-ho with DNF’ing stuff. This is something that will haunt me to my dying day, that’s for sure. In any case, if you’ve made it here, you’re amazing! If you’d like, leave a comment on your sci-fi experiences and tell me if there’s anything in this ballpark you’d recommend.

Dual Alter World Continues to be One of Japan’s Most Underrated Prog-Metal Bands with their World Distonation EP

One of my first posts ever was introducing three new voices in Japanese music from 2019, with a very underrated metal duo aptly named Dual Alter World being one of them. Personally, I’ve changed a lot since that post; I cringe at having been a Queensrÿche OG lineup purist, now that I’ve grown to like the current lineup in its own way (which is why I’m NOT posting a link to the old post *shivers*). Also, Dual Alter World really isn’t that much like Queensrÿche. My tastes have expanded so much since then, that I now have a better idea of how to describe their style. So now, let me rectify what I said before by reviewing their new EP, World Distonation.

For those who don’t know what this band is (which you probably don’t because these bands don’t like marketing), Dual Alter World (henceforth known as DAW) is kind of a poppy prog-metal band that formed in Japan in 2019. I don’t know much about the members’ backgrounds, except that lead vocalist Kotori Koiwai is a voice actor, and the guitarist—simply named Ryu—is a veteran of the trade, having been in a band called Blood Stain Child, which dates back to the 1990s. DAW’s debut album, Alter Ego, was a concept album about an android (I think?) and it was actually really good and underrated. Think of Amaranthe meets Dream Theater and you’ll sort of get an idea of what DAW is like.

World Distonation has the same electronic metal style as before, but more refined. It also seems that the weird “futuristic record scratch” synth effect (whatever it’s called) is going to become a staple sound in their music. There is still that poppiness in their choruses, but the vibe is way more prog this time. They even went as far as to hire other voice actors to narrate and sing with Koiwai. I don’t know all of them, but people would definitely recognize Asami Imai, the voice of Best Girl Kurisu from Steins;Gate.

I really can’t say much more, other than World Distonation is really good, even more so than Alter Ego. Not only do you have your usual narration tracks, but they also have narrated bits at points in the actual songs. I have no idea who has the creative input here, but whoever it is knows what they’re doing. They’ve really been going all-out. 

It’s just a real shame that they don’t seem to be that big, even by “under the radar” standards. For starters, the official hashtag for them cannot be typed on a non-Japanese keyboard; it’s in hiragana, followed by the letters DAW. I know most Japanese labels don’t seek out international fans, but that’s just excessive. Also, the fact that this is probably a side project means that I have no idea how long it’ll last. From what I could glean of both members’ social media, they seem to act like DAW doesn’t even exist until a new release is announced. This could be their last album, or just the beginning; that’s the risk with following a young band like this.

Another big issue that only pertains to non-Japanese fans is the language. Normally, music itself is universal and transcends language. However, DAW’s albums aren’t just both concept albums, but possibly part of a linear story; the only other bands I know that do that are Gloryhammer and Dark Sarah. Concept albums are very heavily reliant on the lyrics, and without being able to know what they’re saying, DAW becomes a very hard sell. 

Overall, if you can at least appreciate the effort they put in, World Distonation is an incredible EP. Dual Alter World is a great little band that doesn’t get the traction it deserves, and probably never will. If they were more popular, there could even be an anime adaptation based off these albums (as if adaptations of concept albums have never failed before). I recommend checking them out, especially if you can fluently understand Japanese.

Kore wa Watashi Award

My third reward! AND a hundred followers?! Well, I cannot put my appreciation into words. Thank you guys! Oh, and thank you, RiseFromAshes, for nominating me for this Kore wa Watashi award. So, without further ado, let’s jump into this thing.

Rules:

  • The Purpose of this tag is very simple! Describe yourself through anime! To do this you will answer all of the questions below! (Oh… Ooooooh, Rise… you inadvertently made this really hard for me. You see, I don’t particularly like anime…)
  • After this is done you will tag 6 people to pass the tag onto! If you’re tagged for a second time you only have to tag 3 in your next post and 1 on your third attempt and should you so choose beyond. Tell us why you nominated these people!
  • People who ask to be tagged should be added to your tag list with a link to their blog!
  • Tell something nice about them as well.
  • Remember to have fun with the tag and be proud of who you are, you are an amazing person and the fact that so many anime and anime characters share traits with you shows you are pretty breathtaking!

Questions: 

Describe a hobby or passion you have through an anime series! For example: Shokugeki no Soma if you like cooking or Initial D if you like cars.

Easy! One of my hobbies is books, so… yeah, A Witch’s Printing Office! Oh wait… that’s not an anime! AAAAGH! Right, Ascendance of a Bookworm is a thing. Great, my answer is a series I don’t even like! What a cruel world.

Simplify yourself to an Anime Archetype (Tsundere, Dojiko, Shota, Shounen-Protagonist etc)  don’t overthink what an archetype is, go with your gut. Name a character that is also that Archetype.

I’m a kuudere for sure. Because of my social awkwardness, I come off as incredibly deadpan and mumbly. Also, if you read my blogs a lot, you’ll see that I tend to not have actual emotions about anything. Does Seiya from Cautious Hero count as a kuudere? I hope he does because I don’t know any other possible candidates!

Describe your looks through comparing it with anime characters, you can decide how many!

Since I have no self-confidence in how I look, I’m just going to say Shigaraki from My Hero Academia for this one. I think I’m plug ugly and creepy as hell. Sorry, but those are my honest thoughts.

Describe your romantic bias and or sexuality through anime characters you find attractive.

*insert the Will Smith meme from at the movies/ ta-da*

I’m confused by this one based on Rise’s response. It seems the character I pick must be both someone I find attractive AND have my same sexual desires at once. As an otaku, I find a LOT of anime girls attractive, but I don’t know a single one who actively doesn’t want a relationship. Although I’m a straight white guy, the closest response I can come up with is Daru from Steins;Gate. He only likes 2-D girls (like me), and looks hella handsome in the future in Steins;Gate 0.

Tell us about your day to day life and what anime that would fit into! You can be creative here!

For the sake of my anonymity, I don’t want to give away my job (it also doesn’t matter because the best fit is also a series that’s not an anime). I guess Ascendance of a Bookworm wins again, because of how darn hard I work.

Describe your hopes and dreams through an anime character.

I’m just gonna be cynical: Squidward from Spongebob Squarepants, with the headstone that reads “Here Lies Squidward’s Hopes and Dreams”. Oh, and before you tell me that Spongebob isn’t an anime, you should know that IT ACTUALLY IS (a fan-made original anime-style animation on YouTube). In actuality, I have a hope and a dream, but I wanna keep it a secret (also I don’t know any anime where it would apply). 

My Nominations: 

This part is always the hardest because there are so many bloggers to choose from. I’ll try my best… 

There, I did it! These are all solid bloggers with a wide variety of writing styles. Check them out!

And with that, my work here is done. Once again, thank you, Rise, and all one hundred people who have followed me!

I’m a Big Weeb, But I Don’t Like Anime

Anime has been a leading force in the influence of Japanese pop culture extending to the rest of the world. I’ve come across a lot of people who view the medium as their lifeblood. But me? I don’t get it. As someone who’s read Japanese comics, played Japanese videogames, listened to Japanese rock bands, and studied Japanese culture, I do not get anime at all. In this article, I’ll illustrate why.

Pick a Streaming Service and Pray

I feel like anime streaming has become a blessing and a curse. While it’s amazing that you can pay a negligible monthly rate to be able to watch hundreds of anime, some of which have simulcasting available, the actual execution is not the best.

The first reason is the anime industry itself. Anime is a quantity-over-quality world. And under the assumption that you are—in fact—sane, you will likely look at the lineup for the next anime season and look forward to one or two (or five on a great season) shows. Since the majority of the anime demographic is teenagers who have no jobs, let’s assume that you can only watch shows from one streaming service for your whole life. If this is the case, you’ll have to be lucky that your one streaming service will air that one show, because you’re not gonna watch the other 90% of crap.

It’s not a fun time. My worst luck was the Winter 2020 season. I was planning on watching five shows- a record for me- and ALL of them ended up on Funimation, while I had Crunchyroll. It wasn’t that big of a deal because I already read their source versions, and the adaptations were likely to be bunk anyway, but it was still sad to see that the one service I used didn’t get a single one of those shows. That’s what anime streaming is. If I know this community, only a small handful of shows get any traction, while thousands of other shows vanish into the ether. 

And the services themselves are debatable in quality. Crunchyroll is more-than-functionable (without bringing up the political upheaval they caused with a thirty second teaser trailer in 2018), while all I know about Funimation is the whole “Kick Vic” incident. I’ve even heard horror stories about how Netflix and Amazon explicitly disrespect anime culture. I don’t know if that’s true, but I do know that the former doesn’t stream shows until well after they air (well after they have been forgotten in the community), and the latter doesn’t even bother marketing them. A whole fandom died inside in spring (or was it summer?) of 2019, when the epic historical fiction manga, Vinland Saga, got its long awaited adaptation, from a great studio, and got licensed to Amazon. It could’ve been a cultural phenomenon, but no… it might as well have not existed, and Kimetsu no Yaiba blew up instead.

I have no idea why anime streamers are like this, versus manga publishers. Manga publishing has come a long way from when Viz and Tokyopop freakin’ mirrored the manga. I buy material from every major manga publisher in North America equally. They actually care about manga (and market them, too!), and have very high quality translations and whatnot. For argument’s sake, if Kodansha, Yen Press, and Seven Seas joined Viz in launching a subscription service of their whole catalogues, I’d subscribe to all of them in a heartbeat. The combined monthly rate would surely be less than the flat rates I pay, and I would actually use each of them all the time, as opposed to anime streamers, whom you’ll only have the time and sanity for a couple of shows per season.

Money Is VERY Much an Object

It’s no secret that anime is a BIT on the downgrade. Anime studios tend to have big budget issues, sometimes being forced to file for bankruptcy. Animators are notoriously underpaid at these jobs, to the point where being a straight-up salaryman is probably a better option. But money isn’t only affecting real people, it’s affecting the products.

For starters, the chances of an anime finishing are next to nil. A lot of anime, even successful ones with high incentives to continue, end without a follow-up, and my personal assumption is a lack of funding, even for successful ones. That’s just how in the red they are. Even when they do get new seasons, they tend to degrade in quality, like—most famously—One-Punch Man in its second season.

That lack of funding also makes anime artistically hideous. Most of them consist of flat textures and solid colors, with only one basic shader or highlight at a time (if you’re lucky, you’ll see a shader AND a highlight in the same shot). These studios take any semblance of artistic identity that their source material had and makes them all look exactly the same.

But what’s worse is the actual animation itself… or lack thereof. Most of the time, any given shot in an anime consists of just the mouth opening and closing at regular intervals. And sometimes, you’ll have a thirty+ second long shot of nothing moving at all. It’s also common to see flashbacks to something that happened earlier in the same episode. There are some moments of excellent animation, but they are exceedingly rare (although I heard that Mob Psycho 100’s second season is surprisingly consistent), and to me, not enough of a payoff. Also, pretty much every anime I’ve seen feels like they’re all directed by the same person.

A lot of people are used to these quirks, but I can’t stand it. And honestly, you can blame me for being a filthy normie on this one. I’ve grown up with Disney my whole life. Disney has an incredible eye for detail (at least when they actually TRY), and I’ve gained a habit of appreciating all of those details. Their characters emote and express themselves in ways that feel alive and give them substance. They have had multiple characters on-screen, all animated and emoting simultaneously. Thanks to my autistic logic, I’ve gained a habit of looking for those same details in animated mediums. And anime, naturally, completely lacks those details. Anime feels dead and empty without those subtle gestures of emotion. Even when something emotional happens, the eyes end up being the only things that animate. I don’t need these details in manga, since it’s a still-image medium and they have entirely different ways to convey moods than anime. But nope, when something’s animated, I need fluid animation and expressive faces or else I am not engaged. And for the record, I do know about Kyoto Animation, but all I’ve come across from them are sappy love stories that I have no interest in.

Feature Films are Great… Good Luck Seeing Them

Most of my complaints have been regarding TV anime; feature films are another story entirely. With less hours of content to produce, no deadline to produce it, and more money to produce it with, anime feature films are where all the talent in the industry has gone. Many anime enthusiasts know famous directors like Hayao Miyazaki of Studio Ghibli, and the more recent Makoto Shinkai, director of Your Name and Weathering With You

I’ve only seen a few anime movies: Spirited Away, Summer Wars, and The Tale of Princess Kaguya among others. They were all great (well, not so much Summer Wars because it was just a boring family drama disguised as The Matrix, but that’s an argument for another day), and they gave me a light of hope for the industry. I’d love to watch more movies and write about them.

The problem is that seeing them is a bit tricky. A lot of them are available on streaming, but not on anime streaming services. They’re all stretched thin across a lot of “normie” streaming services, from Netflix to HBOMax. As much as I complained about anime streaming before, these other apps are an entirely different rabbit hole. I’m not someone who likes Western shows, and it’s not worth paying for an amount of movies I can only count on my fingers. 

“Well, just buy them, you cheapo,” you say. I just looked on Amazon and GKids’, and one anime movie costs about $20 USD each. “That’s not so ba—” That’s for one movie. There are a lot of anime movies out there, and building a collection would easily inhibit my ability to cover the usual material I cover on this blog. As much as I want to see more anime movies, I’m not a movie guy, therefore anime movies are of low priority.

My one sole hope is in events like GKids’ Ghiblifest, or actual anime premieres themselves. I only need to pay $8 USD to watch them once, which is all I’d have time for anyway. But there’s still a drawback: the distribution. I was able to watch Kaguya in a theater that was a stone’s throw from my house. However, when Weathering With You came out, I was tempted to watch it because I was low on post material for January and I thought, “Eh… why not? I think the movie’ll be stupid, but I just don’t hate myself enough.” Regardless of whether or not I would’ve liked it, I was still butthurt that the closest theater for THAT was forty minutes away from my house, and since I would’ve seen the subbed version like a true weeb, I would’ve been up until midnight when I got back home! That’s a no-go for someone who had to be awake at five in the morning to be able to report to his full-time job that’s paying for his blogging career.

Man, if only there was a place to RENT movies. If I didn’t like it, I could just bring it back tomorrow, and no money will have been wasted. It could’ve been called “Movies That Are Expected to Make a Lot of Money in the Box Office” or something. Oh well, an idea so ridiculous couldn’t possibly exist!

Conclusion

Watching anime is tough. Really tough. Much tougher than reading manga. Anime is more affordable, but you get what you’re paying for: low-budget, cheaply made, overly-abundant crap. A haystack of BS that you need to scour in order to find the needle. Then when that anime season is over, you lather, rinse and repeat with the next season. To me, it’s a nightmare, and that’s why I bowed out of it. 

I must ask the following question, specifically to the veterans who’ve made anime their life, and have literal hundreds under their belt, to the point where they’ve self-taught themselves fluent Japanese just by watching them with subtitles: What is so appealing about anime? It can’t be just because it was the first medium you were exposed to, because I myself was actually converted from a TV junkie to a book junkie over the course of my life. I dunno, maybe it literally is just because of the aforementioned reason, or maybe I could stop speculating and just let you answer the question in the comments (I really want to know)!

The Mystery Blogger Award!

So I learned that there’s not just a blogger recognition award, but also a mystery blogger award! It was created by this blogger named Okoto Enigma. And guess what, RisefromAshes nominated me. Thanks for the love, buddy! Anyways, the rules for this one are much more complicated than the other one… which is why it took me a whole week to come up with this post.

Rules:

  • Display the award logo on your blog
  • Thank the blogger who nominated you and provide a link to their blog
  • Mention Okoto Enigma, the creator of the award
  • Tell your readers three things about yourself
  • Answer five questions from whoever nominated you
  • Nominate… ten to twenty bloggers?! I don’t even follow that many people!
  • You’re also supposed to comment on your nominees’ blogs, but Rise just tagged them instead, which I think is a lot easier to do tbh
  • Ask your nominee five questions, with one of the five being weird or funny
  • Share a link to your best post

About Me:

  1. I love Japanese culture a whole bunch, but ironically, I’m not a big fan of anime. Movies are fine, but I can’t stand how low budget the TV ones are (also, the most popular ones are available in another medium anyway).
  2. I have a good track record of not liking anything mainstream.
  3. Well, I didn’t want to divulge the following information this early in my career, but for the sake of the award, I’ll say it: I have high-functioning autism.

Rise’s Questions:

  1. What type of driver are you? If you don’t drive, what type of driver do you think you would be? I do not drive. But if I did, I would be one of those old people who moves at two miles per century. 
  1. If you could give any series of your choice (anime, manga, books, etc.) a reboot, which would you pick?Soul Eater herpaderp!” J.K. that’s the easy answer that everyone gives. I sifted through about ten thousand options, and decided to answer with “The Legend of Korra” because my reasoning is the most simplistic out of the rest.
  1. As a follow-up to #2, what would you change about the series in your reboot/re-write? All I’d do to fix Korra is to expand upon the Equalists storyline from season one and have it be, you know, the whole story. I’d also flesh out the PTSD aspect of Korra’s character arc and not shoehorn it in right at the end.
  1. What’s your opinion on apples, the fruit? I think apples are hit-or-miss. If you have a really good, crunchy apple, then you’re set. However, they will not excuse you from going to the doctor. Damn the lying turd who told us that.
  1. Do you like blogger tags? I’m pretty new at this and uh… I don’t actually know what blogger tags are? If you just mean the literal tags you put on your post, then yeah, I like them just fine.

Oh boy, my nominees. Well, if Rise didn’t nominate ten, then I sure don’t have to! I nominate I drink and watch anime and Takuto’s Anime Cafe (wow, repeating two of my nominations from last time). 

Questions for my Nominees:

  1. Do you listen to Japanese music outside the sphere of anime? (What I mean by “the sphere of anime”: people like LiSA, Konomi Suzuki, ReoNa, etc.)
  1. What is your track record of agreeing with mainstream trends?
  1. Seriously, how do you put up with the low-budget aspects of anime?
  1. What is the most underappreciated media (anime, manga, book, music artist, etc.) that you have ever come across in your life?
  1. Is mayonnaise an instrument?

My Best Post?

I’ve been working on a two-part Top Twenty Favorite Music Artists of All Time (which could end up becoming a three-part Top Thirty because I LOVE MUSIC DAMMIT) that I anticipate to be my best post, but that’s not going to be ready for quite some time. So instead, here’s a link to a very recent post: Mack’s Top Ten Favorite Japanese Music Artists (updated from my Top Five from last year). Most of what I cover are manga and light novels, making this very much not the norm. But man, I’m sick of crap like BABYMETAL and Kyary Pamyu Pamyu getting all the love! Sorry, but I’m using this award to spread awareness of some very underrated Japanese bands.

With that, I’ve (hopefully) met all of the mystery blogger award’s conditions. Hallelujah, holy sh**!

Mack’s Top Ten Favorite Japanese Music Artists

I’ll always love the classic rock of yesteryear more than anything. But over the last several years of my life, I’ve realized the greatness of contemporary Japanese music, and want to spread the awareness of these artists as wide as possible. In this blog I’ll discuss my favorite Japanese music artists… for the second time, since things have changed a bit. In fact, there’s so many that I wanted to talk about that I had to double the length of the list! 

10) Kenshi Yonezu

One immediate difference between this list and the previous one is that Dempagumi.inc is not on here anymore. I still stand by everything I said originally; they are definitely the best idol group and one of the best examples of mainstream pop out there. However, I am biased toward rock and innovation (plus, Dempa’s newest album was pretty lackluster). As a result, someone else has snuck onto the list: Kenshi Yonezu.

Yonezu is a strange case. He seems to be one of the most popular singers in Japan… and only in Japan. I have no idea how someone as famous as he is has not gone global at this point, but that’s just Japanese marketing I guess! Anyways, while I’d normally be against someone so popular, the reason that I like him is that he’s not as mainstream as you would think. In fact, his music is very abstract and strange.

Why is his music strange? Er… it just is. Yonezu’s music falls into a weird, Beatles-esque prog-soft-pop-rock style (confused?), and it’s something you just gotta try. You never know what he will pull out of his eccentric butt. 

While I don’t love ALL of his songs (hence his position at the bottom of the list), he’s definitely a man who seems to care about quality over quantity. Since his 2012 record label debut, the man has only put out three studio albums. And it’s not like he’s an anime singer, like- say- Konomi Suzuki, who can only put out singles when they’re hired for an anime. He clearly invests all of his brain meats into his music, and I commend the guy for it. Yonezu’s music has been getting better and better over time. While I find his first album, Diorama, to be hit-or-miss, his second album, Bootleg is all-around great, and his newest album, Stray Sheep, is utter “Wow”. I put him on here in anticipation that he’ll evolve to levels beyond what anyone can predict (and maybe go global?). 

9) Hysteric Panic

Hysteric Panic is a very underrated J-rock group that I love because of their simple, primal energy. Songs fall within the hard rock category, but border on metal after their fourth album, Hypnotic Poison. For some reason, I want to describe their style as “memey” because of how nonsensical they sound at times. 

They also have a wide range of vocals, from a high-pitched, Axl Rose-sounding guy, to a guy who sounds like a constipated alligator (and on occasion, what sounds like a choir of Japanese school girls). Regardless of if it’s multiple guys or the same guy, this wide range of screams makes Hysteric Panic stand out as a thrash band. At present, their original guitarist has left (I think?), and they haven’t shown any signs of a new release. I’m concerned with how they will move from here, but if they’ve truly been acknowledged by the spirit of rock, they’ll party till they’re purple!

8) Gacharic Spin

I had a debate over Gacharic Spin or RAISE A SUILEN from Bang! Dream (which I discussed in my review of the latter’s first album). But in the end, I chose Gachapin. But even then, I was hesitant. I am fully aware that they have changed a lot since their initial formation, especially after their original drummer tragically passed away. The problem in my case is that Apple Music didn’t exactly HAVE the band’s older stuff, and as a result, I’m ONLY familiar with their newer, more electronic sound (side note: I’ve also just started listening to Galneryus, and they will probably replace Gachapin in a third version of this post).

But you know what, sometimes that’s them apples. Why would I not be qualified as a fan just because I never heard the original lineup? In any case, the Gachapin I know has garage-style jams featuring various auto-tuning and synth effects for style. 

The one problem I have with them is that they are pretty inconsistent. When they go full-on, they are fricking serious electronic metal. However, a lot of their stuff feels like typical rock and kind of… there. I get that not all songs can be bangers, but that really shows at times in Gachapin. But you know what, the great thing about rock bands is that if you don’t like them, then they can just say “Eff you!” and go about their day. Anyway, if you like rock with punch, then check out Gachapin.

7) Crossfaith

I dropped MIYAVI after two albums, Hikaru Utada after one and a half, and Kyary Pamyu Pamyu after just half of a compilation album. I’ve made my peace with them, but there’s always the classic counterargument for any critic who doesn’t finish a thing: “It gets way better later!” As much as you can argue about that defense until the cows come home, it is partially true, and Crossfaith is such a case.

I royally disliked them at first. I started from the very beginning: 2009’s The Artificial Theory of Dramatic Beauty. I loved the idea of thrash with a techno atmosphere, but it sounded bad. They only used one or two synth effects, and the singing was awful. Kenta Koie sings entirely through the type of throaty scream that I only previously heard as backing vocals (like Hysteric Panic), and in English. Oof. 

But hey, Crossfaith wouldn’t be on here without a reason. I was about to give up on them after 2011’s The Dream, the Space. However, I gave them one more chance on their 2012 EP, Zion. It ended up being a marginal improvement, and enough of one for me to try their 2013 album, Apocalyze. That album instantly changed my views of the band. As soon as I heard the intro track, ‘Prelude’, followed by ‘We Are the Future’, I went from a critic of Crossfaith to a fan in the span of a single song. I can’t describe exactly what it was, but they seemed to have a better sense of how to combine metal and synth to make a truly futuristic metal band THAT SHOULD’VE DONE THE BOSS MUSIC IN XENOBLADE X *grumble grumble*. 

As good as Apocalyze was, they kept growing. Koie’s singing goes from bearable to straight-up good, and they start experimenting with songs like Wildfire, a groovy fusion of disco and metal featuring the band Skindred (whom I know nothing about other than that song). Their 2018 concept album, EX_MACHINA, and 2020 EP, SPECIES, are great showcases of how much they’ve grown over the years. My only issue with them (besides their first two albums) is that they don’t really do guitar solos. Normally, I’d find that disgraceful, but when I’m listening to their raw cyberpunk rage, it never bothers me.

6) Wagakki Band

Before I start talking about these guys, I shall have you know that I was an avid fan of this group well before their collaboration with Evanescence. That being said, onto the actual discussion!

I know I shouldn’t make a post about “how wild and weird Japan is”, but Wagakki Band is something that could only be formed in Japan. And I’m saying that because their… equipment is much more accessible in Japan than anywhere else.

Wagakki Band is a massive group, and that’s because there’s a LOT of instruments (and yet Slipknot somehow has more members). Along with the usual rock instruments, such as guitars and drums, they also have some very vintage instruments. Specifically, wagakki instruments (which literally means traditional Japanese instruments). They are a true East Meets West rock band! But of course, I do not want to give them credit where it isn’t due; I’m pretty sure at least two bands have done the same thing way earlier. However, those bands are old, and older Japanese bands are shaky at best when it comes to licensing in my region, so… I’m gonna stick with Wagakki Band for pretty much forever.

In any case, the way they combine the two styles of music is so good it’s almost creepy. My favorite aspect is how well the *insert name of old-timey Japanese drum here* works for hard rock. What’s even weirder is the fact that their vocalist, Yuko Suzuhana, sings in an old-timey style, and it also doesn’t feel like it clashes. Whether it’s a head-banger or a power ballad, Wagakki Band delivers. Japan has always had a knack for seamlessly integrating its modem culture with its traditional culture, and Wagakki Band is one such integration.

5) MYTH & ROID

Led by TomH@ck of OxT, MYTH & ROID was originally my favorite Japanese band, and was in 1st on early drafts of the original post. Although they are a solid prog-rock band that has more of an identity than most people in the ainsong industry, I realized that I find the artists in the Top 3 more irreplaceable. I don’t know if it’s because MYTH & ROID has way less discography or what, but them’s the brakes.

But hey, they’re still in Top Five for a reason. MYTH & ROID has managed to craft a distinct style that basically allows them to do whatever they want, as long as they maintain one consistency: MAKE. IT. AWESOME. Out of all the artists on this list, I have always exclaimed “WTF?!” with every song of theirs the first time I heard it.

At the time, I remember when I threw on ‘Styx Helix’ because it was a Re:ZERO song, and thought it was decent techno-chill. I later noticed that they also did OP 2 of the same show. I put on that song, ‘Paradisus Paradoxim’, and it completely blew me away with how different it was. I fell in love with MYTH & ROID right then and there, making them the first Japanese rock band I ever seriously tried to get into. While they are no longer my favorite, they are still a great band that stands out from the rest. I recommend giving them a listen if you’re tired of that mainstream crap.

4) BAND-MAID

This is a band I literally found out of nowhere. Although they’ve grown substantially more popular with their most recent album, I was a fan since summer 2019- snug within the range of “before it was cool.” When I made the life-changing decision of subscribing to Apple Music, one of the first bands I got into was- no, not BAND-MAID- but Passcode. Passocde’s great and all, but in the similar artists tab, I couldn’t help but notice BAND-MAID. And the rest is history.

BAND-MAID, whose claim to fame comes from their maid cafe-like attire, is a hard rock band that skirts the line of metal. And they’re a damn powerful one at  that. One distinct vibe I get from their music is something I rarely feel in any other J-Rock bands: Classic Rock. It’s not as prevalent as a certain other band on this list, but they definitely have an old-school, garage-y style reminiscent of stuff like AC/DC. “You only like them because they’re mimicking Western culture, you traitorous lech!” you exclaim. Well… I don’t define rock by any nationality. Sorry, bub.

I had some concerns when I first started listening to their breakthrough 2019 album, CONQUEROR, but it has definitely grown on me in the latter half. In conclusion, BAND-MAID is a ludicrously good group. Apple Music doesn’t have their very first album, but it has everything else. I personally started with their third studio album, Brand-New Maid, but you can honestly start anywhere.

3) nano

I can’t believe nano is not in first anymore. It was already surprising when I docked her to second place, but as you can see, she’s actually in third now. But why? After all, she is one of the few people in the anisong industry who really has a true style that is entirely her own. But hey, she’s still great, and here’s why…

nano generally does very aggressive hard rock and metal tracks, but also throws in electronic, or even in the case of one particular song, combines rock with traditional Japanese instruments. I find her older stuff to be rough around the edges, but from her third album, Rock On, and onwards, she’s gotten better and louder. Her albums are one of the best showcases of the evolution of an artist that I’ve ever heard. A lot of credit goes to whoever produces and mixes the music in order to bring out the best of her powerful voice and the instruments that her buddies play.

nano’s music is divided into two distinct types: Regular J-rock that’s used as assets for anime and such, and straight up Western-influenced hard rock, complete with English singing. The latter is typically used in albums, as the designated deep cuts. However, I find those to be some of the best filler, and oftentimes among nano’s best songs. I recommend going through all of her albums, or at least starting with Rock On and going chronologically from there.

2) Mili

I never liked pop music. I always associated the pop genre with mainstream. But out of nowhere, a pop band took my heart and almost sniped first place on this list. I present to you: Mili.

I have never been surprised by a 21st Century artist more than Mili. The idea of pop not having to be mainstream was legitimately mind-blowing to me. Normally, I can compare an artist to someone else; you saw that in this post. But I can’t compare Mili to anyone. They are unlike anything I’ve ever heard in my life. 

Their music is otherworldly. They use a combination of piano and synth that just has an air of uniqueness to it. While all their albums are great, they get better and better, to the point where it outclasses their older stuff by a lot. 2018’s Millennium Mother is such a good album I haven’t actually gone back to their first album, Mag Mell.

I can’t praise Mili without giving kudos to their vocalist, Cassie Wei (a.k.a. momocashew). Her voice is just absolutely phenomenal. Her English, along with the lyrics she sings, are great. Her voice can be both soothing and terrifying depending on the mood of the song. She’s truly one of the best Asian singers I’ve ever heard.

1) Lovebites

Mili was originally first on this list until just earlier this week. While they are definitely the most unique band I’ve heard from Japan, it’s still technically pop (or soft rock?). I like the heavy stuff, and that’s why Lovebites took first place.

If BAND-MAID is classic rock, then Lovebites is classic metal. They aren’t just my current favorite J-Metal band of all time; they’re among my favorite metal bands of all time. Underrated doesn’t even begin to describe them. They deserve way more than their puny five-digit amount of followers, that’s for sure.

Immediately, Lovebites comes off as similar to DragonForce, with their orchestral synth in a lot of their songs, and their multi-minute guitar solos. However, they have much more variety in terms of tempos and melodies, which- IMO- makes them better than DragonForce in a way. They have a venomous and aggressive aura that reminds me of none other than Judas Priest, and they ALSO have a level of simplicity that’s similar to Iron Maiden. This is no coincidence, because (unless they’re faking it), at least one of the members is a classic metal fanatic. And by the way, their vocalist, Asami, is amazing…. For the most part. Like Crossfaith’s Kenta Koie, she sings in Engrish, and I admit she doesn’t sound too great. However, it’s still easy to tell that she has amazing talent when it comes to singing itself. It took Koie a decade to sound good in English, and it’ll probably take Asami about as long to do the same.

If there’s any remaining issue, it’s that Lovebites needs a bit of experimentation. While their fast-paced music is about as good as similar songs from Priest and Maiden, that isn’t all that those two bands can do. In Lovebites’ case, that kind of music makes up the bulk of their career, and I know that they are more capable. But hey, they’ve pretty much just started. 2020’s album, Electric Pentagram, already sets a new standard of quality for them. It took Priest and Rush a decade to cement themselves into rock history. Where will Lovebites go in 2030? I can’t wait to find out.

Conclusion

I feel pretty safe saying that this is my definitive list for Japanese music artists. The only one I see changing the list is Galneryus, but I don’t know if it’d be worth making a third, identical post just for them. Japan might come off as a country full of dainty, yukata-wearing tea-sippers, but rock is a language that anyone can learn. And hopefully with this, you can see that Japan has a genuine sense of metal that isn’t fake and superficial like BABYMETAL. If you have a hankering for this stuff, give it a try (and follow the artists’ on social media because you’re not going to have any other source of news from them because Japan doesn’t want you to know they exist).

When Anime Puts Its Best Foot Forward – Children of the Sea Movie Review

A couple years ago, before I even started this blog, I read one of my favorite manga of all time: Children of the Sea. It was a short, beautiful story with a simple message that really puts things in perspective (which is the vaguest way for me to describe it without spoiling you). It felt like a dream come true for it to get a feature film adaptation from Studio 4°C. Everything seemed to check out. “Oh boy!” I exclaimed. “Something legitimately unique and powerful that isn’t just mindless visual spectacle is actually going to get its well-deserved publicity!” However, karma seems to dictate that no truly creative and excellent media can ever get that publicity, for COVID-19 was at its peak panic levels during the month of the movie’s US theatrical premiere. And as such, the movie got downgraded to a straight-to-home-video release, as if it were a bad Disney sequel. 

Because of this, I was concerned, to the point where I had to make a whole new paragraph for the following statement. The straight-to-home-video release made me consider an alarming possibility: Children of the Sea flopped. I don’t know why, but GKids didn’t exactly promote it, like, at all (for example, it was released on Netflix but I haven’t seen them Tweet about it and I was on them like a hawk leading up to this release). I’ve been worried about it not being well-received. Children of the Sea is incredibly abstract, and gets very cosmic very quickly. The fact that a hyperbole-hating guy like myself just used the word “cosmic” shows that this movie is a real trip. Anyway, this preamble has gone on for too long. My copy of the Blu-Ray is here, so let’s just watch the darn movie and stop postulating already!

In Children of the Sea, a girl named Ruka is living a typical life as an outcast among her peers and as a victim of divorce. She visits her dad’s aquarium, which acquires some unusual new specimens: Umi and Sora, two children who were found literally at the bottom of the ocean. Ruka acquaints herself with them, and when fish around the world begin to vanish, the boys are the only ones who can help her figure out why.

Like I said before, the story goes places. It’s so much of a trip that there’s not even a real antagonist nor actual stakes. The first half is basically a slice-of-life with some supernatural intrigue, while the second half is just… art. I’ll get to that last aspect in a bit.

I’m someone who’s consumed a lot of media that I’ve believed is pseudo-intellectual, and at first glance, Children of the Sea has every ingredient to fall into that same category. It has many shots that are framed with absolute beauty for the sake of beauty, as well as a lot of very esoteric dialogue to make them come off as smart, with a dash of real-world science thrown in. But unlike pseudo-intellectual works such as The Fault in Our Stars, Rascal Does Not Dream, and Monogatari, Children of the Sea has a clear-cut tangible meaning (which I choose not to disclose in this review). In fact, you could criticize its writing for being too ham-fisted if anything (but in its defense, this message is difficult enough to get across as it is so they kind of need to ham-fist it). Most of the hard science, which includes marine biology and astrophysics, is… true enough.  Regardless of scientific accuracy, the messages that are conveyed via these factoids are what matter the most, as opposed to something like Rascal Does Not Dream where it’s like “Teenager issues? Have a quantum physics textbook!” just to force symbolism onto you.

“But a social commentary is still a social commentary,” you say, “and you don’t like social commentaries!” Normally, that would be true. From my perspective, most social commentaries are about human things that are already common knowledge by now. Children of the Sea’s message is something on a grander scope that- sadly- ends up going largely unacknowledged. Not to sound pretentious, but I think it’s something legitimately important for everyone to know.

Despite how straightforward the movie seemed, your mileage may vary. It’s not just the fact that I read the manga, but I’ve also been awakened to the same message through different means (Spoilers: through an old mini-series starring Neil DeGrasse Tyson, and it’s not Cosmos!). So of course the movie would make sense if I already had an understanding of what it was going to say! The anime is no-doubt the more difficult version to experience first. In the manga, you have the ability to stop and take everything in, whenever you want, while the anime moves whether you want it to or not. Sure, you can pause it, but anime Blu-Rays have a problem with making subtitles disappear for a few seconds after you pause them (which would be a non-issue if you watch the dub, you normie). 

Anyways, let’s drastically change the topic and discuss… the differences between the manga and anime (that I remember)! While most of what they cut is trivial, some removed content can mar the movie experience a bit. They completely get rid of the backstory between these two scientists, Jim and Anglade, which gives context to their relationship with each other. But more detrimental is that specific cut content makes a certain scene regarding Ruka’s mother come from way out of left field. In any case, the cuts do help the pacing a lot. I’d rather have a fantastically done movie with some bits missing than a crappy TV anime with all the content.

Let’s move on to the characters, who are by far the weakest aspect of Children of the Sea. Ruka definitely comes off as a YA protagonist; crappy life, gets swept away by two handsome boys, and is arbitrarily chosen to fulfill some great purpose for no reason. Honestly, I can’t really justify her character arc. I have one thing to say, but I can’t say it without spoiling the central themes of the film. So, spoilers: Having someone like Ruka be chosen is a glimmer of hope that any human can regain its innate connection with nature.

Umi and Sora are a bit more likeable… to a point. They also have YA tropes; Umi is the fun, lovable kid, and Sora is the sexy bad boy. They say a lot of esoteric things, and it’s only because of my understanding of the movie’s message that I don’t want to bop them upside the head. Next up are Jim and Anglade, the scientists I mentioned earlier. Due to the cut content, their character arcs got beaten down more than anyone’s. Fortunately, they aren’t that integral to the plot to begin with, even in the manga, so it’s fine. Beyond them, we have Ruka’s parents… who are typical divorcees.

The audio and visuals make Children of the Sea complete. The music is absolutely enchanting, and perfectly sells the atmosphere of the movie. But as great as Joe Hisaishi is, he didn’t write the end credits theme: Spirits of the Sea. This little ditty was by the singer Kenshi Yonezu. I’ll discuss Yonezu… in the future, but for now, lemme tell you that Spirits of the Sea is a wonderful, beautiful ballad that really conveys Children of the Sea’s magic. I got to listen to it when he released the single, at the time of the movie’s Japanese premiere, and it is how I discovered Yonezu in the first place. I highly recommend listening to it casually, but also listen to it during the credits; a post-credits scene follows afterward.

And- Holy crap!- the art. A lot of TV anime these days might look… eh, but at least the movies have maintained a high standard for quality. In fact, Children of the Sea is the most beautiful anime I’ve ever seen. They were faithful to the original manga’s linework-heavy artstyle, while also adding their own flourish to it. Studio 4°C also had the manga’s sense of composition; each shot is full of little details, yet it’s easy to identify the main subject at any given time. The animation, use of CG, and particle effects were also top dollar. After reading the manga, I had asked myself, “How the crap are they going to handle the climax?” Well, I’ll just tell you… they did a good job on that end.

Final Verdict: 10/10

I knew that the best case scenario with Children of the Sea was it would become my favorite anime of all time. And guess what: it’s my favorite anime of all time. The stars aligned with this one. Amazing source material, adapted by a studio that really cared. It’s practically perfect in every way. But boy… Children of the Sea got Shrekked hardcore. The COVID-19 pandemic killed its one shot at publicity in a U.S. premiere (outside of Chicago at least), and it made me real salty. This was a rare chance for something obscure, adapted by a talented team, to be unleashed upon the world, and it was all for naught!

This is one of the few pieces of media that I recommend you try regardless of your tastes. I might be sounding pretentious, but understanding the message that it conveys is very eye-opening. I’ve read a lot of books where the blurbs say “This completely changed how I view the universe!” and it ended up being two boring teenagers falling in love. Children of the Sea is not that; it is genuine, brutally honest, and poignant.