Levius Manga Review

Boxing narratives are all well and good, but they kind of tend to be the same. The main character loses, trains, gets told by several peers that he’s killing himself, trains anyway, manages to beat the bad guy with sheer force of will, then lather, rinse, and repeat until the fanbase is tired. But can some cyberpunk overtones make it a bit more interesting? Let’s find out in the short manga, Levius, published in English by Viz.

In 19th Century… somewhere (lol I don’t actually know), the titular Levius Cromwell is constantly haunted by the scars of a cyber war, which resulted in his mother ending up in a coma. For reasons that are a combination of him wanting money to fund her recovery, mysteriously seeing her as a child, and the organization that caused her coma being involved, he takes up mechanical boxing.

It’s a bit hard to follow at first because it takes a while to get acclimated to how the world is, but overall it is as straightforward as boxing gets. Fortunately, it doesn’t beat around the bush, and starts the story off with Levius at the second highest grade of boxing. He also gets a head start to enter the highest grade once a famous boxer from that bracket passes away. The fight to see which person enters that bracket is basically the entirety of Levius.

Of course, it’s not that simple. Remember that organization I mentioned? It’s called Amethyst, and its people are quite mean. They create some emotionless cyborgs that specialize in killing. As expected of a boxing narrative, Amethyst is a pretty one-dimensional evil organization for the time being. 

And the characters, sadly, match that description as well (the one-dimensional part, to be exact). If you’ve seen Rocky, you’ve seen the cast of Levius already. Levius is a typical, brash boy who’s AAAAANGRY at Amethyst and SO AAAAAANGSTY all the time. His uncle, Zack Cromwell, is the coach who constantly tells Levius to not kill himself. The female lead is an Amethyst machine: A.J. Langdom. She’s a cute girl who’s been heavily modded, and basically serves as a damsel in distress. The main villain, Dr. Clown Jack Pudding, is literally Battle Angel Alita’s Desty Nova cosplaying as Final Fantasy VI’s Kefka, and he’s pretty great. 

The art for Levius is rather unusual. First off, the manga is published backwards (forwards in a Western sense). “CENSORING JAPANESE CULTURE, IN 2020?! TRIGGERED!” you exclaim. Look, I have no idea what the factual reasoning is, but according to a comment on Viz’s page for Levius, it was actually published backwards in Japan as well because it’s supposed to be set in the U.S.? I don’t know… But regardless of the direction, Levius is a manga through and through. The panel composition is still what you’d expect for a battle manga, so you don’t have to worry about it being too Westernized.

But it’s not just the format that’s unusual, it’s the actual drawings, too. Levius has a very sketchy and gritty style for a sci-fi manga, even more so than Attack on Titan. For what it is, it looks fantastic, with great action, and phenomenal close-ups. The color pages are also amazing as well (PS: nudity warning, by the way).

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Verdict: 8.75/10

It might not be wholly original, but Levius is a pretty solid read. But notice that I don’t have “Full Manga Review” in the title or “Final Verdict” in this section? In case you haven’t noticed, Levius was not axxed; no, it’s only just beginning. There is an ongoing sequel, Levius/est, and I am hyped to read it. For now, I recommend Levius to fans of boxing, battle shounens, cyberpunk, and steampunk.

Bakuman Full Series Review

Cover of volume 1

I know that working in the manga world can be harsh; I’m even aware of how it’s literally killed people. That’s why I never read through Bakuman (published in English by Viz) until just now. And wow… where has this been all my life?!

Bakuman stars Moritaka Mashiro, whose uncle died from overworking during his manga career. However, when he leaves his notebook at school one day, a starving writer named Akito Takagi sees it, and says that they should make a manga together. He refuses until the girl he likes, Miho Azuki, who’s trying to become an anime voice actor, promises to star in the anime of their manga. And just like that, boom! End goal established!

Despite my dislike of slice-of-life manga, I have to admit Bakuman does pretty much everything right. The story is fun and engaging, plus the characters are very expressive and have great personalities (more on that later, though). Despite the fact that Mashiro’s uncle died from overwork, which is a real life problem in Japan’s society, the manga is pretty lighthearted for the most part.

Naturally, the big appeal of Bakuman is its theme: manga publishing. This is one time where I’ll admit that I enjoyed something because I related to the characters, even though I hate factoring that into the actual final score of the story. Since they’re publishing manga, the characters of Bakuman spend a lot of time talking about all the topics that I think about everyday: tropes, marketing, mass appeal, and taking risks.

The cast is also surprisingly good. One of the biggest problems I have with slice-of-life is that writers seem to think that characters need to have dull expressions and no interesting personality quirks in order to seem more “human,” which isn’t really true. The characters in Bakuman are “human” done right. While Mashiro is a bit generic, he’s at least very expressive, along with everyone else. I knew that Takagi was going to be my fav the moment I saw him; he’s just so aloof yet driven. They work with one of two editors at any given time: Akira Hattori and Goro Miura. Although the latter is inexperienced as an editor, they both genuinely care about Mashiro and Takagi’s careers. 

There are also a number of rivals in Bakuman. My favorite is Eiji Nizuma, who is a true prodigy, but is a total eccentric. He doesn’t seem to take his job seriously, or even know how Jump works, and he just draws whatever he wants and leaves the pages neatly lying on the floor. He also walks in Jojo poses, which you need to see in order to believe. Along with him are the brash Fukuda and the terminally antisocial Hiramaru, among other people. Although they’re competitors, they’re also good friends, and their chemistry with each other brings out the absolute best in all of them.

My least favorite characters are probably the two main characters’ love interests, the aforementioned Miho, and Takagi’s girl, Kaya Miyoshi. They’re good girls (Miyoshi’s the better of the two, though), but they kind of exist just for moral support. Sure, Miho has plot relevance, but you don’t really get to see her progress that much; you only see the results.

Now for the art. Holy crap. I think that is the best art Obata has ever provided. Sure, Bakuman isn’t as detailed or complex as Death Note or *shudders* Platinum Freaking End, but it brings the atmosphere of Bakuman and it’s characters to life. Also, he has to draw his own characters’ manga, which each have their own styles. This really showcases what an absolute mastermind of art Obata is, and I have the utmost respect for him. If you’re a fan of more chill, CGDCT-type stuff, then Bakuman’s cartoony art style will likely be a turn-off for you.

My one real complaint with Bakuman is the fact that the protagonists want an anime so badly. I get that there’s a specific context behind why they want to get an anime of their manga, but as someone who’s seen so many great works get horrible anime adaptations, I couldn’t help but cringe, especially since their storytelling style is just the kind of unconventional stuff that can only work in the manga medium. This whole thing is a big nitpick of mine, which is why it won’t affect the final score at all.

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Final Verdict: 9.75/10

Bakuman is the best manga by the Ohba-Obata team. Yeah, I just said that. Everything about it is top-top-notch. I highly recommend it to anyone who loves manga in general, and heck, probably those who love anime too. 

Descending Stories Full Series Review

I think it’s safe to say that there are only two ways that a Westerner would be exposed to the Japanese performing art known as rakugo. One way is the Ace Attorney case that had rakugo and notoriously expected you to know real life information about Japanese cuisine in order to be able to solve the case. The other way is to read Descending Stories: Showa Genroku Rakugo Shinju– published in English by Kodansha Comics- or watch its anime adaptation (okay, so technically there are three ways but the latter two both involve the same thing). Because of the Ace Attorney case, I was left very confused as to what this rakugo thing is. So, I basically read this manga all the way through as a form of research.

And here’s a small warning: DON’T read this manga for research! Descending Stories jumps right into the rakugo theme expecting you to already have a basic idea of what it is. Although you can at least figure out some terms thanks to footnotes and context clues, it doesn’t really serve any purpose as to what the appeal of rakugo is. If you want that, you’re going to have to read the bonus sections where the author literally documents different areas of rakugo. From context, rakugo itself seems to be an event where you watch a man kneel down and tell a story out of a pre-written selection while also doing the voices and mannerisms of all the characters. I didn’t actually do any research on rakugo so that I could dive into this manga fresh and from the perspective of an average Joe who wouldn’t know about it themselves.

Descending Stories is a slice-of-life manga, with rakugo as a narrative theme, more than anything else. The main character, Yotaro, is an ex-convict who has finally served his time in jail. Upon release, he seeks out Yakumo, a rakugo-ist(?) who performed at his prison, because Yotaro was inspired by him. When he finds the man, he’s turned down from becoming a rakugo apprentice, but is allowed to freeload and figure out how to rakugo on his own. Oh, and also, the whole overarching narrative revolves around Yakumo’s friend, the late, great Sukeroku (late, as in dead). This is a manga about coping with loss.

Similar to Ascendance of a Bookworm, I have a hard time discussing the characters because they are just normal people. While Yotaro is the main character, technically, half of the manga is actually focused on Yakumo and Sukeroku’s backstory. Keep in mind that depending on their rakugo status, their names will change like that guy in the Secret Show. It’s not that hard to get used to because the recap at the beginning of volumes 2 and onward tell you who’s who every time.

I think the art is the weakest aspect in the manga. Although it’s got a distinct, humble style, every character looks like they’re making duck-lip expressions, which clashes with the theme of loss, and basically any scene that’s meant to be taken seriously. At the very least, the panel flow is perfectly fine, and has some strong double-page spreads.

Geez… I… I’m gonna be honest, I don’t know what else to say about Descending Stories. My preferred genres are battle shounen and isekai, yes, but I’ve been more than capable of enjoying the more “cultured” manga. Heck, Naoki Urasawa- the mangaka of 20th Century Boys and Monster– is one of my favorite mangaka of all time! Plus, there’s Kasane and ACT-AGE that I love too, and don’t even get me started on the masterpiece that is Space Brothers. I’m more than certain that Descending Stories is a great manga. My beef with it is probably the art, which I find really important for the actual conveyance of the story. If Urasawa did the art for this, I might like it more.

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Final Verdict: 8.5/10

I gave Descending stories a lot of benefit of the doubt. I can see the makings of a great drama manga here, but I just couldn’t get into it like the drama manga I previously mentioned. It also didn’t help me appreciate rakugo itself, which is unusual because I find that manga are the only time that I appreciate a real-world things that I normally find boring. If you want something with more “culture” than those “mindless” battle shounens, Descending Stories has culture to spare!