Chainsaw Man First Impressions (Chapters 1-37)

Aaaah, you gotta love a good Jump manga. Unfortunately, a lot of them have similar running themes, such as having a goody-two-shoes main protagonist; a privileged young man that anyone can relate to. But a new series, Chainsaw Man, published in English by Viz, looks to be attempting to tell its story with an utter turd of a protagonist instead.

In Chainsaw Man, a dreg named Denji makes a living by hunting devils, with the help of a chainsaw-dog-devil named Pochita. But “makes a living” can be read as “barely scraping by”, for he’s shouldering a serious debt from his late father. However, when he’s almost cut to pieces, he fuses with Pochita and becomes a chainsaw man, after which he is taken under the wing of Makima, a beautiful girl from an official team of devil hunters.

Normally, I’d go over the overarching plot as it is. However, Chainsaw Man’s appeal seems to revolve entirely around the characters and their interactions. Otherwise, it’s the standard Jump fare; bad thing appears, kill bad thing, get stronger. There is some strange fascination with Denji shared between Makima and some of the other devils, but that’s likely going to be an endgame reveal.

Like I mentioned before, Denji is a very unusual protagonist for Jump. He’s a guy who’s down on his luck, who gets lucky when he gets to work for the devil hunters. However, a lot of people there treat him poorly. It’s even made very apparent that Makima only sees him as a dog. But hey, he takes it because it’s all he’s got. He’s not someone who has a lofty goal, like becoming the #1 Pirate Devil Hunter King of the Hokage Wizard National Volleyball Basketball Baseball Champion; no, he just wants to… er… touch a breast. Thing is, he does get that very early on in the story, but he realizes that it was a shallow dream. He’s still as relatable as any Jump protag, but instead of throwing women on his lap and expecting the reader to pretend to be him, Chainsaw Man shows the more vulnerable side of the emotionally insecure target demographic in Denji.

Denji is treated like crap at first, but he starts to grow closer to his squadmates over time, all of which have devil powers like him. Most of them aren’t too interesting, except for Best Girl Power (Power’s her actual name). She’s a fiend- a devil that’s possessing a corpse. She’s awesome, and her interactions with Denji are some of the best moments throughout the entirety of the manga.

Makima is very beautiful and mysterious. Denji’s whole MO is to kiss her, but we- the readers- get an exclusive sneak preview of what kind of a person she is. A lot of bits and pieces of intrigue regarding her pop up every now and then, and I’m curious as to what’s going on with her.

The art is also pretty good. It has a very rough and gritty style. The devils’ designs are very unsettling, and there’s an uncharacteristically large amount of gore. The action is great as well! And most importantly, the girls are very cute.

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Current Verdict: 8.15/10

Chainsaw Man has a lot of great ideas, but at this time, I’m a bit underwhelmed. It has a number of risque tropes that wouldn’t normally be in Jump, but are prevalent in Jump Plus or any seinen magazine. And that’s why Chainsaw Man stands out; because it’s in Jump. I gotta admit that I’m curious about the direction it could head in, so I’ll keep my eye on it for a while (let’s see how much sooner this ends than Kimetsu no Yaiba, which’ll likely run for ten more years at least).

Gleipnir First Impressions (Volumes 1-5)

How many more edgy battle shounen manga can one person read?! It’s become a running theme on my blog, and it’s not stopping any time soon. Let’s examine Gleipnir, published in English by Kodansha Comics.

In Gleipnir, Shuichi Kagaya just wants to fit in, which is difficult. While he doesn’t have puberty to deal with, he can turn into some kind of Chuck E. Cheese reject for some yet-to-be-explained reason. After saving some girl named Claire Aoki from a fire, he ends up going on a quest to find her older sister.

But of course, it’s never that simple. By the second volume, the search for Claire’s sister turns into the search for a bunch of coins for some alien guy. Oh, and giving said alien guy a coin is what actually causes the transformations (even though Shuichi doesn’t remember anything about that happening). 

This manga asks so many questions. Shuichi has some personal connection to Claire’s sister. The true nature of Shuichi’s power remains a mystery. Who really killed Claire’s parents? Why aliens? The plot seems fairly straightforward in the moment, but as soon as you stop to think, it becomes a massively tangled knot.

Fortunately, the characters are pretty creative in terms of design and abilities. Of course, you saw the volume 1 cover art, and know that Claire and Shuichi fight by having the former enter the latter’s body while he’s in Chuck E. Cheese mode. She often does this in her bathing suit. Yeah, say goodbye to being master of your domain. There are other crazy characters, like a literal cameraman, and a kid who summons a demon in the form of his parents stitched together (and naked of course). 

Speaking of naked, get ready for fanservice galore. It’s not just limited to a sweaty teenage girl entering a teenage boy’s body. There are a lot of “nips”, including the groping of said “nips.” There’s also an almost-sex scene. Being the edgy thing that Gleipnir is, it’s doing all of the fanservice with a straight face.

Unfortunately, the characters aren’t as great on the inside as they are on the outside. Shuichi is a generic whiny protagonist who gets emotional support from Claire, who happens to be a yandere. It’s YA-levels of unnatural when it comes to how easily she will commit murder, even on her own sister. Speaking of which, her sister, Elena, has a bizarre contrast of mysterious and socially awkward, but otherwise she isn’t that interesting, besides her unknown role in the overarching story. There are a lot of other characters, but they fall under tropes such as, “Skimpily Dressed Busty Lady”, “Jealous Guy”, “Pervy Guy”, “Catgirl Loli”, etc.

The art in Gleipnir is great. The action shots are done well, and the uncharacteristically large panels make individual volumes easy to read. And most importantly, the fanservice shots are on fleek!

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Current Verdict: 8.3/10

Gleipnir is a pretty standard edgelord manga. It’s perfectly readable, especially when compared to a lot of bad YA novels, but it’s not quite as good as stuff like Tokyo Ghoul. Check it out if you like sexy murder girls and fanservice.

World’s End Harem First Impressions (Volumes 1-5)

The year 2020 will go down in history as the year that the coronavirus happened, where mankind barely avoided complete decimation when historians unearthed the ancient, arcane arts of Good Hygiene. But as much as the media hyped it up to apocalyptic proportions, the coronavirus is mere peas and carrots compared to the virus that’s going to ravage mankind in the next twenty years, at least according to World’s End Harem, published in English by Seven Seas.

In the year 2040, a college student named Reito Mizuhara enters cryogenic sleep, in hopes that scientists can treat him of his cellular sclerosis. He promises to meet the love of his life, Elisa Tachibana, when he wakes up. Five years pass, and he wakes up cured just fine. But in that time, the world was ravaged by a pandemic called the Man-Killer Virus, which has killed every man in the world… except for a handful that entered cryogenic sleep (including Reito). In order to save mankind, Reito needs to have a lot of sex.

But of course, this is a harem manga. And if there’s any law that governs harem manga, it is as follows: the main character is morally correct, and doesn’t want baseless, carnal sex, even though the reader is meant to want exactly that. Reito loves Elisa, but when he awakens, she turns out to be missing. The manga wastes no time turning into a sci-fi mystery series as he tries to figure out what happened to her. It, naturally, ends up being something much bigger- and more political- than expected. There’s also the moral conundrum of how much sex etiquette can be disregarded in the face of desperation for survival. Is it good enough that all women involved have given consent? I don’t know; that’s for you to debate.

But in the end, it’s still a harem at its core; it’s called World’s End Harem, after all. Reito is allowed to try and track down Elisa, but what’s left of mankind can’t gamble on something like that. As a result, he has a number of women live with him, just to “tempt” him. This results in your usual ecchi antics… or hentai, rather. Since this is serialized in Jump Plus, and these are adults in this manga, there are many showcases of “coitus”. This isn’t your “accidental” boob grab crap. The women in this World’s End Harem are paid professionals.

So, who are these women anyway? Well, first off, we have Reito’s caretaker, Mira Suou. She’s the most… er… level-headed of all of them, and is basically in charge of exposition and stuff. There’s also the nurse and bodyguard- Akane Ryuzoji and Sui-  who get hired to live with him. I admit… they’re pretty uninteresting in terms of their personalities (but Akane is the best of all of them because she’s tall and spunky).

Reito isn’t mankind’s only hope, however. In addition to him, there’s Hino Kyoji and Shota Doi among the surviving men, both of which greatly increase the controversy of the manga. Hino is totally into the wish fulfillment-ness of the whole situation, which means he gladly has sex with as many women as possible. But even more divisive is Shota, an emotionally insecure high school student with feelings for his teacher. He ends up getting to live a perfect recreation of his high school career, where all the female students- and… er… his teacher- love him. These two seem to not serve any purpose in the overarching narrative, and thus their-especially Shota’s- scenes are the least enjoyable parts of the manga to me thus far.

Hoo boy, though, the art. The artwork is pretty standard-looking, but the… stuff… is drawn exquisitely. The sex scenes are full-on extreme, to the point where even I- as “level-headed” as I was- felt a bit uncomfortable. Fortunately, I am an adult. Just keep in mind that there is much nudity, complete with “nips.”  I personally don’t find a lot of the… activities in World’s End Harem to be very attractive (even though they should be I guess? I practically have “virgin” written on my profile by now…). I always preferred sexy clothes over nudity, and there wasn’t enough of that here, which sucks because sci-fi clothes can be pretty sexy.

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Current Verdict: 7.6/10

I don’t know if the following statement means that I’m blessed or cursed, but World’s End Harem is perhaps the lewdest manga I’ve ever read. Sure, Prison School and Interspecies Reviewers are technically just as controversial (and the former has lewd scenes with teens), but those two manga have a bit more finesse than this one. The narrative is legitimately interesting, but there’s a lot of excess lewd you have to sift through. I ONLY recommend World’s End Harem to ecchi and hentai fans.

Nicola Travelling Around the Demons’ World First Impressions (Volumes 1-2)

So, it’s St. Patrick’s Day, and I wanted to make a post that would fit the theme. Seven Seas says that this manga, called Nicola Traveling Around the Demons’ World, felt like a European children’s picture book. European folklore > Irish folklore > St. Patrick’s Day… that’s close enough, right?

In this manga, the titular Nicola is found in the middle of the Demon World by some dude named Simon. They then decide to travel together. 

That’s it. That’s the whole premise.

Nicola is basically Yotsuba&! meets Somali and the Forest Guardian. It’s more like the latter, what with humans being discriminated from literally everything else in the world, but it has the much lighter tone of the former. 

Each chapter is a short story, which usually involves antics between Nicola and Simon, and Nicola doing good deeds without even trying. It’s a very sweet and heartwarming manga, in a way that’s not as superficial as If It’s for my Daughter, I’d even Defeat a Demon Lord.

Since Nicola and Simon never stay in one place for too long, they end up being the only characters that show up consistently. Nicola isn’t anywhere near as much of a liability as Somali, plus she has the spunk of Yotsuba. Most notably, she can use magic, which is rare, but can only produce flowers. 

If Nicola is Stan Laurel, then Simon is Oliver Hardy. He spends most of his time making sure she doesn’t do anything stupid, and that’s about it. He is a merchant of some kind, but his heart isn’t quite a golden idol, given the fact that he’s babysitting a kid with no pay.

The art is what makes Nicola very appealing. There’s hatching everywhere, and the characters are all very cartoony and expressive. It’s basically The Girl from the Other Side‘s general idea for a style, but used in a way that’s not as unsettling.

Current Verdict: 8/10

Nicola is no Yotsuba&!, but it’s definitely a good, cute read. It doesn’t have any fanservice, so even little kids can enjoy it. If you want a jolly fantasy romp, then join Nicola on her travels through the Demons’ World.

Phantom Tales of the Night First Impressions (Volumes 1-3)

Sometimes, there is a case where a knockoff of a popular series is better than said popular series. Phantom Tales of the Night, published in English by Yen Press, initially comes off as a knockoff of Clamp’s classic manga, xxxHolic. But upon further inspection, it’s something much better.

Phantom Tales of the Night stars the unnamed proprietor of the mysterious Murakumo Inn. He allows anyone to stay at his inn- from humans to monsters. The man asks only one thing from you in return: a secret. You don’t even need to be aware of your secret, such as the case of Tokihito Sasaki, a high school student who’s secretly been dead for quite some time.

This manga mostly contains episodic chapters that slowly contribute to a bigger story. One immediate advantage that Phantom Tales has over xxxHolic is that YOU DON’T NEED TO READ AN ENTIRELY SEPARATE MANGA IN ORDER TO UNDERSTAND WHAT’S GOING ON. As a result, this manga has a much simpler plot. But just because it’s simple, doesn’t mean it’s not intriguing. After all, there’s the question of who the proprietor of Murakumo actually is.

The characters consist of three main protagonists: the proprietor of the inn, who’s merely referred to as Owner, and his two servants, Butterfly and Spider. Owner is, obviously, the Best Boy. He’s a cold, heartless man who doesn’t give a crap about anybody unless they have secrets for him to eat. Yet despite this, he’s a freaking badass, with plenty of epic shots all to himself. His secret is obviously going to be juicier than the Krabby Patty Formula, and I can’t wait to find out what it is!

His buddies are interesting. Butterfly is incredibly handsome, but ditzy, while Spider is the brute force guy. Their personalities clash regularly, and some great comedic scenes result, as out of place as they may be. Each chapter gives you bits and pieces of all three protagonists’ backstories.

There’s also a number of minor characters in Phantom Tales. Some, such as the aforementioned Tokihito, appear multiple times. But most of the time, these minor characters are just one-time visitors to the inn, ranging from regular humans, to assorted yokai, such as yuki-onna. If you’re no stranger to xxxHolic, you’d know that things generally don’t work out too well on their end.

Phantom Tales is one of those manga that relies on its visual presentation the most. It has a vividly detailed style that can go from beautiful to horrific at the turn of a page, and naturally, I love it. This is where the manga is the most similar to xxxHolic, but thankfully, the characters’ limbs aren’t spaghetti.

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Current Verdict: 9.45/10

Phantom Tales of the Night is amazing and underrated. Hopefully it’ll never get an anime adaptation, so it’ll stay perfect and pure forever. If you’re in the mood for a mind trip, then pack up your darkest secrets and stay a night at Murakumo Inn.

Hinowa ga CRUSH! First Impressions (Volumes 1-3)

I haven’t talked about Akame ga Kill! on my blog, so let me give you a short gist on how I feel about it: I love Akame ga Kill! It is a fun, edgy battle shounen with dark undertones and a surprising amount of emotional tension. Oh, and of course, the manga’s better than the anime! So with that out of the way, let’s dive into Akame ga Kill!’s sequel series, Hinowa ga CRUSH!, published in English by Yen Press.

The nation of Wakoku has been caught in a civil war for, basically, ever. Our main character, Hinata- who changes her name to Hinowa, taking after her mother who died in battle- dreams to end said war (pretty typical). It’s definitely a lofty goal. But fortunately, a familiar face washes up on the shores of her village, and just so happens to be pretty stinking powerful. (Spoilers: It’s Akame! *fan gushes*)

Despite the whole, you know, war going on, Hinowa is noticeably lighter in tone compared to its parent series. The first thing that’s easily noticeable is the fact that Hinowa’s friends don’t get slaughtered to death within the first volume, which is what happened to Tatsumi’s redshirted buddies in Akame. In fact, not a single protagonist dies in the volumes that I’ve read, other than Hinowa’s mom way at the beginning. This is a huge tonal shift compared to Akame, which had been memed as the “Game of Thrones of anime” while it was airing.

So while Akame got backlashed for having too many deaths “just for shock value”, Hinowa seems to suffer from the opposite; plot armor. We only see bits and pieces of training throughout the story, and it mostly comes down to them getting whooped by Akame in mock duels. It’s not enough to show how darn good these kids are during their very first battles. One particularly bad example is when this redshirted commanding officer gets one-shot by some other guy, while one of Hinowa’s friends- who’s still a greenhorn- manages to hold their own against the same exact guy. Maybe the author responded to the backlash in Akame? Or is this all a red herring before a dark tonal shift later?

Unfortunately, the characters have been downgraded from Akame. The whole cast of Akame either had a very expressive personality, memorable character design, or a creative ability. In contrast, the titular Hinowa and her buddies are just generic teenagers, and seem to handle being in the military as well as going shopping at the local mall; no moral quandaries here! The weapons in Hinowa are similar to the ones in Akame, but are nowhere near as interesting thus far. 

But what about the character we all came to Hinowa ga CRUSH! for: Akame? It has been a couple of years, but I remember her being way better than she is here. Akame goes from being a “tough-exterior-unstable-interior” type of girl to kind of a “perfect girl” type; powerful, but kind and supportive. While it is possible to follow Hinowa without reading the prequel, the context of Akame is important, or else you might think it’s strange that such a powerful woman just magically turned up when it happened to be convenient.

Another concern is the change in the artist. Overall, the new artist did a good job making Akame recognizable, but there’s a noticeable lack of oomph compared to the previous artist. All the over-the-top gore and expressions are toned down a lot, which makes Hinowa more “grounded”, but I’m still not a big fan. It could’ve been worse, I guess.

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Current Verdict: 7.25/10

I don’t want to be one of those fans that’s like, “It’s not EXACTLY like the original series I loved so much, therefore it’s objectively bad”, but I feel like Hinowa ga CRUSH! is lacking the chutzpah that made Akame ga Kill! so great. With how different it is, I definitely can’t easily recommend Hinowa to Akame fans. Honestly, I’m gonna have to sit on this one for the time being.

Karneval First Impressions (Omnibus Volumes 1-4)

I’ll never get the manga magazine industry. I do understand that whatever manga stays and goes depends on popular vote, but sometimes, it’s really astonishing when something that isn’t all that popular somehow manages to survive for a long time. Seraph of the End and Twin Star Exorcists come to mind. But what about Karneval, published in omnibus form by Yen Press?

In Karneval, a boy named Nai is captured and almost sexually assaulted by some rich woman (who is, apparently, also a mutant of some kind). He’s saved by a dude named Gareki, who notices a necklace on Nai’s person: an I.D. bracelet of someone in the secret service known as Circus. According to Nai, a friend of his, named Karoku, possessed this bracelet (somehow), and wants to find him. So, the two boys team up to seek out this dude, and inevitably get involved in a whole bunch of stuff along with Circus themselves.

Karneval is basically a battle shounen manga that tries to be story driven. There is a lot of plot that gets covered in each chapter… almost too much at once. If I may touch on the artwork early, the panel flow is very wonky, as it cuts away to scenes more abruptly than Family Guy. A lot of times, there’ll be a fight scene happening, and then suddenly, two completely separate people will talk about something that has nothing to do with the fight at all!

Despite the weird cuts, Karneval has a pretty standard issue story. Most of the intrigue revolves around Nai’s strange hearing ability, among other things, as well as what Karoku’s deal is. It progresses towards answering these questions, while asking new ones, at a pretty steady pace. The Circus spaceships are also pretty cool. They’re basically flying mansions that are managed by robot bunny rabbits. Karneval also has a cool explanation for how they get their fantasy superpowers.

The characters are, sadly, pretty unremarkable. Nai is the worst of the bunch, as he is just a weak kid who only exists for his plot relevance. He’s obsessed with Karoku, to the point where it gets super annoying, and he’s also just… dumb; not in the fun way. Gareki is just the designated cool dude, with no real personality. These two protagonists are also lacking in the power progression department. Gareki doesn’t even start his first training arc until the fourth omnibus (volumes 7-8), and Nai is pure baggage, who is incapable of defending himself in any capacity whatsoever.

The people in Circus that they meet are basically just various character tropes. Yogi is the aloof guy, Tsukumo is the loli, Eva is the busty older sister, Hirato is the nonchalant guy… It’s an understatement to say that you’ve likely seen this before.

As for the art, Karneval looks kind of like a shoujo manga when it comes to the shapes of the characters’ faces. Fortunately, they (at least the ones in Circus) are VERY well-dressed. The mangaka creases the clothes so much that your mother will want them to put their clothes back in the dryer. The only issue with the clothing choice is that there are at least three guys in tuxedos and top hats, and I get them very easily confused with one another.

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Current Verdict: 6/10

Is there something I’m not getting? Karneval has been running for thirteen years and counting, yet it’s kind of meh. It’s not the worst manga ever, but that doesn’t make it a masterpiece. If you just want to kick back and relax with a whacky battle shounen manga, then Karneval is there for you.

Radiant First Impressions (Vol.1-7)

I’m not a very good artist. What’s worse, whenever I’ve tried to draw manga, it somehow comes out looking Western, even though I don’t like how most Western GNs look! Maybe I should take lessons from Toni Valente, a French mangaka, whose ongoing series, Radiant, actually managed to get an anime adaption in Japan. Viz Media has brought us English speakers this series, so let’s see if it’s any good.

In Radiant, the world is plagued by Nemesis, who is not a hungry waifu, but a hungry race of demons. These demons are repelled by wizards, who sadly, only earn blatant disrespect from citizens and the Inquisition. But hey, Seth has a dream, and it’s to defeat the Nemeses at the source; the mythical, titular realm known as Radiant.

It’s not surprising that Radiant is a battle shounen, which is the most internationally recognized (and almost synonymous with) anime genre of all time. Fortunately, Radiant actually manages to capture the spirit of the genre in a way that doesn’t come off as mockery.

In fact, it feels almost too shounen-esque, as in- say it with me- it’s a bit generic. Valente doesn’t really put any “French”-ness in this manga at all (I know that Hiro Mashima said that there is in one of the afterwords, but I have no clue what he’s seeing that I’m not). The comedy and personality are all there, but it’s stuff you’ve seen before. I guess I’ve learned that humans really, truly all have the same desires and interests when it comes down to brass tacks.

Some of the characters are pretty uninspired. Seth is a generic battle shounen boy, Doc is comic relief, and Grimm is the mysterious guy. The series is at least graced by the presence of Best Girl Melie, who is a spiritual successor of Lunch from Dragon Ball in that she has a crazy good and crazy mean split personality. She’s just about as much of a hoot as Lunch was, and she’s still pretty powerful even when she’s in nice mode. Strangely enough, most of the minor characters seem to have the more interesting personalities, such as the conman headmaster of the Artemis Institute, or this old guy who can never list off two reasons for anything without mumbling the second one. 

At the very least, Radiant is set in a lovely world. Every town is situated on a sky island of some sort, like in Zelda Skyward Sword, and each island has its own distinct personality. There are also some fun setpieces down on Earth itself, such as a forest which acts as the hyperbolic time chamber from Dragon Ball.

The art in Radiant is great. Valente clearly understands the subtle distinctions that make a manga a manga and a comic a comic, and is able to make something that is clearly the former while also giving it its own style. The character designs are great and their faces are super expressive. If only I could be just as good…

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Current Verdict: 7.75/10

Radiant is a good manga from an unexpected source, but said unexpected source is really the only thing it has going for it. If you just handed this to me with no context, I would’ve seen a fun but typical battle shounen manga. Read it if you want, but there are many better works from Japan: the country that understands manga better than anywhere else.

Dead Mount Death Play First Impressions (Volumes 1-3)

Edgelords are a really popular market no matter where you’re from. Regardless of how kids are raised, a primal urge that goes back to when people would pay to watch Romans slaughter each other makes us yearn for media with wonton violence, gratuitous sexualization, and morally incorrect protagonists, all against our better judgement. It’s such a big market that I feel like I’ve tagged at least twenty of my posts as “edgy”, and I’m running out of insightful ways to describe the genre. So let’s turn off our lights, put up our hoods, and dive into Dead Mount Death Play, the newest manga by the creator of Durarara!!, published in English by Yen Press.

In Dead Mount Death Play, a powerful necromancer called the Corpse God is engaged in battle with his enemy. Right when Mr. Corpse is about to be slain, he uses reincarnation magic to be reborn in the body of Polka Shinoyama, a boy in modern Japan who has just been murdered. The new Polka has a run in with his killer, Misaki Sakimiya, and after killing her and turning her into a zombie, he joins her in her exploits (i.e. killing people for money).

Well, what else can I say? We have literal villains as the main protagonists; it doesn’t get edgier than that. Sure, they have tragic backstories, but who doesn’t these days? 

Unlike Durarara!!, DMDP seems to have a more focused narrative so far. But at the same time, I don’t know what the author wants to do with it. The main conflict revolves around issues in Polka’s family, as well as the exploits of various criminals, such as the bandage-covered Lemmings. It’s a pretty simple plot, but I found it really difficult to tell who’s working for whom (maybe that’s the point?). The intrigue ramps up at the end of volume 3, so maybe it’s just hit its turning point.

But hey, this is our boy Narita, the creator of Durarara!!, here. That means the best part of DMDP is the cast, right? Eeeeeeh… sadly, not quite. Corpse God/Polka is basically your generic, emotionally insecure edgelord, who only stands out thanks to the slit in his throat. I forgot most of the other characters’ names, such as Occulus-wearing guy who is basically the brains of the people that Misaki works for, and these two police officers who are kind of just there. Misaki’s supervisor, Clarissa, is basically your fanservice character (who sometimes has uncensored sex with some of her other employees. Watch out for that). The best character is definitely Misaki herself. She is both ditzy and insane, with by far the best character design out of the lot. Also, she’s a zombie, which makes her extra appealing for those with a monster girl fetish.

The art varies a lot. Most of the time, it’s your standard manga art. But sometimes, it’s like, “Oh hey, here’s something with a lot of linework in it!” Overall, it looks good, but I’ve definitely seen better.

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Current Verdict: 7.6/10

No writer has to worry more about topping a popular series than that series’ own creator. I likely expected a bit much from Narita, especially given that he’s working on other stuff at the same time as this. Furthermore, Durarara!!‘s greatest strength is in it’s prose, which naturally, would end up being lacking in a manga. DMDP is your typical edgelord fare. You’ll know if you’d like it just by looking at the cover art.

For the Kid I Saw in My Dreams First Impressions (Volumes 1-3)

It’s been a couple of years since I read the manga, Erased. But from what I can remember, it was a pleasantly surprising suspense manga with a supernatural twist (although I don’t quite get why people love it like SO much). “Why are you talking about Erased?” you ask. Well, the mangaka of Erased is publishing a new series, For the Kid I Saw in My Dreams, which has recently been released in North America by Yen Press. So, I’m gonna talk about it for a bit.

In this manga, Senri Nakajou is the sole survivor of an attack on his family that results in his parents’ and twin brother’s deaths. His only memory of the killer is a series of scars on his arm that read “fire”, earning the killer the name Fire Man. Years later, he catches a glimpse of said man again, and begins a slow descent into madness trying to track the killer down.

Right off the bat, I can’t really tell what the author is trying to do with this manga. Similar to Erased, the main character’s goal is to track down a murderer… again! Also, there are abusive parents… AGAIN! I can’t fault someone for sticking with what they do best, but For the Kid I Saw in My Dreams is a bit TOO much like Erased for those reasons.

Like the author’s previous work, For the Kid I Saw in My Dreams is best when it’s strictly being an old-school suspense manga. It doesn’t take long at all for the search for Fire Man to get really complicated, as Senri isn’t the only one who’s after his head, and Senri’s family aren’t his only victims. A development at the end of volume 2 adds a cherry even more to the top of the existing mystery cake.

Unfortunately, For the Kid I Saw in My Dreams isn’t too great in the character department. Senri is just a generic angsty boy who slowly loses direction on his moral compass, and it’s not a particularly interesting instance of this character type. The female lead, Enan, seems to be someone who exists just to tell him that what he’s doing is morally incorrect (as if it weren’t obvious enough). Both kids have abusive parents in their lives, and between this and Erased, it seems that the author uses this trope to give us easily sympathizable characters. I hate assuming intentions, but that’s what my critic-brain tells me.

The art is no different from Erased, which is good or bad depending on how you feel about it. The girls still have those nice, full lips; your mileage may vary on that. Admittedly, this artstyle really isn’t the best for a suspense manga, but it at least has a distinct look.

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Current Verdict: 7.3/10

I don’t know what it is, but For the Kid I Saw in My Dreams just doesn’t quite seem to cut it for me. Maybe my standards for suspense have grown too high after reading some of Naoki Urasawa’s stuff? Well, if you love Erased as much as the next guy, then this manga should be just about as good.