A Shipping Battle Royale for the Ages – The Quintessential Quintuplets Full Series Review

I don’t get romance. At all. That’s not a surprise if you’ve read any of my posts in the past. But manga usually convinces me to like something I normally wouldn’t. One of the most popular romance manga in recent years is Quintessential Quintuplets, published in English by Kodansha Comics. Did it win my heart? Find out!

In Quintessential Quintuplets, the five Nakano sisters are seriously failing at school. Fortunately, their filthy rich dad hires a tutor for them: the smart-talking Futaro Uesugi. One guy, one house, five cute girls. What could possibly go wrong?

While I don’t understand romance, it’s easy to understand why Quintuplets is popular. Chapter one concludes with a teaser of the series’ ending: Futaro marries one of the five sisters. This single decision is undoubtedly why Quintuplets is so big (or was so big- I’ll elaborate on that in a bit). The author knows exactly how fandoms work; with a canon ship built, it’s up to the fans to argue and banter over whom Futaro plans to set sail with.

It just boggles me that people can become so invested in these ships. Social media networks and subreddits of all kinds get ripped asunder, all over a fictional boy’s relationship with a fictional girl. They act like the entire world depends on him picking the right person. But is Quintuplets still enjoyable for those who don’t spend their free time fretting over ships?

The story is actually darn entertaining… for the most part. Quintuplets operates like a sitcom; when it’s just the main characters goofing around, it’s a pretty heartwarming good time. But once the drama kicks in, it’s an annoying, eye-roll-inducing slog. It’s tough to bring drama into something like this without making it a cringefest. Since it’s fictional, we know that everything that happens is entirely decided by the author; it’s really hard to make this kind of stuff seem natural, so I’m not too salty about it.

Unfortunately, it goes up in smoke at the end. The author does one of those stupid things where the story goes through several “what if” scenarios, none of which end up being canon, even in the case of the girl who actually wins. And when Futaro makes his decision, it feels arbitrary; all five girls more-or-less equally inspire him, and thus it feels like a roll of the dice. I’ve read discussions, and it seems that people really got into the nitty-gritty on the logic (or illogic) leading up the final decision, and as someone who has a hard time understanding relationships (let alone relationships between five siblings), I can’t vouch for ANY of those statements.

So how about the characters? Futaro is incredibly generic and unremarkable, but that’s okay, since the manga is called Quintessential Quintuplets and not One Essential Onetuplet (i.e. we only care about the Nakano sisters). I am baffled that people are meant to pick one of them and love them unconditionally, and that’s because they’re all kind of equal. I didn’t really like or dislike any of them. One standout thing about all five girls is that they’re female characters in a harem manga that actually get character development. And since character development is arbitrarily one of the absolute objectively good things in literature, I can definitely understand the girls’ appeal. But like I said before about human relationships, I never understood the logic behind any of the girls’ actions, which added to my not caring about them as characters.

The art is marketable and inherently appealing. Cute girls with blush cheek, check. Clip Studio backgrounds, check. The girls stand out thanks to their hair, and they take advantage of that to disguise themselves as each other (except they actually have varied hair colors in the color art. OOPS). It’s what you’d expect of a light and fluffy manga like this.

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Final Verdict: 6.5/10

As far as romcoms go, Quintessential Quintuplets is a decent com, but a viscerally terrible rom. Also, and I’m sorry for this, but I’m docking points for this manga encouraging one of the most toxic mindsets on the Internet in the form of a shipping war. If you want Quintessential Quintuplets, then go for it, but as far as I’m concerned, there’s many better manga out there.

No Guns Life First Impressions (Volumes 1-5)

An unspoken tradition in the world of anime and manga is to make things into guns. Swords are among the first weapons to become guns, for example. Even Western anime like RWBY honor the tradition by turning scythes, boots, and even suitcases into guns. Honestly, it’s surprising that it took until the manga No Guns Life, published in English by Viz, to turn an entire person into a gun.

In No Guns Life, people get all kinds of augments. The people with these augments are called Extended. Juzo Inui is so Extended… his freaking head is a gun! Although there is no war, things are not safe in the city, and he does all sorts of odd jobs to get by. But one fateful day, a dude hires him to protect a child named Tetsuro Arahabaki. Turns out that the dude was being remote controlled by Tetsuro due to a special ability called Harmony. Because of this, the megacorporation known as Beruhren tries to climb up Juzo’s ass. But that doesn’t matter; if the client pays, he’ll do the job.

At first, it seems that No Guns Life is a typical “cyberpunk starring a hard-hearted war veteran who was used as a tool, is outcast by society now that he’s obsolete, and is sucked into a massive government conspiracy while he comes to terms with his past and makes us wonder what makes us human”. And, well, that’s because it’s just that. Like Levius, there really isn’t anything particularly special about the manga in terms of ideas.

Fortunately, it does have a good sense of momentum. So far, No Guns Life has behaved similarly to Ghost in the Shell, where we observe Juzo take on various jobs, each of which tells us a little more about the world and the overarching story. The plot is engaging, and full of intrigue, even if it’s all stuff we saw in every piece of cyberpunk media ever published. 

Unfortunately, its cast is not too special. Juzo is the most likeable by far; he’s that nonchalant bad-ass type. There’s a number of parts where he gets livid just for someone messing with his favorite brand of cigarettes (as a small side note, there is a chance that the fact that it is implied that his smokes are essential for his Extended body to function could be interpreted as the manga endorsing substance abuse. But I’m the last person who wants to be “that guy” so I’ll leave it to your discretion). But other than him, we have some typical cyberpunk tropes. Tetsuro is basically a shounen protagonist disguised as a supporting character, and his personal engineer, Mary, is the sisterly figure who exists to tune him up while sometimes being a waifu.

The antagonists aren’t much better either. If you couldn’t tell from the rundown of the premise, Beruhren is the typical evil, monopolizing conglomerate that “symbolically represents Apple and Google and their massive conspiracy to take over all our personal data and allow the world to be controlled by Chinese censorship since they’re the biggest market in the world and all they care about is money” (side note: I’m being sarcastic and I personally don’t believe any of that). There’s also the organization, Spitzbergen, that is against the Extended (and guess what: they use Extended to kill other Extended which represents “the hypocrisy of the government and/or every organized religion”). And as far as individuals are concerned, at this point they’ve mainly been war veterans who got all cuckoo as a result of PTSD which “represents what Juzo could potentially have become which makes them morally ambiguous for some reason”.

At the very least, No Guns Life has great art. It has a rough style, with plenty of action. Even if the antagonists are lackluster, they at least have some legitimately creepy character designs. And speaking of character designs, Juzo definitely stands out as a protagonist given his unique head shape.

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Current Verdict: 8.4/10

I hate saying this as a sci-fi fan, but cyberpunk has definitely lost its luster since the 1990s. At the time, sure, it was cool to be like “Whoa, what if we’re living in a simulation?” or, “Does pimping ourselves up with machinery make us no longer human?” But now, in this day and age, questions like that are about as cliche as a hentai protagonist being popular among cute girls. Despite how much the genre brings to the table, it’s deceptively restrictive. Personally, I believe that sheer entertainment value is all that cyberpunk has left in terms of appeal, and No Guns Life delivers (took me long enough to get to the topic at hand). I recommend it to any cyberpunk fans, as well as edgelords who think having a gun-head is cool.

A Witch’s Printing Office First Impressions (with an Important Announcement)

As I come upon my first whole year of managing this blog (by myself, by the way), I have been battling against a lot of stress. I don’t just have this to manage, but a full-time job as well. Plus, there’s way too much media that comes out. Even when I pick and choose what I absolutely want to cover, there’s too much. I can also imagine that you get an aneurysm trying to keep up with my three posts a week.

Fortunately, there’s going to be some changes, effective today, August 4th, 2020. Posts will be back to how they were in the very beginning: every Tuesday and Saturday. As a result, there won’t be as many First Impressions of manga, not unless I’m certain my opinion will sway wildly once they’re complete. For example, I have a Jujutsu Kaisen First Impressions written already (I’m just waiting for the anime to air so I can mooch off of it). It’s a battle shounen; those are chaotic by nature and wildly inconsistent in quality at times. While I enjoyed what I read so far, that can change over the course of a single chapter.

Light novels are going to be handled differently. If you’ve read some of my light novel reviews, you’ll have seen my struggles to write something of substance in some of them. Even if I love them, a lot of them are pretty formulaic, such as Cautious Hero and Konosuba. I even did the stupid recap thing solely to extend the reviews. As such, I will now save most light novel posts for one long post at the end of a given month, where I’ll just put a small blurb for each. Exceptions will be for the first and final volumes of a given series (assuming I get far enough for the latter). For example, I plan to post a review of The Eminence in Shadow Volume 1 when that comes out. Since it’s brand new, that’ll be its own post, but all subsequent volumes will be in the monthly post, which I’ll name “Weeb Reads Monthly” or something similar. Another exception will be any series I’ve been doing arc-by-arc, which just applies to Monogatari and Sword Art Online.

So yeah, hopefully this’ll help both our sanity. Do you like the new schedule that I’m implementing? Hopefully you do, because I really didn’t like the old way at all. Anyway, I don’t want this post to just be a dumb announcement, so below is the post I was planning to have done normally…


A lot of critics complain about isekai for being the same thing over and over again. Even the new, slice-of-life variants that are the exact opposite of typical, action-driven-harem isekai are becoming common to the point of redundancy. Now it’s at the point where the subversive isekai need to subvert themselves, and a manga (not a light novel) by the name of A Witch’s Printing Office (published in English by Yen Press) is one such subversion.

In A Witch’s Printing Office, a girl named Mika Kamiya has been reincarnated into a fantasy world (as you do). The manga kindly skips all the formalities and goes well into her career at a book printing firm called Protagonist Press. But in addition to working at a printing press, she also runs Magiket: a popular magic-themed convention!

Immediately, this manga shows off its social commentaries, not on politics, but on real world conventions (and I mean event-conventions, not social protocol). The fact that the setting is called “Akivalhalla”, based on Akihabara in Japan, shows just how creative this manga is. It even opens when these Akivalhalla Knights defeat the Overnight Fiends: literal monsters that parody those who camp outside a venue before it opens. 

But a slice-of-life isekai is still a slice-of-life isekai. While Mika implies that she wants to go back to the real world, she seems perfectly at home in the fantasy world. Most of the story are self-contained narratives, which are based around managing the convention and printing books. There is continuity, like when they introduce another person from our world into the story, but it usually hard cuts to something completely different after the fact.

Fortunately, all the chapters have their own unique charm to them. When they are not running the printing press or the convention, Mika has all sorts of funny adventures. From taking a holy sword just to use as a paper cutter, to getting unwittingly possessed by an evil mage, this manga has a lot of variety to it; it’s not just “Praise me for how chill and low-stakes I am” like most other slice-of-life isekai. Plus, the humor is really on point.

I tend to dislike most slice-of-life isekais’ casts, and while this manga isn’t quite an exception, I at least enjoyed A Witch’s Printing Office’s cast marginally better than most others of the genre. Mika comes off as a ditzy moe blob, but she shows a bit of a greedy side that makes her more interesting than most ditzy moe blobs. Sadly, her two friends, Clair and Kiriko, seem to just serve as two pairs of large breasts (and I really hope they’re legal adults for no particular reason related to my perverse imagination). A lot of the minor characters end up being pretty likeable, but they’re called minor characters for a reason.

The art for A Witch’s Printing Office is so good, that I’m willing to believe it was done with Clip Studio assets. There is so much life, detail, and texture to every panel, yet it’s still easy to tell what’s going on. The landscapes are absolutely beautiful, and I’d hate to see a hypothetical anime adaptation undermine the whole thing. There is a lot of charm and personality poured into it that I could spend minutes gawking at any given page.

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Current Verdict: 8.95/10

Like many, many truly great franchises, A Witch’s Printing Office does not get the hype it deserves. It’s a fun and unique take on the isekai genre (that critics will probably find some way to pick apart but I digress). I recommend it to anyone who truly appreciates otaku culture at its finest.

Kakushigoto First Impressions (Volumes 1-4)

When reading ecchi or hentai manga, sometimes it makes you wonder, “What would the mangaka’s relatives think? Do they even have kids?” Well, that topic is explored quite thoroughly in the manga about a mangaka, Kakushigoto: My Dad’s Secret Ambition, published in English by Kodansha Comics.

In Kakushigoto, a dad by the name of Kakushi Goto (wow, title drop), is a famous mangaka… of hardcore ecchi. The problem is his little daughter, Hime. Will he be able to protect his secret? Or will his princess (literally, because that’s what the word “Hime” means) be scarred for life?

Surprisingly enough, Kakushigoto proved to be a much more confusing read than I thought. For starters, the opening pages of each volume show Hime already having discovered her father’s secret. It took me a while to realize that these are flashforwards, which shows that he’s going to be fighting an uphill battle throughout the manga. Another issue, which is moreso a nitpick, is that the chapters are really short. I’m not someone who understands manga serialization… but according to MyAnimeList, Kakushigoto runs in a monthly magazine, which sounds really counterproductive for something with such short chapters. The third and final quirk with it is that the chapters… weren’t compiled correctly (at least not in the North American release)? At certain points, the chapter count will randomly reset midvolume. The first time this happens is towards the end of volume two, where it says “Volume 2 Issue 1”. The entirety of volume three is still considered volume two which seriously bugged me.

But as far as content is concerned, Kakushigoto certainly has a wild sense of humor. Unlike father-daughter manga such as Yotsuba&!, this one goes a bit more out of left field. In the first volume alone, Kakushi goes bananas over one of his editors wearing a lewd shirt in front of Hime, and he also ends up getting hunted down by Hime and her friends because he saved some cat with a life preserver. 

However, Kakushi’s secret isn’t the only sitcom situation going on in the manga. Kakushi builds a harem of sorts without even realizing it. Because he has a terrible way with words, a number of women think he’s hitting on them. He has no idea that this is happening, and it’s funny to see how they interact with him and each other. 

The manga can also be strangely depressing. The content of this narrative is supposedly based on the author’s real life experiences. It portrays a number of things, like the feeling of not being popular, or the state of the industry itself. Kakushigoto makes fun of this stuff just as often as it’s brutally honest about it. The mangaka also has a lot of rants throughout the volumes as well that go deeper into their psyche.

The characters prove to be surprisingly enjoyable. Kakushi is just a single dad who wants all the best for his little (*cough* marketable *cough*) daughter, and he goes to crazy lengths to be the best dad he can. His co-workers also have lovable personalities. They’re all quirky enough to have substance, but not to the point where they’re not “unrealistic like those battle shounen trash protags”. 

The art may be off-putting to some. Kakishigoto is drawn in a minimalistic, vector-like style. The shading appears to be entirely through a preset tool in Clip Studio, and the proportions are definitely odd. However, the girls are uniquely cute looking (even if they have same-face syndrome), and the characters are surprisingly expressive.

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Current Verdict: 8.25/10

Kakishigoto: My Dad’s Secret Ambition is definitely a different slice-of-life. It’s a weird combination of wholesome and cynical that’s definitely not seen too often. I recommend it if you want a father-daughter slice-of-life that isn’t just “Hey look at my moe blob and buy my stuff!”

Haikyuu!! Full Series Review

I was apprehensive about sports manga at first. Whenever I saw my father watch football, I was like, “Why are so many Americans’ entire lives defined by a game made for entertainment purposes?” (he says despite how videogames and stuff define his life). As a result, I never chose to read sports manga… until I read Haikyuu!!, published in English by Viz. With its rather lengthy run in Weekly Shounen Jump, simple story, and massive fanbase, Haikyuu!! has definitely become mainstream. But despite my aversion towards said mainstream, I think it deserves the praise.

In Haikyuu!!, a short boy named Shoyo Hinata dreams of becoming a volleyball champion. Despite his height, he has great reflexes and jumping skills. Unfortunately, in junior high, he is utterly schooled in a match against setting prodigy, Tobio Kageyama. In the aftermath of this humiliating defeat, Hinata attends Kararsuno Highschool, the same as his idol, the Little Giant. However… Kageyama ends up attending the school as well! With their abilities, they just might bring the school back from its long volleyball slump.

Like I said, Haikyuu!! is simple; straight as an arrow. Since it’s a sports manga, it’s an underdog story about a couple of young upstarts and their volleyball team. Compared to Eyeshield 21 and Kuroko’s Basketball, it’s really nothing special. But I always believe the execution is more important than the idea, and the execution is where Haikyuu!! delivers.

The best thing the series does is buildup. Haikyuu!! is really good at creating anticipation for upcoming matches. From Karasuno’s rival school, Nekoma, to the powerful Shiratorizawa, there’s a reason behind every fight. Unfortunately, there’s only so much that can happen in a volleyball match. It’s an inherent problem with sports narratives, but volleyball is literally just hitting and blocking a ball. Basketball and football at least have different directions and formations, while in volleyball, players are stuck on set sides of the court, and in a set position that rotates throughout the match. 

Furthermore, Karasuno’s team kinda sorta has plot armor in a sense, more so than in usual shounen manga. For the uninitiated to volleyball (myself included), the sport is played in sets. This basically means that all volleyball matches are a best two out of three (or three out of five in rare cases). From a writing standpoint, it’s a no-brainer for the really, really important matches in a volleyball narrative to last the full amount of sets. As such, I concede that the matches in Haikyuu!! aren’t too exciting during most of the early sets.

But once they hit that third set, it becomes a pure adrenaline rush. At that point, it’s easy to get fully immersed in Haikyuu!!, despite the pretty obvious plot armor. The climaxes of fights are when the manga is at its peak, and putting up with the other shounen tropes is well worth the payoff.

Even with the adrenaline rushes, Haikyuu!! wouldn’t have been the same if I couldn’t be invested in Karasuno’s volleyball team, which I’d consider to be one of the best teams in all of sports manga. Almost every one of its members has a definable personality trait, as well as some major hurdle to get over. This might be cliche, but the chemistry between Hinata and Kageyama is the best in the whole manga. Their clashing attitudes, and desire to one-up each other make them always entertaining to see.

I also must acknowledge some of Karasuno’s opponents. While the mangaka doesn’t flesh out every SINGLE member of those teams, they each have at least one or two memorable characters. They also go through the backstories of these teams during the matches with them, to hammer in the fact that Karasuno isn’t trying to beat an “evil volleyball team”, but a team of normal, likeable people who have the same aspirations that our protagonists do. It’s effective, but it gets kind of redundant over time.

Of course, no sports manga can be good without amazing art, and Haikyuu!! has some amazing art. While the artstyle looks disjointed and sketchy at first, the mangaka ramps it up to eleven when the emotional tensity warrants it. They’re also a master at gesture drawing, which really sells the power and speed of each shot. The panel flow is amazing, and always kept me on my toes; I never knew if a spike was actually going to count until the little scoreboard popped up in the panel.

However, there’s one last thing about Haikyuu!! that sets it apart from its contemporaries. But I can’t mention it without spoiling endgame content big time. On the flipside, it’s something that could make or break the entire series for you. As such, I made the following paragraphs the same color as the background. If you want to read the spoiler, then highlight the section of your own free will. Otherwise, skip to the end of the post.

A lot of sports manga- and Jump manga in general- are meant to be inspirational and lighthearted. They give hope to the underdogs out there, and have themes oriented around never giving up and achieving your dreams. However… Haikyuu!! is not a manga about success, but a manga about failure. Karasuno fails. Sure, they lose some early tournaments, but that always happens in sports manga. If the team loses, there’s usually some loophole in the tournament rules, or a magical secret tournament that they can use to reach some sort of glory. But that doesn’t happen with Haikyuu!! Karasuno FAIL-fails. Even after the third-years graduate, the first-years are not able to avenge them. Despite my aversion towards cynicism, I actually love that this happened. I have mad respect for the mangaka for taking such a big risk with a mainstream I.P. like this. I have no idea if any sports manga has ever done this before (except Hikaru no Go, but that manga doesn’t count because it’s not very good and it doesn’t go into any sort of aftermath either), but Haikyuu!! does it really well.

I know, I sound like a hypocrite, saying that this tonal shift is a good thing. It makes me sound like the people (*cough* Western critics *cough*) who say that cynical narratives are more “realistic” because “people don’t achieve their dreams by force of will alone” and that “life is meant to be miserable”. Normally, when we see a cynical narrative, it’s a long process of seeing the main character fall into pieces and wax poetic about how “suffering is the only truth in the world”. But Haikyuu!! takes cynicism and twists it into something truly unique. Instead of wallowing in misery, the cast of Haikyuu!! just… lives. Haikyuu!! is about being able to make like a cat poster and “hang in there” even if you never achieve your dreams. Sad to say, I do truly believe that a lot of people can never achieve their dreams, just because of how our society works. But that doesn’t mean you kill yourself. That’s the lesson. The final arc of Haikyuu!! is just adult Hinata having fun playing volleyball with new and old friends. Narratively, it’s not very exciting, but it ends in the best way possible: a rematch between Hinata and Kageyama, using all the skills they’ve learned throughout the course of the story.

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Final Verdict: 9.25/10

Haikyuu!! is an amazing manga, and is definitely among one of my favorite Jump manga of all time. It’s more grounded than most shounen, so I can more easily recommend it to critics. For once, Haikyuu!! actually deserves swimming in the mainstream, and I’m glad that a lot of people love it.

Uzaki-chan Wants to Hang Out! First Impressions (Volumes 1 and 2)

The siren song of money is a powerful one. Additionally, said song can be applied to a specific site’s built-in currency that can help you SAVE money. I didn’t really want to read Uzaki-chan Wants to Hang Out! (published in English by Seven Seas), but I couldn’t resist the 70% Coin Back on BookWalker! So, let’s see what the cost of my stupid decision was.

In Uzaki-chan Wants to Hang Out!, Shichirin Sakurai is a typical, introverted college student. However, he is constantly approached by his kouhai, Hana Uzaki. She launches an all-out verbal assault on him until he, well, hangs out with her. And thus, various shenanigans ensue.

This manga is dumb, that’s pretty much intentional. There is no intention to have a complex plot or drama. While the premise is reminiscent of Bottom-Tier Character Tomozaki, which- of all things- offended me on a personal level, the one distinction with Uzaki is that she’s forcing her way into Shichirin’s life because she’s stupid, instead of forcing him to date strange women just so that her preconceived image of him matches his actual image (seriously, why do people love Tomozaki so much?). 

Unfortunately, the humor comes off as pretty dry. The basic formula is to take everyday activities, and add boobs and a lot of yelling. Most of the time, Uzaki acts like an idiot, and Shichirin ends up in an ecchi-like situation. Other than a few clever blips (such as an epic speech about mint chocolate), there’s not much finesse in the execution whatsoever. The manga also tries to have something called “Poop Cat” appear, but it’s not funny nor clever. But hey, I’m a tough nut to crack.

The characters are perhaps the weakest aspect of all. I tend to have a soft spot for some one-dimensional characters, but the cast of Uzaki-chan is- I don’t know- zero-dimensional?! Uzaki is incredibly marketable, what with her immense assets, and that weird canine-tooth-shaped protrusion on her upper lip that makes her stand out from the 99,999 other girls that look exactly like her. She seems like the type of character who comes off as funny as an extension of her being an idiot. This works on a case-by-case basis, and this is NOT one of those cases. 

Meanwhile, Shichirin is a pretty typical dude. He definitely doesn’t hate Uzaki, but that doesn’t stop him from being the usual witty-comebacks-guy. Other than that, we have the audience surrogates; some friends who want Shichirin and Uzaki to be in bed together. HOW META AND RELATABLE. But in terms of personality, they were lacking by a large margin.

Speaking of lacking by a large margin… the art! The manga is very average and typical looking; that kind of super-simplistic style that’s so basic that the anime doesn’t look that much different by comparison. The panel flow is not taken advantage of for comedic effect. And furthermore, Uzaki-chan is somehow on par with Hunter X Hunter for the most amount of words on a single page.

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Current Verdict: 5.5/10

Uzaki-chan Wants to Hang Out! is a cute, mindless manga, but there are way better of its kind out there! It feels like it follows the bare-bones basics of comedy and thinks it can use boobs to get away with it (which it seems to be succeeding at wildly, according to the anime episode discussion). Don’t bother reading this manga; if you want something better, read D-Frag or Grand Blue Dreaming instead.

Spy X Family First Impressions (Chapters 1-17)

It’s pretty typical for some niche manga to make MyAnimeList’s Top 100. But it’s wild that Spy x Family (published in English by Viz), placed around the halfway point of the manga list in less than a year after its launch. Time for me to board this hype train and see if it’s worth it!

In Spy x Family, a spy named Twilight is among the best in the business. But when his latest mission requires him to marry and have a child, he’s positively flummoxed. His solution is to establish a pretend family, with an orphaned telepathic girl named Anya, and an assassin named Yor Briar.

The thing about Spy x Family is that it’s not a rom-com with spies, but a sitcom with spies. Twilight and Yor don’t know of each other’s professions, nor do they know about Anya’s telepathy. However, Anya does know both of her “parents’” professions due to her mind-reading ability. Normally, I’d cringe at such a dynamic, but the fact that it’s done in a comedic way instead of a romantic way (like in Marissa Meyer’s Renegades) makes it more enjoyable.

And seriously, this manga is enjoyable. Spy x Family’s formula is simple, but it somehow works wonderfully. The comedy is done seriously well, with almost every page making me laugh out loud. But it’s not just a gag manga; there’s an actual overarching story as well.

The main goal of the series is for Twilight to get close to this really important politician named Donovan Desmond, whose son, Damian, is attending a prestigious school called Eden Academy. Twilight’s solution is to have his “daughter” enroll in the school and get close to Damian. But Anya’s kind of a ditz… and getting by in such an elite school is considerably easier said than done.

What makes Spy x Family so great is its cast. Twilight comes off as rugged, but slowly warms up to the fake family that he makes. Yor is, besides being gorgeous, someone who genuinely wants to be a good mom for Anya. She does NOT hesitate to use her skills in public to help her daughter. But the piece de resistance is Best Girl Anya. She looks like one of those typical moe blobs who exist just to be cute, but she’s got a real personality. Since she’s aware of her father’s mission, she actually tries to do a good job for his sake… but ends up getting carried away very often. When this happens, hilarity and genuine adorableness ensue.

There’s a curveball in Yor’s brother, Yuri Briar. He’s a secret service officer, whose mission is to find Twilight. He doesn’t know that his target is pretending to be married to his sister, nor does he know that she’s an assassin. Just more layers onto the cake of secrets.

The art in Spy x Family is very cute and appealing. The characters are very expressive, and their designs are quite memorable. The action scenes also look great for a slice-of-life manga. But most importantly, the panel flow is spot-on, which allows the comedy to fire on all cylinders.

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Current Verdict: 9.75/10

Spy x Family is already one of my favorite comedy manga of all time. In fact, it’s probably the funniest manga I’ve read, more than my previous favorite comedy, Grand Blue Dreaming. Grand Blue’s comedy relies entirely on super visceral, over-the-top facial expressions, but Spy x Family is much more clever than that. I’d recommend Spy x Family to pretty much anyone!

Levius/est First Impressions (Volumes 1-3)

PREFACE: This manga is a sequel series. As such, there will be unmarked spoilers of vanilla Levius in this review. Click this link to read my review of Levius if you are interested in this franchise.


The sci-fi boxing manga, Levius, proved to be a hidden gem. With its cyberpunk themes, and phenomenal art, I was hooked from start to finish. But the story’s only just getting started. In Levius/est (published in English by Viz), we get into the real meat and potatoes of Levius

Set a year after the titular character’s battle with A.J., both people are hospitalized. But that’s the least of their issues; the return of Amethyst has caused a huge change in the world at large. War is on the verge of breaking out, and as a result, steam technology is banned… except in the Mechanical Martial Arts Ring. As such, whoever wins the Grade 1 bracket that Levius is now in… gets to decide the fate of mankind.

Right off the bat, Levius/est gives us much more context for, well, everything than the original series ever did. In addition to starting off with a more detailed flashback of Levius’ tragic backstory, we also get an explanation of how the steam technology actually works, as well as more information about the war. It helps flesh out the world of Levius a lot, and it’s very appreciated.

But as far as boxing goes, the first couple volumes of Levius/est are in the designated “drama” segment that comes before a lot of the fighting. Fortunately, this gives us a big chance for some major character development on Levius’ part. But sadly, this doesn’t really help offset his trope-ish, “dark and disturbed” personality. 

Sadly, the other characters aren’t so great. Zack is still the same old drunkard. Meanwhile, A.J. ends up becoming a classic amnesiac (which, thankfully gets resolved pretty quickly). There are some new additions, one of which is arguably the worst character in the series: Natalia Cromwell. I don’t remember if they foreshadowed her, but she’s apparently Levius’ childhood friend, who gets taken in by Zack, and wants to become an M.M.A. fighter like Levius. If you couldn’t tell, she loves him, and gets friendzoned. While she’s cute as all heck, her personality adds a lot of out-of-placed humor to Levius/est, and also forms a rather annoying love triangle between herself, Levius, and A.J. 

Another new face is Oliver G. Kingsley, the current champion of the M.M.A. Since he’s the champ, he’s incredibly important in the overarching narrative of Levius as a whole. But as far as personality is concerned, he’s a pretty typical “boxing champion”, i.e. a jerk. The real clincher, however, is that we finally get to see A.J.’s brother in action. And as you can expect, this helps launch the story into high gear.

As to be expected, the art of Levius/est is fantastic. The fights are spectacular, and the closeups are wrought with sheer emotion. The panel flow makes it fun and engaging to read as always, despite the reverse order of the pages. 

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Current Verdict: 9/10

I sounded like I was complaining a lot, but honestly, in terms of sheer entertainment value, Levius/est is looking to be the best cyberpunk manga since Battle Angel Alita. Sure, it’s edgy, and has some bland characters, but the series as a whole oozes a unique personality that makes it stand out. I recommend it to any boxing and cyberpunk fans.

The Promised Neverland Full Series Review

Weekly Shounen Jump manga often get bashed for being the same thing over and over again, with a different coat of paint. But sometimes… sometimes, a Jump manga will attempt to break free of the mold while still embracing the core values of Jump and its demographic. The Promised Neverland (published in English by Viz), is one such manga.

The children of Grace Field House are as happy as can be, living under the loving eyes of their caretaker, Isabella, while waiting for their adoption. It’s just a bit weird that they have to take tests, and that they have numbers tattooed onto their necks, and that the house is surrounded by walls, and that they never hear from the kids who go out to get adopted… Yeah, something’s off with this place, and the ones who find out first are the three smartest kids in the house: Emma, Ray, and Norman. What they find out is that the kids are all livestock being bred for consumption by a race of terrifying demons. Naturally, they put on their thinking caps and figure out how to get everyone out safely.

So, in short, The Promised Neverland is amazing. Instead of screaming “FRIENDSHIP!” and brute forcing their way out, these kids have to use their wits to fight, or- more often than not- strategically retreat from combat. It is incredibly suspenseful, with new plot twists waiting just around the corner. It is amazing how it’s able to capture that familiar Jump feeling, while exploring uncharted territory for the magazine. 

However… small spoiler: the escape from Grace Field House is only the first arc. After this, we begin to find out about the world that The Promised Neverland is set in, and it only gets more complicated from there. I know that critics have exclaimed that the whole story goes to sh** from here, as it becomes more about figuring out what the hell is going on than about conducting stealth operations. And to be honest… I kind of felt the same way for a while. The manga was still good, but it didn’t have that magic from the first arc.

Fortunately, things pick up when it enters its climax. Once the puzzle pieces finally start fitting together, it becomes just about as intense as it was at the beginning.. It’s a real shame that you have to go through a pretty big chunk of inferior content to get there, but if any part had to suck, be glad that it’s the midway point! There’s no doubt that critics hate the ending, but that’s to become expected of pretty much any Jump manga, especially a popular one like this. As far as most manga go, The Promised Neverland feels satisfying enough, as far as resolving plot threads is concerned.

As for characters, er… this is where The Promised Neverland is at its most Jump-like. Even though Emma is among the smartest kids from Grace Field, she’s about as abrasive and reckless as any Jump protagonist. Fortunately, Ray and Norman are much better and smarter than her. The biggest problem with the cast is that it gets pretty large over the course of the story, with some minor characters not being that memorable. There are even a lot of characters whose names I can’t remember.

The art is what brings it all together. The Promised Neverland is drawn in an elegant, storybook-like style that can go from beauty to terror rather quickly. The designs of the demons are phenomenal, even if a lot of them look the same. The panel flow is also a key factor in building suspense; something that the anime sadly lacks due to the nature of its medium.

But if there’s any truly divisive flaw with The Promised Neverland, it’s Emma. If you couldn’t tell from this being a Jump manga, she’s a bit of a Mary Sue. Late in the series, it becomes really easy to succeed in the ultimate goal, except that it involves committing xenocide on the Demons. Since she’s such a good person who’s willing to forgive an entire race that’s indiscriminately bred and eaten human beings, she jumps in (or Jump’s in, rather) and tries to offer a more hunky-dorey solution. I’ll admit, it’s annoying, but hey, I also like lighthearted junk at times.

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Final Verdict: 8.9/10

It’s not perfect, but The Promised Neverland is a great manga; definitely one of the better ones in recent days of Jump. It genuinely tries to do something that isn’t mere pandering to testosterone-y boys (like Kimetsu no Yaiba), and while it stumbles, it definitely succeeds to some extent. The manga truly has its own identity. I recommend it to any shounen fans who want something just a tad different.

Watari-kun’s ****** is About to Collapse, First Impressions (Volumes 1-4)

I tend to have a soft spot for manga that would profusely offend the average folk. So naturally, I’d be curious about a manga that has to have part of its title censored! Let’s check out the bizarro romance manga, Watari-kun’s ****** is About to Collapse, published in English by Kodansha Comics.

Okay, so this manga’s premise is way more complicated to describe than actually experiencing it for yourself. Basically, a young lad named Naoto Watari lives with his aunt and dotes on his little sister, Suzushiro Watari. His life is pretty good, until a girl named Satsuki Tachibana appears. Six years ago, she destroyed his family’s garden (for some reason), and now, she comes on to him. And apparently, this destroys his life.

My best guess as to what was about to collapse is “sanity”, because that’s what was about to collapse for me as I was reading this. The plot of Watari-kun’s is off the wall… sort of. Basically, it’s a typical romance that tries to be a twisted, tragic love story (I think?). The idea of it is that Naoto forms these relationships with Satsuki, as well as Yukari Ishihara, one of his classmates, and his sister is super-psycho against it. He wants to dote on his sister for all eternity, and before long, it becomes evident that Suzu is pretending to be an utter ditz just to perpetuate that doting.

But despite his whole sister thing being in the product description, the real plot is… a shipping war. The main combatants are Satsuki and Yukari, and it’s about as entertaining as it sounds. A lot of times, I feel like that Watari-kun’s is trying to be a dark, psychological tragic romance… but it fails miserably. The main reason is because it’s a pretty typical romance, with only a couple of blips of grittiness. 

And the grittiness is only relative. I was expecting it to be super-controversial, given the censored title. But as far as I got, the most controversial thing was this one scumbag guy who tried to overly assert his “male dominance” on one of the girls. Other than that, there’s nothing that special about this manga.

Speaking of not special, the characters match that description as well. It absolutely astonishes me that every single character can have a genuine psychological issue, and yet still be as boring as cardboard. The only even remotely interesting character is Satsuki, who is kind of a yandere I guess? I dunno… I didn’t like ANYBODY.

The art is also painfully average. While there are some shots that seem to go for the psychological atmosphere, Watari-kun’s looks typical even then. The characters look like they came from a How to Draw Manga book, and the backgrounds scream Clip Studio assets. 

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Current Verdict: 4/10

Watari-kun’s ****** is About to Collapse collapses in on itself mere minutes after starting it. I’m doubly disappointed in it because I at least thought it would profusely offend me. But no… it couldn’t even do that. I’m sorry, but this is probably one of the worst manga I’ve ever read. I don’t recommend it to anyone, even to people to enjoy shipping wars.