Welcome to what is most definitely the shortest installment of Weeb Reads Monthly yet! There are only three titles here today, and at the time of writing this, there aren’t many light novels I’m looking forward to in July either. So, let’s get right to it I guess!
Konosuba Volume 14
Three volumes left after this. I’ve already been feeling like this series is running out of steam, but that could still be a placebo effect from me worrying. Is Konosuba going to end on a good note? Can’t exactly answer that question today, can we?
Fortunately, this is the best volume in a while. And the main reason is that it’s back to the Crimson Magic Clan! This is my favorite setting in Konosuba because literally everyone in it is some form of smooth-brain idiot. We also get to see more of our resident snarky armor, Aigis.
The antics are more-or-less the same, but they are much funnier than recent volumes. As always, we get more shipping war time, as Kazuma once again has a heart-to-heart with both Megumin and Darkness. Also, it looks like the final arc will FINALLY start in the next volume!
Re:ZERO Volume 16
Finally, a new arc, and it’s after a TIME SKIP?! That implies there was a whole year of no tragedies; unusual for Re:ZERO. Well, something awful is going to happen in this volume, it’s just a matter of what and when.
Unfortunately, because of how tonal whiplash works, this is moreso an establishing volume than anything else. I wouldn’t normally mind that, however… this is a dummy thick establishing volume! Most of it is a reintroduction to a myriad of previous characters, and—to me—it shows how clumsy this cast is, because I forgot a lot of them. At the same time, it’s kind of arbitrary how many characters are brought back; even one of the random thugs from the VERY BEGINNING of the series is included in this pot. Why?
Reinhard’s dad appears at some point, but whether he’s actually going to be relevant remains to be seen. The actual plot doesn’t start until the last twenty pages of this three hundred page volume. We are introduced to a new Witch Cultist then, but I won’t spoil what happens since that’s not how I roll.
ROLL OVER AND DIE! Volume 4
Geez, that took no time at all, did it? Well, here it is; more insanity. The royal army has been assimilated by the Church, which basically means that the Church controls all of society. That’s not exactly good, is it?
In any case, Flum’s former party is in even more disarray, with Cyrill now going AWOL. Also, the Children are just going on a rampage, Flum gets an ominous warning about something that’s going to happen in four days, and Chimera is still at large. Oh, and Maria is an Uzumaki thing now, but since she’s still herself despite her face being messed up, Linus gives her a chance (right, those two are AWOL as well. Is Jean the only one left at this point?).
Most of the plot is focused on fighting the already-established antagonists. There are some weird developments about the world here, but a lot of it is swept to the side. I had mixed feelings toward Cyril in this volume because she meets one of the Children, but has trouble killing it after having seen said Child will thousands of people to commit suicide in gruesome fashions for no reason. ROLL OVER AND DIE! does fall for a lot of clichés, and sadly, the “I can’t kill the mass murderer because I’ll be just as bad as the mass murderer” thing rears its ugly head. I guess Cyril’s degraded mental health is supposed to justify it? I dunno. To be honest, character development is all over the place. The nonsensical suspense is what’s been carrying this series for me. Overall, it was another smashing installment with an insane climax.
Well, there weren’t many volumes I cared about this month. But at the very least, they were more than adequate. It’s like quality supersedes quantity or something. Let’s hope next month will be just as good!
I didn’t think I’d have to lump multiple months together AGAIN. Geez! Only two volumes (excluding debuts) piqued my interest in January; nowhere near enough to put it in a Weeb Reads Monthly. So, here we are. Hooray for being relevant.
WATARU!! Volume 2
Holy crap!!! Another volume of the masterpiece, WATARU!!! …said no one except for me. MyAnimeList doesn’t exactly have a page for this series, and I haven’t read any reviews on WordPress, if there are any. But honestly, I can say with full confidence that I’m in the minority in loving WATARU!!! I mean, it’s so simple and superficial with no story; all violations of the arbitrary rules of good literature!!!
But if you are one of my fellow uncultured swine and love the first volume of WATARU!!!, then the second volume is just as good. There’s more insane hijinks and meta-humor than ever. They also introduce a new character named Elphabell. It seems like she could become a yandere in the future, but she’s not even remotely as insane as Best Girl Aria. According to the afterword, WATARU!!! isn’t too successful, which kinda sucks. Light novels can get axed just as easily as manga, so there’s a chance that this could be the end.
The Bloodline Volume 2
“Wait, why’d you use the first volume’s cover as the thumbnail?” you ask. Well, for whatever reason—be it the licensing or the artist being lazy—the cover of the second volume is just a zoom-in of the first cover!
In any case, my feelings for the volume are mixed. The first half is slow and boring, with a lot of uninteresting dialogue. There’s a really contrived development, thanks to Nagi being smooth-brained, and a ridiculously predictable Top Ten Anime Betrayal. The ending of the volume has a clever twist, but… there’s a chance that this is the end of the whole series. BookWalker doesn’t say “Completed” or anything, but that doesn’t necessarily mean the series is ongoing. I admit I’m curious about what could happen moving forward, but it’s just as likely that it’s over. If it is, then I’ll just say that The Bloodline had some good ideas marred by boring writing.
Konosuba Volume 13
I was concerned about Konosuba slowly falling apart, and honestly, I might be correct. The first half of this volume is almost the same as the first half of volume twelve: more shipping war stuff. As much as I love these characters, their interactions are getting incredibly redundant, and this is coming from someone who loves One Piece. The second half of the volume concerns Wiz, and this guy stalking her. The way it turns out is as silly as you can expect. But at this point, it’s obvious that the endgame plot is looming and it’s just a matter how long the author can beat around the bush leading up to it.
Do You Love Your Mom and Her Two-Hit Multi-Target Attacks?! Volume 8
The first thing you see when you open up this volume is a group of idol moms. Despite how silly that first impression is, this is actually the most emotional volume yet! If you recall from last time, we learned that Porta is the Fourth Heavenly King of the Libere Rebellion. To be honest, it should’ve been obvious, since we’ve strangely never seen her mother.
Fortunately, that gets rectified in this volume! The mastermind behind the whole thing is actually Porta’s mom, who is also one of the key devs behind the game world. Porta feels obligated to join the Libere Rebellion, despite the fact that her mom seems to be a real b****. Ahhhhh, familial bonds!
The theme explored today is independence. In fact, that’s the whole reason behind the Libere Rebellion itself. Porta’s mom hardcore believes in the philosophy of letting the child grow entirely on their own. And as such, we learn of the point that every mom has to deal with: when to let their kids go. Overall, it’s a perfect storm of emotion and humor, making this my favorite volume up to this point. One concern I have, however, is that this is pretty much the end of the Libere Rebellion plot thread, yet the series is confirmed to have three remaining volumes. After the cliffhanger ending, I can’t imagine how it would go beyond a ninth volume.
ROLL OVER AND DIE Volume 2
This volume immediately begins with a discussion between several high-ranking demons, where we get more context for the series’ lore and the purpose of those crazy Uzumaki things. After that, Flum stumbles upon some strange child named Ink, who raises even more intrigue.
The main conflict of this volume revolves around Dein Phineas being an ass, as well as the church’s latest monstrosity attacking the town. I’m not even going to describe this calamity, but it follows in the last volume’s footsteps by being incredibly effed up and gruesome. The ridiculous part of the scenario is that the church’s evilness is so well known that even the nuns acknowledge it. This series is really ham-fisted on dissing Catholicism, which I’m okay with as an agnostic, but some subtlety would be nice.
When it comes to light novels, this is definitely a great start to 2021 (*insert pretentious and not-at-all overstated comment about how it’s better than last year even though nothing’s changed here*). Since I’m going to take a month’s hiatus in early March in order to avoid Attack on Titan finale spoilers, I’ll be lumping March and April’s posts into one. Hooray for that!
This was about the most stressful installment of Weeb Reads Monthly thus far. At first, I was going to have about six light novels to read, all releasing on October 20th, including High School DxD and In the Land of Leadale. But for some reason that’s probably related to Covid even though they’re digital releases, Yen Press moved a bunch of those to November, leaving me with only Re:ZERO and Konosuba to discuss for October. In any case, I (should have) recovered from the general toxicity of the digital world that I am forced to be a part of in order to manage my blog. So now, I bring you a hellishly long Weeb Reads Monthly.
Re:ZERO -Starting Life in Another World- Volume 14
This volume made me mad at first, but not because of the volume itself. Apparently, the entire anime community of Re:ZERO already knew the content of this volume before season two of the anime was even announced. For some reason, White Fox decided to make an OVA about Emilia’s backstory even though it was technically spoilers for much further down the road. Well, in my defense… I was probably one of the few to experience it the proper way! Anyhoo, enough rambling, because this volume’s lit.
With no beating around the bush, we jump right in to Emilia reliving her own backstory via the Sanctuary Trial (co-starring Echidna as the witty peanut gallery). This does answer a lot of questions, despite the author’s amazing ability to make straightforward developments feel incredibly convoluted, and it’s very cathartic to see. Unfortunately, it raises a lot of new questions because we see some things that don’t exactly make sense, such as the existence of a secret eighth Witch. Furthermore, there’s a new development that makes me hate Garfiel right after I started liking him. He doesn’t turn a 180 for the tenth time, but it’s kind of a withholding information thing that really shows how much the earlier parts of this arc were blatant padding. But overall, I loved this volume, and it looks like we’re finally about to finish up the stupid Sanctuary.
Konosuba Volume 12
This was the first thing I read following my post-Disney depression for this year, and boy, did I need it! If I hadn’t made it apparent already, Konosuba has been one of my favorite light novel series of all time, and volume eleven’s cliffhanger left us with a startling development: Darkness has a daughter! I just HAD to know what was up with this…!
And it turns out that it was all a jape. The new loli, Sylphina Ford Dustiness, is not Darkness’ daughter, but her cousin. So yeah… that’s anticlimactic. But worry not… things get spicy! Konosuba has been teasing the Kazuma and Megumin ship for a while, and this time, they finally try to do something about it. Usually, making one specific ship canon in these settings is like asking for death threats, but Megumin was probably the best call because she is the Best Girl. It’s basic science.
But we can’t have Kazuma settle without hearing from everyone, and by everyone, I mean Darkness. She comes clean about him in a very uncharacteristically emotional scene, and it’s really awkward and weird. It’s cliché, but interesting to see the cast of Konosuba actually showing visible change instead of reusing the same jokes.
Overall, the volume is kind of all over the place. In just one hundred fifty-odd pages, we go from meeting Darkness’ cousin, to characters opening themselves up emotionally, to a new tax law in Axel, to helping this orphanage (Hang on, weird orphans!). With five volumes left, I have doubts that the author entirely knows what they’re doing. Konosuba seems to be on the brink of becoming a cringe-inducing shipping war, and that would be the worst way to end it. Let’s hope that doesn’t happen.
Rascal Does Not Dream of Logical Witch
When we last left off our intrepid testosterone-factory, we saw Shouko Makinohara, the girl from Sakuta’s past who basically started it all. However, she’s a bit younger than she was then. And for some reason, she becomes a freeloader at his house. From a writing standpoint, I think that her sole purpose here is to cause controversy. Since Shouko is twelve now, and Sakuta is sort of still attracted to her because of his past, her relationship with him is borderline creepy. Furthermore, since he has Mai as his girlfriend, this case fringes on straight-up adultery. Throw his jealous incestuous sister into the mix and you have Western-drama levels of sin in the Asuzagawa residence. I don’t really care about any of this stuff in the context of fiction (since it’s not real), but as a writer, this really supports my initial impression of Rascal Does Not Dream intentionally being as scandalous as possible in a vain attempt to look intellectual.
As curious as fans are likely to be in the case of Shouko, she is put aside for this volume. The real issue is our Hanekawa wannabe, Rio Futaba. Due to quantum entanglement, there are two different versions of Rio at once. It’s up to Sakuta to figure out what the problem is and solve it using his husbando powers! Just like last volume, it’s all symbolic of very simple and relatable human insecurities blah blah blah. And since this is a Rio volume, Shouko’s character arc is a very rushed one-and-done kind of deal that I felt was put there just for the sake of making you cry. If it weren’t for the genuinely charming prose, I would’ve dropped this thing by now. Well, let’s see what happens next time.
Eighty-Six Volume 6
I love Eighty-Six, but boy, it is not as amazing as it thinks it is. At this point, the series seems to be getting rather formulaic. For the past several volumes, the first halves have been bombarding us with pretentious and ham-fisted semantics about racism and war as if the author was the first person in human history to ever come up with those notions (with a few brief operations to keep us on our toes), while the second halves are full of action and despair, leaving just enough intrigue to make us want to buy the next book. I’ll admit it’s effective, but that doesn’t mean it’s not annoying.
Sadly, this has been the weakest volume in a while. All that stood out to me was some new character development for Shin. Beyond that, we just have Lena and Shin battling their inner demons while we are repeatedly told how tragic the Sirins are. The second half, as expected, is quite intense, but there really isn’t anything else to say about it. Fortunately, the next volume looks like it’s gonna be a big one, given how things stand at the end of this one.
So I’m a Spider, So What? Volume 10
Last time, we were met with the revelation that our girl is not actually Hiro Wakaba, but a fake created by D, the real Hiro Wakaba (or something). Shockingly enough, this changes nothing of the core content, which is actually something that takes a lot of talent. In fact, she doesn’t even recap the twist at the beginning of the volume, which really shows how inconsequential it is.
The premise of this volume is some kind of rebellion or something (I don’t know anymore). Over a hundred pages are just White giving us exposition dumps on different mechanics of the world, which don’t matter because the protagonists are so damn powerful they can pretty much end anyone in an instant. Things get interesting in the second half since we FINALLY start converging with characters from Shun’s chapters (remember those good ol’ days?), but it only shows Ms. Oka at this juncture.
Overall, I’m at the end of my rope with this series. It has so many good ideas, but it’s been stuffed with padding and information dumps since the beginning. I also don’t really care about the moral ambiguity aspect, since I only ever sympathized with White. I’m still going to give it a chance, because the end of the volume seems to set up for the endgame, which promises to be nonstop butt-whooping. Fingers crossed!
Last Round Arthurs Volume 3
Well, here’s another volume of this underrated series. It opens up with a startling development: Rintaro is confronted by his Id, who’s all angsty and stuff and disables his Fomorian Transformation. Unfortunately, this feels like it was done for some unnecessary pot-stirring, because the gang is immediately attacked by two new Kings. One of them is really annoying and not even worth discussing. The other is named Reika Tsukuyomi, and she’s an interesting case who actually gives us more insight on King Arthur himself.
One major concern I have is the new direction for Fuyuki. Early on in the volume, she’s revealed to be a former Dame du Lac person, and is incidentally the one who screwed over Rintaro during the time of King Arthur. However, he doesn’t remember that she’s the person who did it, which makes for a really aggravating case of dramatic irony. Other than that, the action is still as pulse-pounding as ever, even if it’s stuffed with clichés. The climax is insane and stupid and I love it.
Do You Love Your Mom and Her Two-Hit Multi-Target Attacks? Volume 7
Sometimes, you need a vacation, and that’s the premise of this volume. After participating in some gimmicky contest, Mamako wins the party a trip to a fancy resort. However, shenanigans ensue and they end up crashing into a deserted island. While it would be a vacation in its own right, well… Amante and Sorella are there too, of course.
The usual antics abound in this volume, but we also introduce a third Heavenly King: Fratello. He pretends to be a good guy for a while (even speaking with a bit of Southern drawl), and takes advantage of Masato’s issues. But between him and his coworkers, he’s my least favorite of the three. Beyond that, we get some great character development for Masato, and a sneak preview of the Fourth Heavenly King, who happens to be the Libere Rebellion’s leader. I’m not sure if I properly understand who the person is, but if I do… OH GOD.
Cautious Hero Volume 5
In this volume, Seiya now has to deal with the Death Emperor and his army of ghosts. In order to damage them, he gets spiritual training. It goes the way you would expect. But I’m sure you saw my thumbnail with the cover art just now, and are immediately curious as to why there are two Seiya on it. Well, that’s simple. They encounter an alternate reality version of Seiya, you know, like you do. The interactions between the two Seiyas are amazing, but despite being the front cover, they take up a disappointingly short percentage of the book.
This volume also concludes the Ixphoria Arc, which is cool. The final battle against Ultimeaus is excellent, but there’s a development during it that feels like shock value, as it doesn’t affect the story moving forward. Other than that, we get to see just how much Seiya bottles up under his abrasive surface (kind of makes him sound edgy, doesn’t it?), which will probably not be enough to curb the vocal critics’ opinions. Oh, and the volume lays the groundwork for the next arc, which leaves me wanting more very badly.
Well, that took a while. Overall, there were some good volumes these past two months (at least as far as ongoing series are concerned). I still wanted to cover The Eminence in Shadow and May These Leaden Battlegrounds Leave No Trace, but I ended up not meeting my budget for them. Hopefully, I’ll get to them next month, because a lot of the next volumes I plan to cover come out at the tail end of the year. Hooray!
Last time on Torture Princess, Kaito and Elisabeth are dispatched to the capital to kill a giant mound of flesh, which happens to be the three remaining Demons fused together. There, they meet a powerful paladin named Izabella Vicker, who naturally does not like Elisabeth very much, as well as the not-exactly-dead Godd Deos, who’s using a mechanic similar to that of Vlad to project his soul throughout the world. In order to not have to rely on her, Izabella resolves herself to kill the mutants of the townsfolk that are spawned by the flesh blob (and is the only soldier who doesn’t get scarred for life). They manage to hold it back on the first day, at least. Later that night, Kaito overhears a conversation with Izabella and some other soldiers and realizes that the Knight was actually her brother, who was one of the many people that Elisabeth slaughtered in her backstory. The next day, the Church’s trump card appears: La Mules, a young girl who can vomit big birds. They manage to cut a big gash in the blob, causing the Monarch’s body to split off from it, which Kaito captures alive. Unfortunately, the blob forms the face of the King, and zaps La Mules with a mental attack that makes her kill herself. Elisabeth must finish it off tomorrow while it’s wounded. Since she’ll die no matter what tomorrow- either from the blob or being executed- Kaito goes on a wholesome date with her. Later that night, he uses pain-sharing magic to inflict massive pain on both the Monarch and himself, so that his magic is supercharged for the final battle. When the fated day dawns, they launch a full-on offensive (with the help of Hina, who just fully recovered), and infiltrate the flesh blob. Inside its core, they manage to destroy the King and Grand Monarch’s fused hearts, as well as the grotesque demon baby that they give birth to. With this, Elisabeth’s mission is complete. On the day of execution, she complies without resistance. However, Kaito shows up and attacks, threatening to destroy mankind. Yup, Kaito is now the fifteenth contractor, and he saved Elisabeth’s life by having her ordered to vanquish him.
Sure, this sounds like a cheap excuse to pad out a series that was CLEARLY over, and… well… it is. But hey, that doesn’t mean that the series is BAD. At least not for the time being, because this volume is the start of a rootin’ tootin’ new arc of Torture Princess!
One final warning before getting into the actual review: DO NOT READ THE CHARACTER BIOS at the beginning! It mentions a new character introduced in this volume, and spoils a very standout trait of theirs. It kinda-sorta ruined a good half of the book for me, so seriously, do what I said.
Kaito is on the run as usual, because he- you know- declared war on the world. Sadly, the series once again shows that it is indeed a generic wish fulfillment isekai in the fact that he doesn’t choose to kill anyone who goes after him (which is not bad, but it’s still worth pointing out). But on the way, he meets the designated beastfolk, who seek his aid. There’s been a series of massacres in their community, and Kaito needs to find the culprit.
This volume has a ton of new (and maybe kinda predictable) revelations about the overarching narrative as a whole. And most of it is provided courtesy of Jeanne de Rais, the new character whose trait I got spoiled of. Fortunately, I can tell you about her personality without spoiling anything. She’s an absolute lunatic, in the best way possible. She randomly swings from talking super politely to something a bit more… bold (literally; her text turns boldfaced in this state), and begins cursing people off.
But not a single character has yet to surpass Best Girl Hina (who has recently become my favorite character in the series). I get that her relationship with Kaito is a one-dimensional yandere-servant and self-insert-protag, but it’s an incredibly well-written one. Their chemistry is bubbling more excitedly than ever, and I’m loving every minute of it. And you know what… I’m officially going to declare that Kaito and Hina are a better Subaru and Rem than Subaru and Rem. THERE. I SAID IT. NO TAKESIES BACKSIES.
With the amazing character interactions, Jeanne’s entertaining personality, and the new plot developments, this may be my favorite volume of Torture Princess thus far. And the irony behind that is that this volume has the least amount of gore. As much as I was saying that the gore is what will carry this series, I was proven wrong. This volume shows that Torture Princess is a legitimately well-crafted masterpiece that stands out among other isekai rabble, and I’m hoping it continues to stay this way (and for the love of God never get an anime adaptation).
Normally, I’d give an overly detailed recap of a previous LN volume at the start of these posts. But I goofed this time… again, just like with No Game No Life Volume 10. I’m really sorry. But hey, maybe not having a recap is better? Well, the basic gist is that Iris is the Best Girl. That’s what’s important.
This volume is titled The Archwizard’s Little Sister. That means it’s all about Megumin’s sister, Komekko (who I had completely forgotten was introduced in volume 5 and thought that she was a brand new character), right? Heh-heh-heh, WROOONG. The book pulls a Monogatari and spends a third of itself with Kazuma lazing around at Iris’, which becomes its own mini-arc where they try to convince him to come home.
Unlike Monogatari, this part’s entertaining in its own right. He literally fights tooth and nail to stay with his little sister, Iris, and this causes the usual Konosuba Khaos (had to change the letter for alliteration) to ensue. It’s your usual Kazuma being a buttmonkey stuff that’s karried Konosuba (alliteration again) all this time… and it’s kind of getting old. I love these characters, but their comedy hasn’t really evolved. For example, the third volume of Cautious Hero introduces a lot of new abilities for Seiya that creates even more ridiculous scenarios than before. But here… Kazuma’s still being lazy, Aqua’s still being a whiny brat, Megumin’s still the Best Girl, and Darkness is still a punching bag.
Fortunately, this volume of Konosuba is a return to the series’ roots. For the first time in what feels like a long time, we have the cast doing just normal quests. We also have a reference to Combatants Will Be Dispatched!, with a brief mention of the goddess who is supposed to be the sister of Zenarith, the goddess of undeath that Grimm worships. Overall, the volume was pretty nostalgic in a way.
With six volumes left for us Westerners, Konosuba is still coming in strong. This volume is a nice little romp, and the twist ending definitely has me curious. Let’s hope it can stay good all the way through!
Last time on Konosuba, the crew was dispatched to dispatch another Demon Lord General, this one being a dark goddess named Wolbach. Turns out that she is A) a goddess that Megumin and Yunyun accidentally freed, B) Megumin’s idol, from whom she learned Explosion, C) that woman from volume 4, and D) half of their cat, Chomusuke. This means Wolbach is the original Explosion user! But Megumin fries her no problem, and later gets some one-on-one time with Kazuma. After it all blows over, Kazuma receives a letter from Iris…
…about how she’s getting betrothed to this guy from the Casino Kingdom of Elroad so that her kingdom can get funding to fight the Demon King. So naturally, this volume is all about Kazuma trying to put a stop to it. Fortunately, Iris invites him and his party to be her bodyguards, so he doesn’t have to sneak in. It also helps that the actual prince doesn’t want to get married either.
So, was Iris always such an amazing person? I liked her when she was first introduced, obviously, but I don’t remember her being so powerful. She hits like a truck in battle, to the point where you question why she has bodyguards in the first place. Eris was a great surprise in volume 8, but man, Iris might have her put to shame.
With Elroad being casino-themed, Kazuma has a distinct advantage due to his high Luck. He kicks more butt than he ever did before, and that includes the poor prince’s butt as well. The other girls don’t get as much screentime in favor of Iris, but they’re still fun.
Even after ten volumes, Konosuba is a great, screwball comedy of an isekai. This volume has all the usual antics, despite how little the main girls’ involvement is. Let’s see how much longer it can hold this level of quality.
Last time on Sexiled, Tanya Artemiciov is kicked out of her group for being a woman. When she vents anger on some local sediment, she frees the powerful sorceress, Laplace. Laplace turns her into an OP Magi-Knight class and they agree to go get revenge against the guys… except that they’re party is too strong to enter the tournament. So, they recruit Level 3 Nadine Amaryllis and enter. Naturally, they kick butt; even Nadine, who is apparently some assassin chick (who also got crapped on for being a woman). But hey, they win the tournament, and that’s what matters.
In classic power fantasy fashion, the main cast goes from unknown to superstars overnight. The group’s efforts in the tournament become an inspiration to women everywhere, and people start asking them for autographs and such. Life can’t get any easier for them.
But that doesn’t mean that there isn’t room for a new party member! Joining up in this volume is Katherine Foxxi, one of the exploited girls that they beat in the tournament. She’s got great offensive spells, and being a victim of sexism was holding her back all this time.
Laplace ends up being the big star this time. In this volume, we get her backstory with Maxwell, and some major developments happen on her part. Unfortunately, this also means that everyone else pretty much gets shafted in terms of character development. But who am I to complain? Laplace IS Best Girl after all.
This volume of Sexiled was a pleasure to read through. However, I wonder what else can be done moving forward. It seems a lot of stuff is brought to full closure in this volume, without any groundwork for a future arc. I wonder how long Sexiled will last before its ham-fisted feminism gets old.
Isekai is an iffy genre. The bad ones are littered with overpowered protagonists, inconsistent world logic, and all-around insufferably boring casts of characters. But they don’t HAVE to be this way. One light novel, Konosuba: God’s Blessing on this Wonderful World!, is one of those really, really good isekai light novels. This is a review of volumes 1-9 of the series, published in English by Yen Press.
Konosuba has so many ridiculous ideas that it’s a miracle they all somehow work. The story starts when the main character, Kazuma, is killed in the real world (like ya do) and is given a chance to live a fantasy life in another world. He jumps at the chance, but immediately regrets it when he forms the most incompetent harem ever.
This light novel revolves primarily around character interactions, to the point where it’s almost a slice-of-life. So if you want an epic adventure, you won’t get that here. The world is also not the most well-built. The areas that are visited are memorable by themselves, but there isn’t any fascinating lore as opposed to something like DanMachi (which will be covered soon enough on this blog). Fortunately, the characters themselves are phenomenal.
Kazuma, our boy, is not an ideal, righteous, yet socially awkward and wholly unremarkable turd. He is an ACTUAL turd; a selfish thief who has sub-par stats with the exception of his high Luck. He prefers leisure over labor, but thanks to his allies, that won’t quite happen.
Aqua, the goddess who accompanies Kazuma, is an egotistical and whiny brat, and I love her. For some reason, the author’s writing is so good at making these annoying-ass characters so lovable. But she’s only the tip of the iceberg.
My favorite girl, Megumin, has grown pretty notorious due to her meme-ability. Since you’ve probably already been spoiled of it, I’ll tell you that she has insane magic power. However, she only knows the spell Explosion, and although powerful, sucks her dry, forcing her to rest for 24 hours. The real problem is that she is obsessed with using it in the worst situations possible!
Darkness is the tank of the group. The catch is that she’s a hardcore masochist, and as such chooses to go out and not wear armor because she wants to get hit by enemies over and over again. There is also another side to her, but that’s spoilers…
In fact, there are still a lot more lovable characters, such as Chris, Eris, Vanir, and Wiz, but they’re more minor characters that I’ll let you react to for yourself. In any case, the four main characters form one of the best groups in light novels by far, and this is a case where nothing can happen and yet feel like more is happening than most plot-focused narratives.
The art has a charming look to it. The characters are very appealing and expressive and that’s enough to get customers to see what the books are about.
Konosuba is a brilliant light novel that I would recommend to anyone, even one who hates isekai. The funny characters and their interactions make it an amazing pick-me-up if you’re ever feeling gloomy.
No Game No Life
Overpowered protagonists, check. Fanservice, check. Blatant pandering, check. Incest?! Lannister-shaped check! That basically sums up everything wrong with modern isekai. YET WHY IS NO GAME NO LIFE SO GOOOOOOOOOD?! This is perhaps my favorite light novel of all time, and yet it’s so… wrong! I’ve read all eight English volumes published by Yen Press at the time of this review.
No Game No Life stars two sibling protagonists, Sora and Shiro. These two have given up on the world and only play online games. Together, they are unstoppable, to the point where a GOD invites them into his world of games.
The thing that immediately sets this series apart from its contemporaries is the world it’s set in. It is a world where the aforementioned god, Tet, created laws to where everything is governed by games. This goes right down to the laws of physics and people’s willpower. If you want a girlfriend, beat her at chess, and she will be FORCED to fall in love with you if you win, as long as she agrees to the terms of the game.
Sora and Shiro’s goal is to use games to start at the bottom and conquer all of the races in the world, a lot of which are mind-bogglingly powerful, in order to win the right to challenge Tet on his own home turf. Since this is an isekai, Sora and Shiro are insanely brilliant and smart. Almost stupidly so.
Nah, impossibly so. The first, simple matches that they have are pretty tame. But as the games get more and more cinematic and literally reality-bending, your disbelief is suspended from the school flagpole like that poor kid who got wedgied. No matter what circumstances they’re in, Sora’s got a plan. In fact, everything that happens in a given match- EVERYTHING- is all according to keikaku for Sora, no matter what. This is something that isn’t a problem for me, as I love over-the-top theatrics if done right, but it might be a turn-off for some people.
Speaking of turn-offs, how about that sexualization of an eleven-year-old girl?! No Game No Life could be called No Shame No Life. And Shiro’s the tip of the iceberg. Every volume contains tons of bathing, bras, and panties. Thankfully, this being a book enables you to censor a lot of this content in your imagination if need be. But what CANNOT be censored is Shiro’s incestuous love for her brother Sora. It’s just something you’ll have to put up with. It’s not integral to the plot, and it more so comes off as a young sibling not understanding her own feelings toward her loving brother than anything else.
The characters are one of the best parts of No Game No Life. We discussed the cruel and calculating Sora and Shiro before, but there are so many other great people. Best Punching Bag Steph is normally a really strong character, but reduced to a lowly servant at the hands of the siblings. She tends to be the “straight man” who flamboyantly reacts to all the stupid things they do. Jibril is a gorgeously lewd guardian angel who always puts a smile on my face whenever she’s on scene. Actual Best Girl Izuna is awesome. She’s, like, eight years old, but hilariously speaks using a lot of curse words while also ending sentences with the word “please” at the same time. I love her! Mentioning anyone else leads straight into light-novel-only spoilers, so I’ll stop here.
The art of No Game No Life is surreal and eye-catching, and it’s drawn by the author himself! It’s very colorful (well, at least the ones that actually ARE colored), to the point where it could give you a migraine. And of course, a lot the illustrations are very lewd. You have been warned.
When it comes to flaws, No Game No Life‘s theatrical prose almost shoots itself in the foot. As previously mentioned, the games that these kids play get INSANE. Almost too insane. And I’m not saying that as far as suspension of disbelief, but as far as actual visual comprehension goes. From volume 6 and onward, there is so much grandiose space-time rending and multi-dimension-ing stuff occurring that it can’t be described well in human language. You will really have to pull through with your imagination to be able to paint a clear picture of stuff, or just not paint the picture at all.
If you can get past its lewdness, No Game No Life is easily one of the best light novels, if not THE best. Since the anime so notoriously lacks a second season, there really is no better version to experience than the original light novel!