For every happy-go-lucky isekai, there’s one that tries to be all dark and brooding. One example is The Eminence in Shadow, which I recently covered. There’s also, of course, Overlord and Torture Princess. Despite their wild variance in quality, they all seem to have one thing in common: they’re not really that dark at all. I’m fine with that, but it would be nice to have something that’s truly effed up. Maybe this new series from Seven Seas, *takes deep breath* The Sorcerer King of Destruction and the Golem of the Barbarian Queen, will be dark enough.
In Sorcerer King, a dude is summoned to another world. He finds some books, and realizes that the purpose of his summoning is to become the titular Sorcerer King of Destruction and destroy the world! Ignoring that last part, he practices some spells, such as summoning golems. When he actually manages to make one that lasts, he loses all of his memories of the real world.
What is immediately made apparent is that this thing starts off slow. And I mean real slow. To put it in anime terms, it fails the “Three Episode Test”, which judges anime under the pretense that it’ll pick up during the third episode at the latest. It takes almost a quarter of the volume for the guy to create the other protagonist, his golem, Goltarou. However, it doesn’t become the strapping she-golem that probably made you want to read this light novel in the first place until about halfway through.
And as far as tone is concerned… Sorcerer King is- surprise, surprise- edgy, instead of dark. Even if the protag has no memories of himself, he still has memories of Japan and various otaku terminology, which is as out-of-place as it usually is. But if anything is dark, it’s the world itself. This is the sorriest state I have ever seen an isekai setting in; even more so than Torture Princess, which is definitely saying something. There’s no need for a Sorcerer King of Destruction; it seems the world is already destroyed.
When it comes to the characters, it’s just our main protagonist and Goltarou. He’s as generic as you can expect. In fact, without his memories, anyone can project themselves onto him, hooray! The real point of contention is Goltarou. One aspect that stands out is the possibility that she’s transgender, which to me, is a first in isekai (ps: if trans is the wrong term for this, then please correct me). However, they’re still clearly pushing for a heterosexual romance between her and the main protagonist, so it’s kind of up to interpretation. Due to the fact that Goltarou is silent, has no personality, and does whatever the main protagonist says, her being 100% female would make this LN come off as hardcore sexist.
The art is mixed. While the cover art is fine, the inside illustrations are very rough and sketchy. Everything has a dark toner that makes a lot of stuff blur together, and I’m not entirely a fan. But hey, what’s important is that Goltarou is very *makes cat noises*.
So far, Sorcerer King is very… okay. It could go either way from here, so I can’t definitively say what I think. For the time being, I recommend it if you like those anime waifus who walk around like robots and call you “goshujin-sama”.
If you know my blog, you know I tend to like a good sociopath. As a critic, I don’t like Mary/Gary Sue; sometimes I want a protagonist like Light Yagami, who smirks and says “All according to keikaku.” However, I know not everyone feels that way, and that’s why I anticipate that The Eminence in Shadow (published in English by Yen Press) is going to become one of the most contentious new isekai.
Our protagonist idolizes those who operate from behind the scenes, and he dreams of being a puppet master himself. The biggest thing standing in his way is the fact that magic isn’t real in our world. After years of training, he gets hit by a truck, and is reborn in a fantasy world as Cid Kagenou. With his wildest dreams now in his grasp, he (very quickly) builds a harem of cute girls, and calls said harem the Shadow Garden.
The Eminence in Shadow reeks of shallow wish-fulfilment, and not just because of the harem. Similar to the Secret Organization LN I reviewed (that got axed apparently), Cid pulls a non-existent enemy out of his ass by fabricating the Cult of Diablos. The women he meets fall for it hook, line, and sinker. Or at least… I think that’s the case? The opening lines in the volume are as follows: “The Cult of Diablos… That’s our enemy. Well… it’s not like they actually exist.” However, from pretty much the get-go, they’re already fighting evil scientists who seem to very much be real Diablos Cult members. I don’t know if it was implied that Cid bribed them into doing it or something, or if it was an oopsie on the author’s part (or option C: I didn’t notice it because I’m a dimwit).
Putting that logic issue aside, Eminence is pretty entertaining. It has a dark sense of humor, and that stupid level of teen angst that’s fun to cringe at. The story reads fast, and there’s plenty of gore and over-the-top action. There’s also some funny romcom-like antics that ensue as Cid tries to blend in as a side character at his school.
Speaking of characters, Cid is my favorite thus far; he’s a clever, conniving little sociopath. He’s also a pretty unique take on an overpowered protagonist, since he’s overpowered at techniques rather than, well, power. But other than him, everyone else is quite forgettable. His entourage of women are your typical tropes, and they’re all Cid’s lapdogs. The only other remotely likeable characters are this sadistic princess, Alexia, and Gamma, one of Cid’s women who is somehow both a mastermind and a ditz at the same time.
The art in Eminence is great. It has an edgy color palette which fits in perfectly with its image, and the characters at least look cool, even if they aren’t particularly enjoyable. I’ll definitely be looking forward to what the future volume covers look like.
Although it’s a bit confusing at times, The Eminence in Shadow is off to a great start. It’s edgy, trashy, and scandalous. For now, I recommend it to fans of similarly edgy franchises, like Persona.
I have made it clear before, but in case you’re new to this blog, I’ll make it clear again: I grew up with classic rock. Nothing else was necessary, and there were some legitimate reasons. First off, the first ever music I heard was from Journey, which kind of feeds into the whole “you’ll pretty much be biased towards media similar to the first ever media you consume” mindset (but in my defense, I’m actually not a particularly big Journey fan these days). The second and third reasons boil down to the same source: the student body of my middle and high schools. I hated them all, which is a typical thing for teens to go through. But I was also socially awkward, so I never joined their brooding circles or whatever. As a result, I missed a lot of the bands that came up at the time (plus, I would have a fear of metal music until I heard Black Sabbath’s Iron Man on a classic rock radio station and had my life changed forever). I was SO edgy, hip, and against the status quo, that I reveled in being an outcast by listening to something that probably doesn’t get many new, young fans these days: the aforementioned classic rock. I continued to reject 2000s music until Japanese music further changed my life by showing me that current music can be good. As a result, I steeled my resolve and used the power of Apple Music to take a trip back to the 1990s and early 2000s, and see what bands I would’ve listened to if it weren’t for my sheltered childhood. Results… varied. Just so it’s not about “me-me-me”, this post will serve as a basic rundown of five bands, in case you never heard of them or were considering giving them a try.
Attempt #1: Slipknot
“Wait, what are you hashtagging the number one for?” you ask. Well, you young’un, the hashtag symbol used to be a symbol that meant “number”, hence “#1” in the example. ANYWAY, the first band I tried was Slipknot. They’re incredibly popular, but being the degenerate I am, I only knew of them thanks to a line in Hotel Transylvania that actually made me scared of them for years. From what I’ve heard so far, it seems obvious that this band helped pioneer the new “edgelord” culture. According to the Apple Music bio, they invented a new metal genre, creatively named “nu metal” (SUCH EDGY MISSPELLING), which seems to be just regular metal but with angstier, on-the-nose lyrics about all the tortured thoughts and experiences teens go through.
If you’re new to this blog, I’ll make it clear that I always have a problem with teen angst, at least in the way it’s portrayed here in the U.S. I get that metal was formed out of anger, but that was… well… a more mature anger I guess? But in the case of Slipknot, it felt like they were a bunch of frat boys instead of grown men. I wasn’t really into them until their third album, which I’ll admit had some very good and varied music composition in it.
But the key words are “music composition”. The lyrics grow angstier and angstier. I get that a lot of teens can relate to the lyrics, but that doesn’t mean that they aren’t written in “angst-enese” in such a way that makes me cringe. If you wrote out the lyrics of any Slipknot song, 99/100 times it’d look like a passage in a YA novel, and in case you’re new to this blog… I don’t exactly like YA novels!
To top it off, lead vocalist Corey Taylor has an extremely one-dimensional personality in his singing. He’s not bad… he’s just not good. When it comes to vocalists, little nuances in their delivery make all the difference. From iconic things like David Lee Roth’s weird banshee screams, to minute things like Dee Snider’s evil snicker before the first chorus of Burn in Hell, the devil is in the details, and Taylor seems to disregard that. His vocal range is either “brooding teen” or “screaming brooding teen”. Taylor does try stuff, such as ragged breathing and practically making out with his mic at times, but it hasn’t really gotten to me. It took me until very recently to discover why I don’t like his singing: he feels too human. When it comes to my favorite singers, there’s a distinct feeling of “This is an actual person singing this?” Instead, Taylor comes off as “This is an actual person singing this.” (notice the lack of a question mark?). Maybe that’s what he was going for? Anyway, I’m currently halfway through Slipknot’s discography, and in the process of going back through those albums to see if the band grows on me. If you can convince me that Corey Taylor is a really good singer, then I could probably give the band less flack.
Attempt #2: Disturbed
I don’t even remember how I know they exist. But thank goodness I do, because I’m finding Disturbed to be a huge improvement over Slipknot. They have the same angst in their lyrics, but everything else feels… better for some reason. One big factor is lead vocalist David Draiman. While he’s not top-dollar, he at least has some form of identity with what I can only describe as “his impression of Link from Legend of Zelda” that he frequently does in between lines of lyrics.
The thing that got me most interested in Disturbed was their covers. They do some pretty thoughtful remixes of some stuff well outside their genre, such as Tears for Fears’ Shout. These covers are great, and they help Disturbed to stand out from other metal bands.
Unfortunately, Disturbed seems to have trouble standing out from themselves. I get that not every song can be perfect, but a lot of them have kind of been samey thus far. I don’t know exactly how to describe it, but the way Draiman sings verses specifically sounds similar across a lot of their songs. But hey, if that’s the biggest issue I have, then that’s not too bad, especially compared to Slipknot! At the current rate, I’m bound to become a dedicated Disturbed fan.
Attempt #3: Dream Theater
I considered not counting them for this post, because they started in the late 1980s. However, they didn’t gain traction until the 1990s, which I judged would’ve put them just within range of my being exposed to them while I was in high school. Also, if I didn’t count them I’d only have four bands on this post and it had to be three or a multiple of five because I have OCD.
I only know of this band thanks to one of my favorite YouTubers, NintendoCaprisun. In one video (an episode of Secret of Evermore I think?), he discussed listening to this band, Dream Theater, and he said “it sounded like Rush”. When I was a teen, Rush was the first band I consciously decided to get into, and they were one of my favorites. And yeah… they do sound like Rush.
If you want fantastic prog-metal, Dream Theater’s got you covered. Their songs vary wildly in melody, tone, and lyrics and incorporate synth as well. However, my one concern is that while they are a prog band, they aren’t exactly a prog band. I get that there’s only so much a human mind can create, but prog rock- by definition- has to keep pushing the envelope, and that technically applies to the genre itself. Of course, I’m only at Dream Theater’s earliest albums, so that could change. But for the time being, even “faux-prog” is better than most of the crap that’s popular these days, and as such, I fully intend to become a Dream Theater fan… once I catch up to their umpteenth album.
Attempt #4: DragonForce
This was the first band I had never actually heard of until they came up on my Apple Music feed. Yes, the rock I live under is so heavy that I didn’t even know about the “Through the Fire and Flames Band”, nor Through the Fire and Flames itself. I only came across the song during TheRunawayguys Colosseum events, where The8BitDrummer would drum the song… just for the VOD to get muted. Because his other favorite songs were very… memey, I thought Through the Fire and Flames was the same case. But ‘lo and behold, as if it were destiny, I discovered DragonForce.
And boy, what a discovery! In a nutshell, DragonForce has an inspirational, heart-pumping, get-your-ass-out-of-bed mood reminiscent of Survivor, but with a touch of metal. Very fast metal. Part of me even thought that they sped this stuff up in post, but I’ve heard enough talent to know that humans are more than capable of playing like that (also, you know, the fact that The8BitDrummer did just that on a livestream). I can’t help but thump the floor with my feet (since I mainly listen to music sitting down these days) to their psychotically fast rhythms. Plus, their whimsical, positive lyrics, coupled with the members’ choir-like harmonies make any song from them feel like perfect background music for an epic, large-scale fantasy battle.
Of course, such a specific style is going to get repetitive; there’s only so many combinations of chords for this (and tbh the final chorus of every other song is done in a capella). While I’m definitely not complaining about hearing such ridiculous metal, I highly advise against binging their albums. With that in mind, I am finding DragonForce to be my favorite of the bands covered in this post. While some of the others might be more creative, this band has such a fresh identity that they earn a lot of points from me (also the fact that my favorite is the least popular of these five is consistent with my reputation).
Attempt #5: Evanescence
Okay, here’s a confession. I only picked this band for two reasons: one, to make sure this post had a clean five subjects, and two, to share the story of how I discovered Evanescence. Why should you care about how I found this band? Well, because it will likely make you cringe at me. Yes, it’s actually a worse discovery story than learning of Slipknot through Hotel Transylvania.
Earlier this year, around the time that the coronavirus was just starting to spread- before people went crazy over it- there was some sort of collaborative effort with Evanescence and one of my favorite Japanese bands, Wagakki Band (which, for some reason, hasn’t gotten that much publicity despite this event. Good job Japan; you REALLY commit to not promoting your musicians!). I don’t know what happened to that whole thing, but yeah, I learned of one of the most popular metal bands of the 21st Century via a significantly less popular band, when it would’ve been the other way around for literally anyone else in the world.
Assuming you didn’t click off this post, I’ll actually get to my reaction to Evanescence itself. I’m gonna come off as a hypocrite right here, because Evanescence is similar to Slipknot in a way. In YA terms, Slipknot is the brash, loud, and reckless male protagonist, while Evanescence is the snotty, depressed-yet-entitled female protagonist. In fact, Evanescence is so teenager-y, that I initially mistook them as the band that was hired to do the RWBY openings (cringing yet?).
But for some reason, I don’t want to have a cow over this band. The music is angsty, sure, but they kinda have a thing going with their combination of metal, synth, and a sad, sad, ebony piano (all you need now is the world’s smallest violin). Also, their lyrics are a bit more eloquent. To use YA terms, Slipknot lyrics feel like they were written by John Green, and Evanescence lyrics feel like they were written by Maggie Stiefvater. I don’t particularly like either authors, but I definitely prefer the latter (are you REALLY cringing yet?).
The biggest surprise is the proficiency of lead vocalist Amy Lee. While she’s no Ann Wilson, Lee is substantially better than most female singers of this generation. Sure, she might sound whiny, but I think it’s been established that Evanescence is a very whiny band in general. But as much praise I’m singing for them, I only see them in 21st or 22nd in my favorite music artists of all time; barely missing a spot on the big Top Twenty post I’ve been working on. But at this point, I only just started their second album, giving them plenty of time to grow on me like a YA novel that’s so bad it’s good!
For years, I’ve thought that the U.S. and U.K.- the pioneers of rock and metal respectively- have lost their touch. But to quote Genesis’ Land of Confusion (which is on topic because it’s one of the Disturbed cover songs), I can see the fire still alight, burning into the night (now I got the song stuck in your head). Slipknot wasn’t a great first impression, but I definitely found some solid bands, even if I come off as blinded by nostalgia for liking the most eighties-ish of the five, DragonForce, the best.
You’ve probably heard all of these thoughts before, when you were a kid and MySpace was a thing. But regardless, I’d like some feedback. What do you think of these bands, and do you agree with my thoughts? Also, what are other great rock and metal bands of this generation?
An unspoken tradition in the world of anime and manga is to make things into guns. Swords are among the first weapons to become guns, for example. Even Western anime like RWBY honor the tradition by turning scythes, boots, and even suitcases into guns. Honestly, it’s surprising that it took until the manga No Guns Life, published in English by Viz, to turn an entire person into a gun.
In No Guns Life, people get all kinds of augments. The people with these augments are called Extended. Juzo Inui is so Extended… his freaking head is a gun! Although there is no war, things are not safe in the city, and he does all sorts of odd jobs to get by. But one fateful day, a dude hires him to protect a child named Tetsuro Arahabaki. Turns out that the dude was being remote controlled by Tetsuro due to a special ability called Harmony. Because of this, the megacorporation known as Beruhren tries to climb up Juzo’s ass. But that doesn’t matter; if the client pays, he’ll do the job.
At first, it seems that No Guns Life is a typical “cyberpunk starring a hard-hearted war veteran who was used as a tool, is outcast by society now that he’s obsolete, and is sucked into a massive government conspiracy while he comes to terms with his past and makes us wonder what makes us human”. And, well, that’s because it’s just that. Like Levius, there really isn’t anything particularly special about the manga in terms of ideas.
Fortunately, it does have a good sense of momentum. So far, No Guns Life has behaved similarly to Ghost in the Shell, where we observe Juzo take on various jobs, each of which tells us a little more about the world and the overarching story. The plot is engaging, and full of intrigue, even if it’s all stuff we saw in every piece of cyberpunk media ever published.
Unfortunately, its cast is not too special. Juzo is the most likeable by far; he’s that nonchalant bad-ass type. There’s a number of parts where he gets livid just for someone messing with his favorite brand of cigarettes (as a small side note, there is a chance that the fact that it is implied that his smokes are essential for his Extended body to function could be interpreted as the manga endorsing substance abuse. But I’m the last person who wants to be “that guy” so I’ll leave it to your discretion). But other than him, we have some typical cyberpunk tropes. Tetsuro is basically a shounen protagonist disguised as a supporting character, and his personal engineer, Mary, is the sisterly figure who exists to tune him up while sometimes being a waifu.
The antagonists aren’t much better either. If you couldn’t tell from the rundown of the premise, Beruhren is the typical evil, monopolizing conglomerate that “symbolically represents Apple and Google and their massive conspiracy to take over all our personal data and allow the world to be controlled by Chinese censorship since they’re the biggest market in the world and all they care about is money” (side note: I’m being sarcastic and I personally don’t believe any of that). There’s also the organization, Spitzbergen, that is against the Extended (and guess what: they use Extended to kill other Extended which represents “the hypocrisy of the government and/or every organized religion”). And as far as individuals are concerned, at this point they’ve mainly been war veterans who got all cuckoo as a result of PTSD which “represents what Juzo could potentially have become which makes them morally ambiguous for some reason”.
At the very least, No Guns Life has great art. It has a rough style, with plenty of action. Even if the antagonists are lackluster, they at least have some legitimately creepy character designs. And speaking of character designs, Juzo definitely stands out as a protagonist given his unique head shape.
Current Verdict: 8.4/10
I hate saying this as a sci-fi fan, but cyberpunk has definitely lost its luster since the 1990s. At the time, sure, it was cool to be like “Whoa, what if we’re living in a simulation?” or, “Does pimping ourselves up with machinery make us no longer human?” But now, in this day and age, questions like that are about as cliche as a hentai protagonist being popular among cute girls. Despite how much the genre brings to the table, it’s deceptively restrictive. Personally, I believe that sheer entertainment value is all that cyberpunk has left in terms of appeal, and No Guns Life delivers (took me long enough to get to the topic at hand). I recommend it to any cyberpunk fans, as well as edgelords who think having a gun-head is cool.
As I come upon my first whole year of managing this blog (by myself, by the way), I have been battling against a lot of stress. I don’t just have this to manage, but a full-time job as well. Plus, there’s way too much media that comes out. Even when I pick and choose what I absolutely want to cover, there’s too much. I can also imagine that you get an aneurysm trying to keep up with my three posts a week.
Fortunately, there’s going to be some changes, effective today, August 4th, 2020. Posts will be back to how they were in the very beginning: every Tuesday and Saturday. As a result, there won’t be as many First Impressions of manga, not unless I’m certain my opinion will sway wildly once they’re complete. For example, I have a Jujutsu Kaisen First Impressions written already (I’m just waiting for the anime to air so I can mooch off of it). It’s a battle shounen; those are chaotic by nature and wildly inconsistent in quality at times. While I enjoyed what I read so far, that can change over the course of a single chapter.
Light novels are going to be handled differently. If you’ve read some of my light novel reviews, you’ll have seen my struggles to write something of substance in some of them. Even if I love them, a lot of them are pretty formulaic, such as Cautious Hero and Konosuba. I even did the stupid recap thing solely to extend the reviews. As such, I will now save most light novel posts for one long post at the end of a given month, where I’ll just put a small blurb for each. Exceptions will be for the first and final volumes of a given series (assuming I get far enough for the latter). For example, I plan to post a review of The Eminence in Shadow Volume 1 when that comes out. Since it’s brand new, that’ll be its own post, but all subsequent volumes will be in the monthly post, which I’ll name “Weeb Reads Monthly” or something similar. Another exception will be any series I’ve been doing arc-by-arc, which just applies to Monogatari and Sword Art Online.
So yeah, hopefully this’ll help both our sanity. Do you like the new schedule that I’m implementing? Hopefully you do, because I really didn’t like the old way at all. Anyway, I don’t want this post to just be a dumb announcement, so below is the post I was planning to have done normally…
A lot of critics complain about isekai for being the same thing over and over again. Even the new, slice-of-life variants that are the exact opposite of typical, action-driven-harem isekai are becoming common to the point of redundancy. Now it’s at the point where the subversive isekai need to subvert themselves, and a manga (not a light novel) by the name of A Witch’s Printing Office (published in English by Yen Press) is one such subversion.
In A Witch’s Printing Office, a girl named Mika Kamiya has been reincarnated into a fantasy world (as you do). The manga kindly skips all the formalities and goes well into her career at a book printing firm called Protagonist Press. But in addition to working at a printing press, she also runs Magiket: a popular magic-themed convention!
Immediately, this manga shows off its social commentaries, not on politics, but on real world conventions (and I mean event-conventions, not social protocol). The fact that the setting is called “Akivalhalla”, based on Akihabara in Japan, shows just how creative this manga is. It even opens when these Akivalhalla Knights defeat the Overnight Fiends: literal monsters that parody those who camp outside a venue before it opens.
But a slice-of-life isekai is still a slice-of-life isekai. While Mika implies that she wants to go back to the real world, she seems perfectly at home in the fantasy world. Most of the story are self-contained narratives, which are based around managing the convention and printing books. There is continuity, like when they introduce another person from our world into the story, but it usually hard cuts to something completely different after the fact.
Fortunately, all the chapters have their own unique charm to them. When they are not running the printing press or the convention, Mika has all sorts of funny adventures. From taking a holy sword just to use as a paper cutter, to getting unwittingly possessed by an evil mage, this manga has a lot of variety to it; it’s not just “Praise me for how chill and low-stakes I am” like most other slice-of-life isekai. Plus, the humor is really on point.
I tend to dislike most slice-of-life isekais’ casts, and while this manga isn’t quite an exception, I at least enjoyed A Witch’s Printing Office’s cast marginally better than most others of the genre. Mika comes off as a ditzy moe blob, but she shows a bit of a greedy side that makes her more interesting than most ditzy moe blobs. Sadly, her two friends, Clair and Kiriko, seem to just serve as two pairs of large breasts (and I really hope they’re legal adults for no particular reason related to my perverse imagination). A lot of the minor characters end up being pretty likeable, but they’re called minor characters for a reason.
The art for A Witch’s Printing Office is so good, that I’m willing to believe it was done with Clip Studio assets. There is so much life, detail, and texture to every panel, yet it’s still easy to tell what’s going on. The landscapes are absolutely beautiful, and I’d hate to see a hypothetical anime adaptation undermine the whole thing. There is a lot of charm and personality poured into it that I could spend minutes gawking at any given page.
Current Verdict: 8.95/10
Like many, many truly great franchises, A Witch’s Printing Office does not get the hype it deserves. It’s a fun and unique take on the isekai genre (that critics will probably find some way to pick apart but I digress). I recommend it to anyone who truly appreciates otaku culture at its finest.
Last time on Cautious Hero, Rista and Seiya end up in Ixphoria, the SS Rank world that Seiya failed to save in a previous life. Rista opens a gate to make adjustments, but a werewolf breaks through. Adenela kills it, but it mutters something about having already left its mark. Seiya immediately heads to Ixphoria, saying “Everything’s going to be okay”. When they arrive, it turns out the werewolf’s attack left Seiya with amnesia, and a reckless personality. Rista manages to get him to hold back, then an old guy helps guide them to safety, where they encounter Braht, one of Seiya’s old buddies. After a bit of an argument, Seiya grabs a rusty sword and heads out to fight the boss, Bunogeos. Rista manages to turn the sword into a platinum sword, and Seiya is able to beat some of the enemies by using his high-level spells in ACTUAL combat. But Bunogeos shows up and captures them. Fortunately, Seiya is able to destroy the iron bars by headbutting them, and recovers his memory in the process. The refugees aren’t giving him a warm welcome, so Seiya beats them up (yep, he’s back alright). Unfortunately, he also hates Rista, because it was her fault that he couldn’t be perfectly prepared. He promises to defeat Bunogeos, so he changes his class to Jolly Piper, with Earth Mage as a secondary job. They sneak underground, and Seiya utilizes a makeshift spitball gun to take out the enemies. It’s super effective! They repeat this strat for a while, then seek out Bunogeos. Curiously enough, Seiya starts squealing like a pig while spying on Bunogeos. Unfortunately, they aren’t able to find a weakness before being detected, so they fight him head-on. But of course, Seiya learned the ability to change classes himself, and thus is able to make quick work of him, even when he tries to enter his second phase. When they head back to the spirit world, Seiya masters shape-shifting, turning himself into Bunogeos (the pig squealing was practice for this), and Rista into a fish beastkin. They head to Termine, where they shapeshift and join the beast squadron. Rista is sent to the former queen of Termine, Camilla (her mom), whom she is instructed to torture (she doesn’t though). The day of the ritual comes upon them, and Rista returns to her mom. However, Grandleon is there, holding a doll that Tiana (past Rista) made for her, and that’s what finally breaks her. Rista appraises it, and sees a memory of her past life. The queen is now about to be executed, and she interrupts Seiya’s ritual to get him to save her. And you know what, he decides to fight Grandleon on his own. It’s rough, but Seiya pushes his new Berserk skill to its utmost limits, and manages a narrow victory.
And guess what… there’s more where that came from! In this volume, the Machine Emperor Oxerio sends his machine corp to attack Termine. Seiya gets about as over-the-top as usual with his perfect preparedness, and disregards the public as he fortifies the city. But in addition to Oxerio, he has an evil sorceress named Celemonic to take care of in the latter half of the volume.
In fact, Seiya is more sadistic than ever. He genuinely trolls us- the readers- and shows complete disrespect towards literally everyone. When a disturbing secret regarding the killing machines is revealed, he doesn’t even bat an eye. Seriously, if you didn’t like Seiya before, then you’re only hurting yourself by continuing to put up with him. What do you think about Seiya at this point? Leave a comment with your thoughts!
As far as newcomers are concerned, we get introduced to a rogue killing machine named Kiriko, who has a kindhearted personality. There’s also the introduction of yet another goddess who continues to follow the trend of being an eccentric weirdo. As far as development of existing characters is concerned, everyone is more-or-less the same. You know the saying: “If it ain’t broke, don’t fix it.”
I must still praise the author for not making the series so repetitive despite how simple it is. Seiya goes above and beyond, at one point showing us he doesn’t even need to be conscious in order to beat back his enemies. The solutions to problems get more over-the-top and creative than ever! But a seasoned reader like myself should know that this consistent rate in quality is likely too good to be true.
Cautious Hero is on fire, as always. Bu according to the afterword, the Ixphoria Arc ends next volume. MyAnimeList still says this series is ongoing, but what could possibly happen after this? Well, I suppose the only solution is to wait and find out!
When reading ecchi or hentai manga, sometimes it makes you wonder, “What would the mangaka’s relatives think? Do they even have kids?” Well, that topic is explored quite thoroughly in the manga about a mangaka, Kakushigoto: My Dad’s Secret Ambition, published in English by Kodansha Comics.
In Kakushigoto, a dad by the name of Kakushi Goto (wow, title drop), is a famous mangaka… of hardcore ecchi. The problem is his little daughter, Hime. Will he be able to protect his secret? Or will his princess (literally, because that’s what the word “Hime” means) be scarred for life?
Surprisingly enough, Kakushigoto proved to be a much more confusing read than I thought. For starters, the opening pages of each volume show Hime already having discovered her father’s secret. It took me a while to realize that these are flashforwards, which shows that he’s going to be fighting an uphill battle throughout the manga. Another issue, which is moreso a nitpick, is that the chapters are really short. I’m not someone who understands manga serialization… but according to MyAnimeList, Kakushigoto runs in a monthly magazine, which sounds really counterproductive for something with such short chapters. The third and final quirk with it is that the chapters… weren’t compiled correctly (at least not in the North American release)? At certain points, the chapter count will randomly reset midvolume. The first time this happens is towards the end of volume two, where it says “Volume 2 Issue 1”. The entirety of volume three is still considered volume two which seriously bugged me.
But as far as content is concerned, Kakushigoto certainly has a wild sense of humor. Unlike father-daughter manga such as Yotsuba&!, this one goes a bit more out of left field. In the first volume alone, Kakushi goes bananas over one of his editors wearing a lewd shirt in front of Hime, and he also ends up getting hunted down by Hime and her friends because he saved some cat with a life preserver.
However, Kakushi’s secret isn’t the only sitcom situation going on in the manga. Kakushi builds a harem of sorts without even realizing it. Because he has a terrible way with words, a number of women think he’s hitting on them. He has no idea that this is happening, and it’s funny to see how they interact with him and each other.
The manga can also be strangely depressing. The content of this narrative is supposedly based on the author’s real life experiences. It portrays a number of things, like the feeling of not being popular, or the state of the industry itself. Kakushigoto makes fun of this stuff just as often as it’s brutally honest about it. The mangaka also has a lot of rants throughout the volumes as well that go deeper into their psyche.
The characters prove to be surprisingly enjoyable. Kakushi is just a single dad who wants all the best for his little (*cough* marketable *cough*) daughter, and he goes to crazy lengths to be the best dad he can. His co-workers also have lovable personalities. They’re all quirky enough to have substance, but not to the point where they’re not “unrealistic like those battle shounen trash protags”.
The art may be off-putting to some. Kakishigoto is drawn in a minimalistic, vector-like style. The shading appears to be entirely through a preset tool in Clip Studio, and the proportions are definitely odd. However, the girls are uniquely cute looking (even if they have same-face syndrome), and the characters are surprisingly expressive.
Current Verdict: 8.25/10
Kakishigoto: My Dad’s Secret Ambition is definitely a different slice-of-life. It’s a weird combination of wholesome and cynical that’s definitely not seen too often. I recommend it if you want a father-daughter slice-of-life that isn’t just “Hey look at my moe blob and buy my stuff!”
Last time on Re:ZERO, everyone gets attacked by Satella the Witch of Jealousy. Subaru and Garfiel (of all people) have to stop her. Fortunately, she can’t pass through the barrier due to her being a half-elf, and the trial being incomplete. But that doesn’t stop Garfiel from getting unceremoniously slaughtered by her. As she advances toward Subaru, he rejects her, and in response, her shadow swallows him to get him to love her. Fortunately, Echidna had a contingency plan: making Petra’s handkerchief a magic handkerchief that ends up saving him from the Witch. Also, the handkerchief turns into a dagger, which he promptly uses to kill himself and restart the loop. Back at the sanctuary, he’s comforted by Emilia. While Ram distracts Garfiel, Subaru recalls the memories he absorbed while in the shadow, and uncovers a secret room containing the real Ryuzu’s body. Apparently, the true purpose of the Sanctuary was to make Ryuzu clones that Echidna was able to possess, and effectively achieve immortality as a result. He also finds out that both Garfiel and himself have become Apostles of Echidna. His next task is the sitch at the mansion. He’s able to get Frederica and Petra to evacuate without a hassle, but Beatrice- as always- isn’t so easy to convince. He steals her “not-a-Witch-Cult” book and sees that it’s entirely blank inside. Apparently, Beatrice is a spirit contracted by Echidna to watch over the forbidden books in the mansion until “That Person” shows up. The moving scene that follows is, unfortunately, interrupted by Elsa’s arrival. Not even Beatrice can stand up to her, but Subaru manages to survive. Back at the Sanctuary, it’s already snowing, and Emilia shut herself in the tomb when he left. He goes in and finds her, and she starts getting unnaturally waifu-y with him. He leaves and confronts Roswaal- again- but this time Roswaal murders Ram and Garfiel before implying that he knows about Return by Death, and showing Subaru that he has the other version of the gospel that Beatrice had! He is also the culprit behind the snowfall, and it was all to break and isolate Emilia (a plan that had been in effect since the beginning, of course). Their conversation is interrupted when the Great Rabbit attacks again, killing Roswaal, and making the others burn themselves to death. Subaru flees to the tomb, where Emilia gives him a kiss… right as he dies again. After respawning, he seeks Echidna, but ends up taking the second trial instead, which involves seeing the outcomes of previous routes after he died. After all that, he encounters a spirit of Rem. But he knows better, and immediately recognizes her as an imposter, who turns out to be another Witch: Carmilla, the Witch of Lust. After almost suffocating for some reason, he ends up with Echidna, just like he wanted to! She offers to form a pact with Subaru, and all the other witches except Satellla show up! In all the confusion, Echidna has a grandiose speech detailing how Subaru’s ability to experience an infinite amount of outcomes turns her on. After her schpiel, Subaru asks her who Beatrice’s Person is… and, of course, Echidna has no clue… because Beatrice had to decide for herself the whole time. Subaru refuses the pact with Echidna, and the Witch’s tea party is joined by one more guest: Satella.
If you couldn’t tell from that paragraph, volume 12 was full of revelations and turning points. Based on my past experience with Re:ZERO, the next several volumes will be pretty boring before it picks up again. Does this volume follow the same trend?
Well… yes and no. It’s not a constant pelvic thrust of pain and torture like the previous volume, but there are definitely some highlights. One important thing is that Subaru gets some much-needed growth. He gets another helping of waifu-speech, but this time, he gains some self-worth. This is a big improvement for him, because his whole “Hey look at me I’m a martyr herp-a-derp” has been annoying for a while.
Speaking of annoying, we finally get to resolve Garfiel’s character arc in this volume! And thank goodness too; I never liked the guy. He was a whiny brat who felt like he made the arc 1.5x longer than it already was. Unfortunately, it doesn’t offset the fact that his personality is 100% abrasive and nothing else. But hey, backstory is backstory, and that’s what counts.
And speaking of backstory, we finally get some more background on Emilia. Unfortunately, that “some” is really “a bit”, since this volume loves Garfiel so much. Plus, the things we learn about Emilia only scratch the surface, and we are cliffhung right when we’re about to get the full serving.
Another issue is that Re:ZERO once again shows its bipolar identity. It tries its damndest to subvert the isekai formula, and ends up clashing with that mindset like it tends to. There’s an emotional scene between Subaru and Emilia in this volume, and similar to his scene with Rem, it’s ripped right out of the Book of Waifus. It doesn’t help that the climax of the volume is a one-v-one of Subaru against Garfiel that reeks of the “white knight” trope. Gotta love it when a series has a great idea that contradicts itself in its execution!
While not as turbulent as the last volume, Re:ZERO shows that it’s finally gaining momentum. This was a great volume, and it promises that the next one will be even better. If you’re reading ahead of the anime, what are your thoughts on this current arc and this volume? Re:ZERO is very complicated to evaluate, and I’d love to hear different perspectives.
Time travel is always a contentious topic, both in real life and in writing. While scientists debate whether or not it’s possible, writers explore its ramifications. The results of the latter, well, vary wildly. But sometimes, you don’t need to travel in order to change the past, which is the case in May These Leaden Battlegrounds Leave No Trace, published in English by Yen Press.
In May These Leaden Battlegrounds Leave No Trace, two nations- one in the east and one in the west- are at war, with the latter on the winning side. For a cadet named Rain Lantz, everything changes when the Fire Nation atta- I mean- when he meets a girl named Air Arland Noah. The bullets she fires are special; a killshot from these bullets results in the target’s erasure from past, present, and future.
While not a particularly interesting concept, Leaden Battlegrounds is essentially Steins;Gate but in a military setting. It’s pretty easy to suspend disbelief, since it’s set in a sci-fi fantasy world. All bullets have magical properties, but Air’s are one of a kind. They are called Devil’s Bullets, which will henceforth be known as D-Bullets, since it would be way too coincidental if they weren’t an intentional reference to Steins;Gate‘s D-Mail.
And similar to Okarin, Rain spams the D-Bullets like a Smash player using Kirby’s Down Special. For the time being, there doesn’t seem to be many cases of time-f***ery like there usually is. That’s kind of bad because it makes the light novel have no stakes, given how serious it takes itself. The D-Bullets are almost an excuse for Rain to never have to face any form of consequence.
There are also a couple of issues that tend to plague most light novels, especially isekai (even though this isn’t one). There is some tonal whiplash, an example being a whole chapter of typical school antics (i.e. ecchi) that have no place in the story whatsoever. The author also gets exposition-happy, oftentimes reminding us that the D-Bullets erase people from existence at least once per chapter. There are also some examples of cheap shock value that appear to just arbitrarily elicit an emotional response.
But all things considered, Leaden Battlegrounds has some solid momentum. Other than the stupid ecchi chapter, there’s always some kind of new development and intrigue. Of course, being somewhat of a time travel narrative, it could fall apart quickly. But for now, I’m curious as to how things can play out from here.
Unfortunately, it has the usual crapshoot of bland characters. Rain is a pretty generic teen who sometimes feels like he’s better suited to be in a gag shounen (which may be symbolic of militarism or something but I digress). Air is basically the highest selling point of the book; a cute loli with the out-of-left-field trait of wanting to show Rain her panties. Everyone else is kind of just… there.
The art is middle-of-the-road. It’s appealing enough to make someone at least look at it, and that’s really enough when it comes to selling a light novel. I’ve definitely seen better, but Leaden Battlegrounds still has respectable visuals.
May These Leaden Battlegrounds Leave No Trace is off to a better start than most light novels I’ve read lately. But like I said before, there’s no telling where this story will go. For the time being, I recommend it to time travel and military science fiction fans. What are your thoughts on this volume? Leave a comment if you’d like!
I was apprehensive about sports manga at first. Whenever I saw my father watch football, I was like, “Why are so many Americans’ entire lives defined by a game made for entertainment purposes?” (he says despite how videogames and stuff define his life). As a result, I never chose to read sports manga… until I read Haikyuu!!, published in English by Viz. With its rather lengthy run in Weekly Shounen Jump, simple story, and massive fanbase, Haikyuu!! has definitely become mainstream. But despite my aversion towards said mainstream, I think it deserves the praise.
In Haikyuu!!, a short boy named Shoyo Hinata dreams of becoming a volleyball champion. Despite his height, he has great reflexes and jumping skills. Unfortunately, in junior high, he is utterly schooled in a match against setting prodigy, Tobio Kageyama. In the aftermath of this humiliating defeat, Hinata attends Kararsuno Highschool, the same as his idol, the Little Giant. However… Kageyama ends up attending the school as well! With their abilities, they just might bring the school back from its long volleyball slump.
Like I said, Haikyuu!! is simple; straight as an arrow. Since it’s a sports manga, it’s an underdog story about a couple of young upstarts and their volleyball team. Compared to Eyeshield 21 and Kuroko’s Basketball, it’s really nothing special. But I always believe the execution is more important than the idea, and the execution is where Haikyuu!! delivers.
The best thing the series does is buildup. Haikyuu!! is really good at creating anticipation for upcoming matches. From Karasuno’s rival school, Nekoma, to the powerful Shiratorizawa, there’s a reason behind every fight. Unfortunately, there’s only so much that can happen in a volleyball match. It’s an inherent problem with sports narratives, but volleyball is literally just hitting and blocking a ball. Basketball and football at least have different directions and formations, while in volleyball, players are stuck on set sides of the court, and in a set position that rotates throughout the match.
Furthermore, Karasuno’s team kinda sorta has plot armor in a sense, more so than in usual shounen manga. For the uninitiated to volleyball (myself included), the sport is played in sets. This basically means that all volleyball matches are a best two out of three (or three out of five in rare cases). From a writing standpoint, it’s a no-brainer for the really, really important matches in a volleyball narrative to last the full amount of sets. As such, I concede that the matches in Haikyuu!! aren’t too exciting during most of the early sets.
But once they hit that third set, it becomes a pure adrenaline rush. At that point, it’s easy to get fully immersed in Haikyuu!!, despite the pretty obvious plot armor. The climaxes of fights are when the manga is at its peak, and putting up with the other shounen tropes is well worth the payoff.
Even with the adrenaline rushes, Haikyuu!! wouldn’t have been the same if I couldn’t be invested in Karasuno’s volleyball team, which I’d consider to be one of the best teams in all of sports manga. Almost every one of its members has a definable personality trait, as well as some major hurdle to get over. This might be cliche, but the chemistry between Hinata and Kageyama is the best in the whole manga. Their clashing attitudes, and desire to one-up each other make them always entertaining to see.
I also must acknowledge some of Karasuno’s opponents. While the mangaka doesn’t flesh out every SINGLE member of those teams, they each have at least one or two memorable characters. They also go through the backstories of these teams during the matches with them, to hammer in the fact that Karasuno isn’t trying to beat an “evil volleyball team”, but a team of normal, likeable people who have the same aspirations that our protagonists do. It’s effective, but it gets kind of redundant over time.
Of course, no sports manga can be good without amazing art, and Haikyuu!! has some amazing art. While the artstyle looks disjointed and sketchy at first, the mangaka ramps it up to eleven when the emotional tensity warrants it. They’re also a master at gesture drawing, which really sells the power and speed of each shot. The panel flow is amazing, and always kept me on my toes; I never knew if a spike was actually going to count until the little scoreboard popped up in the panel.
However, there’s one last thing about Haikyuu!! that sets it apart from its contemporaries. But I can’t mention it without spoiling endgame content big time. On the flipside, it’s something that could make or break the entire series for you. As such, I made the following paragraphs the same color as the background. If you want to read the spoiler, then highlight the section of your own free will. Otherwise, skip to the end of the post.
A lot of sports manga- and Jump manga in general- are meant to be inspirational and lighthearted. They give hope to the underdogs out there, and have themes oriented around never giving up and achieving your dreams. However… Haikyuu!! is not a manga about success, but a manga about failure. Karasuno fails. Sure, they lose some early tournaments, but that always happens in sports manga. If the team loses, there’s usually some loophole in the tournament rules, or a magical secret tournament that they can use to reach some sort of glory. But that doesn’t happen with Haikyuu!! Karasuno FAIL-fails. Even after the third-years graduate, the first-years are not able to avenge them. Despite my aversion towards cynicism, I actually love that this happened. I have mad respect for the mangaka for taking such a big risk with a mainstream I.P. like this. I have no idea if any sports manga has ever done this before (except Hikaru no Go, but that manga doesn’t count because it’s not very good and it doesn’t go into any sort of aftermath either), but Haikyuu!! does it really well.
I know, I sound like a hypocrite, saying that this tonal shift is a good thing. It makes me sound like the people (*cough* Western critics *cough*) who say that cynical narratives are more “realistic” because “people don’t achieve their dreams by force of will alone” and that “life is meant to be miserable”. Normally, when we see a cynical narrative, it’s a long process of seeing the main character fall into pieces and wax poetic about how “suffering is the only truth in the world”. But Haikyuu!! takes cynicism and twists it into something truly unique. Instead of wallowing in misery, the cast of Haikyuu!! just… lives. Haikyuu!! is about being able to make like a cat poster and “hang in there” even if you never achieve your dreams. Sad to say, I do truly believe that a lot of people can never achieve their dreams, just because of how our society works. But that doesn’t mean you kill yourself. That’s the lesson. The final arc of Haikyuu!! is just adult Hinata having fun playing volleyball with new and old friends. Narratively, it’s not very exciting, but it ends in the best way possible: a rematch between Hinata and Kageyama, using all the skills they’ve learned throughout the course of the story.
Final Verdict: 9.25/10
Haikyuu!! is an amazing manga, and is definitely among one of my favorite Jump manga of all time. It’s more grounded than most shounen, so I can more easily recommend it to critics. For once, Haikyuu!! actually deserves swimming in the mainstream, and I’m glad that a lot of people love it.