Last time on Eighty-Six, Shin’s team sets out to fight the Morpho, the giant Legion that fired the railgun at the Federacy, and is controlled by the mind of one of Shin’s relatives, Kiriya Nouzen. Well, he beats it, to say the least (and by himself, of course). And just like it was foreshadowed in volume 1, Lena shows up and they meet IRL! Now we can FINALLY know what happens next!
So, I haven’t been enjoying the past two volumes of Eighty-Six. A lot of it felt like torture porn as Shin and the others get exploited, and have to fight to save people who treat them like crap, even in the Federacy. There were also a lot of boring military people who got all introduced at once and had really boring personalities.
But now… hoo boy, Lena is back, making the power couple that carried Eighty-Six’s first volume so good! I know I normally don’t like romance, but these two established themselves as one of the most organic and interesting relationships out there, and it once again shows. They even had some great interactions together (even if it resulted in some misplaced comedy scenes).
Since this is the first volume with Lena in a while, this it’s going to be about her. As established, she transferred to the multicultural Federacy from the whi- I mean- Alba Supremacist Republic. The racist practices of the Republic are well known to the Federacy by now, and because of this, Lena gets crapped on from the powers that be. Fortunately, Shin exists as a cushion for her guilt complex. It’s actually something that I felt when I was a kid, when I first learned about Martin Luther King. I wanted the African-American kids in my class to bully me, so I could be punished for something that I didn’t even do, just because people from a generation ago did it.
But Lena doesn’t have much time to get used to her situation, for today’s mission actually starts pretty darn early (much sooner than taking a whole volume and a half in the previous arc). This mission involves going into what’s left of the Republic that got overtaken by the Legion and, well, taking it back. This means going back to Nazi-Germany-Meets-Overly-Patriotic-White-Supremacist-America once more.
And as you can expect, the only thing waiting for Shin, besides some angry Legion, is racism. While the racism came off as torture porn last time, this time we get some interesting and differing perspectives from Lena and Shin. The irony here is that Lena, a whi- I mean- Alba person is much more offended than the actual victims. It’s almost implying that certain people shouldn’t respond to certain other people who are just being jerks, or trolls.
Overall, the only problem I had was kind of telling where people were in 3D space. A lot of times, during the actual operation, the story would flip perspectives rapidly, and it confused me a lot. It also was pretty inconsistent with whether or not it wanted to mark transitional points with a simple page break, or an actual symbol. Maybe if they- say- used the symbol to transition between P.O.V.s in particular, I would’ve understood what was going on a lot better.
Finally, Eighty-Six is back with a vengeance! My interest in the story is reinvigorated, especially with the new development at the end, and now I can’t wait for the next volume. Here’s hoping that it stays strong all the way through!
I believe that a true classic is something that can still feel fresh and unique to anyone who experiences it, regardless of how many years it’s been since it was first released. And Walt Disney’s 1940 film, Fantasia, is one such classic (yes, I know about 2000, but we don’t talk about that era of sequels). Here’s a surprise: this is a review, and not a retrospective, because this is being written as of the first time I’ve ever seen it in my life, eighty years after its release.
If there’s anything I knew about Fantasia going into it, it’s its premise (wow, take a shot for every time I say “it” in this review). In Fantasia, a live-action man, named Deems Taylor, walks you through some very unconventional visual interpretations of various famous classical music pieces (conducted by Leopold Stokowski). Since it’s structured this way, I’m basically going to discuss my thoughts on each segment per paragraph. As this movie is eighty years old, I believe I have the right to write spoilers without warning (I also had to write down what the songs were because I know nothing about classical music).
But first, I must discuss the one thing that all the sections have in common: they’re effing GORGEOUS. The visuals in Fantasia were, historically, beyond anything that Walt Disney had ever created at the time, and they still hold up today. These people had no computers, no nothing. Somehow, they managed to create all kinds of beautiful particle effects by themselves, and I honestly have no idea how. I recognized some instances of the multiplane camera, but the ingenuity of most of the film is beyond me. Holy crap.
The movie opens with Toccata and Fugue in D Minor, which is a Bach song (and I was too dumb to write down the composers of any of the other songs besides this one. Oops). It starts by showing the silhouettes of the live action orchestra bathed in various colored backdrops before gradually fading into abstract shapes that vaguely resemble instruments floating in a bright void. This is a great showcase of how easily the human mind can bring itself out of reality, and perfectly sets the tone for what’s to follow.
Next, we have the Nutcracker Suite, entirely bereft of nutcrackers. This one is a showcase of nature… or something. It starts off with a bunch of fairies creating various natural phenomena, and by the way… FULL FRONTAL NUDITY WARNING! “Dude, you’re overreacting,” you say, “they’re just fairies.” Well, congratulations on being open-minded. Yeah, sure, I doubt anyone reading this will have not already seen Fantasia, but I can’t take any chances here. Anyways, this sequence goes through the different seasons of nature. Due to the nature of the whole thing, they employ a lot of different colors and particle effects, making this one of the most beautiful and whimsical parts of the film.
Of course, not even I could’ve avoided not having already seen the most iconic part of Fantasia: the Sorcerer’s Apprentice section. This is the famous debut of what is considered to this day to be the de facto form of Mickey Mouse. We all know what happens: Mickey takes Yen Sid’s hat, uses it, floods the place, and gets spanked in the end. There are a couple of small logical issues, like the fact that Yen Sid was dumb enough to not take his hat to his room, or the fact that the fountain that Mickey was supposed to take the water from somehow contained enough water to fill the entire cave. But hey, it’s magic. Due to the fact that it has an actual narrative, and Mickey Mouse, this is definitely the most accessible segment of the movie, and probably the part that you all fast-forwarded to when you were a kid. Oh, also, epilepsy warning apparently; there are some instances of flashing light effects, and I’m pretty sure that counts as an epilepsy warning, right?
After this is the Rite of Spring, a classical piece originally intended to showcase primitive human life. Of course, Walt Disney took a step ahead- or back, rather- and used it to showcase the origin of life on Earth. In this, you get to see life begin from single-celled organisms to the dinosaurs to the dinosaurs’ mass extinction. This one is brutal to watch. There’s no gore, but it very much shows creatures getting eaten alive left and right. Also, the slow death of the dinosaurs by dehydration is brutally honest and a stark contrast from the Nagito-levels of hope-loving that we understand Disney to be in recent years. If I was a kid, I would be traumatized by this.
According to my notes, the next one is called the Pastoral Symphony, set in Ancient Greece. It’s a fun section that shows various creatures frolicking until Zeus literally rains on their parade (he gets a lot softer once he’s a dad, apparently). Although… based on what I understand about today’s culture, this one is also very controversial. First off, we have these cute centaur girls, who reek of FULL FRONTAL NUDITY. But it doesn’t stop there; they also doll themselves up in order to sell their bodies to male centaurs, which I’m pretty sure is a case of sexism as well. And depending on how old they are… there could also be an instance of minors drinking (thanks Dionysus). But otherwise, this section is very fun and colorful.
The semifinal segment is the Dance of the Hours. It’s a pretty on-the-nose depiction (at least, according to what the live action guy said), where dancers that represent daylight get attacked by dancers represent nighttime. Of course, the dancers this time are animals. They picked the perfect animals to do ballet dancing because you’re not expected to think that hippos and stuff would be good at ballet. Overall, the animation is very fluid and bouncy, but it’s also the least abstract of the sections. There are also more antics in this part than any other part of the movie. Due to how silly it is, this is no doubt the second most accessible section of the movie.
The final section of the movie is a two parter, the first of which is Night on Bald Mountain. This is the other part of Fantasia that I knew about beforehand, where Chernabog makes some ghost people pop up. This part is SCARY if you’re a kid, as it has jumpscares and assorted terrifying imagery. The lighting effects on Chernabog make him hands down one of the scariest Disney villains ever drawn, and the effects on the ghosts are fantastic. Fortunately, the guy spends his time tormenting his own minions (most of which are nude) as opposed to any “living” humans, but it’s still very dark for Disney. But hey, before long, Ave Maria kicks in and shuts Chernabog up real good. After this, the remainder of the movie is a very long procession of nuns before the movie abruptly ends at a gorgeous landscape shot (well, it’s about as landscape as you can get in a 4:3 ratio). This is probably because I’m not a religious person, but Ave Maria was perhaps my least favorite part of the movie, and most likely a part that I would’ve fallen asleep during as a kid.
Final Verdict: 8.65/10
Man, I really miss this form of Disney. The vast majority of Fantasia would likely alienate people who are more used to the straightforwardness of most Disney films. It’s very experimental and ballsy when compared to the embodiment of mainstream that Disney has become in recent years (well, the live-action Mulan movie is probably their ballsiest project in a long time, but you get what I mean).
I enjoyed it, but due to its two-hour length, I doubt I’d watch it again. But as far as recommendations go (assuming that you haven’t watched it)… I can’t easily recommend it. Fantasia doesn’t just have a lot of controversial and dark imagery, but it’s entirely devoid of dialogue and an actual defined plot (outside of Sorcerer’s Apprentice), and I can’t imagine any kid who wouldn’t fall asleep within minutes of starting the film. I can only recommend it to adults with a very open-minded palette of tastes, or to diehard Disney fans who want to know everything about the company’s history.
How many more edgy battle shounen manga can one person read?! It’s become a running theme on my blog, and it’s not stopping any time soon. Let’s examine Gleipnir, published in English by Kodansha Comics.
In Gleipnir, Shuichi Kagaya just wants to fit in, which is difficult. While he doesn’t have puberty to deal with, he can turn into some kind of Chuck E. Cheese reject for some yet-to-be-explained reason. After saving some girl named Claire Aoki from a fire, he ends up going on a quest to find her older sister.
But of course, it’s never that simple. By the second volume, the search for Claire’s sister turns into the search for a bunch of coins for some alien guy. Oh, and giving said alien guy a coin is what actually causes the transformations (even though Shuichi doesn’t remember anything about that happening).
This manga asks so many questions. Shuichi has some personal connection to Claire’s sister. The true nature of Shuichi’s power remains a mystery. Who really killed Claire’s parents? Why aliens? The plot seems fairly straightforward in the moment, but as soon as you stop to think, it becomes a massively tangled knot.
Fortunately, the characters are pretty creative in terms of design and abilities. Of course, you saw the volume 1 cover art, and know that Claire and Shuichi fight by having the former enter the latter’s body while he’s in Chuck E. Cheese mode. She often does this in her bathing suit. Yeah, say goodbye to being master of your domain. There are other crazy characters, like a literal cameraman, and a kid who summons a demon in the form of his parents stitched together (and naked of course).
Speaking of naked, get ready for fanservice galore. It’s not just limited to a sweaty teenage girl entering a teenage boy’s body. There are a lot of “nips”, including the groping of said “nips.” There’s also an almost-sex scene. Being the edgy thing that Gleipnir is, it’s doing all of the fanservice with a straight face.
Unfortunately, the characters aren’t as great on the inside as they are on the outside. Shuichi is a generic whiny protagonist who gets emotional support from Claire, who happens to be a yandere. It’s YA-levels of unnatural when it comes to how easily she will commit murder, even on her own sister. Speaking of which, her sister, Elena, has a bizarre contrast of mysterious and socially awkward, but otherwise she isn’t that interesting, besides her unknown role in the overarching story. There are a lot of other characters, but they fall under tropes such as, “Skimpily Dressed Busty Lady”, “Jealous Guy”, “Pervy Guy”, “Catgirl Loli”, etc.
The art in Gleipnir is great. The action shots are done well, and the uncharacteristically large panels make individual volumes easy to read. And most importantly, the fanservice shots are on fleek!
Current Verdict: 8.3/10
Gleipnir is a pretty standard edgelord manga. It’s perfectly readable, especially when compared to a lot of bad YA novels, but it’s not quite as good as stuff like Tokyo Ghoul. Check it out if you like sexy murder girls and fanservice.
The year 2020 will go down in history as the year that the coronavirus happened, where mankind barely avoided complete decimation when historians unearthed the ancient, arcane arts of Good Hygiene. But as much as the media hyped it up to apocalyptic proportions, the coronavirus is mere peas and carrots compared to the virus that’s going to ravage mankind in the next twenty years, at least according to World’s End Harem, published in English by Seven Seas.
In the year 2040, a college student named Reito Mizuhara enters cryogenic sleep, in hopes that scientists can treat him of his cellular sclerosis. He promises to meet the love of his life, Elisa Tachibana, when he wakes up. Five years pass, and he wakes up cured just fine. But in that time, the world was ravaged by a pandemic called the Man-Killer Virus, which has killed every man in the world… except for a handful that entered cryogenic sleep (including Reito). In order to save mankind, Reito needs to have a lot of sex.
But of course, this is a harem manga. And if there’s any law that governs harem manga, it is as follows: the main character is morally correct, and doesn’t want baseless, carnal sex, even though the reader is meant to want exactly that. Reito loves Elisa, but when he awakens, she turns out to be missing. The manga wastes no time turning into a sci-fi mystery series as he tries to figure out what happened to her. It, naturally, ends up being something much bigger- and more political- than expected. There’s also the moral conundrum of how much sex etiquette can be disregarded in the face of desperation for survival. Is it good enough that all women involved have given consent? I don’t know; that’s for you to debate.
But in the end, it’s still a harem at its core; it’s called World’s End Harem, after all. Reito is allowed to try and track down Elisa, but what’s left of mankind can’t gamble on something like that. As a result, he has a number of women live with him, just to “tempt” him. This results in your usual ecchi antics… or hentai, rather. Since this is serialized in Jump Plus, and these are adults in this manga, there are many showcases of “coitus”. This isn’t your “accidental” boob grab crap. The women in this World’s End Harem are paid professionals.
So, who are these women anyway? Well, first off, we have Reito’s caretaker, Mira Suou. She’s the most… er… level-headed of all of them, and is basically in charge of exposition and stuff. There’s also the nurse and bodyguard- Akane Ryuzoji and Sui- who get hired to live with him. I admit… they’re pretty uninteresting in terms of their personalities (but Akane is the best of all of them because she’s tall and spunky).
Reito isn’t mankind’s only hope, however. In addition to him, there’s Hino Kyoji and Shota Doi among the surviving men, both of which greatly increase the controversy of the manga. Hino is totally into the wish fulfillment-ness of the whole situation, which means he gladly has sex with as many women as possible. But even more divisive is Shota, an emotionally insecure high school student with feelings for his teacher. He ends up getting to live a perfect recreation of his high school career, where all the female students- and… er… his teacher- love him. These two seem to not serve any purpose in the overarching narrative, and thus their-especially Shota’s- scenes are the least enjoyable parts of the manga to me thus far.
Hoo boy, though, the art. The artwork is pretty standard-looking, but the… stuff… is drawn exquisitely. The sex scenes are full-on extreme, to the point where even I- as “level-headed” as I was- felt a bit uncomfortable. Fortunately, I am an adult. Just keep in mind that there is much nudity, complete with “nips.” I personally don’t find a lot of the… activities in World’s End Harem to be very attractive (even though they should be I guess? I practically have “virgin” written on my profile by now…). I always preferred sexy clothes over nudity, and there wasn’t enough of that here, which sucks because sci-fi clothes can be pretty sexy.
Current Verdict: 7.6/10
I don’t know if the following statement means that I’m blessed or cursed, but World’s End Harem is perhaps the lewdest manga I’ve ever read. Sure, Prison School and Interspecies Reviewers are technically just as controversial (and the former has lewd scenes with teens), but those two manga have a bit more finesse than this one. The narrative is legitimately interesting, but there’s a lot of excess lewd you have to sift through. I ONLY recommend World’s End Harem to ecchi and hentai fans.
Last time on Log Horizon, Marielle and Co. get attacked by fishmen. But Naogutsu’s group also has some goblins to fight! In fact, there’s a lot of goblins. Oh, and these super important Knights of Izumo, who are supposed to protect everyone, decide to just disappear. According to Krusty, this many goblins can only mean that the Return of the Goblin King event has begun. Naogutsu and Marielle’s groups manage to meet up,but they notice a goblin unit making its way to the helpless village of Choushi. Shiroe also spills the beans on the memory loss thing, and Krusty confirms it, as it’s happened to him. Meanwhile, the kids manage to hold off some of the goblins attacking Choushi. While the politics heat up, Princess Raynesia breaks the ice by just offering to recruit people from Akiba herself. When they arrive, Akatsuki changes her into “proper” (a.k.a. fanservice-y) clothes. She and Shiroe give an epic speech, and a bunch of people join to fight back. Also, the twins arrive at Choushi and there is no goblin issue whatsoever, mainly because Marielle’s group already beat them to the punch. The group of 1,200 players splits into units and agrees to meet up at the Midrount Equestrian Gardens. The thumb-twiddlers are at odds with what Raynesia did, but Michitaka smooths them over (I think? I can’t understand any of this political crap…). While Shiroe is organizing stuff, a bunch of Fishmen appear in Choushi. They win, but they lose Rudy, who was a Person of the Earth, and can’t be revived… But Shiroe uses the power of Buddhism and his super-crafting skills to bring him back for long enough to have him sign a contract for him to join Log Horizon, making him an Adventurer who can’t die. Meanwhile, Raynesia and Krusty’s group are attacked by goblins and Dire Wolves, but they’re dealt with smoothly. In the end, the Goblin King was a scrub and never actually showed himself.
I’m sorry, but volume 5 was about as bad as I expected. The whole volume revolved around this Libra Festival thing, as well as the cliche love triangle between Minori and Akatsuki. There was no way for me to write a whole post about that volume alone, so that’s why I’m condensing these two volumes into one post.
The only interesting thing that occurs is what happens in the interlude at the end of the volume. The world of Log Horizon gets a lot bigger and scarier in one fell swoop, and it made me mildly interested in the story for the first time since volume 1.
The layer cake of conflicts gets even thicker in volume 6. For the first time in the series, a murderer attacks Akiba in the dead of night, and somehow, no alerts go off. Also, the Goblin King returns, and since they didn’t kill him the first time, this raid’s gonna be a lot tougher. But as far as the former conflict is concerned… well, the guy’s only been targeting adventurers, who get revived… Yeah, as established ages ago, Log Horizon is not meant to be an emotional rollercoaster. In fact, every time something serious happens, it’s almost immediately followed up with something goofy. Chapter 1 of this volume ends on such an ominous note, and the first thing that happens next chapter is Henrietta trying to put Raynesia into a skimpy nurse’s outfit.
If you couldn’t tell from volume 6 being titled Lost Child of the Dawn, this one’s all about Akatsuki. She deals with an existential crisis because she’s an Assassin. She devotes herself to protecting Shiroe (because she wuvs him or something arbitrary like that), but realizes that she can’t cut it. Her skills are great for stealth-killing single targets, but, naturally, that doesn’t help in big groups or head-on fights. Get ready to be constantly reminded that Akatsuki’s short, and that she’s sad, and weak!
In fact, that’s been a running theme in Log Horizon’s writing: redundancy. For some reason, the author is telling you rudimentary aspects of the series over and over again. They repeatedly tell you that Adventurers are immortal, People of the Earth are not, Henrietta is a lolicon, and even that Raynesia is a woman. In addition to the boring characters, this is the biggest reason for my declining joy in Log Horizon. I assume that the anime would naturally be better because of the lack of writing, but I’m not so sure anymore, given that I’m not the biggest fan of TV anime.
Oh, and for the record, the climax of the volume has a REALLY abrupt ending. I read the last few pages like eight times because I legitimately couldn’t understand what was occurring. Maybe I was just sick of Log Horizon at this point…
Verdict (Volume 5): 5.5/10
Verdict (Volume 6): 6.9/10
After the boring bonanza of volume 5, volume 6 at least shows some semblance of… er… being interesting? I’m at my wits end with this franchise. I tend to side with critics more often than not, but this is one time when I do not. What do you like about Log Horizon? Seriously, I desperately want to know. I’ve already acknowledged that I like the idea of the world, and Shiroe being a clever-leader-type guy as positives. But that’s not enough. I’ll try to give future volumes a shot, but I’d still love some input.
As much as I love Japanese music, I admit that nothing’s perfect. There are many artists that I’ve had to abandon, but mostly because I listen to too much music, and I just couldn’t squeeze them in. But sometimes, I straight up don’t enjoy the music itself. This list will showcase the Japanese music artists that I couldn’t enjoy no matter how hard I tried. Now you’ll get to see how much of a contrarian I am, for most of these artists are among the most popular Japanese singers in the world.
I really wanted this to be BABYMETAL, which would’ve made all five entries contain mainstream artists. But my feelings for them ended up being extremely complicated, so I resorted to sakanaction instead for fifth.
Normally, I love weird bands, and sakanaction is one such band. They’re more or less the Japanese Pink Floyd, and I don’t exactly like Pink Floyd. The band’s music tends to be very surreal and mellow, which isn’t my favorite combination.
But to be honest, it’s the vocalist who made me drop sakanaction. The actual song compositions do create some very unique vibes, but the moment that he starts singing, it all feels dissonant and messy. For some reason, I just cannot stand his voice! Maybe the dissonance is on purpose, or I just don’t appreciate some hidden nuance in the band. I’ve started getting into King Gnu and Queen Bee lately, who come off as better versions of sakanaction, and have more emphasis on rock.
I started with someone more obscure. But noooow, you’ll start seeing some actually popular people.
“How dare you hate MIYAVI, you curr!” you exclaim (assuming you’re a fan of his), “This man’s helped refugees from all over the world!” Sorry, but, the music’s got nothing to do with that. In all seriousness, I did want to love MIYAVI’s music really badly. He seems like a really good person, based on what he posts on his Twitter. But no matter how great of a person he is, I can’t enjoy his music.
MIYAVI’s music comes down to very basic groovy beats with a side of synthesizers, and an admittedly sick-sounding electric guitar. The production and mixing of the music makes it sound really bee-bopping and loud, but it’s neither of those things upon closer inspection. His music’s not the worst ever, though… not by a LONG shot.
3) Hikaru Utada
You might not know who this Utada person is as you read this post… until just now, when I told you that she’s done songs for Kingdom Hearts. “Oh, she’s that person who did that song! But… I love that song!”
Thing is, Utada’s apparently got more to her name than Kingdom Hearts. She’s got over three million Twitter followers for a reason! But I don’t know what those three million people see in her music that I don’t. Most of it is very slow and… slow? Boring, too. Nothing of what I heard from her ever stood out to me.
But if there’s one thing Utada does right, it’s the process of singing. She’s got a seriously lovely voice; deep and soothing. I was also told by an associate that she does all song composition, production, and mixing herself. If that’s true, then Utada does earn at least some respect from me.
I’m kind of cheating on this one, for Perfume was one of the first non-anime J-pop groups I ever tried to get into… like, eight years ago. I’m a different person than I was at that time, so I can’t authoritatively state how I’d feel about Perfume if I tried to listen to them now, especially since I only watched the official music videos then and didn’t have Apple Music. But based on what I remember, I can be DAMN sure that I would wholeheartedly dislike Perfume to this day.
Perfume is a chill techno group and that’s that. Their music is full of catchy beats and sci-fi atmospheres that I find to be very bleh for whatever reason. It’s not “ceaseless dribble”, but it’s not something that I’d particularly enjoy. There’s not really anything else I can say about them other than that.
1) Kyary Pamyu Pamyu
It’s one thing to not like an artist. But I cannot STAND when the marketing behind someone is a straight up lie! Kyary seems to be one of the most popular Japanese singers in the world, and I can only scratch my head in confusion.
One look at any of her album covers or music videos will likely elicit a reaction to the effect of, “Holy crap! This chick’s so wiggety-whackin’-weird! I love it!” There is a lot of… er… otherworlldly imagery associated with Kyary. It helps promote her content while also establishing an identity to make her stand out from the rabble.
But imagery is imagery, nothing more, nothing less. What I mean is… her music is the exact opposite of her image! To be fair, I only listened to half of Kyary’s best of album… but I felt like it was enough. Despite how “weird” she is, the music itself is mainstream. So disgustingly, by-the-book mainstream. The songs are basic, with simple, catchy beats and no variance. All of this is dressed up by her unusual choice of lyrics, as well as the production of the music videos.
Call me a hipster, but I also dislike Kyary because I’m jealous that she’s more popular than one of my favorite pop groups, Dempagumi.inc. Dempagumi is what Kyrary says she is; wild, eccentric pop music. As I mentioned in this post, Dempagumi addles with the brain’s pattern recognition by always switching up the tempo to constantly keep you on your toes. Kyary doesn’t do any of that crap! The only good version to come from her is nano’s cover of Ponponpon eight years ago (that video is still up by the way, highly recommend checking it out)!
I don’t want to be a troll. I went into listening to all of these artists with full intention of enjoying them. But I simply didn’t. What do you think about the people I introduced here? Do you enjoy them, and if so, why? You probably have found some way to appreciate them that I failed to notice. Who are your least favorite J-pop artists? Feedback is welcome!
Normally, I’d give an overly detailed recap of a previous LN volume at the start of these posts. But I goofed this time… I’m really sorry. “Well, just read it agai-” Ain’t nobody got time for that, least of all me! Basically, the important thing is that Holou is the Best Girl.
But I’m sure you’ll remember last volume’s cliffhanger ending. The one where Sora and Shiro get booted off the throne. Well, that wasn’t foreshadowing some ominous endgame arc, but the premise of this volume. A coup det’at occurred, and now they’re on the streets selling weird medicine.
Of course, this doesn’t stop them from happening upon cute girls. Today’s specimen is a female dwarf named Tilvilg. She’s not a particularly interesting character, but she’s cute, has white hair, and is a loli. This immediately sets off Shiro, and these two have one of the best interactions in the series. This volume also gives some backstory for Sora and Shiro, so that’s nice.
Anyways, Tilvilg comes with a message for Sora and Shiro to deliver a butt-ton of his drugs to the Dwarven nation, and they do so. Dwarven cities tend to be just underground factories with engineers, but the author bamboozles us again with No Game No Life‘s worldbuilding. I’m not going to spoil anything, of course, but just expect the usual creativeness of the series.
Spoiler alert, they end up having to play a game with the leader of the Dwarves. This game is, thankfully, a step back from all the multi-dimensional games-within-games and is just a simple robot beat-’em-up. But for some reason, the fight itself still manages to be confusing in it’s own way. For some reason, I just couldn’t get a handle on the sense of 3D space here. Maybe that’s the point? The author’s writing still has plenty of personality, but it seems to be lacking a sense of cohesion? I don’t know, maybe it’s just me.
This volume is No Game No Life as usual. There’s nothing else I can say really. However…
(Potential) Final Thoughts:
Whenever I had a series of LN-related posts, and I got to the final volume of the series, I planned to do a final thoughts section. Well, this volume is the newest volume of the series, period, which came out in Japan in 2018. Meaning, us LN readers who laughed at the anime-only fans for never having a season 2 are now in the same boat. In case NGNL becomes the Hunter X Hunter of light novels, I’ll give my potential final thoughts here.
I first declared that NGNL is my favorite light novel series of all time. I still love it, but these later volumes felt too mind-f***-y, even by the series’ own standards. Maybe the knowledge that the series is constantly on hiatus made me unable to enjoy it the closer I got to the newest release. But yeah, the hype kinda petered out a bit. It’s still a great series, but I’m kind biased towards series that are actually, you know, completed. There’s a chance that my runner-up, Konosuba, could snipe first, or a newer work, such as Otherside Picnic, could come out of left field and take it. Because of the current situation, I can’t recommend NGNL easily. But hey, it’s there if you want it.
I’ve seen a lot of unconventional ideas when it comes to subverting modern fantasy’s tired tropes, but… a shovel? Not at all inspired by a popular retro side-scrolling indie game *sarcasm*, The Invincible Shovel (published in English by Seven Seas), is even more absurd than it sounds. Let’s see if it’s enough to make it stand out.
The legendary miner, Alan, becomes incredibly powerful- and immortal- thanks to his handy shovel. When leaving to sell his latest haul, he encounters a girl who needs saving. She turns out to be Princess Lithisia of Rostir, a kingdom that’s been taken over by a demon. Since he has nothing better to do, he wields his shovel and sets forth to help her.
If you wanted any form of stakes or emotional tension, then click out of this review now, because Invincible Shovel won’t give you any of that. But it doesn’t need that crap, because Invincible Shovel is a comedy at its core, and this shows in its writing style. Everything is timed out very well when it comes to comic relief, and it’s very tongue-in-cheek about how BS the shovel’s power is. Most notably, Seven Seas tends to format light novels by left aligning all paragraphs, and inserting more space between paragraphs than individual lines. It’s actually made it difficult for me to enjoy other publications, like Reincarnated as a Sword, and Mushoku Tensei, as a result. But Invincible Shovel gets the okay because it’s just plain better than both of those aforementioned titles.
With a pretty simplistic plot, the bread and butter of Invincible Shovel ends up being it’s cast. While Alan is a pretty generic hero-guy, Lithisia ends up being Best Girl. She comes off as a typical girl who “falls for the hero guy,” but she does it in a funny way. She doesn’t fall in love with Alan; she deifies him. This results in her becoming a shovelophile, and turning her dialect and life choices into all things shovel… including, you know. Someone just created a new sexual innuendo.
Unfortunately, all the eggs seem to be in her basket. The other characters, like the Holy Knight Catria, and the elf girl Fioriel, basically exist to be astonished by Alan’s shoveling prowess, and to fall victim to Lithisia’s Shovelism.
Lastly, the art is pretty average as far as most LNs go. The cover art is the umpteenth instance of “character on white background”, and if it weren’t for the premise, this series would definitely not stand out.
Invincible Shovel has made a more than sufficient first impression. However, it shows signs of getting old fast. But hey, that hasn’t happened yet. So, for the time being, I’d recommend it for fans of Konosuba or Cautious Hero.
So, it’s St. Patrick’s Day, and I wanted to make a post that would fit the theme. Seven Seas says that this manga, called Nicola Traveling Around the Demons’ World, felt like a European children’s picture book. European folklore > Irish folklore > St. Patrick’s Day… that’s close enough, right?
In this manga, the titular Nicola is found in the middle of the Demon World by some dude named Simon. They then decide to travel together.
That’s it. That’s the whole premise.
Nicola is basically Yotsuba&! meets Somali and the Forest Guardian. It’s more like the latter, what with humans being discriminated from literally everything else in the world, but it has the much lighter tone of the former.
Each chapter is a short story, which usually involves antics between Nicola and Simon, and Nicola doing good deeds without even trying. It’s a very sweet and heartwarming manga, in a way that’s not as superficial as If It’s for my Daughter, I’d even Defeat a Demon Lord.
Since Nicola and Simon never stay in one place for too long, they end up being the only characters that show up consistently. Nicola isn’t anywhere near as much of a liability as Somali, plus she has the spunk of Yotsuba. Most notably, she can use magic, which is rare, but can only produce flowers.
If Nicola is Stan Laurel, then Simon is Oliver Hardy. He spends most of his time making sure she doesn’t do anything stupid, and that’s about it. He is a merchant of some kind, but his heart isn’t quite a golden idol, given the fact that he’s babysitting a kid with no pay.
The art is what makes Nicola very appealing. There’s hatching everywhere, and the characters are all very cartoony and expressive. It’s basically The Girl from the Other Side‘s general idea for a style, but used in a way that’s not as unsettling.
Current Verdict: 8/10
Nicola is no Yotsuba&!, but it’s definitely a good, cute read. It doesn’t have any fanservice, so even little kids can enjoy it. If you want a jolly fantasy romp, then join Nicola on her travels through the Demons’ World.
Last time on Log Horizon, a whole slew of people enjoyed their own beach filler episode. Meanwhile, Shiroe actually does something important and heads to the Ancient Court of Eternal Ice, a castle where the important people of Eastal, the League of Free Cities, meet to discuss political bullcrap. But first, ballroom dancing, and assorted conspiring! During all that, the twins do some combat training in the dungeon known as Forest Ragranda. While they barely manage to survive against some skeletons, Shiroe and his buddies end up… having to attend various social gatherings (disgusting!)! One night, while Akatsuki is having an existential crisis over being a loli, some Li Gan dude shows up to discuss matters with her and Shiroe. This guy is some kind of powerful Sage who knows about the different classes of magic, including some seriously OP classes that can change the entire world in a single use. The Catastrophe that caused the players to be stuck in this world is world-class magic, a World Fraction, and this is the third time it’s been used. The first one involved these alv princesses from long ago who attacked mankind as revenge for their people getting wrecked, but they died too. This caused the demihumans to pop into existence, and take the world by storm. Even after creating the first Ancients, humans have been driven into a corner. Right at the end of their rope, the Second World Fraction occurred, but there wasn’t enough material left to actually know what happened. But after that, the third one occurred… and here we are. Based on the time scaling, Shiroe realizes that the second World Fraction was at the time of the open beta for Elder Tales (and also, that dying can apparently cause people to lose some of their memories). Back in the forest, the kids discuss the natures of their abilities, and- poof!- finally understand the basics of playing a JRPG! And it shows too; for they have a kick-ass expedition the next day. Oh, and the people at the beach get attacked by fishmen. That’s what you get for having a fanservice-y filler episode!
In this volume, the fishmen quickly end up becoming a less vexing threat than anticipated, mainly because they’re accompanied by a massive army of goblins. This is an in-game event called The Return of the Goblin King. Basically, this volume is about taking out this threat.
But it’s not so easy, thanks to politics. The League of Eastal has no choice but to hire the people from Akiba to fight back the goblins, but it gets complicated for some reason. It’s something about “them just exploiting the Adventurers” or something. Based on this, it seems that Log Horizon is no exception when it comes to fantasy politics that waste time more than build the world of the story.
There’s good news and bad news with this. The good news is that we get more character development regarding that Raynesia girl and Krusty (whom I didn’t mention in the recap because I figured that she’d be written out of the series after this arc). The bad news is that it’s boring. Raynesia is your typical “sheltered girl who can’t do anything, but then she meets ‘the one’ and he shows her ‘a whole new world in shining shimmering splendor’ and she comes out of her shell”. It’s cool if you like romance, but it’s not even as remotely interesting as the one player/tian relationship in Infinite Dendrogram, because those people are actual A.I., as opposed to the People of the Earth, who are humans.
At the very least, the twins and their group are now more than capable of defending themselves. The goblin battles end up going way to smoothly in this volume. I get that it’s still early, but even DanMachi had more serious situations going by the fourth volume. Normally, I don’t care if there is low tension, but here it felt very boring to read through for whatever reason.
One issue I’ve been having is that Log Horizon doesn’t seem to be very good with giving its characters well-defined movepools. Sometimes, it feels like these characters have moves that they didn’t even have before. The writing is still wrought with exposition, and it’s getting to the point where it’s describing moves that have already been established, as if we were being shown it for the first time.
Back to the low tension topic, the biggest issue with the volume is at the end. Something occurs that doesn’t just ruin the tension of the arc, but ruins any sense of tension for the entire remainder of Log Horizon. As established previously, crafting-based classes can use real-world experience to make something that isn’t originally programmed to exist in Elder Tales. This includes steam-powered boats, and food that actually has taste. Minor spoiler: Shiroe makes something that completely rewrites the established rules of the world, which makes him eleventy times more Kirito-ish than before, and he was already leaning far toward that extreme at this point. Sure, it’s still “technically” following an established rule, but that rule now seems to serve toward justifying any number of Deus ex Machinas that could occur moving forward. Plus, it undermines the worldbuilding that served as Log Horizon’s greatest source of appeal.
Holy crap, these scores have been degrading over time. It’s now almost as low as my final score for Overlord… which I recently dropped. Things are not looking good on the horizon (no pun intended). Let’s see, the next volume’s called… Sunday in Akiba? Oh… that sounds like filler. Eff me.