Bonus Post: First Impressions of Sailor Moon Idol Group SG5

PREFACE: I know I don’t normally post on this day, but since this is just a short blurb, I’m doing it now. Think of it as a bonus!

I feel like America, Japan, and South Korea are a classic rom-com love triangle. America is the boy, whom everyone loves even though he isn’t that interesting. Japan is America’s childhood friend. She gave America anime, the most historically important advancements in videogaming of all time, and popular artists like Yoshiki, Boris, Hikaru Utada, and more; what cherished memories. South Korea, however, is bustier and just appeals to America way more for some reason. Thus, Japan seems doomed to be forgotten… However, she has recently had her redemption arc, and is ready to show America her convictions. 

Analogies aside, while BABYMETAL, Ado, and numerous V-tubers have made their way into the mainstream, Japan needs to fight K-pop idols with idols of its own. This is where SG5 comes in. This group is inspired by the popular Pretty Guardian Sailor Moon franchise, and are endorsed by its mangaka, Naoko Takeuchi. Their first ever gig was held at Anime Expo, America’s biggest anime convention, meaning that they are pulling out all the stops to go right for the States’ jugular. Now, after much waiting, they have officially released their first single. Here comes the million dollar question: Is SG5 actually any good?

Positives, they actually caught me off guard. ‘Firetruck’ is not a pop song; it’s a RAP song. Additionally, it sounded extremely and uncomfortably sexual for an idol group. I’ll give them props for sounding almost as cursed as Mili’s ‘Ocean Bby’, a feat I didn’t think an idol group could achieve or want to risk shooting for.

However, positives end there. The idols themselves lack personality with their voices, and it has an aggressively basic beat. More basic than my least favorite BABYMETAL song, even. Going off of this impression alone, I would rank SG5 as my least favorite Japanese music artist ever, only behind Kyary Pamyu Pamyu. Scratch that, it might actually be worse. FOR THE RECORD, I am open to good rap music. Mori Calliope does a great job incorporating rap into her music, for example. There’s also the amazing Raoul Kerr from Bloodywood, my potential new favorite band of all time. I’m also getting into a rap-infused metalcore band called Fate DeStroyed, and their music is great so far. In any case, I might enjoy SG5 more down the line, if they can prove to be more versatile; juggling genres and moods around like nobody’s business, similar to Ado and Mori Calliope.  

In any case, the biggest issue is the fact that the idol industry as a whole is still this big, considering how its corruption is common knowledge. Perfect Blue has made the industry’s exploitative nature and the psychosis of its fandom very clear, yet we continue to support it and continue poisoning the minds of teenagers (and horny adults) all across the globe. I still listen to my favorite idol groups with trepidation, because despite them being fully grown adults a lot of the time, they could still be suffering underneath those smiles. I have additional concerns with SG5’s safety if they continue to commit to the highly sexual nature shown in this song.

In conclusion, SG5 seems like a shallow new face that’s going to be hard-carried by pretty faces and a familiar brand slapped onto said faces (I can at least rest easy knowing I’m not alone in my opinion, at least from what I found on Reddit). I wish them success, but only as a means to an end; that end being putting Japan and South Korea’s industries on equal footing, as opposed to the one-sided slaughter that’s been in favor of the latter for over a decade. They are better off pushing for existing artists who already have international renown, even if idols are easier money. If you have thoughts on this… collection of music notes, please tell me. I’d actually like to be convinced that what I heard was great.

4 thoughts on “Bonus Post: First Impressions of Sailor Moon Idol Group SG5

  1. Man oh man, I have been waiting to read your thoughts since I do feel slightly responsible… but boy did we have two different opinions! How exciting!

    First off, that opening analogy is… oddly spot on? Like I completely see where you’re coming from with that and think it’s a really good opener.

    I will ask you to clarify one thing and that’s exactly where you’re getting the “highly sexual” connotation from the group? Like is it the lyrics? How the group presents itself? Something else? I had a very different interpretation (which I have a post about that I babble forever about the group coming up), and totally did not read this as sexual really at all. So if you could elaborate a bit more I’d be really interested in hearing about that.

    As for the song itself my mixed opinion is that I don’t hate it, but it’s not a favorite of mine. Especially given what I know these girls are capable of in their original groups, but I won’t shill you them here. It’s a unique debut that I don’t think anyone saw coming for better or worse, but certainly isn’t their strongest showing. I hope that their follow-up is significantly stronger, but have now better tempered my expectations for future releases.

    Liked by 1 person

    1. Thank you for reading my post and commenting, since I’ve been so curious about your thoughts on the group!

      To elaborate on why I thought they came off as sexual… To be honest, it was kind of a gut feeling. I wrote everything after that opener minutes after listening to the song. I mainly got that feeling from the inflection of the vocals, as well as what I presume to be the sound of the bass element. It’s a kind of bass you hear when going to certain adult clubs if you know what I mean.

      For context, I never heard these idols in their previous groups. I’ll take your word for it that they are talented and this isn’t them at 100%. I am still worried that SG5 will become divisive, as their producer has evidently dealt with big Western popstars, which could raise similar flags with the anime community’s concern of Western influence on Japanese culture. I will hope that future releases are better, but I don’t have high expectations. At the very least, I think they should’ve done an approach similar to Ado and given Vocaloid artists control instead.


      1. You’re most welcome! I’m trying to do better to comment more regularly but I’ve been having a lot of brain farts (type a full comment and then forget to hit post).

        Thanks so much for elaborating on that! Gut feelings are totally valid. I’m just so use to the vocal style as a ‘girl crush’ style of vocals (it’s popular in Kpop these days) that I was taken off guard a bit lol. But that totally makes sense since that style is well sexual in a way. And now that you brought up the bass… it’s for sure got a more club style to it. Which is probably why I like it since that’s my sort of music.

        Oh you absolutely don’t have to worry about additional context: SG5 should stand on their own as a unit. If they don’t hold up on their own, they simply don’t hold up. It’s probably not a good sign if I keep pointing out that they have other groups/history to defend them actually…

        And you bring up a really good point regrading their current producer. It’s something to be worried about since anime fans aren’t the most forgiving, and SG5 is already pretty devisive. Some of the comments on Youtube and Instagram are brutal… I’m with you on a wish they had a little more input like you mentioned with Ado, but that’s just not the current idol/pop group formula these days.

        Liked by 1 person

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