I’ve done at least eighty iterations of this post, because I keep finding new artists and my tastes keep getting more insane. Back in the day, I only liked music from Japan, but that’s changed… somewhat. Now it’s 20% Japan, 75% Europe, and 5% other, but that’s besides the point. Anyway, my older lists were outdated. Just for closure, here’s my real list. NOTE: Contains artists I have talked about before.
10) MYTH & ROID
My first ever exposure to modern music. If it wasn’t for this band, I would still be a classic rock boy. This progressive hard rock duo is everything you could ask for: heavy beats, heavy synth, and emotive female vocal work (with the latter courtesy of the talented Kihow). They’ve been pretty quiet though, with only sparse releases of singles and EPs. I don’t listen to them too often anymore, but I definitely keep my eyes trained on them.
My other first exposure to modern music. nano is an anything-goes bilingual hard rock soloist who has pumped bangers for over a decade. I remember when they hardly showed their face, and now… we just know what they look like. What a trooper. Anyway, nano’s music is simple with relatable lyrics, but it’s great stuff. Their talents have been wasted on openings for anime that the community never seems to care about, but whatcha gonna do. The fans still love nano nonetheless.
8) RAISE A SUILEN
I haven’t talked about this band in years, and that’s because I hadn’t listened to them in years! Of all the Bang Dream! outfits, they were the one I was obsessed with. However, I eventually fell out of love with them, mainly because right after their debut came out I had discovered Amaranthe, a band that’s been doing the same type of music for longer and better. However, as superior as a lot of bands are to RAS, it turns out I still love RAS all the same.
RAISE A SUILEN is Bang Dream!‘s heaviest band, standing right on the line that separates rock from metal. Just like Amaranthe and many others, they frequently use electronic elements to give their music extra zing. I honestly don’t know what my beef with them was… and honestly, I’ll cringe at myself if I go back to the old review of their full-length and find out. Feel free to bash my past self if you so choose!
I don’t talk about this experimental J-pop group too often, considering how much I love them; always have. This trio knows how to make any idea into a good one (even a cursed song like ‘Ocean Bby’). With moving piano playing accompanied by all forms of symphonic and electronic effects, and lyrical themes ranging from food to existential horror, Mili almost always delivers. They are a group that feels metal in terms of creativity, despite not sounding metal whatsoever. Of course, vocalist Cassie Wei brings the band’s weird lyrics to life; easily one of J-pop’s best and most underrated voices.
I’ve gushed about them many times and I’ll do it again, except with even more fervor than ever because they’ve gotten REALLY GOOD lately. BAND-MAID is considered hard rock, but they have a heaviness and aggression that sounds more like metal. They hit hard with an old-school feel, and it hurts so good. Also, vocalist Saiki Kasumi has an amazing singing voice.
Being a Lovebites fan was hard once upon a time, but fear not: they have a new bassist. Since their inception, Lovebites has put forth some amazing classic-style metal and power metal. Vocalist Asami has a powerful voice, but her English isn’t the best. Hopefully she’ll improve with time. Anyway, expect me to fan-gush over their first album with the current line-up when it drops later this year.
Apparently, this was my second ever metalcore band. While I felt like they had a rough start (although I might think differently now if I go back to the older stuff), they’ve gotten to the point where they hit hard with metal and meaty synthesizers to create futuristic heaviness. Vocalist Kenta Koie takes some getting used to, especially in the older stuff when his English wasn’t as good, but he definitely shows his capabilities soon enough. In case you’re still intimidated by those extreme vocals, Crossfaith does tend to incorporate more melodic stuff, giving them even more tools to work with. Unfortunately, they’ve seem to be on hiatus, question mark? They generally put out at least SOMETHING every year, even if it’s just a single, but they’ve been quiet lately.
Naturally, with Crossfaith being my second metalcore band, you might surmise that my FIRST metalcore band would ALSO be Japanese. That assumption is resoundingly correct! Only a certain popular Japanese metalcore band would give me my first exposure to extreme music…
3) Crystal Lake
You really thought I would actually like a POPULAR band? Well, believe it or not, I had a phase where I didn’t like PassCode at all (and now they’re THIS HIGH on the list). The irony is that—of all things—this niche alt-idol outfit truly is my first ever experience with metalcore! Additionally, the first unclean vocals I ever heard came from them. This band is basically why I had a history of underwhelm-ment with BABYMETAL; I found PassCode first.
My reason for not liking them was because their songs were so intricate at the time I first listened to them. Metal-virgin-me had figured that I didn’t like a song if I couldn’t commit it to memory in the first several listens. Now that I know that’s not the case, I eventually missed and returned to PassCode, more in love with them than ever. I wish I had never left, because the band has only grown, especially after 2020’s Strive (holy crap). Imagine Perfume but with metalcore (or you could just watch the video so you don’t have to imagine it at all).
Utsu-P is special for multiple reasons. One is that he churns out music like a factory, juggling his own solo career with a band AND producing for an idol group. Another reason he is special is because he’s hired an unusual assortment of vocalists… or should I say, Vocaloids. Oh, and did I mention that his music is heavy and chaotic djent metal?! That’s right, Hatsune Miku and her friends sing and even perform death growls in Utsu-P’s staggeringly large catalog of insanity. Right, and the final reason why Utsu-P is special is because his music is simply some of the best that Japan has got. He’d be in the number one spot, if it weren’t for…
1) Broken by the Scream
I’m sure you know of BABYMETAL: one of the—like—three globally, truly mainstream Japanese music artists, earning collabs with death metal icons like Alissa White-Gluz (actually she might be the only death metal icon to collab with them… for now), and having endorsements from veterans like Rob Zombie and the Metal God himself. If you know me, then you know that I find them to be… okay. Broken by the Scream is the same idea—Japanese idol pop with metal—but on steroids. BBTS takes it a step further, focusing exclusively on extreme metal elements. Connoisseurs of the current extreme music scene can easily recognize death metal, metalcore, and even deathcore in BBTS’ practically perfect cacophony of J-pop. It is the kind of chaos like when you boot up Katamari Damacy for the first time… every time I put them on, I am always boggled with how they managed to pull it off.
This went from having Dempagumi.inc and MYTH & ROID having top spots to only the latter being on the list at all. Hooray for metal. Anyway, Japan has amazing music; I don’t know why South Korea gets all the love now. In any case, this is the FINAL LIST. I will not update it even if I actually end up believing the positions need to change (which you won’t know regardless). If you like the embedded MVs—which I actually put in this post unlike the other lists—then check out the artists yourself!