RWBY Might Just be the Most Cynical Animated Program of All Time (Second Impressions, Volumes 1-8)

When I did my first review of Rooster Teeth’s RWBY, I watched the first five seasons and walked out of it pretty stoked to finish the series. It had flaws, but not enough for me to be leaning on the side of the series’ very loud critics. Now, as of being caught up with everyone else… I can finally say I am one of those critics. I touched upon my feelings regarding RWBY in my small dissertation on cynicism, but here, I will elaborate on my change of opinion in more detail.

In the world of RWBY, people rely on some magic junk called Dust, and that’s their only way to fight these monsters called Grimm. One night, a girl named Ruby Rose takes on some criminals with a crazy scythe-gun, and is sought out by Ozpin, the headmaster of Beacon Academy. He decides that “you’re a wizard, Ruby!” and instantly bumps her into the prestigious school, two years in advance. There, she meets three more color-coded girls (her older sister, a tsundere, and an emo girl) and they go on adventures together.

Like any show that’s entirely CG, RWBY takes a hot minute to get used to… especially the first season. The movements are janky and the backgrounds are dull. However, by the third or fourth season, the models get more polished, and the quality is substantially improved in all areas. Most importantly, they incorporate more of the subtle mannerisms that I actually give a crap about in animation as a whole. The fight scenes are also really appealing, even if they violate all forms of actual fight choreography, and have the camera swing like it’s attached to the end of a yo-yo.

The team at Rooster Teeth really understood what it takes to make a good battle shounen. The first two seasons are genuinely hilarious. The comedy is on point, and the spectacle-driven fight scenes really help sell the sense of fun that the show tries to provide. One of my favorite scenes was at the beginning of season two: an over-the-top, epic food fight in the school cafeteria. That scene really showed what a great gag shounen RWBY can be.

However, if you’re no stranger to shounen series, you know that RWBY wouldn’t be all about the LMAOnade forever. It happens to a lot of them, from Yuyu Hakusho to Dragon Ball. Around the halfway point of its third season, RWBY takes itself more seriously. MUCH more seriously. At the time, RWBY‘s original creator tragically passed away. And while I could just yell “They ruined Monty Oum’s legacy!”, I won’t do that because I don’t believe there was any documentation of what he actually wanted to do.

Fortunately, the show stays pretty consistent on committing to a more serious atmosphere, unlike series such as Re:ZERO. The plot does get more involved, but it maintains a relatively solid sense of cohesion, which is something that most shounen can’t do. With better animation, it’s much easier to take the show seriously because they actually have a good chunk of money to spend on it.

However, the transition isn’t made without a few bumps in the road. This is also common among shounen, but RWBY had it particularly rough. It didn’t just become a more involved version of what it already was; it tried to become a seinen. Seinen is a term used to describe manga and anime for mature audiences, and they tend to be everything that shounen is not. Taking a gag shounen and turning it into a seinen is literally like transforming an apple into an orange.

I sound like I’m just dissing it for being a genre change because it’s not goofy like it was before; a common criticism apparently. However, I’m someone who’s enjoyed something silly like Spy X Family about as much as something serious like Naoki Urasawa’s Monster. I’m not criticizing the change in RWBY because I’m not too big a fan of cynicism (even if that is a bit of a factor), but because it’s not… interesting. The story goes from novel to typical. It’s practically a generic YA fantasy with boring, ham-fisted social commentary on first-world problems. Oh, and the cherry on top is that any attempts at horror elements consist of predictable (but effective because eff the human mind) jumpscares. 

One example of this is the Faunus. They’re a race of animal people that are—surprise, surprise—harshly discriminated against. And, well, the symbolism with said discrimination is practically spoon-fed to you. They live on an island called Menagerie that segregates them from humans (Native American reservations),  they were used as slaves in the past (African slave trading), and there’s an anti-racism extremist group called the White Fang (oh, and by the way, Rooster Teeth didn’t predict the protests from two years ago because Black Lives Matter had already formed at this point). I mean, how much more ham can you pack into that fist of yours, Rooster Teeth?! I get that the issue of racism is important, but at this point in human society, what is the take-away of showcasing it for the billionth time (besides virtue signaling that is)?

No matter how awry the plot goes, what kept me going were the characters. And I’ll admit it: RWBY has a solid cast. To a point. The four girls are all likeable to some extent, plus they get genuine character development to boot. I liked Ruby the most because I tend to default to the “lovable idiot” trope of shounen protagonists. On the flipside, Blake ended up being my least favorite, because she does the most whining and brooding.

The side characters are a mixed bag. In my First Impressions, I stated that my favorite character was Ruby’s frequently-drunk uncle, Qrow (angstily misspelled of course). However, as the show went on, Qrow came off as less of the bad-ass old timer, and more of a Debbie Downer; the minute things don’t go the squad’s way, he’s all “We should give up and crap” and the girls have to pull a nakama power speech out of thin air to tell him otherwise (and don’t get me started on that “relationship” he has in the seventh season). My new favorite ended up being the underdog, Jaune. He literally begins the series being called “Vomit Boy”, but over the course of the story, he grows and matures into one of the best supports for Team RWBY. A kid named Oscar tags along as well, and while he starts out as baggage, he ends up growing into a man rather quickly.

Unfortunately, there are some less-than-remarkable folks on their team as well. Out of the main group, a stoic boy named Ren ended up on the bottom. He was pretty boring normally, and what little character development he has is covered in its entirety over the course of three episodes. And after that, the characters act like the experience never even happened. His companion, Nora, isn’t that much better. She’s likeable for the same reasons as Ruby; she’s ditzy and bouncy and fun, but it’s to the point where she basically is another Ruby. 

One of the worst is an android named Penny. You’re expected to fall in love with her as soon as you hear her first “Salutations!”, but remember that this is Rooster Teeth. They do that because she’s the punching bag of RWBY. She suffers to no end, being framed for crimes committed by the villains, discriminated against as an android, and even “killed” once in season three (before eventually being rebuilt of course). I’d feel bad for her, but RWBY sucked out any empathy I can have for anyone in it by this point. 

The following passage contains spoilers, because I can’t not bring up the squandered character arc of James Ironwood. He starts out as that gruff, military Mr. Magoo, but doesn’t return until the seventh season. By then, he has a slow descent into madness. At first, it’s compelling because there are necessary sacrifices to be made for an edge in the war against the Grimm. However, in between seasons seven and eight, someone didn’t get the memo that RWBY isn’t a shounen anymore. In the most recent season, Ironwood basically becomes Hitler, allowing for no fascinating moral debates; a decision that could’ve been made in part due to pandemic stress, and since it feels like all American media is politically charged these days.

And my disappointment doesn’t stop there. RWBY’s antagonists have the one-dimensionality of most shounen villains, but none of the appealing personality. The first antagonist introduced, a one Roman Torchwick, is a legitimately entertaining villain, but if you know anything about the first antagonist of a shounen, it’s that they don’t tend to last. A staple antagonist ends up being a woman named Cinder, and other than trying too hard to be sexy, she’s very boring with a really basic backstory that tries too hard to tie into the show’s uninteresting edgy fairytale symbolism. Cinder has minions in these two kids named Mercury and Emerald, and they have no personality other than owing their whole existences to Cinder because of their incredibly basic tragic backstories. Cinder reports to the main antagonist of the series, a witch named—get a load of how creative it is—Salem. She is also very boring; basically just Maleficent without any of the charisma. 

No shounen antagonist gets by with just three minions! In addition to Cinder and Co., Salem has three more cohorts… of lacking substance. In fact, I even forgot two of their names, and hereby designate them as Pedophile McSwordArtOnlineVillain, and Mustache. Those names are them in a nutshell, more-or-less. The third person, Hazel (henceforth known as Hazelnut), ended up being my favorite villain. He was just about as boring as the rest, but his voice actor’s performance was a hilarious to me. For some reason, American audiences seem to think that all male actors should speak in deep, gravelly voices. Hazelnut takes that mindset to such an extreme that I laugh every time he speaks! Oh, and for the record, all of the villains, except this umbrella lady named Neo, have the least interesting character designs in all of RWBY.

Current (Possibly Final) Verdict: 7/10

While I normally love hating popular things, I really didn’t want to do it to RWBY. To be honest, I think both its diehard fans and most toxic critics are in the wrong. However, in their defense, the way the series flops can catch you off guard if you’re not as familiar with battle shounen tropes as someone who’s seriously deep in the otaku hole. 

Unlike most battle shounens, however, I am particularly mad at RWBY for a unique reason. From the beginning, I could tell that Rooster Teeth weren’t “casuals” who watched Dragon Ball and the other internationally beloved anime. They really seemed to understand it on an intimate level. They should’ve seen how their favorite series drove themselves into the ground, and worked to avoid it. Maybe they could’ve taken inspiration from something like One Piece, which has only gotten better after twenty-plus years. But no, they followed the genre to the Nth degree. They didn’t only make the same mistakes; they did it with that distinctly American cynicism. 

To be clear, I am not mad at RWBY’s more serious arc because it’s darker. I’m mad at it because the ideas going into it become stale. They resort to contrived teen drama, smooth-brained judgements, and the writers being extremely arbitrary in various aspects of the story. After the tone shift, everything about RWBY feels meh. I. Stopped. Caring. 

RWBY, I just… don’t know. For what it was, it remained consistently cohesive and had great directing. But alas, it just didn’t feel like, well, anything. If you’re an adolescent teen, then you will probably think RWBY is the greatest thing ever, and you won’t even notice any of the mistakes it made. Otherwise… enter if you dare. Side effects include major depression and mood swings.

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