This was a spur-of-the-moment decision for me. Normally, I tend to have a bulk of blog posts ready to go well in advance. But at the start of this year, I really dropped the ball. I started a lot of reviews but had no intention to post until the respective series were finished, like The Owl House for instance. I decided to pick up Peach Boy Riverside for three reasons: it’s by the creator of Miss Kobayashi’s Dragon Maid (even if the artist is different), it’s getting an anime that I can hope to ride the hype of, and it’s about the legendary Momotaro… to an extent.
In Peach Boy Riverside, Princess Saltherine (henceforth known as Sally) wants to go on a journey, despite her overprotective dad. Fortunately, a pretty-boy named Mikoto shows up and sweeps her off her feet. The thing is that he’s someone who came from a peach, and killed a bunch of ogres (yes they localized the name “oni” for some reason).
Despite how shoujo the manga looks, Peach Boy Riverside ends up being very shounen, and surprisingly edgy. It’s pretty normal stuff for the most part, but when Mikoto gets serious, he gets all “SAO-villain-y” and has upside-down hearts in his eyes.
To be brutally honest, the manga up to what I’ve read has been a pretty typical shounen fantasy. It starts off with being completely aloof, then Sally is suddenly like “I’m going to end all racism!” The Momotaro aspect isn’t even evident, beyond the whole “boy who fights oni” thing. The world doesn’t feel defined enough to even tell if it’s an alternate Japan or a straight-up fantasy realm.
And, of course, I wasn’t particularly fond of the cast. Mikoto is the bread and butter of this thing, because pretty-boys are popular and he’s super strong. He is kind of an ass, which sets him apart from other men of his ilk, but that doesn’t make him any more remarkable. In addition to him is Sally, who is pretty much your typical power fantasy girl, and Frau, a bunny girl who’s basically one of those tragic waifus that you’re supposed to fry buckets for. Volume two introduces a female ogre who ends up being named Carrot after going through the whole shounen “from bad to good” thing, but so far, she’s merely been the peanut gallery.
The art, sadly, is not by Coolkyoushinja, but someone else who’s nowhere near as good. The manga has a very basic, standard look with very “stock”-looking character designs across the board. The action looks nice, but even that is outclassed by other series.
Current Verdict: 7.35/10
Peach Boy Riverside isn’t awful, but it’s not that engaging right now. Mikoto being a creep, and the unsubtle social commentary, are more-or-less what this manga is running on, and it could peter out at any moment. I recommend it if you like TenSura, since Mikoto is the same type of character as Rimuru.