In my review of the previous season of the Monogatari novels, I mostly praised its strange writing and its weird and complex characters, while showing disdain toward its slow-pacing and “smart-sounding” dialogue. But wow, this season is really where the series gets good.
I alluded to disliking Hanekawa in my previous review. So, naturally, I was DREADING a volume told from her perspective. Well, it turns out that I like her a lot more now. My problem with her last time wasn’t so much her personality as it was Araragi’s hero worship of her. Even when her tragic backstories and flaws came to light, he would unflinchingly maintain his preconceived image of her as Super Mary Sue 9000, and that made me resent her (and Araragi). But in HER head, we see a more down-to-earth and less pompous person than before.
She is, in some ways, a better narrator than Araragi. The volume’s shorter chapters provide more places for readers to stop and process plot developments. Plus, her proactiveness makes it so that she tries to solve the volume’s conflict, as opposed to Araragi, who had to wait for Memelord or Kaiki or whoever to exposition dump the issue onto his clueless face.
Oh boy. Araragi again. Well, fortunately, he at least learned some lessons from Hanekawa. The chapters are still shorter and he didn’t take QUITE as long to get to the actual plot.
It sure jumps the shark by suddenly introducing TIME TRAVEL out of nowhere. And similar to 99.99% of time travel mechanics, it falls into modern fantasy’s “make up random inconsistent crap just for whatever would help the narrative” schtick. Not even NISI can match Steins;Gate.
The biggest issue with this volume is its ending, as it builds up to an epic confrontation that ends almost instantly. However, the suspense and tension of the scenario are enough to make Kabuki arguably one of the best volumes of Monogatari up to this point.
I was told by my friend who’s been lending me this series that this is either their least favorite installment or widely considered to be the worst installment… I don’t quite remember. In fact, I properly remembered incorrectly, because this is not a bad volume at all!
It is, however- in good old NISIOISIN fashion- an unusual volume. Hana is the FINAL volume of the series, chronologically speaking. Starring Kanbaru for the first time, this volume is set after Araragi has graduated high school and moved to college. We get our first deep look at the weirdo as she tackles this volume’s conflict solo.
However, just because it’s not the worst or not bad, doesn’t mean it’s a straight-up masterpiece either. If actually read chronologically, this would’ve been a horrible way to “end” the series. Also, I don’t get the point of this examination of Kanbaru. Unlike with Hanekawa, where I actually started to view her differently as a person, I didn’t feel any differently about Kanbaru. Sure, we learn about an aspect of her past, but unlike with previously established characters, I didn’t understand what aspect of her insecurities was explored via this volume’s conflict. Maybe I brain-farted on this one or something.
Nonetheless, NISI made a good call publishing the finale when he did, instead of actually publishing it at the end. He saved himself from a lot of salt that way! Unfortunately, Araragi’s presence in this volume gives him plot armor for the rest of the series. Great!
Making her first appearance in what feels like forever, Nadeko takes the helm in the strangest installment in the series thus far. Did she always alternate between referring to herself with a lowercase “i” and her own name in the third person? I feel like I would’ve realized that sooner.
The premise is that she becomes possessed by a strange white snake, which is supposed to represent the guilt of her chopping up snakes back in the first arc. The theme seems to have something to do with how Nadeko is a horrible person who tries to victimize herself or something… I’m not quite sure. But regardless, Otori showcases just how much of a basket case she is!
A strange phenomenon threatens to engulf Araragi and the town, and it has something to do with Shinobu. The main appeal of Oni is the telling of Shinobu’s backstory with her previous thrall.
Unfortunately, her story is kind of boring. It doesn’t really give her any meaningful character development, and the dude doesn’t even have a name. Plus, like the troll that NISI is, no information in the backstory actually contributes to solving the conflict of the volume. This is probably my least favorite volume of the second season.
I presume this is originally meant to be the final published volume, for it is set around Araragi and Senjo’s graduation; the date that the final boss is meant to kill them, which is established in a previous volume of this season. It stars Kaiki, of all people, who is hired by Senjo to trick the person into sparing our two lovebirds.
It was a great call making Kaiki the narrator for this one. For one thing, his personality and world views are so eccentric and fresh that it makes him one of the best characters in the series. The other thing is that using him saves this volume from being utter ass. The whole thing is basically Kaiki talking to the final boss over and over again until he can tell them that Araragi and Senjo already died. But at this point, I was no stranger to NISI creating big buildup just to have it culminate in the most anticlimactic way possible.
Verdict (Average of All 6 Books): 8.45/10
Monogatari is still kicking butt. If all goes well, I should be posting the finale of this review series towards the end of this year or the start of 2021. Peace out!